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Kimberly Belflower's revisionist take on Arthur Miller's classic The Crucible re-spins the witch-hunts for the #MeToo generation. Set in 2018, the play follows a classroom of teenagers—mostly girls—as they attempt to establish a feminist club, an effort seemingly sparked by contemporary news headlines. This original approach addresses adolescent girlhood in the direct aftermath of the Harvey Weinstein scandal, though the production takes time to build momentum.The narrative centers on Beth (Holly Howden Gilchrist), the class academic; Ivy (Clare Hughes), whose father faces workplace misconduct allegations; Nell (Lauryn Ajufo), the new student; and Raelynn (Miya James), a pastor's daughter dealing with relationship betrayal. Shelby (Sadie Soverall), though absent for much of the play, plays a crucial role in the unfolding drama.Set in a small-town Georgia high school, the feminist club concept initially proves controversial until a charismatic teacher, Carter Smith (Dónal Finn), suggests expanding it to include boys. Directed by Danya Taymor and performed continuously in under two hours, the script pivots around the students' study of Miller's play alongside their developing understanding of intersectional feminism.The production captures the girls' internalization of societal micro-aggressions with humor and pathos, incorporating pop music tributes to artists like Lorde, Taylor Swift, and Beyoncé. While the dialogue authentically portrays adolescent female relationships, the review notes these connections are sometimes flattened by their cuteness rather than reflecting the sharp edges typical of this transitional life stage.A significant parallel emerges between Miller's John Proctor—a morally complex character who ultimately maintains his principles—and the predatory male figure in the contemporary narrative. The review suggests a false equivalence between these characters, as the modern figure is portrayed as a serial abuser rather than a morally conflicted individual.The play concludes with an emotional climax as students reinterpret scenes from The Crucible through interpretive dance, symbolizing their liberation while acknowledging that the predator remains in their midst. This ending, while thematically resonant, is described as feeling neat and easy despite its powerful emotional impact.Despite these criticisms, the production effectively captures the zeitgeist of 2018 for a generation of girls coming of age in the shadow of the Weinstein scandal and the #MeToo movement, raising questions about the movement's lasting impact and current relevance.

Ipswich Town chairman and chief executive, Mark Ashton, has issued a public apology for the distress and hurt caused by Nigel Farage's visit to Portman Road earlier this week. The visit, which included Farage holding up an Ipswich No 10 shirt with his name on it, was widely criticized by fans on social media.The club has stated that it remains 'apolitical' and that the visit was not endorsed by the club. However, fans described the visit as 'shameful' and 'embarrassing', leading to a significant backlash on social media.In a statement, Ashton said: 'I unreservedly apologise for any hurt, pain or distress that's been caused'. He acknowledged that mistakes were made and that the club would reconsider its approach to engaging with local politicians and political parties.The controversy has come at a critical time for Ipswich Town, who are currently third in the Championship table and fighting for a return to the Premier League. The unwanted distraction has added pressure to the team's promotion bid, with eight games remaining in the season.Ashton emphasized the importance of moving forward together, stating: 'We are better when we move together as one and there is lots to fight for on and off the pitch'. The club will now review its policy on engaging with politicians and political parties to prevent similar incidents in the future.

Iran's national football team made a poignant statement before a friendly match against Nigeria in Turkey on Friday. As their anthem played, the players held up school bags and wore black armbands, a powerful gesture of protest against the killing of schoolgirls in a recent US-Israeli strike.The friendly match, held in the resort town of Belek, comes as Iran's participation in the upcoming World Cup in the United States, Mexico, and Canada hangs in the balance due to the ongoing conflict. The team's actions were a clear reference to the attack on the Shajareh Tayyebeh school, which Tehran claims resulted in the deaths of over 175 people, including children and teachers, on the first day of joint US-Israeli strikes.An Iranian team spokesperson confirmed that "the players are holding the school bags close to their heart in remembrance of the 165 girls the Americans killed in an Iranian school." This dramatic gesture underscores the team's stance on the issue and highlights the human cost of the conflict.The incident has sparked significant controversy, with some members of Iran's women's football team refraining from singing the national anthem during an Asian Cup match earlier this month. State TV in Tehran responded by labeling them "traitors."Iran's football federation had sought to have their national team's World Cup games relocated from the US to Mexico, but this request was rejected by Fifa. The team, which lost Friday's game 2-1 to Nigeria, is set to play Costa Rica in another friendly match in Turkey on Tuesday.

