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The betting market for the 2,000 Guineas at Newmarket on May 2 was thrown into confusion on Tuesday morning when two significant candidates from the Aidan O'Brien stable, Gstaad and Albert Einstein, were taken out of the race, apparently as the result of a computer error.Gstaad, the winner of the Breeders' Cup Juvenile Turf at Del Mar in November, was priced up at around 6-1 for the season's first Classic on Tuesday morning, and seen as potentially the Ballydoyle first string for a race that the stable has won a record 10 times.Gstaad assumed the role of O'Brien's No 1 contender after Albert Einstein, the winner of his first two starts as a juvenile in 2025 but unraced beyond May due to injury, finished only sixth of 10 runners on his three-year-old debut in a Listed race at the Curragh three days ago.Despite that reverse, however, and a subsequent suggestion that Albert Einstein might revert to sprinting with the Commonwealth Cup at Royal Ascot as an initial target, the colt was still priced up at 20-1 for the 2,000 Guineas and O'Brien intended to confirm both two-year-olds at the latest declaration stage on Tuesday.O'Brien told the Press Association on Tuesday that both Gstaad and Albert Einstein had been scratched as the result of “a computer error”, adding: “We're trying to get them back in.”The trainer expanded on his explanation, saying: “There was a blip on the computer. Something happened, the computer went bananas and took out a couple of horses that weren’t meant to be taken out.The 2,000 Guineas has a supplementary entry stage, six days before the race, when either or both of the excluded runners could be added back into the Classic at a cost of £30k, and O'Brien later suggested that is now the likeliest route for Gstaad and Albert Einstein.In the initial aftermath of Tuesday's declaration stage, Bow Echo and Publish, first and second respectively in the Ascendant Stakes at Haydock in September, moved to the head of the market as 4-1 joint-favourites, from odds of around 6-1 overnight.

Donald Trump's Iran war has ended in a humiliating defeat, with the US president now being held hostage by the very country he sought to dominate. Despite his initial boasts of a "short-term excursion", Trump's military adventure has failed to achieve any of its stated objectives, including regime change and access to oil wealth. The Iranian military has successfully asserted its control over the Strait of Hormuz, a critical waterway for global oil shipments, and has demonstrated its capacity to wreak havoc on the Gulf states. The Organization for Economic Cooperation and Development has forecast a spike in inflation to 4.2% in the US, a 40% increase since Trump returned to office, and the stock market has dived into correction territory. Trump's attempts to justify his blunder and extricate himself from its dire consequences have been met with skepticism. His denial of any wrongdoing is too vehement to be convincing, and his calls for NATO countries to rescue him while insulting them as "cowards" have fallen flat. Iran has leveraged its control of the Strait of Hormuz to secure concessions from Trump, including the lifting of oil sanctions and safe passage for eight oil tankers. The Iranian government has rejected Trump's latest offer of negotiations "until complete victory", and Trump's threats of "obliteration" have been met with defiance. The Trump administration's decision-making process has been marred by ignorance, incompetence, and self-interest. Trump's advisors, including Steve Witkoff and Jared Kushner, have been accused of lacking expertise and misunderstanding key technical realities, leading to a series of catastrophic mistakes. In the end, Trump's Iran war has been a classic example of a conflict launched willfully through ignorance and sheer stupidity, with devastating consequences for the US economy and global stability.

The documentary 'Rave Culture: A New Era' is a high-energy testimonial to the UK's dance revolution in the 80s and 90s. Directed by Eduardo Cubillo Blasco, the film features a pantheon of electronic music greats, including Fabio, Orbital's Hartnoll brothers, Slipmatt, Goldie, and Leeroy Thornhill, who provide deep insights into the dancefloor culture.The film explores the logistics of rave parties, including artwork, promotion, and booking, as well as the legal challenges faced by organizers. It also touches on the evolution of rave from a free-for-all to big business, and its subversive power in terms of race and football hooliganism.While the film could be better structured, it effectively captures the creative longevity of rave culture, which has influenced hardcore breakbeats, jungle, speed garage, grime, and dubstep. The documentary serves as a reminder to digital-native generations to keep the live club experience going.The film is set to premiere at the Rio in London on March 27 and will tour thereafter.