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The Scottish FA's Scathing Response to a Safety CrisisThe Scottish Football Association (Scottish FA) has launched a vehement attack on what it describes as a "hysterical media narrative," directly targeting Derek McInnes and the broader football community. The association revealed that match official John Beaton and his family spent Thursday night under police protection after personal details were leaked online following a series of controversial decisions.Controversy and Consequences: The Beaton IncidentThe safety crisis stems from a cluster of high-stakes refereeing decisions that have dominated the conclusion of the Scottish Premiership season. The incidents occurred during the Motherwell vs Celtic match and the Hearts vs Falkirk fixture.Wednesday's Match: Beaton awarded a penalty to Celtic in stoppage time, which McInnes described as "disgusting."Earlier Incident: A penalty appeal for Hearts was denied during the same stadium fixture days earlier.Security Response: Following the intense backlash, Beaton's personal details were leaked, necessitating police surveillance to ensure the safety of his family.The "Inconvenient Truth" of a Toxic EnvironmentIn a lengthy statement, the Scottish FA condemned "vigilantism" and argued that the current environment is a direct result of heightened criticism from media pundits, supporters, and clubs. The association stated that apportioning blame to officials to deflect from defeats has created a "scourge on our national game."The FA emphasized that this is not an isolated incident, warning that officials are now adopting coping strategies like staying home with locked doors. The association called on those responsible for "incendiary statements" to reflect on their contribution to an atmosphere of intimidation.Title Race Intensifies Amidst Safety ConcernsAs the season finale approaches, the focus remains on the title race, where Hearts visit Celtic on Saturday needing a draw to become the first non-Old Firm winner in 41 years. While McInnes continues to voice frustration, Celtic manager Martin O'Neill dismissed the noise, suggesting that neutral support for Hearts is simply a reflection of the nation's desire for a new champion.

The Lead Iran's Foreign Minister Abbas Araghchi has expressed doubt about the US's "seriousness" regarding talks to end the war in the region, despite receiving messages from President Donald Trump's administration indicating openness to new negotiations. The nuclear program deadlock remains unresolved, with Iran considering Russian proposals and seeking support from China and other BRICS nations. The Diplomatic Stance in New Delhi Araghchi made these statements during a media conference at a key BRICS meeting in India's capital, New Delhi. He emphasized that while Iran is open to negotiations, there remains significant distrust about US intentions. "We are in doubt about their seriousness, but the moment we feel that they are serious and they are ready for a fair and balanced deal, we will certainly proceed in the course of negotiations," Araghchi told reporters. The Nuclear Program Impasse The Iranian foreign minister confirmed that the issue of Iran's "enriched material" remains in deadlock, with the nuclear program likely to be "postponed" until later stages of any future talks. "For the time being, it is not under discussion, it's not under negotiation, but we will come to that subject in later stages," Araghchi stated. He confirmed having spoken with Russian officials about Moscow's offer to store Iran's enriched uranium, saying Iran may consider the proposal at an appropriate time. Regional and International Dynamics The Iranian foreign minister expressed openness to support from other countries besides Russia, particularly China, which has been affected by the closure of the Strait of Hormuz. "We appreciate any country who has the ability to help, particularly China," Araghchi said. "We have very good relations with China, we are strategic partners to each other, and we know that [the] Chinese have good intentions, so anything that can be done by them to help diplomacy would be welcomed by the Islamic Republic." Meanwhile, President Trump has been in Beijing for talks with Chinese President Xi Jinping, with few signs of a breakthrough in resolving the conflict with Iran. BRICS Tensions and Geopolitical Fault Lines Araghchi also appeared to single out the UAE for blocking parts of a BRICS ministerial statement, blaming a member state that has "its own special relationship with Israel". "The only reason they stopped the final statement was their support for Israel and the United States in their aggression against Iran, which is very, very unfortunate," Araghchi said, highlighting the geopolitical divisions within the BRICS nations regarding the Iran conflict.