Gianna, a 23-year-old Camden-based artist, has released her debut EP 'Behind the Wings', which blends polished boho-pop with elements of trip-hop and Balkan folk. Her music is reminiscent of early 2000s Nelly Furtado and All Saints. Gianna's songs are bright and effervescent, making a strong case for the revival of coffee-shop pop.Other notable new tracks include:Nia Archives – Danger: A UK junglist's return with a catchy playground chant acronym and swerving beats.deBasement – Aftermarket Bass (ft Nikki Nair): Fuzzed-out dancefloor bass and commanding icy vocals.Downtown Boys – No Me Jodas: Rhode Island punks return with an expanded sound, blending spit-and-sawdust squall with doom.Brennan Wedl and Waxahatchee – Six O’Clock News: A beautiful essay on outlaw love, combining Lucinda Williams and Sheryl Crow styles.Empress Of – Dream House: Sweet, shuffling R&B; offering to her family, whose home burned down in the Altadena fires.Lee “Scratch” Perry and Mouse on Mars – Rockcurry: Lee “Scratch” Perry's final sessions with a German electronic duo, producing synth-winking music.Khun Narin Electric Phin Band – Poet Wong Pt 1 (เปิดวง ตอน 1): Serene, intricate, psychedelic, and pulverising music from a marching band in northern Thailand.Subscribe to the Guardian's rolling Add to Playlist selections on Spotify or transfer it to Apple, Tidal, or other services.

Ali Ahmed experienced goose bumps watching Canada walk out at the last World Cup, a surreal moment for the winger who had never witnessed his nation compete on football's biggest stage. This time around, he'll not only be at home but at the heart of the action in two cities that hold special significance for him.Jesse Marsch's Canadian side faces Qatar and Switzerland in Vancouver after an opener against a potential European playoff winner in Toronto. An encounter with Italy in Ahmed's hometown would carry particular weight, given the city's substantial Italian population and his parents' Ethiopian heritage with their love for Italian football. Football has been ingrained in his family since childhood, a passion that has guided his remarkable journey.On the outskirts of Toronto, a teenage Ahmed used to sneak onto Toronto FC's training pitches before dawn for kickabouts with friends. His persistence and determination eventually led him to professional football, though not through the conventional path. At 17, he turned down a Toronto FC academy spot to pursue opportunities in Portugal, Spain, and the Netherlands, facing numerous challenges along the way.Now at Norwich City since January, the 25-year-old has established himself as a key player on the left wing, contributing significantly to the team's improved form in the Championship. Ahmed started all seven Norwich matches during Ramadan, waking before 4am for Suhoor, the pre-dawn meal. His experience fasting during a crucial period of the English season has been a learning curve, though he's noted the exceptional support he's received in England.Ahmed candidly discusses his upbringing in Toronto's Lawrence Heights neighborhood, an area experiencing significant gun violence. Despite the challenges, he describes a close-knit community where people supported each other. Football provided an escape route, leading him to opportunities he never anticipated.His career has seen remarkable highs, including playing against Lionel Messi's Argentina at the Copa América and scoring in the MLS Cup final defeat to Inter Miami. After being knocked unconscious during a Canadian Championship match in 2023, Ahmed's determination only grew.As Canada prepares to host the World Cup, Ahmed sets ambitious goals: "I want to win our group. And then from there, into the knockout rounds. It's important to have that belief that we can play with anybody. Why not?" With home advantage in two cities that mean the world to him, Ahmed sees the perfect setup for both himself and the Canadian team.

