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The LeadClickHouse has achieved significant financial growth, crossing $250 million in annualized revenue run rate, which represents a tripling of its business from the previous year. The database company is now positioning itself for an initial public offering within the next few years, signaling confidence in its market position and technology.Revenue Milestone and Growth TrajectoryAccording to Yury Izrailevsky, co-founder and president of product and technology at ClickHouse, the company has successfully reached a $250 million annualized revenue run rate, marking substantial growth from the previous year. Izrailevsky has indicated that the company expects this figure to reach the high-nine digits by the end of the current year, demonstrating an aggressive growth trajectory.Financial Valuation and Market PositionIn January, ClickHouse was valued at $15 billion following a $400 million Series D funding round led by Dragoneer Investment Group. This valuation implies a steep multiple of over 60x annualized revenue, indicating strong investor confidence in the company's technology and market potential. The company has attracted over 4,000 customers, including major tech firms like Anthropic, Meta, Capital One, and Decagon.Strategic Moves Toward Public MarketsThe fast revenue growth and premium valuation position the less-than-five-year-old company for an IPO within the next few years. Last fall, ClickHouse hired Jimmy Sexton, who previously ran investor relations at Snowflake (one of ClickHouse's main competitors), as chief financial officer. This hiring is often viewed as a clear signal that a company is preparing for public markets. Additionally, the company has already acquired six startups, including Langfuse, which helps developers track and evaluate AI agent performance.Future Outlook and Expansion StrategyClickHouse plans to remain acquisitive, looking to scoop up "relatively young, but showing very promising technology" startups, typically open source, that complement its core product suite. The company's open source database is designed to process the massive datasets required by AI agents, and it generates revenue by selling managed cloud services. Izrailevsky claimed that this commercial offering ultimately costs clients less than self-managing the open source version. As the IPO window is expected to be flung wide open by SpaceX's historic June debut, followed by highly anticipated listings from OpenAI and Anthropic later this year, ClickHouse joins a small but growing list of tech startups signaling plans to go public.

The Lead: ClickHouse's Meteoric RiseDatabase provider ClickHouse has crossed $250 million in annualized revenue run rate, tripling its business from last year, signaling strong momentum as it prepares for a potential IPO. The company, which spun out from Russian tech giant Yandex in 2021, is positioning itself for public markets within the next few years.The Event Details: Revenue Milestone and Growth TrajectoryAccording to Yury Izrailevsky, co-founder and president of product and technology at ClickHouse, the company has achieved significant financial growth with its annualized revenue reaching $250 million. Izrailevsky expects this figure to reach the high nine digits by the end of the year. The company's open-source database is specifically designed to process the massive datasets required by AI agents, with revenue generated through managed cloud services.The Data Analysis: Premium Valuation and Market PositionClickHouse was valued at $15 billion in January following a $400 million Series D funding round led by Dragoneer Investment Group. This valuation implies a steep forward multiple of over 60 times annualized revenue, indicating strong investor confidence in the company's growth prospects. The company has attracted over 4,000 customers, including major players like Anthropic, Meta, Capital One, and Decagon.The Impact Analysis: Shifting Database Landscape for AIClickHouse's rapid growth reflects the increasing demand for specialized database solutions that can handle AI workloads. The company's strategy of combining open-source technology with premium managed services has proven effective, with Izrailevsky noting that their commercial offering ultimately costs clients less than self-managing the open-source version. This approach has positioned ClickHouse as a key player in the database market, particularly for AI applications.The Prediction: IPO Path and Future ExpansionWith its strong revenue growth and premium valuation, ClickHouse is well-positioned for an IPO within the next few years. The company has already taken steps toward public markets by hiring Jimmy Sexton, former head of investor relations at Snowflake, as chief financial officer. Additionally, ClickHouse has acquired six startups, including Langfuse, and plans to remain acquisitive, targeting "relatively young, but showing very promising technology" startups that complement its core product suite. The company joins a growing list of tech startups preparing for public offerings, potentially benefiting from an expected IPO window opened by SpaceX's historic debut and anticipated listings from OpenAI and Anthropic.

