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Ujiri’s Appointment Signals a New Era for the MavericksMasai Ujiri was introduced last week as the Dallas Mavericks’ president of basketball operations and alternate governor, a move the franchise touts as “a match made in heaven.” The hire places the first African to run a major U.S. sports franchise at the helm of a team owned by the ultraconservative billionaire Miriam Adelson.Background: From Raptors Champion to Dallas’ President of Basketball OperationsUjiri’s résumé includes:2003: Co‑founded Giants of Africa while scouting unpaid.2010: Became the first African general manager of an NBA team (Denver Nuggets).2013: Won NBA Executive of the Year.2018: Traded for Kawhi Leonard, leading the Toronto Raptors to their first championship.2026: Hired by the Mavericks after the Luka Dončić trade saga.Financial Stakes: Draft Picks, Revenue Loss, and Ownership WealthThe Mavericks hold the No. 1 pick in the 2025 draft and selected Rookie of the Year Cooper Flagg, plus the 9th, 30th and 48th picks.The 2023 sale of the team to Adelson was valued at $3.5 billion, a fraction of her estimated $35 billion net worth.Analysts estimate the Luka Dončić trade cost the franchise roughly $100 million in revenue.Adelson has contributed more than $100 million to Donald Trump’s 2024 campaign.Culture Clash: Liberal Advocacy vs. Ultraconservative OwnershipUjiri’s public record includes outspoken support for social justice, anti‑racism initiatives, and humanitarian work across Africa. In contrast, Adelson has labeled pro‑Palestinian and Black Lives Matter activists as “enemies” and is known for her right‑wing political donations. The Mavericks’ fan base leans Democratic, creating a potential flashpoint between the franchise’s new leadership and its owner.Outlook: How Ujiri Could Navigate Politics and Rebuild a FranchiseUjiri faces three immediate challenges:Transforming a roster that missed the playoffs despite a top draft pick.Balancing his advocacy with Adelson’s political stance without alienating either side.Restoring fan confidence after the unpopular Luka Dončić trade.If he can replicate the Raptors’ model—leveraging international talent, fostering a community‑first narrative, and using his platform to address broader issues—Ujiri could reposition the Mavericks as both a competitive team and a socially conscious brand. Failure to do so may deepen the cultural rift and jeopardize the franchise’s marketability.

The Passing of a TrailblazerJason Collins, the first openly gay active player in the National Basketball Association (NBA), has died at the age of 47 after battling cancer. His family confirmed the news in a statement, describing his fight against glioblastoma as "valiant." Collins revealed his diagnosis in September 2025, disclosing he had stage four glioblastoma, an aggressive form of brain cancer.A Career in Professional BasketballThe 7-foot center (2.13 meters) played 13 seasons in the NBA, making significant contributions to several teams. Selected 18th overall by the Houston Rockets in the 2001 draft, he was traded to the New Jersey Nets on draft night. Collins also played for the Memphis Grizzlies, Minnesota Timberwolves, Atlanta Hawks, Boston Celtics, and Washington Wizards.Collins helped the Nets reach back-to-back NBA Finals in 2002 and 2003 alongside teammates Jason Kidd and Richard Jefferson, showcasing his value as a professional athlete.A Historic Moment in SportsIn April 2013, Collins made headlines when he became the first active male athlete in one of North America's four major professional sports leagues to publicly come out as gay. His decision was announced in a first-person essay in Sports Illustrated, which received widespread support across the sports world.Former United States President Barack Obama publicly praised Collins' courage, stating that he "couldn't be prouder" of Collins for taking this step. His coming out represented a significant milestone for LGBTQ+ representation in professional sports.Enduring Legacy and Impact"Jason changed lives in unexpected ways and was an inspiration to all who knew him and to those who admired him from afar," his family said in their statement. "Our family will miss him dearly."Arn Tellem, Collins' former agent and current vice chairman of the Detroit Pistons, emphasized the lasting impact of his decision to come out: "Jason's legacy stands as a beacon for tolerance, dignity, respect, inclusion, compassion, and understanding. He left this world better than he found it."The Future of LGBTQ+ Representation in SportsCollins' passing comes at a time when LGBTQ+ representation in professional sports continues to evolve. His courageous decision to come out in 2013 paved the way for other athletes to be open about their identities without fear of professional repercussions. As sports organizations continue to promote diversity and inclusion, Collins' legacy will undoubtedly continue to influence future generations of athletes.

