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The Resilience of a Russian Auteur in ExileDirector Andrey Zvyagintsev has defied the odds to return to the international stage. After a year-long ordeal with severe Covid-19, he is premiering his new film, 'Minotaur,' at Cannes, symbolizing the endurance of artistic expression despite personal and political adversity.Surviving the Pandemic: A 90% Lung Damage BattleZvyagintsev’s journey back to health was arduous. Stranded in a clinic in Hanover, Germany, he faced a critical health crisis.Physical Toll: Suffered from 90% lung damage and was unable to move or feel his limbs for months.Duration: Spent a total of 11 months in various hospitals.Emotional Impact: Learned of the invasion of Ukraine while paralyzed and bedridden, experiencing deep despair.Despite the paralysis, he managed to channel his anguish into his work, relearning to walk and hold a spoon before returning to film-making.The Economic and Geopolitical Cost of Artistic SilenceZvyagintsev’s nine-year absence from cinema represents a significant void in the global film landscape. As a director whose work often critiques Russian state oppression, his silence during the war in Ukraine was felt keenly by critics.Exile: He has chosen to live in France, the country that cemented his reputation with 'Leviathan' in 2014.Political Stance: His films, such as 'Leviathan' and 'Loveless,' have been interpreted as allegories for the apathy and oppression under the Putin regime.Industry Impact: Julian Graffy noted that the loss of his voice has been the most keenly felt among the new wave of directors.Cannes as a Safe Haven for Dissident VoicesThe Cannes Film Festival serves as a crucial platform for Zvyagintsev, allowing him to bypass the censorship and restrictions of his home country. His return to the red carpet is not just a personal victory but a statement on the resilience of culture.Competing for the Palme d'Or against heavyweights like Pedro Almodóvar and Asghar Farhadi, Zvyagintsev's presence underscores the festival's role in amplifying voices from regions under political duress.The Future of Russian Cinema in the WestZvyagintsev’s return suggests a potential resurgence of Russian cinema outside of Russia. As artists face the choice between exile and silence, the international community becomes the new stage for their narratives.With 'Minotaur' premiering, the industry watches to see if this comeback will translate into critical acclaim and whether it will inspire other Russian artists to continue their work on foreign soil.

The LeadPunk, intellectual, feminist, theorist, brave as hell, vulnerable, funny—Valie Export was a hero to many women. Since the 1960s, she was driven by a fierce conviction that art and media would play an essential role in women's liberation: that women must picture their own reality in the name of social progress. In Women's Art: A Manifesto (1972), she wrote that women must "use art as a means of expression, so as to influence the consciousness of all of us". What she demanded was revolution.The Revolutionary Art of Valie ExportI keep returning to her work. Can't stay away. Her work was heavy with explicit threat and pain, and she made evident the violence of forcing women's bodies to inhabit structures that were not designed for them. For the 1973 performance Hyperbulia she crept naked through a corridor of electrified wires, exposing herself voluntarily to shocks. Her 1976 photocollage The Birth Madonna shows a woman positioned like a Renaissance Madonna seated on a drying machine from which spews a bloody towel—it still provokes shock.Challenging Societal ConstraintsExport spoke with tremendous clarity about her work and the ideas underpinning it. Her father died during the war, and she was sent to a convent with her two sisters while their mother worked as a primary school teacher. The first of her many expulsions came aged 10 when she was discovered exploring the nun's living quarters. Her experience of girlhood was of constraint—of having little or no control over her own life.In 1967, aged 27, she swapped her married name Waltraud Höllinger for the moniker VALIE EXPORT. A play on a cigarette brand, written in capital letters, it was a decisive rejection of patriarchal structures. She would be known neither by her father's name, nor by her ex-husband's.The Power of PerformanceHer work was intended to explode the structures containing her—in cinema, in art and in the wider society. In Action Pants: Genital Panic (1969) she walked along the rows of a Munich art cinema with her exposed pubic region level with punters' faces, and plastered the walls of Vienna with posters of herself in crotchless trousers holding a gun.For Tap and Touch Cinema in 1968, she constructed a theatre in a box strapped to her chest, with people on the street invited to reach into the darkness and touch her breasts while she watched them. Documentary of the performance exposes the shifting power dynamic between Export and the men who accept the invitation. It was brilliantly subversive and unsettling.More recently, her 1968 performance From the Portfolio of Doggedness has drawn attention—during which she led Peter Weibel crawling through the streets of Vienna by a dog lead. Weibel was dressed in a business suit, a disturbing echo of the commuters milling around him.A Lasting Feminist LegacyHer 1972 manifesto described how the spark kindled by women's art might ignite far-reaching social change. It concludes by stating the importance of documenting and honouring the life and work of those who had come before, as we must now do hers. "The future of women will be the history of woman."I grieve her in the most selfish way: there were so many things I wanted to ask her about. Having survived decades in which women's art was marginalised and ignored, she had so much to tell us. Like a fool, I kept delaying a planned interview. Now it's too late.

