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The Lead: This Week's Entertainment HighlightsThis week's entertainment landscape offers a diverse array of critically acclaimed shows and films, from hilarious comedies to chilling horror. Channel 4's "Make That Movie" stands out as one of the funniest shows of the year, while Netflix's "The Four Seasons" returns with a brilliant second season. Horror fans can explore the disturbing world of "Backrooms," while Marvel offers a stylish take with "Spider-Noir."TV Comedy Gold: Make That MovieChannel 4Summed up in a sentence Last One Laughing finalist delivers one of the funniest shows of the year, with this mockumentary about a director who makes awful films.What our reviewer said "So ostentatiously silly that it deserves to be paraded around the streets." Stuart HeritageRead the full reviewFurther reading "People are like: you're a crackpot": how Sam Campbell became comedy's oddball superstarNetflix Triumph: The Four Seasons ReturnsNetflixSummed up in a sentence Tina Fey triumphs again with the return of this comedy about a group of middle-aged friends who reunite during holidays throughout the year.What our reviewer said "Even more perspicacious, poignant and hilarious than the first." Chitra RamaswamyRead the full reviewMarvel's Stylish Take: Spider-NoirPrime VideoSummed up in a sentence In Marvel's witty homage to the hard-boiled films and fictions of the 40s – which can be watched in colour or black-and-white – Nicolas Cage plays Ben Reilly, who gave up being superhero "the Spider" five years ago.What our reviewer said "Everything is shot with style and confidence." Lucy ManganRead the full reviewFurther reading The life of PIs: the strange case of 2026's resurgence of hard-boiled detectivesHidden Gem: PoniesNow/Sky AtlanticSummed up in a sentence Emilia Clarke and Haley Lu Richardson have heaps of fun as two widows who become cold war spies in this espionage comedy-drama.What our reviewer said "It's a mashup of genres and tropes, but it is its own thing too – and an unexpected treat at that." Lucy ManganRead the full reviewHorror Innovation: BackroomsIn cinemas nowSummed up in a sentence A debut from 20-year-old director Kane Parsons that examines memory, reality and fear in an icily disturbing horror, in which Chiwetel Ejiofor accesses an infinite series of hidden rooms that all feel creepily askew.What our reviewer said "Backrooms progressively raises its game towards the big finish with jump scares, squirm scares and tiny shiver scares. There is real fascination in exploring this vast, invisible city state of fear." Peter BradshawRead the full reviewFurther reading Are you sitting uncomfortably? How Backrooms upended the horror movieMusic and Bromance: Power BalladIn cinemas nowSummed up in a sentence Nick Jonas and Paul Rudd star in a comedy of bromance and betrayal from Irish writer-director John Carney that brilliantly brings together Rudd's washed-up wedding singer and Jonas's insecure ex-boyband superstar.What our reviewer said "Power Ballad is about making it and dreaming big, about every busker never giving up on hopes of one day being mega. But as so often with Carney, it's about something else, usually left unacknowledged in movies about music or any sort of show business: the terrible binary of success and failure." Peter BradshawRead the full reviewUnexpected Pairing: TunerIn cinemas nowSummed up in a sentence Playing a piano tuner with super-sensitive hearing, Leo Woodall's relationship with Dustin Hoffman is a tender highlight in this safe-cracking thriller.What our reviewer said "What a pair they are; they are a real pleasure to watch in an easy, unforced drama that mixes romcom moments with a relaxed crime thriller. It's like the Safdie brothers in chill-out mode." Cath Clarke

The Lead: Arsenal's European QuestSince Arsenal's euphoric Premier League win last week, north London has been in a state of celebration. Now, with the Gunners poised to play in the Uefa Champions League final in Budapest, Gooner fever is spreading across the continent. Arsenal fans are embarking on extraordinary journeys to witness their team's first Champions League final appearance in 20 years, demonstrating the remarkable dedication of the club's supporters.The Travel Challenge: Trains, Planes and AutomobilesWith all 13 of Wizz Air's Budapest-bound flights from London sold out by Friday, and the last available ticket priced at £407 one way according to Skyscanner, Arsenal fans have become creative travelers. Darren Cornish, a 53-year-old IT manager from Hemel Hampstead, exemplifies this resourcefulness: "We'll get there by train, plane and automobiles," he said. After securing return flights to