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The Economic Crisis in War-Torn LebanonBeirut, Lebanon – Mario Habib, a 51-year-old barber who opened his shop in 2006 just before war broke out between Israel and Hezbollah, is now living through another conflict. Twenty years later, his business in Furn el-Shebbak neighborhood is struggling as Lebanon's economy deteriorates under the weight of renewed war and global fuel crisis. "The price of running the generator is killing me," Habib said. "Everything has gotten more expensive, the price of petrol doubled, the supermarket is more expensive, even the products [I use for my business] got more expensive."Regional Conflict Disrupts Fuel Supplies and Economic GrowthIsrael's war on Lebanon and the broader US-Israel war on Iran are severely damaging Lebanon's fragile economy. Supply issues have particularly affected oil from the Gulf region, which has largely stopped flowing since the US and Iran blockaded the Strait of Hormuz. In Lebanon, which was already suffering from a severe economic crisis, there is less work and people are losing their jobs at an alarming rate.Despite Lebanon's government expressing optimism about the country's economy in 2025, with the World Bank recording a modest 3.5 percent GDP growth that year, the renewed conflict has erased those gains. In March 2026, inflation reached an 18-month high in Lebanon. Lebanon's Bank Audi now predicts that there will be 0 percent GDP growth in 2026 if the war continues.Economic Indicators Show Deteriorating ConditionsInflation reached an 18-month high in March 2026Bank Audi projects 0% GDP growth for 2026 if war continuesLebanon had recorded 3.5% GDP growth in 2025Reconstruction and recovery costs estimated at $11bn by World BankWar-related losses in 2026 estimated at $3bn (with more expected)Oil prices have increased approximately 65% since MarchCompounding Crises Create Perfect Economic StormLebanon's current economic crisis is not solely the result of recent conflicts. The country has been facing multiple compounding crises for years:2019: Financial mismanagement led to a banking crisis, cutting people off from their savings2020: Beirut port explosion killed 218 people and devastated infrastructure2021-2022: Worsening state services and mass emigration2023-2024: Hezbollah-Israel war displaced thousands of Lebanese2024: Israel intensified attacks, displacing more than one million people2026: Renewed Israeli attacks have displaced over 1.2 million people"This is a war that comes after a war," said Sami Zoughaib, an economist and research manager at The Policy Institute, a Beirut-based think tank. "It comes after institutional collapse. It comes after one of the worst financial crises in history."Societal Impact and Economic VulnerabilityThe economic crisis is disproportionately affecting Lebanon's most vulnerable populations. According to the World Bank, agriculture, commerce, and tourism—sectors accounting for 77 percent of economic losses—are key income sources for low-wage and informal workers now at significant risk.Remittances, which were approximately $6.6bn in 2023, are expected to drop significantly in 2026 due to rising oil prices. The 65% increase in oil prices since March particularly affects remittances from Gulf countries, which are crucial to Lebanon's economy.The displacement crisis has mostly impacted Lebanon's Shia community, from which Hezbollah draws its support. However, economists warn that the economic fallout could exacerbate societal divisions, with political elites potentially scapegoating displaced people for the country's economic problems—a pattern seen in the past with Syrians and Palestinians.Future Outlook: Economic Collapse or Recovery?Should the current pattern of conflict continue, Lebanon's economy could soon become unviable, with many investors deciding that opening or operating businesses is not worth the potential returns. The impact has been felt across the country, with no community left untouched by the economic consequences of war.While some areas have been hit harder than others, economist Sami Zoughaib warns that Lebanon may be reaching a point of no return. "That is, for me, very dangerous," Zoughaib said, referring to the potential for political elites to exploit economic divisions for their own gain.For ordinary Lebanese citizens like Mario Habib, the immediate concern is survival. Despite rising costs and reduced business, Habib refuses to raise his prices. "I always prefer that the person who comes here is comfortable," he said. "A lot of things are more expensive, but I prefer to be conservative on this. I feel like if you come to me, you want to be happy and relaxed."