The LeadClashes that erupted after a football match in a western Libyan town left several people injured, while a government building was set on fire in the capital, Tripoli.The Event DetailsFights began in the town of Tarhuna, some 80 kilometres (49 miles) south of the capital, after a match between Tripoli's Al-Ittihad SCSC and Misrata's Asswehly SC on Thursday.The game, which was held behind closed doors, was suspended shortly before the final whistle after Al-Ittihad's players protested over a penalty kick they believe should have been awarded, Libyan news agency LANA reported.The incident led to fights between supporters and security forces outside the stadium, LANA said.The Impact AnalysisThe Libyan Presidential Council said people attacked the council of ministers' headquarters in capital Tripoli "with acts of sabotage and arson".The fire was quickly contained, LANA said.The council called for an investigation into the "unfortunate events", saying that feelings of injustice must be addressed legally and "not through violence".The PredictionGiven the volatile political situation in Libya and the passion surrounding football matches, further incidents of violence remain a concern unless authorities implement stricter security measures and address the underlying grievances that fuel such unrest.

The Lead: A Beethoven Performance Like No OtherOn the face of it, Beethoven's Violin Concerto, the opening work of this BBC National Orchestra of Wales concert, might have seemed unexceptional. Soloist Veronika Eberle immediately proved it otherwise. Sweet, pure tone, clarity of line and an almost reverential approach with not a trace of bombast distinguished her playing from the outset. The rapport with conductor Alexandre Bloch was implicit and, in the deeply reflective central Larghetto, the music was imbued with an air of serenity.The Innovation: Widmann's Revolutionary CadenzasYet what made for a wholly different experience here was Eberle's use of new cadenzas in all three movements, boldly commissioned from her fellow German, Jörg Widmann. Widmann realised a balance between the expected virtuosity and a highly imaginative, improvisatory feel, references to key Beethoven motifs tightly embedded. Moreover, bringing first the timpanist then the principal double bass to collaborate with the soloist threw further elements into the dynamic mix, with Tom Aldren – leading the orchestra in this work – also duetting with Eberle. This verging on the subversive – interventions that extended an already long concerto – could have have been bothersome but, overall, the sheer bravado and vibrancy spelled riveting listening.The Artistry: Benjamin's Homage to KnussenThe BBCNOW players got to display considerable virtuosity and to have their own moments in the limelight in George Benjamin's Concerto for Orchestra. A heartfelt tribute to the genius of Benjamin's close friend and collaborator, the late Oliver Knussen, this 18-minute piece was originally written for the crack ensemble that is the Mahler Chamber Orchestra. But there was no compromise on technical brilliance here. The ear was beguiled by the finesse and intricacies of the textures, particularly in woodwind and brass, with the unusual prominence of solo lines for tuba, two timpanists and, finally, the first violins offering teasing, playful elements in the spirit of the inimitable Knussen.The Climax: Strauss's Death and TransfigurationRichard Strauss's tone poem Tod und Verklärung (Death and Transfiguration) brought the evening to a thrilling climax. Bloch, whose energetic conducting style embraces expressive detail and warmly expansive gestures, inspired a performance that was both sensuous and sumptuous, underlining the remarkable vision of the 25-year-old Strauss. It crowned a fine night for timpanist Steven Barnard, the players all clearly in their element.Broadcast on BBC Radio 3 on 29 June.

The Artist's Background and Achievements At 29, Rene Matić is the youngest ever person to win the £30,000 Deutsche Börse Photography Foundation prize. They were nominated for their solo exhibition As Opposed to the Truth at CCA Berlin – there is currently a much smaller reconfiguration representing part of the show at the Photographers' Gallery in London. Matić was also the youngest artist ever to be nominated for the Turner prize last year. Notable Works and Artistic Approach There are things I like about Matić. I like the way they challenge what counts in life and art, and what counts as British. Their 2022 work, Upon This Rock – a photographic installation and a film exploring the artist's father, Paul, and his involvement with the skinhead movement – felt like it was breaking new ground, conceptually and materially. Matić's yearning to understand masculinity and fatherhood as forces shaping national identity, and the way they incorporate new stories into the folds of Britain's historical fabric, felt original and exciting. Prize Recognition and Its Significance The Deutsche Börse