The Ebola Outbreak in DR Congo Health officials have raised the alarm over an outbreak of the Ebola virus in a remote region of the Democratic Republic of the Congo (DRC). The Africa Centres for Disease Control and Prevention (CDC), the continent’s top public health body, said on Friday that it has recorded 246 suspected Ebola cases and 65 deaths in the Ituri province in the northeast of the country. Challenges in Controlling the Outbreak Concern is high regarding the potential spread of the virus, with efforts to control it complicated by a precarious security situation in the affected area, which sits on the border with Uganda and South Sudan. The DRC government struggles to secure the east of the country due to activity by armed groups seeking control of valuable mineral deposits. Laboratory Results and Response Efforts Preliminary laboratory results have reportedly detected the Ebola virus in 13 of 20 samples tested. The outbreak comes about five months after the DRC’s last Ebola bout was declared to be over, leaving 43 people dead. Africa CDC expressed concern over the risk that the new outbreak could spread rapidly due to intense population movement, the poor security situation in affected areas, and control challenges. Immediate Priorities and Future Outlook The agency said it is convening an urgent high-level meeting with health authorities from the DRC, Uganda and South Sudan, together with key partners, including UN agencies and other countries, to reinforce cross-border surveillance, preparedness and response efforts. “The meeting will focus on immediate response priorities, cross-border coordination, surveillance, laboratory support, infection prevention and control, risk communication, safe and dignified burials, and resource mobilization,” it added in its statement.

Lead: Valie Export’s Death Marks End of a Pioneering EraThe Austrian performance artist and filmmaker Valie Export passed away in Vienna on May 15, 2026, just three days shy of her 86th birthday. Her death closes a chapter on a career that consistently challenged the male gaze and redefined feminist expression in contemporary art.Groundbreaking Performances that Redefined the Male GazeExport’s early work shocked and fascinated audiences. In 1968 she staged "Tap and Touch Cinema", strapping a miniature theatre stage to her chest and inviting passers‑by to touch her bare breasts through a curtain, while a megaphone‑wielding colleague timed each action. The 1980 Venice Biennale centerpiece "Birth Bed" featured an oversized female abdomen, neon lights emanating from a vulva, and a TV broadcasting a Catholic mass, confronting patriarchal power structures head‑on.Key Milestones and Numbers in Export’s Career1940: Born Waltraud Lehner in Linz, Austria.1967: Adopted the name Valie Export (nickname + cigarette brand).1968: Co‑founded the Austrian Filmmakers Cooperative.1970: Faced pornography charges; custody of her daughter briefly withdrawn.1977 & 2007: Exhibited at Kassel’s documenta.1980: First female artist (with Maria Lassnig) to fill the Austrian pavilion at the Venice Biennale.1985: Feature film The Practice of Love nominated for the Golden Bear at Berlin.1995‑2005: Professor of multimedia and performance at the Academy of Media Arts, Cologne.2015: Linz opened the Valie Export Centre for Media and Performance Art.Impact on Feminist Art and Contemporary CultureCritics and curators, including gallerist Thaddaeus Ropac, describe Export as “one of the most visionary feminist artists” of post‑war Europe. Her interventions exposed the objectification of the female body, influencing artists such as Marina Abramović, who re‑enacted Export’s “Genital Panic” in 2005 at the Guggenheim. Museums worldwide now feature her work as a cornerstone of feminist art history.Looking Ahead: Preservation and Influence of Export’s WorkWith the establishment of the Linz centre and ongoing retrospectives, Export’s oeuvre is set to remain a reference point for future generations. Scholars anticipate new scholarly editions of her performances, while digital archives aim to make her interventions accessible to a global audience, ensuring that her challenge to patriarchal structures endures beyond her lifetime.

