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The Supernatural Musical Romance The origins of this supernatural musical are in ancient British folklore but it plays out as a teen love story in small-town America. Young, spirited – and human – Barbara Allen (Lauren Jones) falls in love with John the Witch Boy (Glenn Adamson), from a community of Witches and Conjur People. The Plot and Its Roots She is willing to incur the wrath of parents and neighbours in her Appalachian town to be with this mysterious man who has drifted in from the Smoky Mountains and is rumoured to have diabolical powers. He is willing to abjure his immortality to spend the rest of his life with her. Both are rebels, determined to be together despite social censure. The Musical Elements The generation that grew up with Twilight would be forgiven for thinking the setup rather derivative but, in fact, Dark of the Moon got there first. Originally written by Howard Richardson and William Berney as a play, it was first performed in 1942 and then turned into a musical. The themes are all there, from the fierceness of a young love that crosses all social – and mortal – boundaries, to the undertones around the fear of sex and importance of fidelity. The Performances and Production Jones brings an edge of punk with a look not far removed from Kristen Stewart’s while Adamson seems to be channelling emo pop star energy (jeans, plaited hair and eyeliner). It’s all rather weird, but proves its own eternal life through the power and personality of the songs by Lindy Robbins, Dave Bassett and Steve Robson. There are vocally pure performances across the cast, however amped up and cheesy the production as a whole. The Verdict The production is rather too ridiculous to become the tear-jerker it could be but it’s enjoyable nevertheless. At Charing Cross theatre, London, until 8 August.

The Guardian’s latest review of Beetlejuice: The Musical notes that the production has turned Tim Burton’s cult‑film into a Halloween‑like, shock‑jock musical extravaganza now playing at the Prince Edward Theatre until 17 April. The show mixes grotesque humor, topical references and high‑octane staging, delivering a wild but uneven theatrical experience.Beetlejuice Musical Reanimates Tim Burton’s Cult Classic on the West EndOriginally staged on Broadway in 2019, the London version abandons the film’s “less‑is‑more” restraint. The titular character, played by David Fynn, bursts onto the stage with a self‑aware ballad, immediately setting a tone of anarchic satire. The production leans heavily into contemporary jokes—hip‑ster vaping, six‑seven slang, and even a jab at Andrew Lloyd Webber—while preserving the film’s macabre spirit.Creative Team’s Off‑kilter Vision Drives the Show’s AestheticDirector Alex Timbers orchestrates a chaotic visual palette: Kenneth Posner’s lighting creates an uncanny glow, Peter Nigrini supplies trippy projections, and set designer David Korins transforms the theatre into a haunted house complete with a sandworm that slithers through the auditorium. Costume designer William Ivey Long delivers “toxic yet sparkly” outfits, from Miss Argentina’s glittering ensemble to Lydia Deetz’s spidery black lace. The special‑effects team—Jeremy Chernick, Michael Weber and puppeteer Michael Curry—adds a layer of tactile wonder, most memorably a roast pig that stands upright during a possession scene set to “Day‑O.”Critical Reception Highlights Strengths and WeaknessesThe review praises standout performances: Hannah Nordberg brings “drop‑dead energy” to Lydia, while David Hunter and Chelsea Halfpenny convincingly portray the newly deceased Maitlands. However, the script’s rapid swing between the Netherworld and the living world can feel “tiresome,” and the musical numbers, though varied, are described as “oddly unmemorable.” The show’s relentless gag‑fest is likened to a “Netflix megastar stand‑up desperate to cause outrage,” suggesting that the novelty may wear thin over a full run.What Lies Ahead for Beetlejuice on the London StageDespite its unevenness, the production’s bold visual identity and strong cast give it a solid footing in the competitive West End market. If the show can harness its cult‑film fanbase and attract audiences seeking a high‑energy, Halloween‑style experience, it may enjoy a sustained run beyond the current booking. Conversely, word‑of‑mouth about the “scattershot dialogue” could limit its appeal to repeat‑viewers, making the next few weeks critical for box‑office momentum.