The Lead US President Donald Trump departed for Beijing on Tuesday for a high-stakes summit with Chinese President Xi Jinping, saying the two leaders would hold a 'long talk' on Iran even as trade remains the main focus of the visit. Iran's Stance on Peace Iran presses US on peace proposal: Iran's chief negotiator and Parliament Speaker Mohammad Bagher Ghalibaf said Washington must accept Tehran's latest peace plan or face failure. Report says Iran retains missile strength: The New York Times reported Tuesday that classified US intelligence assessments say Iran still has substantial missile capabilities, with about 70 percent of its mobile launchers and pre-war missile stockpile still in action. War Diplomacy Chinese supertanker crosses Hormuz: Chinese crude oil supertanker Yuan Hua Hu was reportedly transiting the Strait of Hormuz on Wednesday, ship-tracking data showed, passing Iran's Larak Island while heading out of the Gulf. Hezbollah rules out disarmament talks: Hezbollah chief Naim Qassem said his group's weapons were not part of forthcoming ceasefire negotiations between Lebanon and Israel. Qatar warns over Hormuz pressure: Qatar's prime minister said Iran should not use the Strait of Hormuz, blocked since early in the war, as a means of 'blackmail' against Gulf states. The Gulf UAE gas facility hit by war: The UAE's main gas processing complex, one of the world's largest, will not resume full capacity until next year, its operator said, after it was hit in the Iran war. Kuwait arrests alleged IRGC operatives: The country said it arrested four men accused of belonging to Iran's IRGC after they tried to infiltrate Bubiyan Island by sea and injured a Kuwaiti soldier. In the US Trump on Xi: Trump said he does not believe the US needs China's help to end the war involving Iran, but confirmed the issue would still feature in his talks with Xi Jinping this week. Trump says war's end will bring down inflation: Facing growing domestic pressure over rising prices linked to the conflict, Trump said the war 'will not be long' and argued its end would trigger a sharp drop in oil prices and inflation. US says Iran war has cost $29bn: Defense Secretary Pete Hegseth told lawmakers the war has cost Washington at least $29bn in munitions and equipment over 74 days, excluding damage to bases. The Impact Analysis The ongoing conflict in Iran has significant implications for the global economy, with rising oil prices and inflation being major concerns. The war has also led to a humanitarian crisis, with hundreds of thousands of students displaced and schools destroyed in Lebanon. The Prediction The future outlook for the conflict in Iran remains uncertain, with both sides showing no signs of backing down. However, with growing domestic pressure and international diplomacy, there is a possibility that the conflict could be resolved peacefully in the near future.

The Cultural Phenomenon Returns On a chilly morning at a Silvertown studio behind London City airport, the sunburst intro to Jimmy Cliff's The Harder They Come is on repeat. Dancers run through a routine studded with reggae and dancehall moves. "Get high," commands associate choreographer Neisha-yen Jones with a smile. "Get low!" The ensemble rise and dip. They do the bogle and whine around each other as their watchful director Matthew Xia nods along. They circle Natey Jones who breaks out the opening line: "Well, they tell me of a pie up in the sky." In the distance, a plane leaves the ground. From Film to Theatrical Celebration It's eight months since The Harder They Come's full-throttle takeoff at Stratford East, where the musical was so popular that it is now returning for a second run which will also serve as a eulogy for Cliff who died in November. Playwright Suzan-Lori Parks' adaptation of Perry Henzell's 1972 Jamaican film is bolstered by a handful of her own songs as well as classics including Israelites and Wonderful World, Beautiful People – plus every number on the film's monumental soundtrack. Jones is reprising the role of Ivan (played on screen by Cliff and inspired by real-life outlaw Rhyging), who arrives in Kingston from the country and is dismissed and exploited, before becoming both a hit singer and a fugitive. The Evolution of a Cultural Narrative The original was akin to cinéma vérité, directly evoked spaghetti westerns and veered into blaxploitation territory; Ivan's tale has gained greater warmth, humour and protest spirit on stage. It was the best musical I saw in 2025. "The story is a tragedy but the theatrical event is a celebration," says Xia of his production. Twenty years ago, the film was adapted as a musical with a book by Henzell, also at Stratford East. "It all started at Ivan's Nine Night," Xia recalls. "There was a massive poster of Ivan on the wall, with everyone coming, and it was told in retrospect with vignettes." Choreography and Cultural Connection Shelley Maxwell, recently arrived from Jamaica, was watching the musical in the audience one night and has since become the choreographer of the new production. She has fused the folk dance forms of revivalism