Linz, Austria for £150, he plans to take a three and a half hour train to Budapest on Saturday morning.Many fans are taking indirect routes through Vienna, Bratislava, Rome, and other European cities to avoid the exorbitant flight prices. Ben Boxhall and two friends from Essex flew to Kraków instead, paying £170 for return flights, then plan to catch a 5am bus to Budapest, arriving around midday. They haven't booked a hotel, intending to join thousands of fans at the Uefa meeting point before pulling an all-nighter and catching the first bus back.The Fan Experience: Generations of CelebrationThe journey to Budapest represents different things to different generations of Arsenal supporters. For younger fans like Ben Boxhall, 23, this is their first Premier League victory they can remember: "We were 18 months old when they won the league in 2004. This is the first one that we remember and celebrating with our parents and friends."Older fans like Neil Roberts, who has attended matches for 25 years, appreciate the rarity of this moment: "When you haven't had success for so long, when it does come around it's magical." This generational divide creates a unique atmosphere where older fans savor the moment while younger fans experience the thrill of success for the first time.The Financial Impact: Cost of Champions League GloryThe financial commitment from Arsenal supporters is substantial. While some fans found relatively affordable options like Cornish's £150 return flights to Austria, others are paying significantly more. Ollie Laurence, 23, knows "people who are paying north of a grand" on flights to get to Budapest. Ticket prices for the final itself are equally staggering, with some tickets reportedly available for around £2,500.This financial investment reflects the high stakes and emotional value of the occasion. For many fans, the cost is secondary to the opportunity to witness history, especially after a 20-year absence from the Champions League final.The Historical Context: A Free Hit at GloryArsenal's return to the Champions League final after two decades has created a unique psychological dynamic among supporters. With the Premier League title already secured, many fans view the final as a "free hit," as Darren Cornish explains: "This game is a free hit. If we lose, we've still got the premiership. If we win, it'll be the best thing ever. There's no pressure on these boys."This perspective contrasts with previous finals where the weight of expectation might have been heavier. The combination of already achieved success and the potential for a historic double has created an atmosphere of celebration rather than anxiety, allowing both players and fans to enjoy the occasion without the usual pressure of a must-win situation.

The Resurgence of Ebola in Central AfricaThe current outbreak in the Democratic Republic of Congo and Uganda represents a significant breach in regional containment efforts. Unlike previous years, this resurgence involves complex logistical challenges, including the movement of populations and the potential for cross-border transmission. The WHO's intervention highlights that the virus has adapted to evade standard containment protocols, forcing a re-evaluation of current safety measures.The Economic and Social Toll of a Global Health EmergencyDeclaring a Global Health Emergency triggers a cascade of international interventions, including emergency funding and medical supplies, but also imposes heavy economic costs on affected regions. The disruption to healthcare systems and trade routes in Central Africa creates a ripple effect that extends far beyond the immediate patient count. The financial burden of managing a cross-border outbreak often outweighs the cost of preventative measures, making rapid response critical.Shifting Dynamics in Global Health SecurityThis event underscores a growing vulnerability in global health infrastructure. The ability of the WHO to act swiftly highlights the importance of rapid response mechanisms, yet the persistence of the virus suggests that previous containment strategies may be insufficient against evolving viral strains. The situation in 2026 serves as a stark reminder that infectious diseases remain a persistent threat to global stability.Containment Challenges in 2026Looking ahead, the containment of this outbreak will likely depend on the success of international vaccination campaigns and the stabilization of local security conditions. Without decisive action, the risk of the virus spreading to urban centers remains a persistent threat to global stability. The coming months will determine whether the international community can contain the spread before it becomes a pandemic-level crisis.

