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Canadian astronaut Jeremy Hansen described the new space‑thriller Project Hail Mary as “a real treat” after watching it with his family and fellow Artemis II crew members ahead of their upcoming lunar fly‑around.During a live broadcast organized by the Canadian Space Agency, Hansen highlighted how the film exemplifies the synergy between art and science, noting that it “inspires people to imagine the sacrifices required to save humanity.”Co‑star Ryan Gosling, who shares Hansen’s Canadian roots in London, Ontario, sent his best wishes to the four astronauts before the mission’s scheduled launch on Wednesday.Hansen’s participation marks a milestone: he is the first non‑U.S. citizen to travel to the Moon. If the mission proceeds as planned, Artemis II will travel more than 250,000 miles from Earth, surpassing the distance record set by Apollo 13 in 1970.The crew’s ambition echoes past cinematic portrayals of space, recalling the acclaimed 1995 film about Apollo 13, and underscores the growing cultural interplay between Hollywood storytelling and real‑world exploration.

The film 'Palestine 36' delves into the 1936 Palestinian revolt, a pivotal moment in history that nearly changed the course of the Israeli-Palestinian conflict. Director Annemarie Jacir sheds light on the often-forgotten roots of today's crisis and why this history still feels painfully present.Before the Israeli occupation, there was British colonialism. The film provides a unique perspective on the events leading up to the current situation, offering insights into the complex and tumultuous history of the region.Key aspects of the film include its exploration of the revolt's impact on the region and its people, as well as its relevance to contemporary issues. The director's work aims to bring attention to the historical context that has shaped the Israeli-Palestinian conflict.The episode also features recommended stories related to the topic, including discussions on the 'Greater Israel' project, Iran's stance on the US, and the significance of universities in the region.

Les Kiss is set to take over the Wallabies in July, inheriting a side desperate to climb back to the top of world rugby. He faces a tight schedule – 14 months and 19 Tests – before the 2027 Rugby World Cup that Australia will host. Describing his mandate, Kiss stresses that he is not aiming for a radical overhaul. "It's not a revolution, it's evolution," he told the Guardian. "Core values like discipline, accountability and strategic planning stay firmly in place." What makes Kiss an outlier is his background: a former rugby league international who never played union at senior level. He says this forced him to "earn his stripes" in the union code, learning that culture and standards in the locker room drive performance on the field. His personal story is rooted in a family that escaped the Hungarian Revolution and settled in Bundaberg, and a playing career that saw him sprint down the wing before a knee injury sidelined him for four years. Those experiences, he believes, forged the resilience he now brings to coaching. After a stint in marketing and junior coaching, Kiss transitioned to union coaching, first as a defence coach for the Springboks (2001‑02), then as an assistant with Ireland (2009‑15), director of Ulster Rugby, and finally a three‑year spell with London Irish in the Premiership. Returning to Australia in 2024 to lead the Queensland Reds, he guided the franchise to its most prolific try‑scoring season in three decades, back‑to‑back quarter‑final appearances and record crowd numbers. The Reds sit 4‑2 in the 2026 Super Rugby Pacific season and are eyeing a top‑four finish. Kiss’s coaching philosophy centres on connection. "Coaching is about rapport and building something strong together," he says, adding that he is fully invested and treats every team like family. His transition to the Wallabies will be smoothed by a close partnership with current head coach Joe Schmidt. The two have shared roughly 40 Tests, developing a strong rapport that Kiss believes will help him "understand the breakdown" and set the right structures for success. The emerging "Kiss army" already includes former All Blacks staffer Scott McLeod as defence coach, analyst Eoin Toolan, set‑piece specialist Tom Donnelly, scrum guru Mike Cron, and consultant Laurie Fisher. Skills coach Mick Byrne and U20s boss Chris Whitaker also remain on board. While his new responsibilities grow, Kiss assures fans he remains 100% committed to the Reds, vowing not to let the franchise down despite his expanding duties. On the player front, Kiss highlights a blend of seasoned talent and fresh faces that could power Australia’s World Cup campaign. The likes of Mark Nawaqanitawase, Max Jorgensen, former winger Dylan Pietsch, and NRL convert Zac Lomax are poised to add dynamism, while 18‑year‑old prodigy Treyvan Pritachard offers a glimpse of the future. Ultimately, Kiss believes the Wallabies embody a uniquely Australian style – inventive, physical, and expressive – forged in backyard games and a culture of resilience. "The Australian way isn’t formulaic; it’s about solving problems on the field in our own special way," he concludes.