The UFC Event on the White House Lawn Crews are erecting an octagon-shaped cage on the South Lawn of the White House that will host next month’s Ultimate Fighting Championship (UFC) bout, marking the nation’s 250th anniversary and President Donald Trump’s 80th birthday. Event Details and Construction Online renderings depict what the completed, wire-mesh-fence-ringed fight space is expected to look like before the June 14 event. It will be ringed by a red, white and blue stage under a towering arch featuring stars-and-stripes patterns and two large screens showing the action live. The cage and stage will themselves be surrounded by thousands of temporary seats, including ringside space for a full marching band that can set the entire scene to blaring music. Significance and Additional Events The project is part of a series of events celebrating the semiquincentennial of the Declaration of Independence’s signing on July 4, 1776. Other planned functions include an IndyCar race that will pass by the White House and the Great American State Fair taking place on the National Mall. Trump has said the finished UFC project will feature “a 5,000-seat arena right outside the front door of the White House”. Logistics and Ticket Demand Additional large screens broadcasting the fights will be set up in a park at the nearby Ellipse, and the UFC has said it plans to issue as many as 85,000 free tickets to accommodate spectators at both locations. “I have never seen anybody want anything so much as people want those tickets,” Trump said recently of demand to attend the UFC fight, adding, “That’s gonna be something.” Criticism and Other Projects The card has been panned by fans online as underwhelming, featuring just two championship fights. Brazil’s Alex Pereira will meet France’s Ciryl Gane for the interim UFC heavyweight title. Then, Spanish-Georgian lightweight champion Ilia Topuria takes on interim champ Justin Gaethje, one of just two Americans who currently hold even a share of the UFC’s 11 championship belts. The octagon and surrounding structures are the latest project in the White House building boom Trump is leading.

Iran’s star forward Sardar Azmoun will miss the 2026 World Cup after being left out of the preliminary squad, a move tied to his outspoken social‑media posts and a controversial meeting with the ruler of the United Arab Emirates. The exclusion has ignited a heated debate across the country, pitting football fans against political authorities.Azmoun’s Omission from Iran’s World Cup Squad Amid Political TensionsThe Iran Football Federation announced that the 31‑year‑old striker, who plays for Shabab Al‑Ahli in the United Arab Emirates, is not part of the provisional list for the tournament in the United States. Coach Amir Ghalenoei cited “technical reasons” for the decision, but the timing coincides with:Azmoun’s Instagram post condemning the killing of Iranian women after the Mahsa Amini protests.A photo of him meeting Mohammed bin Rashid al‑Maktoum, a figure Tehran labels an antagonist.Public statements from the Iran Revolutionary Guard calling his actions “cooperation with Iran’s enemies.”Numbers Behind the Controversy: Goals, Caps, and Squad SizeAzmoun’s on‑field record underscores the sporting cost of his exclusion:57 goals in 91 appearances for the national team.He is the second‑most‑capped forward after Mehdi Taremi.At 31 years old, he remains one of Asia’s most experienced strikers.Iran’s provisional squad contains 26 players, leaving no room for a late‑season recall.Political Fallout: Social Media Statements and Government ReactionsThe episode has polarized Iranian society:TV pundit Mohammed Misaghi called Azmoun “unworthy of the national jersey.”Vice‑president Abdolkarim Hosseinzadeh urged the federation to reconsider, emphasizing national unity.The Revolutionary Guard’s Telegram post labeled Azmoun’s silence on “American and Zionist attacks” as betrayal.Meanwhile, Iran’s training camp has been moved from Tucson, Arizona, to Tijuana, Mexico, amid ongoing visa uncertainties for the team’s travel to the United States.Implications for Iran’s World Cup Campaign and Regional FootballExcluding a player of Azmoun’s caliber could affect Iran’s attacking options against New Zealand, Belgium, and Egypt. The decision also highlights the growing entanglement of sport and state politics, potentially influencing:Team morale and public support.International perception of Iran’s willingness to separate politics from sport.Future selection policies for players who voice dissent.Possible Paths Forward: Reinstatement or Continued ExclusionTwo scenarios loom:Reinstatement: If Ghalenoei yields to political pressure, Azmoun could be added before the final squad deadline, bolstering Iran’s attack.Continued exclusion: The coach may stick to his technical rationale, forcing Iran to rely on younger forwards and risking a less experienced lineup.Regardless of the outcome, Azmoun’s case underscores the delicate balance between athletic merit and political loyalty in Iranian football.

