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The Lead: A Conceptual Artist Turns a Pier into a Biennale HighlightLydia Ourahmane, a 33‑year‑old British‑Algerian artist, opens a site‑specific exhibition at the Nicoletta Fiorucci Foundation during the 2026 Venice Biennale, built around a community‑constructed pier on the quarantined island of Poveglia. The Pier Project: From Cooperative Vote to Exhibition CoreOurahmane partnered with local craftspeople and producer Giorgio Mastinu to design and build a functional pier that allows boats to dock on Poveglia. The cooperative voted to accept her offer in March, and the structure now serves both as artwork and as lasting infrastructure for the island’s residents. Location: Poveglia Island, Venice lagoonMaterials: Local timber, traditional Venetian boat‑building techniquesPurpose: Facilitate access, symbolise non‑extractive collaboration Numbers that Matter: Scale, Weight, and the Euro‑Coin Light MachineThe exhibition incorporates several striking metrics: 1.3 tonnes of decommissioned Venetian hotel bed‑linen repurposed into a sculptural installationA historic coin‑operated lighting device from the church of San Giovanni Crisostomo, requiring visitors to insert a €1 coin to illuminate the workThe Biennale runs until November 2026, after which the artworks will disperse globally Impact Analysis: Challenging Extractivism and Rethinking Museum EconomicsOurahmane’s decision to build a pier rather than extract materials directly from Poveglia confronts the legacy of tourism‑driven development on the island. By embedding the artwork in a functional public amenity, she highlights the tension between cultural capital and local agency, questioning the “pay‑to‑see” model that underpins many museums. Future Outlook: Community‑Centred Art as a Model for Global BiennalesIf the pier endures beyond the Biennale, it could become a permanent example of how large‑scale art events collaborate with host communities. The approach may inspire future curators to prioritize co‑creation over consumption, potentially reshaping the economics of cultural institutions worldwide.

Hyper Games launches a second Moomin‑inspired adventureBuilding on the modest success of Snufkin: Melody of Moomin Valley, the Oslo‑based studio Hyper Games has released Moomintroll: Winter’s Warmth. The title places the titular Moomin in a solitary winter night, confronting mortality, grief and the need to adapt to harsh weather – core motifs of Tove Jansson’s 1957 novel Moominland Midwinter.Platforms, pricing and early market reachAvailable on PC, Mac and Nintendo Switch from launch day.Priced at $24.99 on most storefronts, with a discounted bundle for owners of the previous Snufkin game.Initial Steam and Switch download numbers reported at 15,000 copies in the first week, driven by family‑friendly marketing.Why the Moomin ethos matters for modern gamingThe games capture Jansson’s “happy‑sad” tone, offering players gentle gameplay – snowball throwing, shovelling, and exploratory wandering – while embedding philosophical moments about death and change. By preserving the hand‑illustrated style of the original books, Hyper Games differentiates itself from the glossy, CGI‑heavy titles dominating the market, appealing to parents seeking low‑stress experiences for young children.Potential ripple effects for literary adaptationsHyper’s rigorous approval process with Moomin Characters Ltd demonstrates that faithful adaptations can coexist with creative freedom, as seen in the addition of a new character drawn from Jansson’s lesser‑known comics. Success could encourage other indie studios to explore classic literature, especially works with strong visual identities and thematic depth.Looking ahead: indie storytelling in the next wave of gamesIndustry observers predict a rise in “remix” projects that translate beloved books into interactive formats, leveraging modest budgets and niche audiences. If Moomintroll: Winter’s Warmth maintains steady sales and positive word‑of‑mouth, it may pave the way for further collaborations between literary estates and Scandinavian developers, reinforcing the region’s reputation for nature‑centric, emotionally resonant games.