The LeadEnsemble Modern and HK Gruber's album "Dancing on a Volcano" presents an eclectic snapshot of musical Germany between 1920 and 1933, capturing a creative era that would be suppressed by the Nazi regime. This live recording features works by composers who ultimately fled Germany, their music deemed "too modern, too jazzy, too Jewish" by the rising fascist power.The Musical Landscape of Pre-War GermanyThe album showcases four distinct voices from this turbulent period. Hindemith's Kammermusik No 1, premiered in 1922, was controversially described as having "a lewdness and frivolity only possible for a very special kind of composer." Gruber's performance embraces its neo-classical spikiness and jazz-age energy with almost cartoonish glee.In contrast, Korngold's 1920 music for Shakespeare's Much Ado About Nothing represents Viennese neo-Romanticism, which Gruber leavens with a pinch of acerbic wit. Schoenberg's Accompaniment to a Cinematographic Scene, premiered in 1930 under Klemperer, offers eight minutes of existential angst in Johannes Schöllhorn's lean-textured 1993 chamber version.The Historical Context and Cultural SignificanceThe period represented by this album—1920 to 1933—encompasses the Weimar Republic, a time of extraordinary cultural flourishing in Germany despite economic and political instability. The featured composers represent the diversity of musical expression during this era, from Hindemith's modernism to Korngold's Romanticism to Schoenberg's atonality.What makes this recording particularly significant is how it captures music that would soon be suppressed by the Nazi regime. The album's title itself, "Dancing on a Volcano," evokes the sense of living on the edge of catastrophe that characterized this period.The Legacy of ExileAll four composers featured on this album ultimately left Germany and settled in the United States, forced into exile by the Nazi regime. Their departure represented a profound brain drain for German musical culture, as these composers had been at the forefront of musical innovation.The jewel in the crown of this recording is Gruber and Christian Muthspiel's Kurt Weill Foundation-sanctioned arrangement of The Seven Deadly Sins. Wallis Giunta's performance, more opera diva than Weimar chanteuse, delivers no shortage of bite, while Amarcord's male quartet kvetch and wheedle as her rapacious family. Gruber's razor-sharp yet flexible interpretation drips idiomatic venom.Contemporary Relevance and Musical ResilienceThis album serves as both a historical document and a vibrant musical experience. The works featured demonstrate not only the creativity of this period but also the resilience of art in the face of political oppression. By recording these pieces today, Ensemble Modern and HK Gruber ensure that this important chapter in musical history continues to be heard and appreciated.The recording is available on streaming platforms, making this historically significant music accessible to new audiences who might otherwise never encounter these works. In an era where political polarization once again threatens artistic freedom, this album serves as both a reminder of what was lost and a celebration of what endures.

