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Legendary actress Kim Novak has publicly criticized the casting of Sydney Sweeney to play her in an upcoming biopic about her relationship with musician Sammy Davis Jr.. In an interview with the Times, Novak, 93, stated that Sweeney was 'totally wrong to play me'.Novak expressed concerns that the film, titled Scandalous, would focus too heavily on her sexual dynamic with Davis. 'There's no way it wouldn't be a sexual relationship because Sydney Sweeney looks sexy all the time,' Novak said. She also mentioned that Sweeney 'sticks out so much above the waist'.The biopic's development has reportedly stalled, but Sydney Sweeney's Euphoria co-star Colman Domingo is set to direct, with David Jonsson cast as Davis. Novak had previously expressed her disapproval of the film's title, stating that her relationship with Davis was not 'scandalous'. Novak and Davis's relationship began in 1956 and was publicly outed in 1958, causing controversy due to their interracial relationship. Davis was subsequently pressured to marry a black woman, Loray White, to avoid backlash against Novak's career.

Russia has officially designated Pavel Talankin, the main protagonist of the Oscar-winning documentary 'Mr Nobody Against Putin', as a 'foreign agent'. This move comes after Talankin, a teacher and videographer, spent two years documenting pro-war propaganda at a school in the Chelyabinsk region of west-central Russia.Talankin, in collaboration with US director David Borenstein, won the Best Documentary award at the Academy Awards earlier this month. The documentary features footage Talankin smuggled out of Russia in 2024, showcasing how students were exposed to pro-war messaging.A Russian court recently banned the documentary from several streaming platforms, citing that it promoted 'negative attitudes' about the Russian government and the war in Ukraine. Since Russia's full-scale military invasion of Ukraine in February 2022, Russian authorities have sought to suppress opposition to the war and rally support among citizens.As a 'foreign agent', Talankin is subject to stringent bureaucratic requirements and income restrictions in Russia. He is also obligated to label his social media posts and publications with the 'foreign agent' designation.In his Oscar acceptance speech on March 15, 2026, Talankin urged an end to global conflicts, stating, 'Stop all of these wars now'. The documentary has sparked controversy, with some Russians opposing Putin and the war criticizing Talankin for filming colleagues and children without consent.

Stephen Colbert is stepping behind the camera to co‑author the screenplay for a forthcoming Lord of the Rings film, teaming up with franchise veteran Peter Jackson. The announcement arrives as CBS prepares to conclude Colbert’s run on The Late Show in May 2026.Born in Washington, D.C., and raised in a large Catholic family, Colbert faced a tragic plane crash in 1974 that claimed his father and two brothers. The loss drove a ten‑year‑old Colbert into the worlds of fantasy literature and tabletop role‑playing games, especially J.R.R. Tolkien’s novels and Dungeons & Dragons. He later reflected that these early escapades sharpened his improvisational instincts—a skill that would become central to his comedy career.After studying drama at Northwestern, Colbert honed his craft at Chicago’s Second City, where he met future collaborators Steve Carell, Amy Sedaris and Paul Dinello. Their partnership produced cult projects such as Exit 57 and Strangers with Candy, laying the groundwork for Colbert’s breakthrough on Comedy Central’s The Daily Show in 1997.On The Daily Show and later The Colbert Report, he created the satirical pundit persona “Stephen Colbert,” a parody of right‑wing commentators that introduced the now‑iconic concept of “truthiness.” While the character was deliberately absurd, Colbert often slipped personal touches—his Catholic upbringing and Tolkien enthusiasm—into the act, even securing a cameo from Viggo Mortensen in 2007.When he succeeded David Letterman on The Late Show in 2015, Colbert abandoned the on‑air alter‑ego and presented himself as a more authentic host. His tenure coincided with the 2016 U.S. presidential election, prompting a shift toward sharper political commentary. Despite a decline in overall late‑night ratings, Colbert’s show regularly outperformed rivals Jimmy Fallon and Jimmy Kimmel, becoming the most‑watched network late‑night program in the United States.The decision by CBS to end The Late Show has been framed as a strategic retreat from the costly late‑night market, not a punitive move against Colbert’s outspoken criticism of former President Trump. Nonetheless, the cancellation has sparked speculation about the network’s motives amid broader industry consolidation.In a recent interview, Colbert described late‑night television as a “third space” for Americans—a communal venue that bridges home and work. He emphasized that his goal has always been to foster connection, whether through humor or more serious conversations, such as a 2021 interview with Andrew Garfield about personal grief.Looking ahead, Colbert insists he is not retiring from entertainment. Writing a new Lord of the Rings movie feels like a full‑circle moment, returning him to the literature and role‑playing that helped him survive childhood trauma. The project promises to blend his deep‑seated fandom with his seasoned storytelling abilities, potentially ushering in a fresh creative phase beyond the talk‑show circuit.