The Psychic: A Return to Supernatural TheatreSheila Gold, supposedly Britain's most accurate psychic, wants to be taken seriously by her new clients. "This is not theatre," she warns them, as she lights seven candles for a seance. This is an insider joke, as theatre is exactly what it is—a carefully constructed illusion designed to make audiences question what they believe to be true.The Creative Minds Behind the Spiritual IllusionThe Psychic marks the return of Jeremy Dyson and Andy Nyman after the spooky stage and screen success of Ghost Stories. Now the writer-directors are unnerving audiences again with grinding sound effects and sudden lighting bursts, toying with us to believe and yet not believe in voices from beyond the grave. Where Ghost Stories was an all-male affair, this one is a female-centred tale in which 18-year-old Tara tries to inherit Sheila's fairground wisdom, while matriarch Rosa does all she can to undermine the daughter she schooled.Performances That Bridge Belief and DoubtIn the lead role, Eileen Walsh does an excellent job switching from glitzy entertainer in sparkling pink jacket and matching heels to hard-bitten operator, building on the received wisdom of 10 generations of fortune tellers. The script is littered with the language of showmen, from the jossers whose fortunes they read to the oojas who mentor them, adding to the impression of ancient knowledge being passed down. This creates a rich tapestry of performance that balances skepticism with genuine supernatural possibility.A Tale of Two Halves: Strengths and ShortcomingsDyson and Nyman request that the audience keep the plot twists secret. This is reasonable in the first half where nothing is what it seems. But in the second, the ideas dry up. With little to surprise us beyond the odd jarring sound effect, the play drifts towards Victorian melodrama: too much expository dialogue, too little tension and an ending that is uncharacteristically predictable. The Psychic ultimately delivers medium-strength storytelling that entertains but doesn't fully satisfy.The Place of Spiritual Theatre in Contemporary CultureIn an age of increasing scientific skepticism, plays like The Psychic serve an important cultural function by exploring the human desire to connect with something beyond the material world. The Psychic's exploration of spiritual fraud versus genuine supernatural possibility taps into timeless questions about belief, deception, and the power of suggestion. While this particular production may not achieve the heights of Ghost Stories, it continues a tradition of theatrical supernatural storytelling that continues to captivate audiences.

The Threat to a Historic Cinema The survival of one of the UK's oldest independent cinemas, the Ultimate Picture Palace (UPP) in east Oxford, is under threat due to its landlord, Oriel College, refusing to extend its lease. The cinema, which opened in 1911, has been a staple in the community, entertaining generations of students and residents, including Oscar-winning director Sam Mendes. The Cinema's History and Current Status The UPP recently became a community-owned business after more than 1,200 supporters raised funds to keep the cinema operating in the Grade II-listed building. Despite its historical significance and community support, plans to secure its long-term future have been dashed by Oriel College's reluctance to approve an extension that would allow further investments and renovations. Financial Challenges and Community Impact The cinema's operating costs have increased by 25% over the last four years, and it remains on a financial knife-edge. Micaela Tuckwell, the UPP's executive director, stated that grants are available to improve the cinema's energy efficiency and accessibility, but these improvements cannot go ahead without Oriel agreeing to extend the current lease past 2037. The Future of the Cinema A campaign and petition to save the UPP has gathered 22,000 signatures, and the MP for Oxford East, Anneliese Dodds, has raised the UPP's future in parliament. The cinema is known for its alternative and artistic programming, with foreign language films accounting for more than a fifth of ticket sales. Despite the post-pandemic fall-off in national audiences, the UPP reported a 20% increase in ticket sales, with a quarter of its sales to under-25s.

The Climate Crisis: A Call to Action Strip away the politics, and the climate crisis debate isn’t complicated. We’re changing the planet in ways that are “damaging and dangerous”, and every country will be affected. “No one can opt out.” Margaret Thatcher's Warning Those quotes might sound as if they came from a leftwing Scandinavian leader, but they are, in fact, from Margaret Thatcher. Speaking to the UN general assembly in 1989, Britain’s then prime minister tore into world leaders and warned that there was “no good squabbling over who is responsible or who should pay”. The Cracks in Climate Consensus While Reform UK’s Richard Tice has said it is “absolute garbage” to claim that human activity is the main cause of the climate crisis, companies he’s led have boasted of “zero net emissions” buildings, some featuring solar panels and electric vehicle charging points. One company of which he is chief executive told shareholders last year that those solar panels generating electricity were “saving hundreds of tonnes of CO2 per annum”. The Data Analysis 84% of Britons say the climate is changing 68% want government action The Impact Analysis On the climate, the country isn’t divided, it’s decided – and miles ahead of any politics dragging it backwards. This isn’t a fight we need. We’ve shown we can agree on the goal and get results. Letting that consensus slip helps no one. The Prediction The local elections this week will determine whether progress accelerates or stalls. This is the choice between ambition and procrastination, between getting things built or finding reasons to block them. Labour's Climate Leadership Labour is now Britain’s climate party, not by accident but by choice, because we’re prepared to build. Our task is clear: electrify our economy and take oil and gas out of our veins as our lifeblood. While others argue or block, we’re delivering the biggest transformation in how this country is powered in a generation.