The Lead Kane Parsons' feature directing debut, Backrooms, is a horror film that has been making waves in the industry with its unique blend of psychological terror and conceptual storytelling. Based on Parsons' web series and scripted by Will Soodik, the film stars Chiwetel Ejiofor and Renate Reinsve. The Event Details The film revolves around Clark (Chiwetel Ejiofor), a failed architect and alcoholic who manages a vast discount furniture store called Cap'n Clark's Ottoman Empire. Clark's life takes a dark turn when he discovers a supernaturally porous section of wall in the store's basement, leading him to a vast network of 'backrooms' - strange, installation-style areas that show snapshots of different versions of reality. The Data Analysis The film features a blend of genuine constructions and digital fabrication in its production design by Danny Vermette. The cinematography by Jeremy Cox creates an oppressive, crepuscular kind of dead yellowish light, adding to the film's eerie atmosphere. The Impact Analysis Backrooms draws inspiration from various sources, including J-horror, the V/H/S found footage franchise, Dan Erickson's Severance, and Nathan Fielder's The Rehearsal. The film's unique approach to horror has been praised for its originality and ability to progressively raise the stakes towards a thrilling conclusion. The Prediction With its release scheduled for May 28 in Australia and May 29 in the UK and US, Backrooms is expected to make a significant impact on the horror film genre. Fans of psychological terror and conceptual storytelling are eagerly anticipating the film's release, which promises to deliver a fascinating exploration of memories, past traumas, and alternate realities.

The Dark Side of the Space Race 'Star City' is a gripping space race thriller that serves as a counterpoint to 'For All Mankind', exploring what if the Russians had been the first to land on the moon. The series, created by Ronald D Moore, Ben Nedivi, and Matt Wolpert, shifts its focus to the USSR, delving into the lives of characters behind the iron curtain. Alternate History and Character Development The show is set in 'Star City', a Soviet equivalent of Cape Canaveral, where the characters celebrate the success of Alexei Leonov walking on the moon. The story follows Lyudmilla, a terrifying colonel in the Great Patriotic War and head of KGB surveillance, played by Anna Maxwell Martin. The series weaves together the daily compromises, doubts, stresses, and accidental indiscretions of characters living under a strict regime. The Impact of a Strict Regime The show masterfully layers the tension and fear of living in a regime where every word must be considered, and every decision is carefully calibrated to minimize risk. The characters' lives are marked by the constant threat of repercussions, making even the smallest actions potentially fatal missteps. A Deep Dive into Human Nature 'Star City' offers space history fans a deep dive into the 'what if?' possibilities surrounding the space race, while also exploring broader themes of human nature. The show examines how people survive intolerable stress, and what they will do to be free, making it a fascinating watch for a broad audience. Conclusion and Availability 'Star City' is now available on Apple TV, offering a unique perspective on the space race and the human experience. With its gripping storyline and exceptional performances, including Anna Maxwell Martin's portrayal of Lyudmilla, this series is a must-watch for fans of historical dramas and space thrillers.

The Appeal of Period Homes with Modern ExtensionsPeriod properties in England continue to capture the imagination of homebuyers seeking a blend of historical character and contemporary living. The trend of adding stylish extensions to these heritage homes has created a unique niche in the property market, offering the best of both worlds – original features with modern functionality.Architectural Harmony: Blending Old with NewSuccessful period home extensions require careful consideration of architectural harmony. Leading architects specializing in heritage properties emphasize the importance of respecting the original building's character while introducing modern elements that complement rather than compete with the existing structure. This approach has resulted in some stunning transformations across England's historic towns and cities.Market Value and Premium PricingProperties that successfully blend period charm with contemporary living spaces command premium prices in England's real estate market. Recent sales data indicates that well-designed extensions can increase a property's value by 15-25%, with some exceptional cases achieving even higher returns. This financial incentive has driven many homeowners to invest in thoughtful extensions that enhance both lifestyle and investment potential.Popular Extension Styles and FeaturesThe most sought-after extensions include open-plan kitchen-dining areas that flow seamlessly from original reception rooms, glass-walled extensions that flood interiors with natural light while preserving sightlines of period features, and orangery-style spaces that bridge the gap between traditional and contemporary design. Modern amenities under these historic roofs often include underfloor heating, energy-efficient glazing, and smart home technologies discreetly integrated into the original fabric.Regional Hotspots for Period Home ExtensionsCertain areas of England have become particularly known for their innovative period home extensions. London boroughs like Camden and Richmond see frequent transformations of Victorian and Georgian properties, while cities such as Bath, York, and Cambridge showcase remarkable blends of architectural heritage with contemporary design. The Cotswolds and other rural areas also feature prominently, with barn conversions and farmhouses receiving sensitive yet modern updates.Future Trends in Period Property RenovationAs sustainability becomes increasingly important in the property sector, period home extensions are evolving to incorporate eco-friendly features. From solar panels integrated into roofs sympathetic to the original style to heat pumps disguised within period-appropriate outbuildings, the future of period home renovation lies in sustainable modernization. Additionally, there's growing interest in multi-generational living solutions, with extensions designed to accommodate extended families while maintaining the property's historical integrity.