and pocomania, learned in her childhood, with reggae, dancehall and moves that today's teenagers can recognise. "I wanted to tap into the youth market," she says. It's brought some enthusiastic feedback from audience members who may not know the film. "Like: 'Oh my God, they did that step I always do at a party!' It allows them to form a connection." Authenticity and Cultural Representation Xia, wearing trainers in the Jamaican flag's colours, and Maxwell, whose tracksuit has the same black, green and gold trim, were intent on instantly transporting their audience to Kingston. The opening, says the director, is an "establishing shot" with characters coming and going on Simon Kenny's magnificent multi-level set, accompanied by Toots and the Maytals' hit Funky Kingston. To borrow from its lyrics, you really can believe everything they do. Even each move in the dominoes game we see is scripted, explains Maxwell, who mapped out the market scene with precision: "Where are you going to? How heavy is the item that you're holding? This is the swing of the hips." Social Commentary Through Performance Xia, whose father came to England from Jamaica in the 1970s, praises the freewheeling realism of the film. "Lots of the background performers are just whoever happened to be in the market that day, or walking through the shantytown. Lots of the actors were people that Perry knew, they had no training." Henzell, says Xia, showed "the part of Jamaica that had always been hidden, people living hand to mouth". The musical depicts a "quartet of oppression" against Ivan, as he takes a stand against individuals representing hypocrisies of the church, law, drugs trade and music industry. Universal Themes and Contemporary Relevance The Harder They Come was both a pioneering example of independent film-making for Jamaicans and a portrait of a newly independent country. Maxwell, who grew up glued to Hollywood musicals, says it was empowering to discover a film full of the Jamaican songs she loved. "I was probably way too young when I saw it. But what I saw was the world around me." She traces how different forms of music played a pivotal part in the country establishing its identity, moving from African forms and American R&B; to mento, ska, rocksteady, reggae and the rise of Bob Marley and Jimmy Cliff. Maxwell captures that chain reaction with a tantalizing question: "What's this groove becoming?" Transforming the Narrative for Modern Audiences The musical also makes its hero's actions more understandable. "In the film, Ivan becomes a kind of wanton murderer," says Xia. In the musical, "he accidentally shoots a police officer when he's under threat, is remorseful, yet also knows that if he gives himself in then that's the end of his journey". Another significant change is the depth given to the principal women – Ivan's mother Daisy and Elsa, with whom he falls in love under the eye of her authoritarian guardian, the preacher. "The moral heart of the piece now resides in those two women," says Xia. Maxwell transforms a brief sequence from the film, in which Ivan imagines a tryst with the devout Elsa, into a floor-trembling set piece when the preacher's congregation lose their robes to indulge in lustful fantasy. The male gaze of the original scene is duly excised: "it had to be like it was both of them in partnership in that fantasy world," says Maxwell, who adds that the nature of dancehall – "grinding, gyrating on another body" required her to use her skillset as an intimacy director.

The Leadership Challenge British Prime Minister Keir Starmer, fighting for his political survival after dozens of his own MPs called for him to resign, promised to press ahead with plans to reform the country before an expected meeting with his potential leadership rival Wes Streeting, the health secretary. Calls for Resignation Starmer has so far defied calls to quit from Labour MPs, who blame him for heavy losses in local elections last week and say he has failed to deliver reforms since coming to power in a landslide 2024 election victory. More than 80, or almost a quarter, of the prime minister's elected MPs have called for Starmer to go, and four junior ministers have resigned in protest. The Meeting with Streeting The meeting in Downing Street will take place before King Charles gives a speech at the opening of parliament – a grand ceremony led by him and used by the government to set out its political priorities and legislative agenda for the year ahead. A public statement is not expected to follow the Streeting-Starmer meeting to keep the attention on the speech, according to British media reports. The Future of Starmer's Leadership Despite the turmoil, Starmer will take part in parliament's grand opening on Wednesday. He said in a statement on Tuesday evening: 'Britain stands at a pivotal moment: To press ahead with a plan to build a stronger, fairer country or turn back to the chaos and instability of the past.' The implementation of the government's plans remains uncertain, and if Starmer were to be removed, his successor would not be bound to follow the same plan.