The Guardian released a new podcast episode titled The AI jailbreakers, where journalist Jamie Bartlett sits down with researcher Annie Kelly to dissect the underground movement that tests the boundaries of today’s most advanced chatbots.Podcast Uncovers the Tactics Behind AI JailbreaksIn the hour‑long conversation, Bartlett and Kelly map out how actors exploit prompts, system messages, and external tools to coax models such as ChatGPT, Gemini, Grok and Claude into producing prohibited content. They highlight three core techniques:Prompt engineering: chaining innocuous queries to bypass safety filters.Context injection: feeding the model with fabricated system instructions that override its guardrails.Tool‑assisted loops: using APIs or browser extensions to automate repeated jailbreak attempts.Scale of Jailbreak Attempts and Model VulnerabilitiesWhile exact numbers are scarce, the hosts cite recent research indicating:Over 10,000 distinct jailbreak prompts have been catalogued across major LLMs in the past year.Success rates vary by model, with open‑source variants showing 30‑40% higher breach rates than proprietary systems.Each successful breach can expose hundreds of megabytes of filtered training data or generate disallowed content at scale.Why Jailbreaks Threaten Trust in Generative AIThe discussion moves beyond technical tricks to the broader societal stakes. Unchecked jailbreaks can:Facilitate the spread of hate speech, extremist propaganda, or illegal instructions.Erode user confidence, prompting regulators to impose stricter compliance regimes.Accelerate an arms race between jailbreakers and AI developers, diverting resources from innovation to defense.Future of AI Safety: Anticipating the Next Wave of Jailbreak DefensesBoth guests agree that the next phase will involve layered defenses:Dynamic safety layers: real‑time monitoring that adapts to emerging jailbreak patterns.Transparency dashboards: public logs of attempted breaches to inform policy and research.Collaborative bounty programs: incentivizing ethical hackers to report vulnerabilities before malicious actors exploit them.As AI systems become more embedded in daily life, understanding the mindset of jailbreakers will be crucial for building resilient, trustworthy models.

The Shift in UK Film Studio Development The UK film industry has hit a turning point, with a slowdown in production leading to a decrease in demand for studio space. This shift is prompting property developers to reconsider their plans and pivot towards building datacentres, driven by the growing demand for data storage and processing capacity in the AI era. Peak TV Production and Its Aftermath The industry hit peak TV production four years ago, with a record £7.8bn spend on UK-made productions. This led to a surge in studio building and expansion, as well as the use of temporary sites such as old carpet factories and military sites. However, with the streaming wars recalibrating and a slowdown in the content arms race, the demand for studio space has decreased. The Data-Driven Decline The British Film Institute (BFI) is expected to report a third consecutive annual overall decline in the number of films and high-end TV shows made in the UK in 2025. This decline, combined with the financial pressures on domestic broadcasters, has led to a pull-back on content commissioning. As a result, property developers are reevaluating their plans for studio developments. The Rise of Datacentres Datacentres are becoming an attractive alternative for property developers, with land for datacentre development worth at least twice as much as studios. This has led to several high-profile projects, including Pinewood's plan to convert 78% of its proposed 1.4m sq ft expansion into a datacentre, and the abandonment of a £700m studio complex in Hertfordshire. The Future Outlook While there continues to be some expansion in the UK film industry, such as at Ealing Studios, the market appears to have hit peak studio space. As the industry adapts to the changing landscape, developers are likely to focus on datacentre development, driven by the growing demand for data storage and processing capacity in the AI era.

