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A Lebanese‑French visual artist, Ali Cherri, has lodged a formal complaint with the French war‑crimes unit in Paris, accusing Israel of committing a war crime after a 2024 airstrike on his family home in Beirut killed his parents and a domestic worker. The filing marks the first time a French court has taken up a case concerning Israel’s bombing of Lebanon and is an unusual move by an individual to pursue war‑crimes accountability. Israel has faced repeated accusations of violating international humanitarian law in Lebanon and Gaza, including attacks on civilians, medical facilities and forced displacement, yet no Israeli officials have been prosecuted to date. Cherri said, "Our demand is that an investigation is opened so that we know for a fact what happened, to name this attack as a war crime against civilians, and hopefully be able to name the people responsible." The apartment, built by his grandparents in central Beirut, was struck a few hours before a cease‑fire between Hezbollah and Israel took effect on 26 November 2024. The 13‑month conflict had already claimed roughly 4,000 Lebanese lives. The blast, which gave no prior evacuation warning, destroyed three floors, killing Cherri’s 86‑year‑old father Mahmoud Naib Cherri, 76‑year‑old mother Nadira Hayek, their employee Birki Negesa and four other civilians. In February, Amnesty International’s investigation concluded there was no military target at the time of the strike and urged that the incident be examined as a war crime. Forensic Architecture, a UK‑based investigative group that helped draft the complaint, produced a 3‑D reconstruction of the building and identified the munition as a GBU‑39 guided bomb – a 250 lb US‑made weapon frequently used by Israel in Lebanon and Gaza. The analysis underscored the targeted nature of the attack and, according to the group, demonstrated direct responsibility of the Israeli army. Amnesty International’s regional director for the Middle East and North Africa, Heba Morayef, called the French civil complaint “a rare opportunity” to hold Israel accountable in a European court, given the usual impunity. The case arrives amid renewed hostilities: on 2 March Hezbollah fired rockets at Israel, prompting an Israeli aerial campaign and ground invasion that has killed 1,318 people so far. Photographer Mohammed Shehab, who collaborated with Forensic Architecture on the Cherri investigation, was himself killed in an Israeli strike on 11 March, which also claimed his infant daughter’s life and wounded his wife – an incident the group described as “circumstances similar” to the Cherri bombing. While Cherri doubts any Israeli officials will face criminal charges, he insists that filing the suit is a moral duty to give a voice to victims who cannot pursue legal recourse themselves.

Blanche McIntyre reimagines Noël Coward’s classic Private Lives at Manchester’s Royal Exchange Theatre with a daring in‑the‑round set that spins the audience into the couple’s turbulent romance.The production opens in a sleek, monochrome French resort designed by Dick Bird. As ex‑spouses Amanda (played with acid poise by Jill Halfpenny) and Elyot (delivered with dry detachment by Steve John Shepherd) collide on their respective honeymoons, the stage begins to rotate, creating a queasy, carnival‑like atmosphere that mirrors their escalating desire and spite.Both characters quickly abandon their new partners—Victor, a self‑satisfied ordinary portrayed by Daniel Millar, and the hysterically grating Sibyl, embodied by Shazia Nicholls—and flee to Paris. In Amanda’s cluttered flat, surrounded by half‑eaten meals and booze, the rekindled romance begins to sour, exposing the uglier layers of their destructive bond.The chemistry between Halfpenny and Shepherd shines as they deliver Coward’s razor‑sharp bon mots with effortless flair. Yet, in the second act, the performance feels slightly restrained; moments of lust and violence are hinted at rather than fully unleashed, leaving the climactic confrontation somewhat blunted despite the frantic spinning set.Supporting roles add texture: Millar’s Victor exudes contented self‑importance, while Nicholls hints at a hidden cunning beneath Sibyl’s hysterics. Sara Lessore’s turn as the Parisian maid Louise underscores the privileged caprices of the main characters.Overall, the production presents Amanda and Elyot’s relationship as a capricious game between sophisticated players rather than a dangerously irresistible passion, a nuance amplified by the theatrical whirl that never quite loses control.The show runs at the Royal Exchange until 2 May, offering theatre‑goers a uniquely dizzy experience of Coward’s wit and venom.