Morning Snapshot: UK Bond Market Bruised by Political Turbulence Good morning, and welcome to our rolling coverage of business, the financial markets and the world economy. The UK bond market is bruised this morning after a day of political turbulence drove up Britain’s borrowing costs. Rising Yields: 10‑Year Gilt Above 5% – Highest Since 1998 UK long‑term bond yields hit their highest levels in 28 years on Tuesday, pushing the 10‑year gilt yield back above 5%, the highest level since 1998. Numbers at a Glance: Yield Spike and Borrowing Cost Implications 10‑year gilt yield: > 5% (first time above 5% since 1998) Yield rise triggered by fears of a left‑leaning Labour government and potential fiscal expansion. Higher yields mean investors demand greater compensation, increasing the cost of borrowing for the UK Treasury. Political Shockwaves: Labour Leadership Uncertainty and Reform’s Rise Investors are wary that a shift to the left under Keir Starmer could lead to higher spending and larger deficits. At the same time, the prospect of Nigel Farage entering Downing Street after Reform’s gains in the recent local elections adds another layer of uncertainty. Senior analyst Ipek Ozkardeskaya of Swissquote notes that the market is "grappling with their own political shakeups" and that the combination of fiscal concerns and inflation outlook is driving yields up. Market strategist Bill Blain of Wind Shift Capital cautions that investors may not view Reform as a "safe pair of hands" for managing the bond market and public spending. Looking Ahead: What the King’s Speech Could Mean for Debt Markets The UK government will outline its legislative agenda in the King’s Speech later today, which could provide some respite for Keir Starmer amid ministerial resignations and calls for his departure. 10am BST: IEA monthly oil market report 10am BST: Eurozone GDP report (latest estimate for Q1 2026) 1.30pm BST: US producer prices inflation report for April 3pm BST: Bank of England policymaker Catherine L. Mann to release speech on “The UK’s international exposures and vulnerabilities”

Demi Moore warned at a Cannes press conference that the film industry “cannot fight” the rise of artificial intelligence, describing resistance as a losing battle and calling for collaborative approaches.The Cannes Jury’s Candid Take on AI’s Inevitable RoleDuring a Tuesday press conference, the actress – a member of the Cannes Film Festival jury – answered questions about AI’s impact on cinema. She said, “AI is here. To fight it is a battle we will lose,” and suggested that filmmakers should explore ways to work with the technology rather than oppose it.Absence of Quantitative Data Highlights Qualitative ConcernsThe discussion contained no specific financial figures or usage statistics, underscoring that the debate is currently driven by ethical and creative considerations rather than measurable market impacts.Implications for Filmmakers and the Regulatory LandscapeMoore expressed doubt that the industry is doing enough to protect creators, hinting at a need for stronger regulation.Fellow juror Park Chan-wook reinforced the idea that art and politics should not be divided, linking the AI conversation to broader questions of creative freedom.Screenwriter Paul Laverty warned of potential “blacklisting” in Hollywood, suggesting that AI‑driven content controls could exacerbate existing censorship pressures.Future Outlook: Collaboration Over ConflictMoore concluded that the “beautiful aspects” of AI can enhance filmmaking, but the “true art” will always come from the human soul. The prevailing view among the jury is that embracing AI as a tool, while safeguarding artistic integrity, will shape the next era of cinema.

The Unparalleled Experience of CannesNothing prepares you for the shock that is the Cannes film festival: the adrenaline, the fatigue, the elation and the emotion, but also the hunger, the anger, the magic and the ridicule. For young cinephiles, and for almost everybody who works in the film industry, it is the mecca of cinema and has been so for nearly eight decades. Anyone going for the first time this week, as I did 25 years ago, should not listen to the old grognards – Cannes' battle-worn veterans – who will lament that the festival has become an abominable circus and swear this year will be their last. It is a circus, and you can bet they will be back for as long as their knees can take it. For there is nothing quite like it.From Resistance to Global Cinema HubBorn to counteract Benito Mussolini's Venice film festival, its first edition was planned for September 1939, but Adolf Hitler had other plans. The previous year, under pressure from Berlin and Rome, the Venice film festival's top prize, the Coppa Mussolini, was handed to Leni Riefenstahl's propaganda film Olympia, prompting the French, British and American delegates to walk out. Hence Cannes, conceived as the festival of the "free world". More than 80 years later, for all its sins, it has remained faithful to that founding promise.The Expansive Scale of Modern CannesOver the decades, Cannes has mutated into an ever-hungrier mammoth, needing more space, and more venues, as it attracts an increasing number of journalists and professionals. A purpose-built Palais des Festivals had to be erected in the 1980s. "The bunker", as we have come to call it, is not exactly beautiful but brutally efficient at managing Cannes' mind-boggling crowds. This year, about 40,000 accredited festival-goers are descending on the French Riviera from 140 different countries, with dozens of films selected across all sidebars. At the same