The Escalation in Southern LebanonAt least three people have been killed in Israeli air attacks on vehicles in southern Lebanon, the country's National News Agency (NNA) reported, as the Israeli military issued new forced displacement orders for residents in the south. Israeli drone attacks targeting three vehicles on the Kafr Rumman-Jarmaq highway and the Jarmaq-Khardali road in the Nabatieh area early on Monday killed three people, NNA reported.Mass Evacuation Orders IssuedLater, Israel ordered residents of 10 villages to evacuate their homes before expected strikes. Citing "Hezbollah's violation of the ceasefire agreement", the military's Arabic-language spokesman, Colonel Avichai Adraee, said in a social media post that the Israeli forces "are compelled to operate against it with force", as he listed the names of the villages, mostly in southern Lebanon."For your safety, you must evacuate your homes immediately and move at least 1,000 metres away from these towns and villages to open areas."Continued Israeli Military OperationsIn the southern city of Tyre, an Israeli attack destroyed two homes in the Arzoun municipality, NNA reported, adding that rescue teams were on site to evacuate the injured. Israeli forces also struck the towns of al-Mansouri, Siddiqin, Zibqin, Qlayaa, Yohmor al-Shaqif, Zawtar al-Sharqiyah and al-Haniya.Reporting from Beirut, Al Jazeera's Zeina Khodr said Israeli drones were hovering over the Lebanese capital for the second consecutive day. "Nonstop buzzing of Israeli drones over central Beirut and the capital's southern suburbs ... flying at low altitude," she said.Rising Casualties Despite CeasefireMore than 3,000 people have been killed since the fighting between Israel and the Lebanese armed group Hezbollah resumed on March 2, according to the Ministry of Public Health. The Israeli military said on Monday that one of its soldiers was killed in southern Lebanon amid continued hostilities and ongoing clashes with Hezbollah. Another soldier was wounded in the incident, the military said in a statement. According to Israeli media reports, the casualties resulted from a Hezbollah drone attack.A total of 23 Israeli soldiers have been killed in the conflict, along with a civilian contractor, since hostilities resumed.Failed Ceasefire and Diplomatic EffortsDespite a US-mediated "ceasefire" that took effect on April 17 and was later extended into early July, Israeli military operations in southern Lebanon and Beirut have continued. Lebanon and Israel began landmark US-brokered talks last month and are preparing for a fourth round in early June, preceded by a meeting between military delegations at the Pentagon on May 29.Lebanon's Non-Negotiable DemandLebanese President Joseph Aoun said on Monday that Israel's withdrawal from the country was a "non-negotiable" demand that authorities would pursue through negotiations, days before another round of talks in Washington, DC. In a statement commemorating Israeli forces' withdrawal from Lebanon in 2000 after some two decades of occupation, Aoun said, "This year, the anniversary of the liberation comes as Lebanon is weighed down by a painful reality.""Israeli attacks have not stopped, and our dear southern villages are still suffering under a renewed occupation," he said.Hezbollah's Position and Regional ImplicationsHezbollah chief Naim Qassem on Sunday reiterated his opposition to direct talks with Israel and his group's refusal to disarm. "If this government is incapable of guaranteeing sovereignty, it should go," Qassem said. "Where is the sovereignty if America runs the cogs of the Lebanese state?"Meanwhile, Iran's Ministry of Foreign Affairs spokesman Esmaeil Baghaei said negotiations between Washington and Tehran aimed at ending the US-Israel war on Iran were also focused on ending the war in Lebanon.