Eight students were taken into custody on May 29, 2026 following a fatal fire that engulfed a dormitory at a Kenyan school, killing several occupants. The arrests mark a swift legal response to a tragedy that has shocked the nation. Fatal Dormitory Blaze Claims Lives at Kenyan School The fire erupted in the student residence, rapidly spreading due to the building's wooden structure and limited fire‑suppression systems. Emergency services arrived within minutes, but the blaze had already caused multiple fatalities and injuries. Arrests of Eight Students Spark Legal Scrutiny Eight students detained on suspicion of negligence, arson, or other related offenses. Implications for School Safety Standards in Kenya The incident has reignited debate over the adequacy of safety regulations in Kenyan educational facilities. Critics argue that overcrowded dormitories, outdated wiring, and insufficient fire exits contributed to the disaster. Potential Reforms and Future Oversight Government officials have pledged a review of school infrastructure standards and stricter enforcement of fire‑safety codes. Civil society groups are calling for independent audits of all boarding schools to prevent similar tragedies.

The Lead The World Health Organization (WHO) chief has embarked on a critical visit to the Democratic Republic of Congo (DRC) as the region grapples with an ongoing Ebola crisis. WHO's Response to the Ebola Outbreak The WHO Director-General's visit underscores the organization's commitment to supporting the DRC in its fight against the Ebola outbreak. The WHO has been working closely with local health authorities to contain the spread of the disease. The Current Situation in DRC The Ebola outbreak in the DRC has presented significant challenges, including insecurity in the affected areas and the risk of the virus spreading to neighboring countries. The WHO's visit aims to bolster the response efforts and ensure a coordinated approach to tackling the crisis. The Impact on Global Health The Ebola crisis in the DRC has implications for global health security, highlighting the need for continued vigilance and cooperation among nations to prevent the spread of infectious diseases. Future Outlook The WHO's efforts, in collaboration with local and international partners, are crucial in controlling the outbreak and preventing future health crises. The organization's visit to the DRC is a significant step towards achieving this goal.

The Rise of Heated Rivalry: From Canadian TV to NYC StageWalking into the Culture Club in West Chelsea, New York, for a performance of Heated Rivalry: The Unauthorized Musical Parody last week, I was met by three ghosts left over from when the space was called the McKittrick hotel and it hosted the immersive spookfest, Sleep No More. The first was the phantom of clever detail: cans of Athletic IPAs for sale, a cute, non-alcoholic nod to the mega-popular series' hockey setting. The second was of unnerving fright, as I realized there would be no booze at this singing satire. Would I be able to make it through 90 minutes of jokes about an overexposed Canadian gay sports romance, with zero quality guarantee and an even lower blood alcohol concentration? At least at the downtown premiere of the popular parody Titanique, long before it proved itself worthy of a handful of Tony nominations, you could stand up and order a bucket of White Claws.But then the third specter materialized, the ghost of immersion and surrender, as this very funny production completely won me over. (I've since learned that a liquor license is forthcoming.) Heated Rivalry, for the uninitiated, is a television show adapted from a series of gay romance novels by Rachel Reid, a straight woman who unwittingly launched a thousand discussions about who gets to be horny over whom, how and when. Fans of the books petitioned for a wider release of the show produced for the Canadian streamer Crave, last November and, some six months later, its formerly unknown stars Connor Storrie and Hudson Williams are in easy contention for the most photographed people alive. Heated Rivalry: The Unauthorized Musical Parody is the latest addition to New York City's musical parody cottage industry, which has led me to a theater lobby where a woman in a branded hockey jersey is telling the stranger next to her that she's seen the series "probably not as many times as you think, but still a lot".The Unauthorized Musical: A Masterclass in ParodyThere was a communal giddiness as everyone filed into the unassuming performance space, where less than 200 folding chairs were arranged around a small stage. Super-fans were giddy that their dreams were coming true, and the more reserved types, perhaps blushing at what they deemed beneath them, were still clearly enjoying themselves. I liked the TV show just fine, a