The Comedian Who Refuses to Stay SilentNish Kumar has built a career on being unafraid to speak his mind, even when it means confronting fellow comedians like Jimmy Carr about their decisions to perform in controversial venues. The British stand-up, known for his articulate and politically charged humor, recently discussed his confrontations with comics who participated in the Riyadh comedy festival, calling it part of the "cultural-washing of a repressive regime." Kumar's upcoming tour, "Angry Humour from a Really Nice Guy," reflects his concern that comedy has been "co-opted by charlatans in service of autocrats." Despite his willingness to court controversy, Kumar admits there are moments when he questions his approach, joking that "you should not be allowed to give interviews" when discussing fellow comedians.The Confrontation Over Comedy EthicsKumar's most notable public clash came when he confronted Jimmy Carr about his decision to appear on Jordan Peterson's podcast, which Kumar described as "a radicalisation event that's happening on an unprecedented scale." His criticism extends to other comics who performed in Saudi Arabia, including Bill Burr, Dave Chappelle, and Jack Whitehall. Kumar alleges that some comics "signed a contract agreeing to not have a go at MBS [Mohammed bin Salman, the crown prince of Saudi Arabia]" and expressed particular frustration with those who have complained about cancel culture while participating in such events. "I don't want to hear about free speech from any of these cunts again," he stated emphatically. These confrontations highlight Kumar's commitment to what he sees as ethical boundaries in comedy, even when it means alienating his peers.A Career Forged in Debate and DeterminationNow 40, Kumar has been performing stand-up for two decades, though his love for comedy began much earlier. At age five, he was studying The VHS of The Simpsons, analyzing its intricate references and in-jokes. His influences included Chris Rock and the sketch show Goodness Gracious Me, which helped him see comedy as a viable path for someone of his background. "Until then, the only people I'd seen do comedy were either white or African American. You see a bunch of Indians doing it, you think: Oh, this is viable for me." Kumar's early career involved temping while struggling to make inroads in comedy, buoyed only by "the persistent encouragement of my friends." His big break came in 2015 when his fourth fringe show was nominated for an Edinburgh comedy award, followed by regular TV appearances and eventually becoming a household name after joining The Mash Report in 2017.The Impact of a Progressive Voice in ComedyKumar's outspoken progressive politics made him both celebrated and controversial. His appearances on Question Time prompted social media abuse, and figures like Piers Morgan and Andrew Neil criticized him for an "anti-British" episode of Horrible Histories. Despite these controversies, Kumar believes his involvement in culture wars ultimately did more harm than good. "It's a fucking relief. It didn't do anybody any good; me being in the conversation didn't benefit any of the causes that I was passionate about. I worry sometimes that it actually actively hindered them." Despite this, his influence has grown internationally, with The New York Times suggesting he might be "the angry progressive standup the US badly needs." His cross-generational appeal has also expanded, with audiences ranging from 14-year-olds to septuagenarians, reflecting his ability to connect with diverse audiences through his blend of political commentary and personal vulnerability.Anger and Authenticity in a New Era of ComedyAs he approaches his 40s, Kumar continues to refine his approach to comedy that balances anger with authenticity. He has been open about his mental health struggles, including diagnoses of PTSD and ADHD, which inform his work. His upcoming tour "Angry Humour from a Really Nice Guy" suggests a continued commitment to comedy that challenges both audiences and the industry itself. Despite his success in the US, where he performed his new show and appeared on Have I Got News for You, Kumar's material remains rooted in UK concerns, with American audiences showing enough interest in British politics to appreciate his takes on figures like Angela Rayner. As he continues to navigate the complexities of comedy that both entertains and provokes, Kumar remains committed to what he sees as the essential role of comedy in holding power accountable, even when it means making enemies in the process.