Photography Foundation prize is one of the most prestigious awards in contemporary photography, carrying a £30,000 prize. Matić's win at such a young age marks a significant moment in the art world, particularly as they identify as a queer, working-class person of colour. The fact someone from this background won this award is good as a statement for what the Deutsche Börse prize can stand for in terms of diversity and representation. Critical Assessment of Current Exhibition Yet a lot of Matić's other work doesn't feel mature enough for the photographer to have taken the prize so early in their career. The installation Feelings Wheel, a series of diaristic snapshots which is shown at the Photographers' Gallery, feels like something you'd paste on your wall or Tumblr at university. They are pretty mediocre pictures, safe from Instagram censorship, and arranging them in Perspex doesn't make them more interesting. I find there is an annoying insularity, a sense of preaching to the converted, whereas the most effective art builds bridges between artist and viewer, allowing people who aren't part of the gang to understand it and be moved by it, too. Comparisons to Influential Photographers Too often, Matić's images are only made interesting by the different ways they display them in assemblages, spatial and sculptural configurations. Their work draws comparisons with Wolfgang Tillmans or Nan Goldin, who both photographed their own subcultures and communities, but with more edge and verve. With slideshows to music (in the case of Goldin's The Ballad of Sexual Dependency) and multi-format installations responding to the space (Tillmans), both photographers cast aside the traditional focus on a single image, creating new ways of looking at multiple photographs that Matić adapts but doesn't quite move forward. Broader Implications for Contemporary Photography There's nothing wrong with art that focuses on identity – especially identities that have been consistently erased and ignored in this country. But based on what Matić has done for photography, I don't think they should have won. Autobiography can't be the only thing a work has to offer. I am not sure what's really radical or nuanced about Matić's photographs of flags and tattoos, or people kissing at Glastonbury. At times, the vulnerability and compassion seems performative rather than sincere, and there's not enough tension – questions in the work for the viewer to resolve. The Future of Matić's Artistic Development Leaving the exhibition, I felt flat – though there are ideas, they need more time to percolate. What this win seems to tell us about photography now is that how you market yourself is possibly more important than the work you make. Matić clearly has potential, as evidenced by their more conceptual works like Upon This Rock, but the current exhibition suggests they may have been recognized before their artistic voice has fully developed. The challenge for Matić will be to build on the conceptual foundations of their strongest work while developing a more distinctive photographic language that doesn't rely solely on presentation techniques to generate interest.

A vehicle laden with explosives rammed the gate of a Pakistani security compound in Bajaur district on Thursday, killing eight to nine paramilitary officers and wounding dozens. The attack, claimed by the Afghan‑based Pakistan Taliban (TTP), revives fears that the fragile ceasefire between Islamabad and Kabul could collapse.The Suicide Vehicle Bomb at Bajaur OutpostSecurity sources said an armed group drove an explosive‑filled vehicle into the gate of the outpost, detonated a "huge explosion," and then opened indiscriminate fire on the compound. The blast was felt in markets more than 20 kilometres (12 miles) away, and most of the outpost’s structures were destroyed or charred.Casualties and Material Damage: Numbers from the Blast8‑9 Pakistani paramilitary officers killed.~35 security personnel wounded.At least 10 attackers killed.Roads around the compound were shut down and the area was surrounded by Pakistani troops.Escalating Tensions Between Islamabad and KabulThe attack adds to a string of recent cross‑border incidents that have already claimed more than 20 lives in the region. Since February, friction has escalated into open clashes, a temporary Eid‑al‑Fitr pause in March, and renewed violence despite China‑brokered talks in April. The United Nations reports that the conflict has killed at least 372 Afghan civilians and injured nearly 400 in the first three months of 2026, underscoring the humanitarian toll.What the Next Weeks Could Hold for the CeasefireBoth governments have reiterated a desire to avoid further escalation, but the lack of a formal ceasefire agreement leaves the border volatile. If diplomatic channels fail to produce a binding pact, the region could see a resurgence of larger‑scale attacks, prompting heightened military deployments and potentially drawing regional powers into mediation efforts.