Winsome Pinnock’s latest play, The Authenticator, opens at the Dorfman Theatre, National Theatre, London, and immediately subverts expectations by pairing a serious examination of erased Black histories with a lively, comedic tone.The story follows Fen (Sylvestra Le Touzel), a direct descendant of the 18th‑century enslaver Henry Harford, who discovers a cache of his Jamaican farm diaries. She entrusts the documents to two Black academics – Abi (Rakie Ayola), an Oxford‑educated scholar of Nigerian descent, and her mentee Marva (Cherrelle Skeete), a bright working‑class woman whose grandfather’s mysterious disappearance ties back to the Harford estate.Their investigative partnership feels like a modern Holmes‑Watson dynamic, allowing Pinnock to explore the tangled intersections of class, race, and inherited privilege. Abi’s privileged background and Marva’s grassroots perspective highlight how historical complicity can span generations.While the plot leans on some convenient coincidences reminiscent of an Agatha Christie puzzle, the play’s strength lies in its razor‑sharp dialogue and satirical wit, which keep the narrative brisk and entertaining.Visually, the production leans into a haunted‑house aesthetic: designer Jon Bausor’s set features gilt‑edged frames, trapdoors leading to a cellar of “dirty secrets,” and atmospheric lighting that flickers like candle‑lit torches, underscored by a nervous string quartet.Much of the humour centres on Fen, portrayed as a “tweedy do‑gooder” eager to atone for her family’s sins yet quick to deflect blame. Her self‑portrait as a former Oxford punk adds a layer of absurdity, drawing parallels to the post‑colonial satire of films like Knives Out.Pinnock also skewers the modern aristocracy that monetises heritage properties, illustrated by a grime‑artist filming by the estate’s fountain and a fabricated ghost tour designed to attract tourists.The play does not shy away from genuine hauntings. A Blackamoor statue is hidden away after the 2020 debates over colonial monuments, and missing diary pages hint at violence against an enslaved woman named “Black Sarah.”Director Miranda Cromwell navigates the tonal shifts deftly, ensuring that the humour never eclipses the underlying guilt and pain embedded in the characters’ histories.Ultimately, The Authenticator succeeds by delivering a “lightness of touch” that makes confronting toxic colonial legacies both accessible and thought‑provoking, offering audiences a disarming yet incisive look at how societies reckon with their past.

Israel's death penalty law, recently making headlines, has been criticized for potentially disproportionately affecting Palestinians. The law, which allows for the imposition of the death penalty in certain cases, has been defended by its proponents as a necessary measure to deter serious crimes. However, opponents argue that it violates international human rights standards and is being used as a political tool to maintain control over the Palestinian population.The law has been met with widespread condemnation from human rights groups and critics who see it as part of a broader pattern of discrimination against Palestinians. They argue that the law undermines the rule of law and perpetuates a cycle of violence and oppression.In response to the criticism, Israeli officials have emphasized the law's purpose as a deterrent, claiming it will help to reduce the incidence of serious crimes. However, many experts and activists question the effectiveness of the death penalty as a deterrent and argue that it fails to address the root causes of violence.

For the first time, the Joseph Rowntree Charitable Trust (JRCT) is creating a dedicated reparations role, appointing Prof. Keon West—a Rhodes Scholar and author of The Science of Racism—to lead the effort. West, who also serves as a visiting professor at the London School of Economics and heads research at the Runnymede Trust, will begin his tenure later this month. The appointment arrives amid intensifying global calls for former colonial powers to confront historic injustices. West’s mandate is to map how enslavement, indentured labour and European imperialism fed the supply chains of Rowntree’s iconic brands such as KitKat, Fruit Pastilles and Smarties. Founded in 1904 when philanthropist Joseph Rowntree endowed the trust with profits from his chocolate and cocoa ventures, JRCT operates on Quaker principles aimed at tackling the roots of inequality. Recent research, spurred by the Black Lives Matter movement, uncovered that African and Asian workers were exploited in Rowntree’s production lines throughout the 19th and 20th centuries. Historical investigations by the Rowntree Society revealed that, while the family never directly owned enslaved people, their businesses sold commodities produced by enslaved or unfree labour as far back as 1822. The company also benefitted from the indenture system, acquiring plantations in Dominica, Jamaica and Trinidad in the 1890s to grow cocoa, bananas and other crops. Further links to colonial exploitation include purchases of cocoa from Portuguese‑controlled São Tomé and Príncipe, as well as commercial interests in Nigeria, Ghana and apartheid‑era South Africa. In the early 1980s, Black workers at the South African subsidiary Wilson Rowntree faced harsh labour suppression. In 2021, JRCT issued a public apology, stating it was “deeply sorry” for its historical connections to “abhorrent practices” and acknowledging the lasting impact of these actions on systemic racism today. West will design a comprehensive reparations programme that engages directly with affected communities—“Black people, brown people and people of colour”—to develop long‑term restorative justice strategies. He said, "I am honoured to accept this role. It offers the power and the responsibility to make real, meaningful changes in the lives of those who have been exploited." JRCT chief executive Nicola Purdy expressed enthusiasm, noting that the reparations initiative aligns with the trust’s charitable purpose of promoting peace, equality, human rights and climate action. Financially, JRCT allocated £13.5 million in grants in 2025, supporting organisations that advance its core missions. In 2023, it contributed £10,000 to an all‑party parliamentary group advocating for a formal UK apology for slavery and colonisation. The Rowntree family, alongside fellow Quaker dynasties Fry and Cadbury, were central to the British confectionery trade during the colonial era. Their brand was later acquired by Nestlé in 1988, but the trust’s new reparations focus underscores a broader reckoning with the historical foundations of the industry.