Executive Summary: A Misfire in Netflix’s Nostalgia PushThe streaming giant Netflix has revived a dated British comedy formula with *Ladies First*, but the Guardian finds the result an excruciatingly unfunny, high‑concept experiment that wastes the star power of Rosamund Pike and Sacha Baron Cohen.Plot Premise and Critical ReceptionThe film imagines a world where gender roles are reversed: the protagonist Damien Sachs (played by Sacha Baron Cohen) wakes up to find women dominating the workplace while men struggle for relevance. Rosamund Pike portrays a ruthless executive version of her character, yet even her performance cannot rescue the script, which the reviewer describes as a “criminal waste of talent.”Runtime and Production ContextAt a brief 84‑minute length, the movie attempts to pack a “what‑if” scenario alongside references to other gender‑swap comedies such as *I Feel Pretty* and *Isn’t It Romantic*. The review notes that the film is a remake of a French comedy, highlighting Netflix’s strategy of repurposing existing IP rather than investing in original, high‑quality content.Implications for Netflix’s Comedy PortfolioThe negative appraisal suggests that Netflix’s reliance on nostalgic, low‑budget comedies may erode its reputation for delivering fresh, engaging humor. By prioritising cheap concepts over substantive storytelling, the streamer risks alienating both talent and audiences seeking smarter satire.Future Outlook for Gender‑Satire FilmsGiven the film’s failure to blend humor with insightful commentary on workplace gender dynamics, the review predicts a cautious approach from studios and streaming platforms when green‑lighting similar gender‑swap premises. Success will likely depend on sharper writing and more nuanced performances rather than repetitive, one‑joke setups.

The LeadAs we celebrate Miles Davis's centenary, his 1957 film soundtrack "Ascenseur pour l'Échafaud" is being repackaged with restored audio, offering a fresh look at the jazz legend's innovative approach to film scoring and improvisation. This mostly improvised soundtrack, created over one night in a Paris studio, showcases Davis's unique harmonic openness that would later influence his masterpiece "Kind of Blue."The Creative Process Behind the SoundtrackComposed by Davis from little more than a handful of chords, this music was mostly improvised straight to a screen showing budding New Wave director Louis Malle's crime thriller "Ascenseur pour l'Échafaud" (Lift to the Scaffold), over one long night in a Paris studio in December 1957. His fine local quartet included expat New York bebop drummer Kenny Clarke, and their harmonic openness created a spacey, ethereal soundworld for a story following two lovers who think they've committed the perfect murder of an inconvenient husband, and the mishaps, farces, ecstasies and fears that populate the long night of their undoing.The Musical Landscape of NoirDreamily sensual sounds mirror misplaced hopes; there are car-chase scurries (Miles's fast-bop horn virtuosity was formidable in this period), desolately bluesy accompaniments to actor Jeanne Moreau's confused wandering in search of her partner, bar-room clamour in the trumpet/tenor-sax counterpoint between Miles and saxist Barney Wilen – but all the music stands alone, without images. A quiet slow-burn, but simmering with all of Miles Davis's timelessly extraordinary light and heat.Jazz Tributes and Contemporary ConnectionsThis month marks Miles's centenary, and a clamour of celebrations of a musical life that led him to be dubbed (by Duke Ellington, allegedly) the "Picasso of jazz" for the many styles he explored. Alongside the reissue of "Ascenseur pour l'Échafaud," other artists are paying tribute: Norwegian guitarist Hedvig Mollestad's power-trio Weejuns nods to Miles Davis' 1969 "Bitches Brew" with "Bitches Blues"; guitarist Jeff Parker unveils fascinating ways of emerging from minimalism to lyricism; and Jason Miles, a former Miles Davis keyboardist, revisits that groove-centric era in his own personal way.The Legacy of ImprovisationWhen Miles Davis was dying in September 1991, an invisible, neighbouring trumpet player began playing homages to Miles' voice-like, blues-inflected melodies instead. It was a poignant personal tribute to a unique instrumental sound, and a unique imagination, that had profoundly enriched 20th-century music. The reissue of "Ascenseur pour l'Échafaud" continues this legacy, showing how Davis's approach to improvisation and harmonic openness continues to influence musicians today.