The Current Standings There are seven players tied for the lead, and another 42 within three shots of them. The day before Moving Day is going to feature a lot of jostling for position. Here's what the top of the leaderboard looked like at the end of the first day: -3: Potgieter, Jaeger, Lee, Hisatsune, Kaymer, Scheffler, Smalley -2: Brown, Theegala, Greyserman, Schauffele, Conners, Reed, Lowry Weather Conditions at Aronimink It shouldn't be too different to the first day. A little bit warmer, but with the wind expected to occasionally pick up again. It's blowing pretty briskly right now. There's not much chance of rain, and the course didn't get a soaking tonight, so it'll be a little bit firmer and the ball should scuttle further. Which, given so many of the fairways at Aronimink tilt towards penal rough, may not necessarily be a good thing. But it's a great day for golf! Michael Block's Remarkable Run Block party. It's happening again. He's happening again. Michael Block, the club pro who lit up the 2023 tournament with three rounds of 70 and a 71 that included an ace with Rory McIlroy in attendance, is doing it again. A round of 70 yesterday, and now a 20-foot putt for birdie at the par-three 5th. He's -1 overall and already beginning to dream of making the cut. It'd be an early birthday present: he's 50 next month. Good luck finding a single punter at Aronimink who won't be cheering him on. Today's Tee Times Starting on the 1st: 1145 Michael Block, Rasmus Højgaard, Dustin Johnson 1156 Mark Geddes, Steven Fisk, David Lipsky 1207 Sungjae Im, Austin Hurt, Casey Jarvis 1218 Andrew Putnam, Michael Kartrude, Matt Wallace 1229 Martin Kaymer, Elvis Smylie, Davis Riley 1240 Jason Dufner, Haotong Li, Jimmy Walker 1251 Nick Taylor, Rasmus Neergaard-Petersen, Jordan Smith 1302 Emiliano Grillo, Patrick Reed, Pierceson Coody 1313 Brian Campbell, Adam Schenk, Christiaan Bezuidenhout 1324 Marco Penge, Sepp Straka, Patrick Rodgers 1335 Aaron Rai, Travis Smyth, Sami Valimaki 1346 Sam Stevens, Jayden Schaper, Garrett Sapp 1357 Timothy Wiseman, Matti Schmid, Austin Smotherman 1715 Aldrich Potgieter, David Puig, Denny McCarthy 1726 William Mouw, Chris Gabriele, Taylor Pendrith 1737 Tom Hoge, Bryce Fisher, Joaquin Niemann 1748 Keith Mitchell, Billy Horschel, Ian Holt 1759 Gary Woodland, Jason Day, Sam Burns 1810 Wyndham Clark, Cameron Smith, Brian Harman 1821 Patrick Cantlay, Min Woo Lee, Sahith Theegala 1832 Si Woo Kim, Derek Berg, Joe Highsmith 1843 Bryson DeChambeau, Ludvig Aberg, Rickie Fowler 1854 Xander Schauffele, Brooks Koepka, Tyrrell Hatton 1905 Rory McIlroy, Jordan Spieth, Jon Rahm 1916 Daniel Hillier, Ryan Vermeer, Max McGreevy 1927 Paul McClure, Mikael Lindberg, Angel Ayora Starting on the 10th: 1150 Andrew Novak, John Parry, Jordan Gumberg 1201 Ben Polland, Kurt Kitayama, Nico Echavarria 1212 Akshay Bhatia, Ricky Castillo, Michael Thorbjornsen 1223 Luke Donald, Jesse Droemer, Stewart Cink 1234 Hideki Matsuyama, J.J. Spaun, Max Homa 1245 Ben Kern, J.T. Poston, Russell Henley 1256 Adam Scott, Corey Conners, Daniel Berger 1307 Viktor Hovland, Collin Morikawa, Shane Lowry 1318 Chris Gotterup, Robert MacIntyre, Tommy Fleetwood 1329 Cameron Young, Keegan Bradley, Justin Thomas 1340 Scottie Scheffler, Matt Fitzpatrick, Justin Rose 1351 Zach Haynes, Alex Smalley, Chandler Blanchet 1402 Bernd Wiesberger, Sudarshan Yellamaraju, Andy Sullivan 1710 Braden Shattuck, Alex Fitzpatrick, Ben Griffin 1721 Francisco Bide, Harry Hall, Ryan Gerard 1732 Johnny Keefer, Rico Hoey, Nicolai Højgaard 1743 Shaun Micheel, Michael Brennan, Garrick Higgo 1754 YE Yang, Jhonattan Vegas, Matt McCarty 1805 Lucas Glover, Tom McKibbin, Stephan Jaeger 1816 Daniel Brown, Adrien Saddier, Harris English 1827 Jacob Bridgeman, Bud Cauley, Alex Noren 1838 Chris Kirk, Max Greyserman, Kristoffer Reitan 1849 Maverick McNealy, Thomas Detry, Padraig Harrington 1900 Ryan Lenahan, Ryan Fox, Kazuki Higa 1911 Jared Jones, Michael Kim, Ryo Hisatsune 1922 Tyler Collet, Kota Kaneko, Brandt Snedeker

