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When future generations examine television trends, they might be surprised by the glut of dramatisations about famous men caught in sex scandals. Jimmy Savile and Prince Andrew have both received multiple treatments, and now, with almost crushing inevitability, comes Channel 5's Power: The Downfall of Huw Edwards.Edwards, the high-profile BBC newsreader who resigned in 2024 before being charged with three counts of making indecent images of children, remains defensive. Prior to the broadcast, he released a statement claiming the drama is unlikely to convey reality while asserting: I am repelled by the idea that some people enjoy viewing indecent images of children.The drama earns its title by portraying a powerful man utilizing a queasy power dynamic to manipulate a teenage boy into fulfilling his sexual desires. While not the pinnacle of drama, the film succeeds in capturing a sickening feeling in the pit of your stomach.The main draw comes from its casting. Martin Clunes, known for roles that rely on his innate likability, creates an impressively accurate Edwards. He captures the fascinating mix of swagger and vulnerability, along with Edwards' distinctive accent and diction. Even during disturbing scenes, his performance never wavers.For much of the film, Edwards remains a figure of distant menace. Instead, this is really the story of Ryan (Osian Morgan), a teenage boy who finds himself being groomed by Edwards. The drama is constructed around first-hand interviews with Ryan (using a pseudonym to protect his identity), showing how Edwards validated his desire for connection before making the relationship transactional.Most powerfully, the film depicts the effect on Ryan's parents, as their dismay at his increasing waywardness first becomes anger directed at Edwards and then fear that they had become the bad guys.Still, the producers face challenges with a story that isn't visually interesting. Much of the relationship happened over text, meaning excessive time is spent watching people type or narrate messages. The film makes odd stylistic choices, including framing everything around the Queen's death and ending with Edwards reporting on his own charges.Edwards has promised to tell his side of the story, but as the reviewer notes, few will have the stomach to hear it when that day arrives.

The Museum of Youth Culture, located in Camden, London, is set to open on May 15. The museum's founders, led by Jon Swinstead, have amassed a 100,000-item archive that chronicles British youth subcultures from the mods and rockers to ravers and emo. The collection includes iconic items such as a Raleigh Chopper, an original Sony Walkman, and a punk mask with 'HATE' stenciled across it.The museum's concept was born out of Swinstead's passion for capturing British subcultures through photography, which began in his garden shed. The collection has since grown to include personalized school leavers' shirts, handbags, and customized shirts dedicated to two-tone bands. The museum aims to fill a void in the UK's cultural landscape, providing a space dedicated to the teen years and the subcultures that defined them.The museum will not only serve as a showcase for the collection but also as an event space, featuring a Rough Trade shop and a youth club. With a 20-year lease and support from the City Bridge Foundation and the National Lottery Heritage Fund, the museum hopes to become a significant part of the UK's cultural landscape.

Eid al-Fitr, typically a time of joy and celebration at the end of Ramadan, has taken on a somber tone in Gaza this year. The day, usually filled with prayer, feasting, and visits to loved ones, has become a procession through loss as families grapple with the aftermath of the war.The rituals of Eid remain, but the feeling of joy has gone. People exchange greetings of 'Eid Mubarak,' but the words feel hollow. The streets are filled with people observing Eid, but the lightness and celebration are missing. Instead, it feels like a somber procession through grief.Families visit one another, but the visits are tinged with sorrow. Homes that were once filled with laughter and warmth now bear the weight of loss. Many have lost loved ones, and the pain of their absence is palpable. The Eid celebrations have become an act of protection, a way to hold on to tradition and community in the face of devastation.The author's own family has not been immune to the suffering. They visit relatives, each house bearing witness to the devastating impact of the war. They see the faces of surviving children, their first Eid without a parent, and the pain is overwhelming. The author's mother has lost her brother, grandchildren, sons-in-law, and daughter, and the weight of her grief is shared by all who visit.In the end, the Eid celebrations in Gaza have become a testimony to the enduring power of love and kinship in the face of unimaginable loss. The day is a long walk through love, kinship, and ruin, a day that begins with blessings and ends as a somber reminder of what has been lost.