The UK government is set to implement disability benefit cuts affecting nearly 730,000 severely ill and disabled people, reducing their universal credit support by half. The 'health element' of universal credit will be cut to £50 per week and then frozen, unless claimants meet strict criteria for being terminally ill or having a 'severe' and 'lifelong' condition. Charities and disabled people's organizations warn that this change will push people into deep financial hardship and, in some cases, destitution. They fear that families losing out on this vital income could face eviction, go without food and heating, and lose access to the care they depend on. The cut applies to new claimants, meaning that if someone applies for help next Monday, they will be on average £3,000 a year worse off by the end of the decade than if they'd applied this week. This has raised concerns about the fairness and effectiveness of the current welfare system. Critics argue that the government's approach to welfare reform is flawed, as it fails to account for the complexities of disability and illness. They suggest that a more comprehensive approach is needed, including investing in mental health services and preventive healthcare, to address the root causes of disability and support those in need.

Italy’s national team endured a 4‑1 penalty‑shootout defeat to Bosnia and Herzegovina in the World Cup 2026 qualifying playoff, confirming a third consecutive failure to reach the finals. The loss, described by Italian media as a “World Cup curse” and a “Third apocalypse,” has reverberated far beyond the stadium. Valentino del Duca, a restaurant worker in Rome, summed up the mood: “We are a population of failures. End of story.” His sentiment echoed across the capital, where fans like Gabriele Alfano lamented the missed opportunity after a hopeful win over Northern Ireland the week before. Alfano pointed to a deeper issue: “Italian football is no longer producing young talent. I remember streets full of kids playing ball; now they’re more into tennis,” he said, referencing Jannik Sinner’s recent Miami Masters triumph. The sporting disaster quickly became a political flashpoint. The League party, part of Giorgia Meloni’s governing coalition, called the outcome “an unacceptable disgrace” and demanded the resignation of federation president Gabriele Gravina. Former prime minister Matteo Renzi added that the repeated eliminations signal a systemic failure, noting that football is “part of our culture and national identity.” Long‑time resident Gustavo Sosa, originally from Argentina, observed that Italy’s loss of composure after being reduced to ten men highlighted a loss of “rigour” and “hunger” that mirrors concerns in his native country. Sports minister Andrea Abodi warned that the sport must be “rebuilt,” expressing sorrow for a generation of children who may never experience a World Cup. Some Italians, like Lucia Severi, suggested shifting attention to other disciplines, citing the country’s success in tennis and athletics. The defeat starkly contrasts with the euphoria of July 2021, when Italy won the Euro 2020 final on penalties—a moment once seen as a reversal of fortunes after missing the 2018 World Cup. Yet that optimism proved fleeting, as the Azzurri also failed to qualify for the 2022 tournament. As the nation grapples with this latest setback, the debate intensifies over how to revive Italian football, nurture grassroots participation, and restore the pride once associated with the Azzurri’s international successes.

In a recent interview published by the Free Press, former UK prime minister Tony Blair asserted that the British left has entered an “unholy alliance” with Islamist groups, framing criticism of Israel’s Gaza operations as a new form of anti‑semitism. He further praised former President Donald Trump’s proposed plan for Gaza, describing it as “bold and intelligent.”The commentary arrives amid a sharp decline in British public support for Israel. A YouGov poll found that only 12 % of respondents back Israel’s actions in Gaza, while a clear majority favor measures such as an arms embargo, sanctions, and even the prosecution of Prime Minister Benjamin Netanyahu for alleged war crimes.Blair’s allegation that the left “casts the Jewish community as supporters of the Israeli government” is challenged by evidence of a broader shift in public sentiment. The Greens, now a leading force on the English left, oppose the Gaza offensive and reject Islamophobia, yet they are led by a Jewish gay politician and champion a socially progressive agenda that includes LGBTQ+ rights and gender equality—hardly the hallmarks of “Islamism.”Data on American Jewry is also invoked. While 71 % of Jewish Americans voted for Kamala Harris in the 2024 election, a separate poll indicated that 40 % of Jewish respondents believe Israel’s military actions amount to genocide, a figure rising to half among those under 35. These figures illustrate that criticism of Israel does not automatically equate to anti‑semitic sentiment.The piece also revisits Blair’s own controversial foreign‑policy record. His government approved extensive arms sales to Saudi Arabia and shut down investigations into those deals, while his post‑premiership institute continued to receive substantial Saudi funding even after the murder of journalist Jamal Khashoggi. Moreover, the 2003 invasion of Iraq, led by Blair, is widely regarded as having provided a recruitment boost to Islamist extremist groups.Critics argue that Blair’s narrative is a strategic attempt to deflect growing Western criticism of Israel by painting opponents as extremist sympathizers. The term “Islamo‑gauchisme,” used in France to describe similar accusations, exemplifies a broader pattern of demonising Muslim participation in democratic politics.In sum, the article contends that Blair’s claim lacks substantive evidence, overlooks prevailing public opinion, and mirrors past tactics of smearing dissenting voices. As the debate over Israel’s conduct in Gaza intensifies, the left’s opposition appears rooted in humanitarian concerns rather than any covert Islamist agenda.