The Squad Revelation Thomas Tuchel is set to announce England's 2026 World Cup squad. The big announcement comes at 9:45 am UK time. The Probable Squad David Hytner and Jacob Steinberg have done their analysis and made their predictions on the final 26. Here's their probable squad: Goalkeepers: Jordan Pickford Everton, Dean Henderson Crystal Palace, James Trafford Manchester City Defenders: Reece James Chelsea, Tino Livramento Newcastle, John Stones Manchester City, Marc Guéhi Manchester City, Ezri Konsa Aston Villa, Dan Burn Newcastle, Jarell Quansah Bayer Leverkusen, Nico O'Reilly Manchester City Midfielders: Jordan Henderson Brentford, Elliot Anderson Nottingham Forest, Declan Rice Arsenal, Kobbie Mainoo Manchester United, James Garner Everton, Jude Bellingham Real Madrid, Morgan Rogers Aston Villa Forwards: Bukayo Saka Arsenal, Noni Madueke Arsenal, Eberechi Eze Arsenal, Marcus Rashford Barcelona, Anthony Gordon Newcastle, Harry Kane Bayern Munich, Ollie Watkins Aston Villa, Ivan Toney Al-Ahli The Omissions Trent Alexander-Arnold has been omitted from the squad. Djed Spence has been included but reportedly broke his jaw after a collision with Liam Delap of Chelsea on Tuesday. Maguire was the first to go public about being left out, with the defender taking to social media to express disappointment over failing to make the cut. The most eye-catching omissions came in the attacking areas, with Foden and Palmer left out due to underwhelming seasons. The Surprising Inclusions Tuchel has been bold with his selections, notably turning to Toney for the first time in 12 months. The former Brentford striker, who now plays for Al-Ahli in Saudi Arabia, was part of England's squad at Euro 2024 but has not made an international appearance since coming on as a substitute in the friendly defeat by Senegal last June.

The Lead: A Bold Re‑imagining of Garland’s Final YearsThe Guardian’s review opens by noting that Drag Race star Jinkx Monsoon brings her celebrated Judy Garland impersonation to a new narrative context—a love triangle set in 1960s London. The revival of Peter Quilter’s 2005 play shifts focus from Garland’s early exploitation to her later struggles with addiction and a fraught personal life.The Production’s Narrative Twist: Love, Addiction, and Queer IconographyMonsoon’s Garland is caught between steadfast pianist Anthony (Adam Filipe) and opportunistic suitor Mickey (Jacob Dudman).The script juxtaposes private hotel scenes with public performances at Talk of the Town, highlighting the clash between fame and personal decay.Queer themes surface through Anthony’s admiration and Mickey’s homophobic contempt, underscoring Garland’s status as a queer icon.Musical Direction and Visual Design: Orchestrating EmotionMusic direction by Nick Barstow and arrangements by Leo Munby anchor the drama, with Garland’s torch songs—"Just in Time" and "You Made Me Love You"—serving as emotional pivots.Designer Jasmine Swan creates a stark white‑curtain stage, while lighting designer Prema Mehta introduces a Technicolor‑inspired transition that mirrors Garland’s cinematic legacy.Critical Reception: Performance Nuances and Structural FlawsMonsoon’s vocal performance is praised for its dynamic range, capturing both triumph and fragility.The review notes repetitive hotel scenes that, while authentic to addiction’s grind, can feel grindingly static.Supporting characters are deemed functional, serving more as narrative devices than fully fleshed personalities.Future Outlook: Potential for a One‑Woman ShowcaseThe critic suggests that Monsoon’s talent hints at a possible solo rendition of Garland’s story, which could amplify the intimate connection she already establishes with the audience. The show runs at Soho Theatre Walthamstow until 21 June, offering theatre‑goers a chance to experience this layered homage before any further developments.

Lead: Burnham’s Vision of “Manchesterism” Gains MomentumAndy Burnham used the Great North Investment Summit in Leeds to argue that Britain has been on the wrong path for four decades, urging a return to a more publicly‑controlled, regionally‑balanced economy. His call for “Manchesterism” – a blend of historic free‑trade liberalism and modern public ownership – is resonating within Labour’s left‑wing circles and among northern voters.Burnham’s North‑Focused Narrative at the Great North Investment SummitSpeaking to an audience of devolution advocates, Burnham highlighted the “draining away of economic, social and political power” from the North, blaming deregulation, privatisation and austerity. He cited everyday hardships – “people paying over the odds for energy, housing, water, transport” – as evidence that the current model is unsustainable. The speech also referenced his own political journey, from a 2015 Labour leadership contender to mayor of Greater Manchester in 2017.Economic Indicators Highlighting the North’s DeclinePolls give Burnham only 45% chance of winning a future national election, yet his regional appeal remains strong.Rising costs for basic services are cited as a symptom of “the worst of modern capitalism”.The Bee Network’s uniform £2 fare is presented as a successful public‑ownership model that could be scaled nationally.Potential Shift in Labour Strategy and Regional Power DynamicsBurnham’s ideas are prompting a re‑evaluation within Labour. Rachel Reeves has announced a “summer of cost‑of‑living activism”, while Wes Streeting is now open to a wealth tax – both moves echoing Burnham’s critique of austerity‑driven policies. If Labour adopts a “Manchester‑centric” platform, it could reshape the party’s relationship with northern constituencies and challenge Keir Starmer’s current direction.Outlook: Can Manchesterism Shape a New National Agenda?The next test will be whether Burnham’s blueprint can move beyond regional rhetoric to a viable national policy package. Critics point to the potential cost of public‑ownership schemes, but supporters argue that a “productive state” – directly owning essential capital – could restore economic balance. If Labour integrates these ideas, Britain may see a renewed focus on northern investment, public control of utilities, and a political narrative that positions the North as the engine of future growth.