The Shift in Europe's Car Market Chinese carmaker Xpeng is looking for a factory in Europe, but has expressed concerns about the age of the facilities on offer. Volkswagen, a potential partner, is aiming to reduce its number of factories, which could pave the way for Chinese companies to gain a foothold in the European market. Chinese Car Sales on the Rise Chinese car sales have surged in Europe, accounting for 8.6% of the western European market in the first quarter, nearly double the same period last year. This increase has been driven by a wave of imports from Chinese companies such as BYD, Changan, Chery, Dongfeng, and Geely. European Carmakers in Retreat Many European carmakers, including Volkswagen, Nissan, and Ford, are struggling with declining sales and excess capacity. Selling underused plants to Chinese rivals offers a way to avoid painful closures and layoffs. For example, Nissan is in talks with Chery to give over part of its sole European factory in Sunderland, northern England. The Data Analysis Chinese car sales in western Europe: 8.6% market share in Q1 European car sales: 13m in 2025, down from 15.3m in 2019 The Impact Analysis The shift in the global car industry balance of power poses a significant threat to traditional European carmakers. Chinese producers are considered "very credible" and could threaten market share across the mass market and luxury segments. The Prediction As European carmakers continue to struggle, Chinese companies are likely to increase their presence in the European market. Partnerships between European and Chinese carmakers, such as Stellantis and Leapmotor, are expected to grow, potentially leading to more Chinese cars being produced in Europe.

Anti‑tobacco advocates have condemned Philip Morris International’s (PMI) new global advertising push, arguing the “I AM Marlboro” campaign is a thinly veiled attempt to lure a younger audience while the company touts its transition to smoke‑free products.Global “I AM Marlboro” Campaign Sparks Accusations of Youth TargetingThe campaign features billboards, television ads and online videos that portray young adults climbing mountains, playing in rock bands and competing for branded merchandise such as scooters. PMI has filed or owns trademarks for the campaign in roughly 20 countries, including Indonesia, Morocco, Bangladesh and Germany.Roadside stands in the Philippines offer competitions to win a scooter for buying Marlboro packs.An Indonesian TV spot shows youthful adventure scenes tied to the brand.Critics note the slogan “I AM Marlboro” mirrors a previous “Be Marlboro” campaign that was banned in Germany for appealing to teenagers.Financial Snapshot: Smoke‑Free Products Now Dominate PMI’s RevenuePMI’s own spokesperson highlighted that in Q1 2026 43 % of net revenues came from smoke‑free products, a stark contrast to “essentially zero” a decade ago. Over the past ten years the company reports having sold 240 billion fewer cigarettes, while shipments of alternatives have risen annually.Implications for Tobacco Regulation and Youth HealthPublic‑health experts argue the campaign’s focus on identity, belonging and self‑expression directly targets adolescents, a demographic most vulnerable to nicotine addiction. The use of platforms like YouTube, Instagram and TikTok amplifies reach among youth, raising concerns for regulators in markets where the ads are most visible, such as Indonesia and the Philippines.Mark Hurley, vice‑president of the Campaign for Tobacco‑Free Kids, called the effort “doubling down” on cigarette promotion.Jorge Alday of Vital Strategies warned that genuine commitment to ending cigarettes would preclude any tobacco advertising.What the Future Holds for PMI’s Smoke‑Free TransitionIf regulatory bodies act on the alleged youth‑targeting tactics, PMI may face bans similar to the earlier “Be Marlboro” prohibition in Germany. The company’s claim that its marketing is “restricted to adults” will likely be scrutinized against the campaign’s visual and narrative cues that resonate with younger audiences. Continued pressure could accelerate PMI’s shift toward a fully smoke‑free portfolio, but only if it aligns its branding strategies with public‑health expectations.