bit underwhelmed at what was broadly discussed as "softcore smut" but felt more in line with the twee "naughtiness" of the romance world. I had worried a musical parody put together in a few months would be a cash-grab; plain fan service for those who can't get enough of those six novels or episodes, not jabbing at the culture so much as stroking its ego. Impressively, as written by Dylan MarcAurele and directed by Alan Kliffer, it satisfies all three camps.Framing is everything, and this romp begins with a faux earnest number, à la Waitress, where three suburban Susans detail their newfound pastime: putting their husbands to bed with some iPad time, knocking back an "Ambien margarita" and reveling in their favorite televised "boy aquarium". From there, "Main Susan" (Ryann Redmond, glorious) recaps the years-long flirtation between the feuding players, innocent Japanese-Canadian "Shane Hollander" (Jimin Moon) and brusque Russian "Ilya Rozanov" (Jay Armstrong Johnson).The obligatory double entendres (a song titled Shane Hollander, Slap that Stick! or a line, by Shane's mom, about the "heavy load" her obviously gay son carries) are expertly delivered right between earnestness and tongue-in-cheek, but it's MarcAurele's ability to mock the story's sillier elements that clinched it for me. Shane, whose thumb-twiddling submissiveness often grated me in the TV show, is played by Moon as a dopey bottom with a hopeless romantic complex. What the series plays out as a forbidden romance writ epic across timelines and borders, MarcAurele presents as Shane's borderline delusion in dealing with an uncaring dom for years on end. "I keep replaying things he said," Shane beams after a hookup, "like, 'Ass up, little whore.'" The score's best number, certainly the one best primed for cabaret nights anywhere, is Liza Minnelli's Maybe This Time send-up where Shane croons, "This fuck felt different from the last fuck. This fuck, he asked if I would stay."If reading that inspires eyerolls – totally – Moon (and the rest of the cast, which includes Cherry Torres and Ryan Duncan) are so winning in their deliveries, so in on the joke without reducing their project into one, that it's impossible to resist. As the icy-hot Ilya, Johnson has the less showy role and plays it mostly straight, which makes his song about an outcast childhood made tragic by his impossibly "big ass, cold heart" that much funnier. And, well, let's face it: Johnson and Moon are sexy as hell, and charming to boot. Kliffer's inventive staging, with choreography by Brooke and Tiffany Engen on a resourceful set by Sully Ross, goes long on bunny-hopping glee.The Off-Broadway Parody Boom: A New RenaissanceThe Canadian Kliffer, previously artistic director of famed improv spots like Second City and Asylum NYC, where he helped launch Titanique's improbable boom, later told me that these parodies rarely come together with such speed, let alone quality. He'd loved MarcAurele's Pop Off, Michelangelo! in London and M3gan spoof stateside, and had just bought into Heated Rivalry, courtesy of its amorously optimistic fifth episode, when the writer texted him with the idea. The resulting work fits attractively between the out-and-out bawdiness of the Titanic send-up and the relentless Millennial nostalgia of Ginger Twinsies, which parodied the 90s Parent Trap remake last summer, and Kliffer notes that this very queer, very funny moment downtown – which also includes Cole Escola's Oh, Mary! – points to "a little bit of an Off-Broadway renaissance."This particular renaissance seems to be defined by parodies that are loving but not saccharine, willing to mock their source material while still celebrating what made it appealing in the first place. The success of these shows suggests a hunger for theater that doesn't take itself too seriously but still delivers genuine theatrical craft. In a city where Broadway ticket prices can be prohibitive, these intimate, affordable productions offer a different kind of theatrical experience – one that feels more accessible and immediate.Cultural Impact: Beyond the ParodyHeated Rivalry exists at the intersection of several cultural conversations. The original series, based on novels by Rachel Reid, sparked discussions about who gets to tell LGBTQ+ stories and how those stories should be represented. The parody doesn't shy away from these questions but instead uses humor to explore them. By exaggerating certain elements of the original series, the musical actually highlights what made it compelling in the first place.The show also represents the growing visibility of LGBTQ+ stories in mainstream entertainment. What began as niche content has become a cultural phenomenon, with the original series gaining international attention and its stars becoming unlikely celebrities. The musical parody capitalizes