The LeadA friend of mine was recently left in tears after filling up the car she relies on to drive to work. Thanks to the US-Israeli attacks on Iran, prices at the pumps have soared. She wasn't sure how her family was going to make it to the next paycheck.It is a personal story and a distressing one, but the big picture is truly obscene. Fossil fuel companies are raking in monstrous, unearned war profits taken from the pockets of people like you, me, my friend, and any of us who fills up a vehicle or pays an energy bill.The War-Profits Bonanza$30m an hour: that's the pure, unearned profits banked by the world's top 100 oil and gas companies in the first month of the conflict in Iran, purely due to the spike in the oil price. Now the first numbers are in, and that $30m may have been a major underestimate.Shell's profit for the first three months of 2026 more than doubled to $6.9bn, as did BP's, to $3.2bn. TotalEnergies profits also surged by more than 50%, up to $5.8bn. Even in the Gulf itself, where the flow of oil through the strait of Hormuz has been heavily restricted, some companies have still flourished. Aramco, the state oil company of Saudi Arabia, saw its profits soar by 26% to $33.6bn in the first quarter.The Financial Impact on ConsumersThose four companies alone, benefiting not just from the oil price hike but also bumper oil-trading profits, made $23m an hour for the whole of January, February and March. And the Iran conflict only started on 28 February.To get some idea of the scale of this, imagine I gave you $6,200. What would you do? Pay off a loan? Book a fancy holiday? A second later, I give you another $6,200; then again, for hours, weeks and months. That is the rate of profit of just those four companies.There is plenty more to come for the industry. Oil and gas supplies will take months to return to prewar levels, and reserves are getting dangerously low. Even if the oil price remains at today's level of about $100 a barrel, those 100 companies will make $234bn by the end of the year. Remember, the companies, and petrostates such as Russia, have done no extra work for this, just ridden a soaring oil price. Also remember, you are paying for this. Where I live in the UK, household energy bills are about to jump by £209 ($280) a year for the average home.The Industry's Climate ObstructionThe profits are extreme, but not new: big oil and gas has been wildly profitable for decades. It has made an average $1tn a year in pure profit for about 50 years. The fossil fuel sector also benefits from explicit subsidies that totalled $1.3tn in 2022, according to the International Monetary Fund.These riches have funded the lobbying and campaigns that block climate action and have done so for years, long after the science became crystal clear. As an example of the consequences, the UK's official climate advisers said on Tuesday that all care homes and hospitals will need air conditioning within the coming 10 years, to stop the heat killing people.The Green Transition AccelerationBut here's that silver lining I promised: these peak profits contain the seeds of their own downfall. Sky-high fossil fuel prices are pushing people, companies and nations to supercharge their rush towards green power for the simple reason that it is now cheaper and more reliable. Solar power does not need to transit through the strait of Hormuz, as Bill McKibben has observed.The numbers on the surge in renewable energy deployment, already exponential, are not yet in, but they will almost certainly be huge. Green funds are already attracting billions of dollars in new investments and one consultancy estimates that an oil price of $100 a barrel will drive $4tn of extra green investment by 2030.Big oil remains a formidable political force but, on the ground, people are already voting with their feet. Sales of new electric cars in the UK leapt by 59% in April, for example. The pain and anger of today's energy crisis may yet become a critical turning point in confronting the climate crisis.