The LeadSéamas O'Reilly's debut novel "Prestige Drama" presents a brilliant wry comedy set in Derry, where a Hollywood actor disappears while filming a TV series about the Troubles. The novel transcends its intriguing premise to explore how places become defined by historical moments, and how stories about such places often fall into predictable formulas.Multiple Perspectives on Historical TraumaO'Reilly uses the TV series "Dead City" as a starting point to weave through different characters connected to the production. From a stressed scriptwriter to a local historian questioning how to talk about the past while still living it, the novel creates a patchwork portrait of the city. This approach echoes Tommy Orange's "There, There," which used multiple voices to explore Native American lives. Each character speaks directly to the reader, revealing their complex relationship with Derry's history and the Hollywood production that has descended upon the city.Commodification of MemoryThe novel masterfully examines how historical trauma becomes marketable. O'Reilly has a keen eye for absurdities: the artist who once painted Bogside murals now doing lecture tours with a "wee moustache and crucifix earring like a plastic Provo"; the ex-IRA hitman offering services as a "consultant." Those once bound by silence now demonstrate how to make a bottle bomb for the cameras. The locals, facing economic necessity, take work that perpetuates clichés—local painters recreate old murals for film sets, while aspiring actors see the production as their only chance to escape.The Haunting of HistoryThis recreation and commodification of the past creates a kind of haunting. The novel is permeated by different ways in which the dead remain inescapable. Ann-Marie, whose son was shot by a British soldier and whose image now appears on book covers and "bloody tea-towels," delivers one of the novel's most powerful voices: "My heart is small and hard, wind-bleached like seaside beach seats." Her reflection on those who came home safely after her son was killed—"It wasn't their fault and I'll never forgive them"—captures the unfixable contradictions of grief.A New Voice in Irish LiteratureBuilding on his previous memoir "Did Ye Hear Mammy Died?"—described as "heartbreakingly funny"—O'Reilly demonstrates a rare gift for moving between opposing tones. The humor in "Prestige Drama" is skillfully weaponized, allowing him to address subjects we often tiptoe around. His language is gloriously vivid, as when a hungover man wakes up "slowly, like a column of dog food muscling its way out of a tin." While some readers may wish the missing actor thread had more prominence, the novel's true focus is on the ordinary people behind the televised version of events, offering a polyphonic exploration of how history continues to shape the present.

The Lead Kyrgyzstan, a mountainous, landlocked Central Asian nation, has historically been one of the region's poorest economies. However, its fortunes changed four years ago when it emerged as a key hub for goods bypassing embargoes imposed on Russia. Kyrgyzstan's Growing Trade with Russia From 2021 to 2022, the annual value of Kyrgyzstan's exports to Russia leaped from $393m to $1.07bn, including products such as luxury cars and microchips. Some of these products, like microchips, are known as 'dual-use,' meaning they are imported to third countries like Kyrgyzstan as civilian goods and then re-exported to Russia, where they may be utilized in military hardware. The Data Analysis 2021: $393m in exports to Russia 2022: $1.07bn in exports to Russia The Impact Analysis The recent shutdown of companies suspected of aiding Russia is a significant move by Kyrgyzstan to avoid being sanctioned itself. This decision comes after the European Union imposed an embargo on certain electronic goods to Kyrgyzstan for rerouting such products to Russia. The country's close relationship with Russia, including mutual defense agreements and Russia's significant influence, makes this move crucial. The Prediction As Kyrgyzstan navigates its relationships with Russia, the European Union, and other global players, it is likely to face increased pressure to comply with international sanctions. The country's economic partnership with China, which borders Kyrgyzstan to the east, may also play a significant role in shaping its future. With growing discontent among its intellectual elites, activists, and younger generations, Kyrgyzstan's stance on Russia's influence may continue to evolve.

The Lead Bangladesh has sought a new assistance programme from the International Monetary Fund (IMF) as it struggles with the economic consequences of the US-Israel war on Iran. The South Asian country is facing an energy crisis, supply chain disruptions, and rising fuel prices. What Has Bangladesh Asked For? The IMF's mission chief for Bangladesh, Ivo Krznar, announced that Bangladesh has requested a new IMF-supported programme. The size and precise terms of the requested financial aid package have not been disclosed, but Bangladesh's government said in March it was seeking $2bn in loans from various donors. How Badly Has Bangladesh Been Hit by the Iran War? Energy Crisis The war on Iran has caused a worldwide energy crisis, with fuel prices soaring to about $100 a barrel, up from $66 before the war. Bangladesh, which imports 95% of its oil and liquefied natural gas needs, has been severely affected. The country has raised fuel prices by 10-15% and halted production at most fertiliser factories. Garment Industry The ready-made garment industry, which accounts for over 80% of Bangladesh's export earnings, has also been hit. Shipping disruptions have pushed up import costs, and work orders are expected to decline by 20-25% in the next season. Cost of Raw Materials The disruptions to supply chains have impacted other industries in Bangladesh, with raw material prices for plastic products rising. The price of resin, a key raw material, has spiked to $1,500-1,600 per tonne, up from $900-950. Rising Foreign Debt Costs Bangladesh's external debt has risen in recent years, and the country is facing higher foreign-currency repayment pressures. The IMF warned that the Iran war risks triggering an increase in debt levels worldwide. What Is Bangladesh's History with the IMF? Bangladesh is already in the middle of a $5.7bn IMF programme that began in 2023. The country has agreed to move quickly to put a new programme in place, with the World Bank approving a $350m loan to help manage rising fuel import costs. Is the War Deepening a Debt Crisis More Broadly? The Iran war has exacerbated existing debt burdens across Africa, Asia, Latin America, and other regions. Sri Lanka, for instance, suffered a financial collapse in 2022 and secured a $3bn IMF programme in 2023.