Recent headlines suggesting a Christian revival in Britain, based on a YouGov survey claiming increasing church attendance, have been dramatically undermined by the revelation that the data was fraudulent and subsequently withdrawn. This incident has sparked serious concerns about the integrity of polling data in an era of advancing artificial intelligence.The Bible Society's 2024 report, which claimed church attendance was rising particularly among young people, has become a case study in how AI-generated bogus responses are infesting online surveys. Researchers warn that this vulnerability extends beyond religious statistics to potentially distort our understanding of broader social trends.David Voas, a quantitative social scientist at University College London, emphasized the difficulty of correcting such misinformation once it spreads. "The amount of effort required to correct it is an order of magnitude higher than the effort needed to disseminate it in the first place," he stated, noting that this problem affects polling companies beyond just YouGov.The growth of AI has exacerbated this issue, according to Sean Westwood, an associate professor at Dartmouth College. "The assumption with survey research – that someone gives coherent, logical answers, they're a real person – that assumption is now broken," he explained. Westwood warned that AI models pose an existential threat to our understanding of society.Westwood detailed how AI can be weaponized: "A single sentence of instruction is enough to systematically bias its answers on political polls or geopolitical questions, while keeping its demographic profile intact so the manipulation is invisible to standard screening." Even without explicit instructions to cheat, AI can identify what a researcher is testing and produce data that confirms the hypothesis.The problem is particularly acute with surveys targeting younger demographics. Courtney Kennedy, vice-president of methods and innovation at Pew Research Center, noted that "bogus respondents tend to respond in the affirmative, no matter what is asked" – a positivity bias that inflates estimates. Younger respondents are also more likely to be misrepresented by fraudulent participants.As AI technology rapidly evolves, researchers face a constant challenge. "A researcher might design a clever new trap that catches today's models, but model development moves so fast that the fix is likely obsolete within months," Westwood cautioned.In response, YouGov has implemented detection methods including identity checks, device fingerprinting, and real-time threat scoring. However, the incident serves as a stark reminder of the vulnerabilities in modern polling systems as AI continues to advance.

Australia's recent introduction of 'hate speech' laws has sparked controversy, with human rights groups warning that the legislation could be used to suppress legitimate criticism of Israel's actions in Palestine. The laws, which were rushed through the New South Wales federal parliament in January, specifically target speech considered anti-Semitic and carry a maximum penalty of two years' imprisonment for those found guilty. Arif Hussein, senior lawyer at the Human Rights Law Centre, has expressed concerns that the legislation could be used to unfairly impact peaceful protest and speech regarding Israel's actions in Palestine. “There are serious concerns that the new laws could have a chilling effect on legitimate activism and protest and unfairly impact peaceful protest and speech regarding Israel’s actions in Palestine,” Hussein said. The laws have been introduced in response to a mass shooting at Sydney's Bondi Beach in December, which killed 15 people. However, critics argue that the legislation prioritizes the protection of the Jewish community over other vulnerable groups. Greens party spokesperson Senator David Shoebridge has criticized the laws, saying they were 'deliberately designed to not protect' vulnerable communities such as Muslims, women, and LGBTQ+ Australians. “Unfortunately, the Albanese Labor government and the Liberals made the decision to protect just one religion,” he said. The laws have also been criticized for their broad and poorly defined criminal powers, which could be used against legitimate human rights groups, including those focused on Palestine. Police powers across Australia have also been strengthened to crack down on pro-Palestine protests, with reports of excessive force used against demonstrators. The controversy surrounding the laws highlights the challenges of balancing free speech with the need to combat hate speech and protect vulnerable communities.