Executive Summary: Tui Withdraws Sponsorship Following Panorama RevelationsThe travel giant Tui announced it will no longer sponsor the reality series Married at First Sight on Channel 4 after a BBC Panorama investigation exposed allegations of rape and sexual misconduct involving on‑screen couples. The decision was communicated alongside statements from Channel 4 and regulator Ofcom, underscoring the reputational risk for brands linked to such programming.What Triggered the Sponsorship Termination?Panorama aired a documentary detailing claims by two anonymous women that they were raped by their on‑screen husbands, and a third woman, Shona Manderson, alleging sexual misconduct.All accused men have denied the allegations.Tui UK and Ireland cited the broadcast and subsequent discussions with Channel 4 as the basis for ending the partnership.Financial Implications of Ending the DealWhile the exact value of Tui’s sponsorship was not disclosed, industry analysts estimate that high‑profile reality‑TV sponsorships in the UK can range from £1‑2 million per season. By pulling out, Tui avoids potential negative brand association costs, which could exceed the sponsorship fee if consumer backlash intensifies. Conversely, the loss of exposure may affect short‑term marketing ROI, especially in the competitive travel market.Industry‑Wide Repercussions for Reality‑TV PartnershipsThe incident adds pressure on broadcasters and advertisers to scrutinise the ethical standards of reality formats. Ofcom chief executive Melanie Dawes signalled willingness to tighten guidance on participant welfare, which could lead to stricter compliance requirements and higher production costs. Brands may increasingly demand contractual safeguards, such as audit clauses and rapid response protocols, before committing to similar shows.Looking Ahead: How Brands May Navigate Controversial ContentExperts predict a shift toward more cautious sponsorship strategies, with companies favoring content that aligns closely with their corporate values. Future partnerships are likely to include explicit clauses for immediate termination in the event of serious allegations, and greater involvement in content oversight. For broadcasters, the challenge will be balancing audience demand for sensational reality TV with heightened regulatory scrutiny and sponsor expectations.

Tonight’s Must‑Watch TV HighlightsThe Guardian’s latest TV guide showcases a mix of drama, comedy and culinary spectacle across Britain’s major broadcasters. From a stylish Cold‑War thriller on Sky Atlantic to the nation’s biggest curry restaurant on Channel 4, the line‑up promises both intrigue and comfort food for viewers.‘Ponies’: A Cold‑War Thriller Starring Emilia ClarkeEmilia Clarke headlines ‘Ponies’, a star‑filled, stylish and surprisingly fun Cold‑War drama airing at 9 pm on Sky Atlantic. Clarke plays Bea, a highly educated Russian‑speaking secretary who teams up with street‑smart Twila (Haley Lu Richardson). Together they investigate the mysterious deaths of their husbands in Moscow, operating as “persons of no interest”. The cast also includes Adrian Lester and Harriet Walter.Scheduling Slots and Audience Reach Estimates9 pm – Sky Atlantic: ‘Ponies’ (Cold‑War thriller)8 pm – Channel 4: “World’s Biggest Curry Restaurant” – a behind‑the‑scenes look at the Royal Nawaab in Stockport.9 pm – BBC Two: “Hidden Treasures of the National Trust” – cultural‑heritage documentary narrated by Toby Jones.10 pm – BBC Three: “Smoggie Queens” – comedy sketch series.10:05 pm – Sky Atlantic: “Hacks” – penultimate episode of the AI‑satire comedy.11:40 pm – BBC One: “St Denis Medical” – double‑bill US mockumentary.While exact viewership figures are not yet released, prime‑time slots on Sky Atlantic and Channel 4 typically attract 1–2 million live viewers, with additional streaming audiences on platform‑specific apps.Why Cold‑War Drama Is Resurfacing on UK TVThe renewed interest in Cold‑War narratives aligns with a broader cultural fascination for geopolitical tension and espionage, spurred by recent successful series such as *The Americans* and *Killing Eve*. By pairing a high‑profile star like Clarke with a genre that blends thriller, period intrigue and dark humor, broadcasters aim to capture both legacy audiences and younger viewers seeking fresh takes on historic settings.What This Means for Next Season’s Programming ChoicesGiven the strategic placement of *Ponies* alongside eclectic factual and comedy offerings, networks appear to be betting on a diversified schedule that balances prestige drama with accessible reality‑TV formats. If *Ponies* secures strong live and on‑demand numbers, we can expect more star‑driven, genre‑hybrid projects to fill prime‑time slots in the coming months, potentially nudging streaming services to compete with similar high‑budget, historically‑rooted series.