on this popularity while simultaneously commenting on it, creating a meta-narrative that appeals to both fans and newcomers.Moreover, the success of Heated Rivalry reflects a broader trend in entertainment where audiences are increasingly drawn to content that acknowledges and plays with its own artificiality. In an era of heightened awareness about media consumption, audiences seem to appreciate works that don't pretend to be anything other than what they are – crafted, performed, and enjoyed.The Future of Parody Theater: What's Next?As the Off-Broadway scene continues to evolve with these clever parodies, we can expect to see more adaptations of popular TV shows and movies hitting the small stage. The success of Heated Rivalry, following in the footsteps of Titanique and other parody hits, suggests that there's a sustainable market for this type of entertainment.What's particularly interesting is how these parodies are pushing the boundaries of traditional musical theater. They're more immediate, more self-aware, and more willing to break the fourth wall than many conventional productions. This approach seems to resonate with younger audiences who are accustomed to interactive media and meta-commentary.Looking ahead, we might see parodies of other recent cultural phenomena – perhaps streaming hits, viral social media trends, or even political events. The key to success, as demonstrated by Heated Rivalry, will be balancing genuine affection for the source material with sharp, intelligent humor that offers something new to the conversation.

The LeadUganda has taken decisive action by closing its border with the Democratic Republic of Congo (DRC) in an effort to contain the escalating Ebola outbreak. This preventive measure reflects growing concerns about the potential cross-border transmission of the deadly virus in the region.Border Closure as Emergency ResponseThe Ugandan government implemented the border closure after confirming multiple cases of Ebola in neighboring DRC. Health officials have established screening points at all border crossings to monitor travelers for symptoms of the disease. This move comes as part of a broader strategy to prevent the virus from spreading into Uganda, which has previously experienced Ebola outbreaks and has robust protocols in place.Regional Health ImplicationsThe closure of this critical border crossing between Uganda and DRC has significant implications for trade, travel, and healthcare coordination in the region. The move highlights the challenges faced by African nations in balancing public health emergencies with economic necessities. International health organizations, including the World Health Organization (WHO), are closely monitoring the situation and providing support to both nations.Future Outlook and Prevention EffortsHealth experts predict that while the border closure may temporarily reduce transmission risks, long-term containment requires coordinated regional efforts. Uganda's proactive approach sets a precedent for neighboring countries in managing infectious disease threats. The situation underscores the importance of cross-border collaboration and investment in healthcare infrastructure to prevent future outbreaks in the region.

The New Defense Measure Russian lawmakers have passed a bill to allow trained bank employees to shoot down Ukrainian drones amid an increase in the number of attacks. The draft legislation, which would see banks across Russia install electronic jamming systems while selected employees would shoot down incoming unmanned aircraft, passed in its third and final reading in the lower house Duma on Tuesday, according to the state-run TASS news agency. Protecting Bank Facilities The bill says the legislation is needed to protect Bank of Russia facilities, including those located in the new constituent entities of the Russian Federation – referring to the four eastern Ukrainian regions that Moscow has announced it has annexed despite not controlling them fully – amid the increasing number of sabotage and terrorist attacks. Implementation and Concerns Under the plan, banks would finance the installation of the equipment on their premises. With banks in almost every town, their incorporation into Russia’s air defences could help expand its cover. However, the plan has raised questions about how such a project would work, and it deviates from Putin’s efforts to shield Russians from feeling the consequences of the February 2022 invasion on their daily lives. Drone Defence Struggle Russia is increasingly struggling to protect its large landmass from a growing number of attacks by increasingly sophisticated Ukrainian long-range drones. As the intensity and depth of Ukrainian drone attacks have increased, Russian authorities have encouraged businesses to contribute to protective measures.