The Lead Iran is looking at ways of providing limited connectivity to approved individuals and entities amid a continued state-imposed internet shutdown, with a tiered access model currently being offered that experts have said still undermines the digital rights of Iranians. The Event Details President Masoud Pezeshkian on Wednesday announced the creation of a new entity to review internet coverage in the country named the Specialised Headquarters for Organising and Guiding Iran’s Cyberspace, with First Vice President Mohammad Reza Aref, a relative moderate, appointed as its head. Pezeshkian expects Aref to “create institutional cohesion and align policies and measures by relevant bodies” and “prevent parallel work and end multiple voices in the management of the country’s cyberspace”. Aref is also expected to devise and enforce a roadmap to “overhaul cyberspace governance”. The Data Analysis The internet shutdown, which began on February 28, has affected over 90 million citizens, with users only able to access a slow and patchy intranet that supports state-approved local applications and content. The Supreme National Security Council has launched a state-distributed service called “Internet Pro”, which provides users with slightly higher-tier internet services than those offered to most of the population. The service is stated to be for businesses, university professors, lawyers, and other categories of people that the state deems eligible, but some state-linked entities have also been selling access at several times the official price. The Impact Analysis Experts believe that tiered internet access is here to stay in Iran, and that it is rooted in longstanding policies approved by the Supreme Council of Cyberspace after deadly nationwide protests in November 2019. Amir Rashidi, a digital security expert, believes that the new cyberspace headquarters can, at most, provide “a mechanism for better coordination in implementing the policies of the Supreme Council of Cyberspace”. Rashidi said there will be little hope of fundamental changes to government policy. The Prediction Authorities have pledged to restore the internet, but not until the war is concluded, and there is little sign of when that will happen. Iranian government spokesperson Fatemeh Mohajerani said the internet situation is “temporary”. However, experts and some government officials have expressed concerns that the internet shutdown has ended up harming the country more than defending against cyberattacks and other hostile operations.

The Lead: Title Race Upended by Controversial CallA controversial penalty awarded to Celtic against Motherwell following a VAR review has dramatically altered the Scottish Premiership title race, setting up a potentially decisive showdown between league leaders Hearts and Celtic at Celtic Park. The decision, which has sparked widespread debate and criticism, has left Hearts frustrated as they now face the prospect of losing their title lead in what could be the biggest Scottish game in a generation.The Event Details: A Night of VAR ControversyThe incident that led to Celtic being awarded a spot-kick against Motherwell has been intensely scrutinized, with referee John Beaton initially declining to award a penalty before being sent to his screen by officials at McStockley Park. The decision has been labeled in some quarters as the most controversial in Scottish football history, with even English pundits like Gary Lineker and Jeff Stelling weighing in on the debate. Football Daily's analysis suggests that while the ball may have hit Motherwell defender Sam Nicholson's arm, the initial decision not to award a penalty was not a clear-and-obvious error, making the subsequent VAR intervention particularly controversial.The Data Analysis: Title Race MathematicsWith the controversial penalty, Celtic secured a crucial victory that kept them in the title hunt, creating a scenario where Hearts now need to avoid defeat at Celtic Park to secure the championship. The mathematical implications are stark: Hearts, having seen off Falkirk at Tynecastle's final match of the season, were left seething after watching the Fir Park incident unfold. The result has set up a winner-takes-all showdown at Celtic Park, with Hearts knowing that even a draw might be insufficient depending on other results in the league.The Impact Analysis: Scottish Football in the SpotlightThe controversy surrounding this decision has once again brought Scottish football under scrutiny, with critics questioning the consistency and application of VAR in the league. Former Rangers player Ally McCoist described it as "a horrendous decision that has once again embarrassed Scottish football," while Hearts head coach Derek McInnes expressed frustration at what he perceived as bias against his team. The incident has reignited debates about the role of technology in football and whether it is enhancing or detracting from the game, particularly in a league where resources for implementing VAR may not match those in top European competitions.The Prediction: Paradise Awaits for CelticAs the title race reaches its climax, all eyes turn to the upcoming match at Celtic Park, where Hearts will need to overcome both their opponents and the weight of history. Recent encounters between these two sides suggest that the main post-match talking points may extend beyond the football itself, with potential disputes and controversies likely to overshadow the action on the pitch. For Celtic, the opportunity to reclaim the title at home presents both a chance for redemption and a platform to silence their critics, while Hearts will be aiming to prove they can handle the pressure and secure their first championship in decades.