The Frozen Silence of DhorpatanThe documentary 'No Winter Holidays' presents a haunting portrait of female companionship set against the unforgiving backdrop of Nepal's western highlands. Directed by Rajan Kathet and Sunir Pandey, the film captures the stark beauty of the Dhorpatan valley during winter, a time when most inhabitants migrate south, leaving only two elderly caretakers behind.A Portrait of Female Companionship in IsolationThe narrative centers on Ratima and Kalima, two widows who share a complex history as former romantic rivals. The film juxtaposes their contrasting temperaments: the jaded, alcohol-soaked Ratima and the sunny, nurturing Kalima. Despite their past conflicts, they now share a sisterly bond, caring for one another in an abandoned village.Ratima: The older caretaker, defined by regret and a haze of alcohol.Kalima: The younger caretaker, known for her sunny disposition and affection for livestock.Cinematography vs. Emotional DepthWhile the film is lauded for its breathtaking cinematography—observing the geographical contours of the valley from frozen slumber to springtime awakening—the review suggests a slight imbalance. The stunning visuals occasionally distract from the emotional core of Ratima and Kalima's relationship, causing the film to veer into a nature documentary format.Resilience in the High HimalayasThis documentary offers a profound insight into the resilience of women in remote regions. By focusing on the daily routines and reminiscences of the protagonists, the film highlights the warmth of human connection amidst a desolate landscape.A Release Strategy for True Story'No Winter Holidays' is scheduled to premiere on True Story starting May 29. The film appeals to audiences interested in atmospheric documentaries and the socio-cultural dynamics of rural Nepal.

The Enduring Appeal of BoundI'm not necessarily inclined towards what might typically be dubbed "feelgood." No, you won't find me seduced by a happy ending, nor am I partial to the oeuvre of Disney (in fact, I find all the talking animals and poreless princesses a bit grotesque). The raw edges and friction of feelbad have tended to be much better suited to my tastes: the porno chic slasher Knife+Heart, the sartorial murder of In Fabric and the snuff film-obsessed Thesis. Sex and gore, basically. For a long time, my favourite film was Crimes of the Future: a stomach-churning body horror about sexual-surgical experiments.A Queer MasterpieceHowever, there is one movie that reveals a slightly soft(er)core side to my viewing habits, which I frequently return to in order to feel the gushy feelings and butterflies of a school crush. That film is Bound. The 1996 directorial debut from the Wachowski sisters, the plot revolves around an opposites-attract scenario which is both familiar and high stakes: plumber Corky, and mafia moll Violet. When their eyes meet across an elevator, the tiny vestibule becomes thick with sexual tension: it is so on.Most of what makes this film work is the palpable chemistry between Corky, whose slick masculinity is embodied by Gina Gershon, and Violet, played with ultimate sex pot prowess by Jennifer Tilly. The whole thing is shot in the conventions of the sapphic gaze: we get plenty of closeups of Corky's hands wrestling with pipes, snaking holes and unscrewing things in languorous, laborious detail.Say what you will about how openly queer actors should play openly queer roles, but this film – starring two ostensibly cis, straight female leads – is a masterclass in lesbian eroticism. The two main actors so seamlessly embody a masc/femme dynamic, without the try-hard didacticism of many later cinematic attempts, to create a relationship that feels oddly real (except much, much hotter).Character Analysis and ChemistryHaving just starred as the vamp Cristal Connors in the trash-cult, 1995 Vegas romp Showgirls, it's uncanny to see Gershon undergo such a dramatic gender transformation to play a butch pin-up just one year later. It's not a stretch to say that Corky has the kind of sly smirk and shaggy hair that no doubt served as the blueprint to The L Word's Shane.And then, well, there's Jennifer Tilly. A porcelain doll: her sex appeal is painted on the surface of her pout and her whole-bosom sighs but, underneath, she has a strong and stony demeanour. A complex female protagonist who smolders and manipulates to get what she wants from men, and a femme imprisoned by her own beauty, Tilly delivers probably the most astute performance exploring the double life of a straight-passing lesbian which I have ever seen.The Plot and Its ThemesAnyway, back to the plot. What comes after our protagonists' initial meeting is oh-so relatable: Corky, having just got out of prison, is particularly vulnerable to Violet's high-femme charms. In a turn that can only be explained by unbridled lust, Corky agrees to help her in a mad caper to steal $2m