David Chase, the creative mind behind HBO's groundbreaking series The Sopranos, recently shared insights into how the show transformed both his life and television history. The 80-year-old creator revealed that his seminal work was born from personal pain, particularly stemming from his complex relationship with his mother.While in London promoting HBO Max's UK launch, Chase reflected on how The Sopranos elevated HBO from a little-known network focused on sports and standup comedy to a powerhouse of prestige television. Despite the show's monumental success, Chase remains characteristically modest, attributing much of the achievement to luck rather than his own genius."I'd been taking network notes and eating network shit for however many years, and I was done with it," Chase explained of his decision to create The Sopranos after years working on network television shows like The Rockford Files and Northern Exposure. The creative freedom offered by HBO proved transformative, with the network providing minimal notes throughout the series' run.Chase revealed that the show's central premise—a mob boss seeking therapy—was directly inspired by his own difficult family dynamics. "In 1967 at the height of the Vietnam war, my mother said to me, 'I'd rather see you dead than avoid the draft,'" he shared. "I had to create a whole TV series to get over it."The interview also touched on Chase's complex relationship with James Gandolfini, who portrayed Tony Soprano. While acknowledging their creative tensions, Chase defended Gandolfini's commitment to the role, emphasizing that the actor never refused to perform scenes despite his struggles with the character's darkness.When asked about his legacy nearly two decades after The Sopranos concluded, Chase offered a simple yet profound reflection after a long pause: "God is in the details."Looking ahead, Chase discussed his upcoming limited series about MKUltra, the CIA's experimental program that sought to weaponize LSD. The project will explore scientists Sidney Gottlieb and Jolly West, who became consumed by their research into psychedelic substances. "They all went crazy and it became like the big party drug of the 1970s," Chase noted of the scientists' descent.The creator also expressed disappointment about a previously announced project, "A Ribbon of Dreams," about early cinema, which was ultimately shelved after HBO insisted on filming in western Canada. "I thought, 'What are you talking about? I don't even want to go into this,'" Chase recalled of the network's decision.

Everton Football Club is set to offer David Moyes a new contract this summer, recognizing his achievements in turning the team around from relegation threats to potential European qualification contenders. Moyes, who took over in January of last year, has led the team to eighth place in the Premier League, just three points shy of the Champions League qualification spots. Initially viewed as a short-term solution by Everton's owners, the Friedkin Group, Moyes has proven his worth, prompting the club to consider extending his two-and-a-half-year deal. The Friedkin Group, who completed their £400m takeover of Everton the previous month, are now convinced that Moyes is the right manager to lead the club forward. Moyes' potential new contract could also come with increased influence over player recruitment, similar to his first stint at Everton from 2002 to 2013. The 62-year-old manager has downplayed discussions about a new deal, stating, 'I'm not too worried about that, I'm fine.' Everton's improvement under Moyes is notable, especially considering his preference for working with more experienced players, such as Jack Grealish and Kiernan Dewsbury-Hall, who joined last summer. This strategy contrasts with younger players like Tyler Dibling, who has made limited appearances. A potential complication for Everton's European aspirations is the ownership situation, as the Friedkin Group also owns AS Roma, currently sixth in Serie A. UEFA regulations prevent clubs under the same ownership from competing in the same European competition. However, the Friedkin Group is confident in their compliance and has an alternative solution in place to ensure both clubs can participate if they qualify for the same competition.

US investors are making significant inroads into Indian cricket, with two separate deals worth a combined $3.41 billion being announced on the same day for teams in the Indian Premier League (IPL).The deals involve the acquisition of the Rajasthan Royals for $1.63 billion by a consortium backed by US businessmen Kal Somani and Rob Walton, the former Walmart chairman. Additionally, the reigning champion Royal Challengers Bengaluru was bought for $1.78 billion by another consortium that includes US billionaire David Blitzer’s Bolt Ventures and US asset manager Blackstone.These transactions underscore the increasing allure of India’s national pastime among international investors seeking to tap into the most popular sport in the world’s most populous country. The valuations for the two teams represent a substantial jump from their original 2008 sales, when liquor baron Vijay Mallya bought RCB for $111.6 million, and Rajasthan sold for $67 million.The IPL, which features the sport’s shortest format called Twenty20, has developed into cricket’s hottest property. In 2022, the broadcast rights for the 2023-27 cycle were bought for $6.4 billion by Disney Star and Reliance Viacom18.“It’s mind-boggling numbers,” Indian cricketing great Sourav Ganguly told local reporters. “But great news for Indian cricket and the way forward. I think it’s already as big as the NBA.”Sport teams overall have become a major target of global investments, as businesses try to tap into new markets abroad and spending from their fan bases. Deloitte analysts wrote in an outlook published last month that the industry is “entering an age of expansion” — and that private equity deals across sports leagues have jumped in recent years.

Guardian cartoonist David Squires offers a unique perspective on Australia's national soccer team, the Socceroos, as they prepare to host the tantalizing new FIFA Series event. Through his distinctive visual storytelling, Squires captures the significance of Australia's role in this prestigious global tournament.The comic series provides an insightful look into how the Socceroos are serving as trailblazers for the FIFA Series, positioning Australia at the forefront of international soccer innovation. The illustrations showcase both the excitement and strategic importance of this new global competition.Published on March 26, 2026, this piece is part of Squires' ongoing series examining Australian sport, highlighting the nation's growing influence on the world stage. The FIFA Series represents another milestone in Australia's evolving relationship with international soccer, following previous successes that have elevated the country's sporting profile globally.