Tamerlano, a 1724 opera by Handel, has been reimagined in a modern production at the London Handel Festival. The story revolves around the despotic emperor Tamerlano, who has brought the stubborn Bajazet to his court in chains. Tamerlano's infatuation with Bajazet's daughter Asteria leads him to offer his betrothed, Irene, to the Greek prince Andronico. However, both Bajazet and Andronico threaten to end it all, while Asteria plots to assassinate Tamerlano.In an attempt to make the opera more accessible, director Orpha Phelan has aligned each character with a recognizable famous figure. Tamerlano is reimagined as Donald Trump, Andronico as Alexander the Great, and Irene as Elizabeth Bennet or a Bridgerton escapee. The production is billed as 'Social Experiment 2', manipulated by Andronico's friend Leone, played as Sigmund Freud.Despite the modern twist, the opera's musical standards are high, led by Laurence Cummings and the excellent Academy of Ancient Music. The cast, including Benjamin Hulett as Bajazet, Nardus Williams as Asteria, and Kitty Whately as Irene, copes admirably with Phelan's concept. However, James Laing's portrayal of Tamerlano is somewhat overwhelmed by excessive fidgety business, including eating Big Macs and doing the Trump dance.The production runs at Shoreditch Town Hall, London, until 28 March. Despite some reservations, the opera's vital element of danger is somewhat lost in the buffoonery. Nevertheless, it remains a fine cast and a resourceful set by Madeleine Boyd.

Lily Allen, known for her hit album West End Girl, is exploring the possibility of turning her music into a stage play. The album, which details her painful experience of discovering her husband's infidelity, has already been performed in its entirety during a recent tour of theatre venues, including a show at the London Palladium.The album's narrative is semi-autobiographical and features songs that showcase Allen's mastery of dialogue, characterisation, and storytelling. The plot revolves around her being cast in a West End production, mirroring her own debut in 2:22: A Ghost Story in 2021.A potential play adaptation could feature intimate monologues or a more elaborate production with supporting actors. The character of Madeline, the other woman involved in Allen's husband's affair, could be a key role in the play. Allen's fans have been closely following her personal life through her lyrics, and her Architectural Digest video showcasing her Brooklyn townhouse with her now-estranged husband David Harbour. The album's sardonic humour and raw realism could be effectively translated onto the stage.The set design for the tour, created by Anna Fleischle, featured a distinctive two-act structure with an interval and innovative videography. A stage adaptation could also incorporate performance art elements, making it a unique theatrical experience.

Israel has been accused of using white phosphorus in southern Lebanon, a move that has reignited concerns over the country's adherence to international laws of war. Human Rights Watch (HRW) researchers have verified and geolocated images showing airburst white phosphorus munitions exploding over residential areas in the southern Lebanese town of Yohmor.The use of white phosphorus, a chemical substance that ignites when exposed to oxygen and burns at up to 800C, is controversial when used over civilian areas due to its potential to ignite fires, cause serious burns, and emit toxic fumes. Military forces often use it as a smokescreen, but its use in populated areas raises significant ethical and legal questions.Over 800,000 Lebanese people have been displaced from the region following Israeli forces' orders to leave, and many more uses of white phosphorus may have gone undocumented. Researchers have documented nearly 250 uses of white phosphorus by Israeli forces between October 2023 and November 2024, with 39% of these uses occurring in residential areas.The environmental impact is also significant, with over 2,000 hectares of southern Lebanese countryside burned, including dense forests and agricultural lands. The use of white phosphorus can lead to long-term soil contamination, reducing microbial diversity and agricultural productivity.An Israeli military spokesperson has cautioned against making factual determinations based on visuals alone, while Israel's ambassador to the UN has stated that the country takes steps to minimize civilian casualties. However, allegations of war crimes and the use of prohibited weapons continue to mount, highlighting the need for further investigation and accountability.

Coco Gauff has proven her mental toughness once again by battling through to the semi-finals of the Miami Open, despite facing significant challenges. The American tennis star has been dealing with an unfamiliar arm injury and has been under pressure to revamp her serve, but she has shown remarkable resilience. Gauff's latest victory came against Bencic, where she won 6-3, 1-6, 6-3 in a hard-fought match. This marks her best result at her hometown tournament, and she continues to defy expectations. Her ability to overcome adversity and push through difficult situations is a testament to her fighting spirit. In a candid interview, Gauff discussed her struggles with imposter syndrome, revealing that she sometimes feels like she doesn't belong at the top level of tennis. “I think I have to believe that I belong where I am,” she said. “Sometimes I can get imposter syndrome and even when they’re saying my accomplishments during the warm-up, it doesn’t feel like me.” Gauff's serve has been under intense scrutiny recently, but she managed to deliver a solid performance against Bencic, firing down six aces and committing just five double faults. Her determination to believe in herself and her abilities has been key to her success. Next, Gauff will face Karolína Muchová, the 13th seed, in the semi-finals. Despite Muchová being one of the in-form players on the tour, Gauff leads their head-to-head 5-0, giving her a significant advantage.