from the mob and pin it on her boyfriend. I, too, fear that I would do whatever Violet asked me to.But, to be honest, the crime plot is pretty inconsequential to me. What do I care if they pull it off or not? If you're interested, however, there are some tired – almost femmephobic – overnotes, where Corky begins to doubt if Violet is really the lesbian she says she is, or if she will ditch her for a man the first chance she gets. But despite it all, they get their own happy ending.Interestingly, the plot draws an equivalence between the prison time served by Corky and Violet's very own sentence: the years she spends as a clandestine lesbian in straight relationships with men, for her own financial survival. At the end of the film, evading prison and with a stack of cash, they are both free: Corky of the criminal justice system, and Violet from the confines of cis-heterosexual society.Legacy and Cultural ImpactWhile this film came out about 30 years ago – in my birth year – it remains the most convincing depiction of dyke sexual dynamics I have ever seen on screen. While they weren't out at the time, the Wachowski sisters (both trans lesbians) were cinematically brave: depicting the cheek, mischief and pleasure of sapphic relationships with Bound. I'm of a different generation to the directors, and I supposedly have access to a whole plethora of queer representation, but if it wasn't for this film made by two trans women in the 90s, I wouldn't have cinematic proof of my own sexuality.Bound is available on Kanopy or to rent digitally in the US and to rent digitally in the UK and Australia

The Story Museum: A Family-Friendly Gem in Oxford Play cafes are not for everyone, but that doesn’t mean you can’t have a fun and engaging experience with your toddler in a museum. The Story Museum in Oxford is a great example of a family-oriented museum that sparks curiosity in arts and culture. Exploring the Galleries The museum offers a variety of interactive exhibits, including the Small Worlds gallery for under-fives, inspired by picture books and nursery rhymes. The Story Portal, where children receive a special passport, leads to the Whispering Wood, an indoor forest filled with fables and fairytales from around the world. A Dragon-Themed Temporary Exhibition During the visit, a temporary exhibition space was filled with all things dragon, co-curated with How to Train Your Dragon author Cressida Cowell. Children could dress up as a dragon, create their own origami dragon claw, and discover what a dragon’s den might smell like. The Enchanted Library The Enchanted Library takes visitors through the history of children’s literature in an engaging way. Visitors can play digital Pooh sticks in the Hundred Acre Wood and explore a wardrobe into the frosty forest of Narnia. A Hands-On Approach The museum’s approach is hands-on and interactive, encouraging children to touch, explore, and learn. As Lucy Webber, the museum’s head of learning, says, “We’re very much the opposite of a don’t-touch environment. So, do talk, do touch, see what happens.” More Story-Focused Museums to Explore Seven Stories, Newcastle Discover, London The Storybarn at The Reader, Liverpool

Whistler Serves Up Comfort‑Food Narrative of Reunited LoversWhistler is Ann Patchett’s latest novel, a gentle, nostalgia‑laden story that reunites a high‑school teacher with her former stepfather after four decades. Set against the backdrop of Westchester suburbs and the Metropolitan Museum, the book trades the farm‑yard intimacy of Tom Lake for a polished, almost curated, domestic world.Story Mechanics and Thematic ThreadsProtagonist Daphne Fuller, a high‑school English teacher, is drawn back into childhood memories when Eddie Triplett, a Manhattan literary editor, reappears.The narrative pivots on a past car accident that split their lives, using flashbacks to explore grief, missed time, and the “sharp kernel” of Daphne’s happiness.Supporting characters—steady husband Jonathan and daring sister Leda—populate a world of brunches, art‑gallery meet‑cutes, and “pricey ice‑cream” comfort.Publication Facts and PricingPublisher: BloomsburyRelease price: £20Available through the Guardian Bookshop and major retailers.Critical Reception and Cultural ResonanceThe Guardian’s review frames the novel as “top‑shelf comfort food,” noting its polished prose and lack of the “Anthropocene terrors” that gave Tom Lake its edge. While the story may feel “mawkish” to some, its meticulous construction and nostalgic tone resonate with readers seeking solace in post‑pandemic fiction.Future Outlook for Patchett’s OeuvreIf the novel’s warm reception translates into strong sales, Whistler could cement Patchett’s reputation for crafting emotionally resonant, character‑driven narratives. Its modest commercial price point and broad appeal suggest it will remain a staple in book clubs and literary discussions throughout 2026‑2027.