Italy awoke on Wednesday in a state of anger and disbelief after the Azzurri were eliminated from the FIFA World Cup 2026 qualification by a 4-1 penalty shoot‑out defeat to Bosnia and Herzegovina, following a 1‑1 draw in regular time.The loss represents the third straight playoff elimination for Italy – previous setbacks came against Sweden and North Macedonia – and has revived what the front page of Corriere della Sera dubbed the "World Cup curse."Italian media, including La Gazzetta dello Sport and Corriere dello Sport, echoed the sentiment with headlines proclaiming “We’re all staying at home,” underscoring the depth of national disappointment.Key moments in the match included a red card for Alessandro Bastoni in the 42nd minute for a last‑man tackle, a turning point that shifted momentum despite Italy leading at the time.Fans expressed their shock and frustration: "Everything went badly from the start of the match. The team wasn’t good, players out of form… it makes no sense," said Davide Caldaretta, a spectator in a Rome pub, to Reuters.Melanie Cardillo, also speaking to Reuters, described herself as “really upset and disappointed,” adding that the repeated failures have eroded hope.Beyond football, Italy recently celebrated a record 30 medals at the Milan‑Cortina Winter Olympics and 40 medals at the 2024 Paris Summer Games, highlighting the country's broader sporting prowess, from speed skater Francesca Lollobrigida to tennis champion Jannik Sinner.Nevertheless, the football debacle prompted a political backlash. Sport Minister Andrea Abodi called on FIGC President Gabriele Gravina to resign, stating, "Italian football needs to be rebuilt from the ground up, starting with changes at the top of the FIGC."Gravina refused to step down, noting that a board meeting next week will determine his future. Tensions have risen between the government and the federation, with Gravina accusing the state of treating football as a "state sport" while favoring other disciplines.Former Prime Minister Matteo Renzi weighed in, calling the elimination “unfortunately not an April Fool’s joke” and emphasizing that football is integral to Italy’s cultural identity.In response to Gravina’s remarks, speed skater Francesca Lollobrigida posted sarcastically on Instagram, "I’m an amateur," underscoring the broader debate over responsibility for the missed qualification.As Italy prepares for the next board meeting, the nation faces a pivotal moment: whether to overhaul its football governance or continue grappling with a perceived "curse" that has kept the Azzurri out of the world stage for three consecutive cycles.

Liverpool head coach Arne Slot has hailed Mohamed Salah as a club legend ahead of his departure at the end of the season. Salah announced his exit last week, and Slot believes he will leave the club a legend.Salah's professionalism and commitment to the club have impressed Slot, who highlighted his hunger to prove himself every three days. Slot expressed his hope that Salah can make his legacy even more special in the upcoming weeks and months.The pair appear to have patched up their differences, which had led to tensions earlier in the season. Slot is looking forward to Salah signing off with a flourish, and he encouraged supporters to give him a great farewell.In other news, Liverpool's bid for Champions League qualification has been boosted by the news that Alexander Isak is set to return to training on Thursday after more than three months out with a broken leg. The £125m British-record signing could make the squad for next week's European away leg in Paris.Slot expressed his excitement about having Isak back, citing his incredible abilities as a striker and the team's ability to generate chances. While Isak may not start immediately, Slot believes his return will be very helpful for the team in the last two months of the season.

In the spring of 1926, Paris was bustling with tourists, earning its reputation as the cheapest capital in Europe. The city's ideal weather, with incessant sunshine, added to its appeal. Cafes had opened their windows, trees were green, and chestnuts were budding, creating a picturesque scene.The tourist influx was significant, with 20,000 English holidaymakers arriving in a single day, and many more expected to follow. Visitors from other countries, particularly Germany, were also well-represented. This Easter season was shaping up to be a record one for Paris.While finding accommodations could be challenging for those who hadn't booked in advance, Paris offered affordable options for tourists. Restaurants, theatres, music-halls, and other amusements were priced at about half of what one would find in London. Even taxi fares, which doubled at night, were reasonable at threepence a mile.The city's entertainment scene catered to various tastes. Some tourists flocked to popular venues like the Folies-Bergère, Moulin Rouge, and Casino de Paris, while others preferred more cultural experiences at the Comédie Française or Odeon. The diversity of options made Paris an attractive destination for a wide range of visitors.

Cooper Lutkenhaus, a 17-year-old American high school student, has taken the athletics world by storm by becoming the youngest world champion in track and field history. He achieved this incredible feat by winning the 800m indoor world championship in Torun, Poland.Lutkenhaus's remarkable talent has drawn comparisons to top athletes like David Rudisha, with Belgian athlete Eliott Crestan saying, 'He's like David Rudisha... In 10 or 20 years' time, I'll be able to say that I ran against him.'The young athlete's coach, Chris Capeau, attributes his success to a combination of 'God's gifts, his mum and dad's genetics, and his upbringing.' Capeau also highlights Lutkenhaus's intense focus on detail and his ruthless approach to maximizing his potential.Lutkenhaus's achievements have made him a sensation in the athletics world, with many eagerly anticipating his future performances, including his participation in the Eugene and Stockholm Diamond League this summer.Despite his remarkable success, Lutkenhaus remains humble and grounded, celebrating his gold medal with a simple burger and fries with his family. His father, George, emphasizes the importance of allowing his son to enjoy the moment and not getting caught up in the hype surrounding his achievements.