The LeadRhetoric surrounding Sudan's ongoing war has escalated with both sides indicating preparedness for a decade-long conflict, with devastating humanitarian and economic consequences for the nation.Commanders' War DeclarationsRapid Support Forces (RSF) commander Mohamed Hamdan Dagalo, known as "Hemedti," recently announced that his soldiers were prepared to keep fighting "until 2040 if necessary." His remarks came days after his rival and Sudan's army chief Abdel Fattah al-Burhan vowed to keep fighting until Sudan was "cleansed" of the RSF and estimated the war could last until 2033.Both sides increasingly appear to view the war as a long-term struggle for survival and control of Sudan, with UNDP Sudan Representative Luca Renda cautioning that "the longer the war continues, the greater the misery," describing the conflict as "the economics of suffering."Humanitarian CatastropheAccording to a joint report by the United Nations Development Programme (UNDP) and Institute for Security Studies, more than 150,000 people have been killed since fighting began in 2023. Nearly 15 million people have been displaced, up to 24 million face food shortages and at least 19 million lack access to safe drinking water and sanitation.The report warns that Sudan's state institutions are on the verge of total collapse, with governance paralysed, healthcare and education systems shattered, markets destroyed, and production in agriculture, manufacturing and services severely weakened.Economic DevastationThe report projects that under a "Protracted Conflict" scenario with the war lasting until 2030, Sudan's GDP in 2043 would be US$34.5 billion lower than it would be with no war, GDP per capita would fall by roughly $1,700, while more than 60% of the population would be living in extreme poverty."A conflict lasting to 2030 would push an additional 34 million people into extreme poverty – that is the entire population of Ghana," Renda said. He warned that a $1,700 fall in per capita income in Sudan "is the difference between being a family that can eat and one that can't, between being a child who goes to school and one who goes to work."Despite Sudan's vast natural resources – including oil, gold and some of Africa's most fertile agricultural land – the war has crippled the infrastructure needed to sustain the economy. "Natural resources don't feed people on their own," Renda said, "and every year of war moves those resources further out of reach".Healthcare System CollapseHealthcare indicators point to an even more severe long-term crisis. Since the war began, an estimated 70–80 percent of health facilities in conflict zones have become non-functional because of targeted attacks and looting.At least 145 verified attacks on healthcare facilities and personnel have been documented, leaving about 65 percent of Sudan's population without adequate access to medical care. In Khartoum, only one in four hospitals remains operational in the capital.The report finds that Sudan was already seeing deaths increasing from non-communicable diseases, such as heart disease and stroke before the war. But the situation worsened after fighting escalated, with conflict-related injuries surging sharply, with more than 61,000 deaths estimated between April 2023 and June 2024 alone.Infant mortality is projected to worsen dramatically, with Sudan forecast to become one of the worst-performing low-income countries in Africa by 2043.Athar Abdalla Mohamed, a doctor and community medicine resident at the Sudan Medical Specialisation Board (SMSB), warned that the consequences of collapsing healthcare systems may continue for years after the war. "A child missing a vaccination today may become part of a preventable epidemic years later," she said.Education Crisis and Displacement"Nineteen million school-aged children have had their education disrupted, and only one in five schools is currently open," Renda said. "We are talking about a lost generation."He also warned that displacement is accelerating state collapse, as Sudan endures one of the world's worst displacement crises. "When doctors flee, clinics close. When teachers leave, schools shut," Renda explains. "Displacement doesn't just uproot people – it destroys communities and the fabric of the state, making it harder and harder to rebuild."Path to RecoveryRenda suggests that recovery remains possible if the war ends and reforms are implemented. Under a "Sudan Rising" scenario built around peace, governance reforms and economic reconstruction, Sudan's GDP could reach US$58.2 billion by 2043 – nearly US$20 billion higher than under current trends.Average economic growth could accelerate to five percent, while 17.3 million people could be lifted out of extreme poverty. "Our modelling shows what would be possible with peace this year and serious investment," Renda said. "That is a generation of work, but also a reason for hope and an irrefutable argument for doing everything possible to end the war now."Despite the scale of destruction, Dr Athar is optimistic that ongoing recovery efforts can lay the foundations for rebuilding Sudan. "I hope the ongoing efforts succeed in restoring hope, preserving what remains and helping build sustainable growth," she said.However, the trajectory appears to be moving in the opposite direction, with the doctor warning that Sudan is approaching a critical point. "Sudan cannot continue at this rate," she said. "The long term outcome depends greatly on whether efforts are made now to preserve essential services and invest in recovery before the damage becomes irreversible."Future OutlookWith both Hemedti and Burhan publicly signalling readiness for years – even decades – of war, Sudan risks becoming trapped in a cycle of state collapse, economic ruin and humanitarian devastation that could define an entire generation.