time, the Marché du Film, running alongside the festival since the late 1960s, is gathering about 16,000 participants, with thousands of films and projects up for sale. Cannes is both a summit for the cinema elite and a giant film bazaar.Three Worlds Colliding at La CroisetteFor 11 days in May, three different worlds lead parallel lives – critics, deal-makers and red-carpet royalty – colliding almost by accident on the seafront boulevard known as La Croisette. Hundreds of critics watch multiple films a day with monastic discipline. When they give in to parties, they bitterly regret it the next morning. You can spot some of us sleeping through entire screenings; how some colleagues manage to review films is a mystery. I remember a well-known French critic who had such vivid dreams in the darkness that he became convinced they were scenes in the films. His reviews were full of brilliant analysis of moments that did not exist.We critics rush between screenings, press conferences, interviews, our desks and the bunker's free espresso machines, often forgetting to eat or even pee. Downstairs, in the bunker's basement, and in hotel suites and rented apartments, the film market runs day and night: buyers juggle numbers, producers charm, directors and screenwriters fight for their vision. Above them floats Cannes' top layer – stars and "talent" spending hours in hair and makeup before climbing the 24 steps of the red carpet in borrowed couture and jewellery. When people in the industry groan, "oh God, it's Cannes again", it is this collision of financial anxiety, choreographed glamour and sheer exhaustion they are bracing themselves for.The Magic and Meaning Behind the GlamourThese worlds sometimes collide in the most poetic or grotesque ways. One morning, rushing to my first screening at 7.30am, I was walking along the Croisette when I saw, coming towards me, slightly dishevelled in a tuxedo, Jack Nicholson on his way back to his hotel after a long night. I smiled, he smiled back. He was alone, no bodyguards, no chaperones. Those were the days. I also shared a lift with Takeshi Kitano in full samurai attire, and I will never forget turning into a hotel corridor and finding myself nose to nose with Max von Sydow – Ingmar Bergman's medieval knight from The Seventh Seal. My cinephile heart skipped a beat.One of my favourite sidebars in Cannes, alongside the competition where you watch the year's best crop of films, is Cannes Classics, showing restored world masterpieces and documentaries about cinema. I always start the festival there: it is the best way to reset and begin afresh. Then I am ready for the 10-day onslaught of motion pictures, and for the magic moment that precedes each Cannes screening – the festival's own jingle, a palm ascending the red carpet from underwater and then into the sky, lifted by the ethereal arpeggios of Camille Saint-Saëns's Carnival of the Animals.Cannes: Enduring Symbol of Cinematic ResistanceIn 1955, Cannes gave its first official Palme d'Or to Delbert Mann's Marty; half a century later I found myself befriending its wonderful star, Betsy Blair, on the Croisette. I had the joy of seeing Ken Loach twice climbing those steps to collect the Palme, escorted by police outriders from Nice airport as if he were a head of state. I watched Iranian directors Jafar Panahi and Mohammad Rasoulof showing films at peril to their lives. For all the craziness of the red carpet and the samurai outfits, Cannes never forgets that it was founded as a gesture of resistance. That, as much as the glamour and the exhaustion, is why we keep going back.

The Unlikely Entourage Member Brett Ratner, the director behind the Rush Hour movies and a documentary on Melania Trump, is accompanying Donald Trump to China for his summit with Xi Jinping. Ratner was among the group of CEOs and top executives from major US tech and finance firms, including Apple’s Tim Cook, Tesla’s Elon Musk and BlackRock’s Larry Fink, who boarded Air Force One. Scouting for Rush Hour 4 Locations Trump’s spokesperson, Victoria Palmer-Moore, said he would use the trip to scout for filming locations for the latest instalment of the Rush Hour franchise. She added that Ratner plans to shoot “a lot” of Rush Hour 4 in China. The Rush Hour Franchise Revival The original Rush Hour was an instant hit in 1998, topping the US box office charts upon its release. Its sequel Rush Hour 2 was also a huge commercial success in 2001, before Ratner’s critically and commercially disappointing Rush Hour 3 was released in 2007. Despite rumours of a fourth film circulating for almost two decades, with Chan suggesting in 2017 that he and Tucker had agreed upon a new script, development had stalled until Trump intervened in late 2025. Ratner's Comeback Trump’s support has allowed Ratner to make a comeback in Hollywood after being sidelined after accusations of sexual misconduct during the #MeToo movement in 2017. Ratner denies all of the allegations. In 2026, Ratner released Amazon-backed documentary Melania, which followed the first lady during the 20 days before Trump’s second inauguration. The China Connection The president is reportedly a huge fan of Rush Hour, which revolves around detectives James Carter and Yan Naing Lee – played by Chris Tucker and Jackie Chan respectively – as they navigate their cultural differences and investigate crimes in Hong Kong, Paris and Los Angeles. Last November, Trump encouraged billionaire Larry Ellison, the primary financial force behind Paramount Skydance, to bring back the franchise once Paramount went through with its controversial purchase of Warner Bros.