The latest film from Chloé Robichaud, 'Two Women', is a remake of the 1970 French-Canadian sex comedy of the same name. Unfortunately, it hasn't aged well, coming across as silly, clumsy, and dated in its modern retelling.The story follows two unsatisfied women, Florence (Karine Gonthier-Hyndman) and Violette (Laurence Leboeuf), who live next door to each other in a suburban condo development. Both are unhappy in their marriages – Violette's husband Benoît (Félix Moati) is often away, supposedly on business, but actually having affairs, while Florence has a bland, sexless relationship with David (Mani Soleymanlou). The two women form a friendship and, without explicitly planning it, begin having sex with men they invite into their homes for repairs or odd jobs while their partners are away.The film's sex scenes feel both cynical and naive, lacking the eroticism of softcore erotica and the plausibility of drama. The movie attempts to draw comparisons to the 'Confessions of a Window Cleaner' series but falls short. One notable moment includes a discussion on how Tinder promotes addiction rather than love, but such insightful moments are few and far between.Overall, 'Two Women' is a tiring and mediocre film that fails to deliver on its promise of a modern take on female desire and infidelity. It is set to release in UK cinemas from 3 April.

Mohamed Salah's future has become a hot topic in the football world, with several top clubs vying for his signature. The Egyptian forward is set to leave Liverpool at the end of the season after a highly successful nine-year stint. Salah has won two Premier League titles and the Champions League with Liverpool.Egypt's national team director, Ibrahim Hassan, has expressed concerns about Salah potentially moving to Major League Soccer (MLS). Hassan believes that a move to MLS would cause Salah to fade into obscurity, comparing it to the current situation with Lionel Messi, who joined Inter Miami in 2023.“Personally, I would prefer him to stay in Europe,” Hassan told On Sports. “I have heard about offers from Paris Saint-Germain (PSG), Bayern Munich and clubs in the Italian league.”However, MLS Commissioner Don Garber has expressed interest in seeing Salah in the league. San Diego FC's billionaire owner, Mohamed Mansour, also believes Salah would be an “asset” to any team, including his own club.If Salah does move to the United States, San Diego FC has been heavily linked with the forward, not least due to their British-Egyptian owner, Mansour. Mansour praised Salah, stating that he is proud of the Egyptian forward and believes he would add a lot to the league and the team.Salah is currently sidelined by injury and will miss Egypt's ongoing training camp as they prepare for the World Cup in North America. Egypt faces Spain in a friendly in Barcelona on Tuesday after a 4-0 win over Saudi Arabia in Jeddah on Friday.

In a heartfelt video posted on her birthday, the 58‑year‑old vocalist announced that her long‑awaited return to live performance is the best gift she could receive, confirming a series of concerts in Paris slated to begin in September.Diagnosed in December 2022 with stiff‑person syndrome, a rare autoimmune disorder that stiffens muscles and can cause severe pain, Dion was forced to cancel her 2023 Courage world tour. While there is no cure, ongoing treatment has helped stabilize her condition, allowing her to consider a full‑scale comeback.The 2024 documentary “I Am: Céline Dion,” which chronicled her struggle—including a seizure and intense pain—became Amazon’s most‑watched documentary ever. Later that year she made a surprise appearance at the Paris 2024 Olympic Games opening ceremony, delivering Edith Piaf’s “Hymne à l’Amour” to a global audience, marking her first live on‑stage performance since early 2020.Now, Dion will headline ten shows over five weeks at the Paris La Défense Arena, with the residency kicking off on 12 September. She told fans that, despite the challenges, she feels “great, managing my health, feeling good,” and even added that she’s “singing again, even doing a little bit of dancing.”From representing Switzerland at the 1988 Eurovision Song Contest to breaking international charts with 1993’s The Colour of My Love and the iconic 1997 Titanic anthem “My Heart Will Go On,” Dion’s career has spanned decades. Her upcoming Paris run signals not just a personal triumph over illness, but also a major cultural event for fans worldwide.