The Explicit RoleNot many actors are relieved when they have to film an eye-poppingly explicit sex scene, but that was the case with Jamie Bell on Half Man. His role involved chemsex in saunas, dogging in car parks and illicit quickies in library loos. "Honestly, I was so grateful to be shooting that stuff and not fucking 16-page dialogue scenes, where you're emoting and it's so intense," says Bell. "On days when my character had to have sex with random people, I'd think: 'Thank God!' Frankly, it came as a welcome reprieve."The Creative PartnershipRichard Gadd's first TV show since the Emmy-gobbling global Netflix hit Baby Reindeer, Half Man chronicles the combustible, codependent relationship between two "brothers from another lover". Niall (Bell) is bookish, bullied and closeted. Ruben (Gadd) is the swaggeringly violent ex-con son of his mother's girlfriend. The six-part drama – which reaches its devastating finale next week – traces the inseparable duo's toxic relationship across three decades.The role of Niall was written specifically for Bell. "I didn't realise that when I initially read the scripts," says Bell. "But later, when I met Richard in Los Angeles to discuss it, he said he wrote it with me in mind. I was incredibly flattered … It's a sensory experience reading Richard's material. He truly takes you to those places in your own life. It probes experiences you've kept hidden away somewhere and chosen to forget."Character ComplexityHe was drawn to his Half Man character's complexity. "I thought: 'Woah, this man is on such a destructive downward spiral …' He's got everything he wanted in life but still can't accept who he is. Niall is living as several different people and he's not comfortable with any of them."Bell really empathised with gentle Niall being drawn to such an aggressive alpha male. "Ruben is this disaster of a man. A bull in a china shop, destroying everything and everyone in his wake. Why doesn't Niall step away? Partly self-preservation. Niall feels vulnerable whereas Ruben is intimidatingly powerful. He can be Niall's protector. People fear him. Because of that, Niall latches on to him almost parasitically. Ruben becomes his life support system. I understood that 100%."I grew up in an all-female household and did ballet, so I used to attach myself to tough, troubled guys too. Not my kind of crowd at all but I'd rather have them on my team than not."Themes of Toxic MasculinityNiall struggles with his sexuality to the extent that he undergoes conversion therapy. As a straight man, Bell felt an acute sense of responsibility portraying that. "It's the centre of the character," he says. "The basis of all his issues. I took that very seriously. Niall's self-hate goes beyond shame or societal pressure. Somehow, his own sexuality doesn't sit right within his worldview. That, to me, is beyond sad. 'Be yourself' is the simplest advice yet at times, the hardest to adhere to." As a result of his turmoil, Niall goes to some dark places sexually. "Because of his repression, everything is guarded and hidden. That becomes the excitement. It's an addiction. He gets a kick from dangerous sex."With its portrayal of male rage and damaged antiheroes, Half Man taps into debates about toxic masculinity. Does Bell believe his gender is in crisis? "Look at who are the majority transgressors in this world," he says. "It's men, on all fronts – not just misogyny but conflict, crime, everything. It's important to shine a light on that. The conversation is ongoing. Hopefully this show adds something."The ImpactIt's no-holds-barred TV, full of sex, violence and gut-punch plot twists. "It's a brutal, beastly thing that Richard has created," says Bell. "I'd be lying if I said it was easy or fun to make." Yet the show represents a significant moment in television, pushing boundaries in its depiction of complex male relationships and sexuality. Bell's performance as Niall, combined with Gadd's writing and performance as Ruben, creates a character study that resonates with contemporary discussions about identity, self-acceptance, and the destructive patterns that can emerge from unresolved trauma.