The Farewell of a Harlequins LegendAfter 18 years with Harlequins, New Zealand's Nick Evans is preparing to say farewell to the club where he has made an indelible mark as both a player and coach. The 45-year-old former All Black fly-half, who helped the club win the Premiership title in 2012 as a player and again in 2021 as a coach, admitted this week: "It's going to be really hard to let go of this club." His departure marks the end of an era for Harlequins, a club that has become his home thousands of miles from his native New Zealand.A Career Forged at the StoopEvans joined Harlequins in 2008 and quickly became an integral part of the team's fabric. As a player, he was known for his skill, creativity, and popularity, embodying the positive approach that Quins brought to the game. After transitioning to coaching, he continued to bring innovation, constantly seeking new ways to break down opposition defenses. Despite a disappointing season for the team in what would be his final year, Evans' contributions over nearly two decades have been substantial, leaving a lasting legacy at the Stoop.The Numbers Behind the LegacyDuring his playing career, Evans made over 200 appearances for Harlequins, scoring more than 1,500 points. His precision kicking and creative playmaking were instrumental in the club's 2012 Premiership victory. As a coach, he helped develop the team's attacking strategies, culminating in another title win in 2021. His influence extended beyond the field, as he mentored young players like Marcus Smith, who has emerged as one of England's most exciting fly-halves. Evans' ability to adapt and innovate has been a constant throughout his tenure, even as the team faced challenges maintaining consistency.Shaping English Rugby's IdentityEvans' time in England has given him unique insights into the national game and its relationship with traditional playing styles. He believes England has the talent to compete with the world's best at next year's World Cup, identifying them as one of five teams capable of causing trouble. However, he also sees a tension between England's traditional identity—epitomized by players like Jonny Wilkinson, George Ford, and Owen Farrell—and more instinctive players like Marcus Smith. Evans suggests that England could learn from South Africa's ability to maintain a clear DNA while adapting their style, potentially finding a middle ground that accommodates both approaches.The Future of Harlequins and English RugbyAs Evans prepares to move on, he leaves behind questions about Harlequins' future identity. The club once prided itself on the TRUE mantra—Tempo, Ruthless, Unpredictable, Enjoyment—but Evans acknowledges that this identity has been inconsistently applied. His departure creates an opportunity for the club to redefine itself, while his insights suggest that English rugby must evolve to accommodate different playing styles without losing its fundamental character. Wherever Evans goes next, his influence is likely to continue shaping the game, as he brings a unique perspective forged from nearly two decades at the highest level of both English and New Zealand rugby.

Top Picks in Crime and Thrillers A selection of standout crime and thriller novels reviewed recently. Honey by Imani Thompson Honey by Imani Thompson (Borough, £16.99) centres on Yrsa, a young Black woman studying for a sociology PhD and teaching undergraduates at Cambridge. Irritated by her solipsistic, over-privileged students and tired of situationships, she’s fed up with life, and men in particular. Her first killing – that of a much older supervisor who reneges on his promise to leave his wife for a colleague, and steals her research in the process – is an accident, but Yrsa, who has catastrophically poor impulse control, enjoys the sensation and, more importantly, gets away with it. Quite Ugly One Evening by Chris Brookmyre Quite Ugly One Evening by Chris Brookmyre (Abacus, £22) features journalist Jack Parlabane, now 60, who feels increasingly like a “Boomer Ambassador” to the younger colleagues who are snapping at his heels. With his job on the line, he agrees to investigate a cold case: the death, 40 years earlier, of an MI5 operative. The Final Chapter by CB Everett The Final Chapter by CB Everett (Simon & Schuster, £18.99) is a metafictional tour de force: the story of literary superstar Jon Durward, who achieved critical acclaim, commercial success, well-regarded film adaptations and a Booker prize before he mysteriously disappeared in 2009. The Hollow Boys by Tariq Ashkanani The Hollow Boys by Tariq Ashkanani (Viper, £18.99) is set in Appalachia, a prize-winning Scottish author’s latest novel and a masterpiece of smalltown horror. The town of Aurora seems doomed – blighted by poverty, drug addiction, diseased crops, a mysterious beast that slaughters dogs and an underground coal seam fire that grows ever closer. Shrink Solves Murder by Philippa Perry Shrink Solves Murder by Philippa Perry (Hutchinson Heinemann, £18.99) features therapist Patricia Phillips, who lives on East Sussex’s South Downs with Dave the cat, and swims in the sea every morning. When her client Henry Clayton’s body is found below cliffs near the notorious suicide spot Beachy Head, the police assume he has taken his own life.