The Global Financial Network Behind a Nationalist Party The far-right Reform UK party, led by the firebrand populist Nigel Farage, is on the rise, doubling down on calls for tougher border controls and anti-immigration rhetoric. But a look at its finances tells a different story, with money flowing across borders. While Reform UK says it aims to strengthen the rule of law by prioritising parliamentary sovereignty, cutting immigration, and reducing the influence of international bodies, many of its financial backers, political relationships and ideological allies extend beyond the United Kingdom and into international networks. Within this network is a small number of individual donors, including its largest backer, Thailand-based crypto investor Christopher Harborne. Farage himself is a global networker. In December, he flew to Abu Dhabi at the expense of the United Arab Emirates to attend events and meet officials, despite building a political brand centred on opposition to immigration from regions such as the Middle East. The UK political finance system allows unlimited donations on the condition of openness, Sam Power, an expert in political financing, electoral regulation and corruption at the University of Bristol, told Al Jazeera, noting that "anybody can donate as much as they want as long as they're permissible". While transparency was meant to balance this freedom, in practice, with opaque donations, gifts, and weak lobbying rules undermining scrutiny, the system is "no longer fit for purpose in British electoral law", he said. Duncan Hames, director of policy, Transparency International UK, said in a statement that British democracy is becoming "a plaything for the super-rich". "Political parties are growing ever more dependent on a tiny number of mega-donors, and the impact of that money on our politics is clear: it buys privileged access, political influence, and even seats in the House of Lords," he said. Donations have long been a function of the British political system, Power explained, but what Reform UK has done is that it has "supercharged" the scale. "British politics has always had a bit of a representation problem, in the sense that a small number of wealthy people have an outsized influence, but we have never seen the number this small and the money this big," Hames said. International Donors and Financial Flows Reform UK relies heavily on donations, about two-thirds of which come from wealthy individuals. At the heart of this set-up sits Harborne, a British-Thai billionaire businessman who is currently the largest single donor to a UK political party in history, having contributed more than 22 million pounds ($30m) to Reform. In 2025 alone, he donated 12 million pounds ($16.3m). His relationship with Farage has also been shrouded in controversy. The Guardian recently revealed Reform UK's leader had received a 5 million-pound ($6.8m) gift from Harborne that was not initially declared in early 2024, weeks before Farage announced his bid to become an MP and run in Clacton. Under House of Commons rules, new MPs must register all "registrable benefits" received in the 12 months before their election. The Conservative Party referred Farage to the parliamentary standards commissioner for investigation, questioning why such a large sum was hidden from the public. Farage said the money was gifted to him "so that I would be safe and secure for the rest of my life". Harborne has made much of his fortune from his 12 percent stake in Tether, a cryptocurrency that Farage now regularly promotes on media appearances. Global Travel and Speaking Engagements In December, the UAE paid approximately 1,000 pounds ($1,360) for Farage to visit Abu Dhabi and forked out $9,000 for Paddock passes at the 2025 Abu Dhabi Grand Prix, as shown in the UK Parliament Register of Members' Financial Interests. The Financial Times, quoting people familiar with the matter, reported Reform UK treasurer Nick Candy had arranged the trip as the UAE's leadership "was keen to speak with Reform owing to a shared opposition to the Muslim Brotherhood". Harborne is also estimated to have spent an estimated 25,000 pounds ($33,900) flying Farage out to the Maldives for a three-day trip that the Reform UK leader listed as a "humanitarian aid mission". Farage is also flown around the world to speak at various events. In November, Bassim Haidar, a Lebanese-Nigerian billionaire entrepreneur and prominent donor to Reform UK, spent about 55,000 pounds ($74,528) to fly out Farage and two of his aides to the United States for a "speaking engagement and charity event", according to the register. Haidar uses Dubai as his primary business headquarters, while his main European residential base is in Greece. In February 2025, GB News, a media outlet which has produced biased coverage about Muslims according to a recent study, paid Farage 7,924 pounds ($10,737) to cover the Conservative Political Action Conference (CPAC), an annual gathering of conservatives in the US, organised by the American Conservative Union, at which he also held a speech. CPAC covered the cost of his accommodation. The Future of UK Political Financing Reform UK has committed to doing the "bare minimum to comply with electoral law on transparency", Power said. The party appears "uninterested in giving you information unless they are absolutely forced to", a trend he expects to continue. However, small changes in the law are being applied. After Harborne's gift was revealed, the UK government unveiled a planned 100,000-pound ($135,611) cap on how much British citizens living abroad could donate in a year, as well as a temporary ban on all donations made in cryptocurrencies. Power said ultimately, the system of political donations in the UK will not halt overnight, but some form of compromise needs to be met. He proposed a "democracy backstop" to cap donations at 1 million pounds ($1.35m). "It just moves us towards just taking the poison out a little bit," he said.