The Guardian is calling on readers to share their favorite books they've read recently as part of their ongoing 'what we're reading' series. Readers can recommend fiction or non-fiction books they've enjoyed by filling out a secure online form. The form is encrypted, ensuring that only The Guardian has access to the contributions.Share Your RecommendationsTo participate, readers simply need to provide their recommendations and contact information. One of The Guardian's journalists will be in touch before publishing the recommendations.For those having trouble with the form, an alternative link is provided: click here. Readers can also access The Guardian's terms of service and privacy policy for more information.

Dawn French and Jennifer Saunders are to reunite on stage for the first time in 17 years, playing the Ugly Sisters in the London Palladium pantomime production of Cinderella. The duo, who began performing together almost 50 years ago, predicted that their performance “won’t be pretty”, but expressed their excitement at finally fulfilling their dream of playing the iconic roles.The pair have a long history of collaboration, starting with their meeting as students at the Royal Central School of Speech and Drama in London. They went on to create a hugely successful sketch comedy series for the BBC and have toured together several times, including their last tour, French and Saunders: Still Alive!, in 2008-09. In 2020, they teamed up again for a podcast, Titting About.Michael Harrison, the producer of the Palladium panto, expressed his delight at having French and Saunders on board, citing their legendary chemistry and razor-sharp humour as a guarantee of a special experience for audiences. The production will also star Dex Lee as Prince Charming, Hope Dawe as Cinderella, and several other notable actors who have previously starred in pantos at the venue.The London Palladium has a history of hosting successful pantomimes, including Clary's 2016 production of Cinderella, described by the Guardian as a “tsunami of smut”. More recently, Catherine Tate joined the cast for the 2025 panto, Sleeping Beauty, which broke records with over 137,000 theatregoers attending.French and Saunders' production of Cinderella runs from 5 December to 10 January, with tickets going on sale on 2 April.

The Gaza conflict continues to escalate, with devastating consequences for civilians. Since October, 677 Palestinians have been killed and 1,800 injured in Israeli strikes across the territory. The attacks have averaged about 10 per day over the past five months, leaving a trail of destruction and despair.Abed Elrahman Hamdouna, a 31-year-old father of two and volunteer ambulance driver, was killed in a reported drone strike west of Gaza City. His death is a stark reminder of the ongoing risks faced by healthcare workers in the conflict zone. Hamdouna's family had been worried about him the most during the war, given his role in helping injured people.The Israeli military's actions in Gaza have been widely criticized, with UN experts accusing Israel of 'medicide' and deliberately targeting healthcare workers and facilities. The destruction of Gaza's healthcare system has had a catastrophic impact on the population, with over 1,500 healthcare workers killed in the war.The conflict has also had a profound impact on the mental health and well-being of those affected. Hamza Nabhan, a medical student, described the despair and hopelessness that has become a daily reality for many in Gaza. 'I think about how to wake up, charge my phone, fill my water container. I don’t think about tomorrow.'The international community has expressed concern over the humanitarian situation in Gaza, with Amnesty International accusing Israel of committing genocide against Palestinians. The organization has called for an end to the violence and for those responsible to be held accountable.

In 1926, Cornwall's moors experienced a significant spell of dry weather, leading to gorse fires that blazed day and night. The fires, used to improve grazing and hunting conditions, had a profound impact on the local ecosystem.Driving through Cornish lanes at nightfall, the windscreen appeared segmented, with the lower part reflecting the road and headlights, while the upper segment was filled with night. The sides were crowded with gorse bushes, which glowed in silhouette as the headlights passed over them. The gorse, described as 'creeping hedgehogs' or 'huge mounds,' was particularly vibrant, with some bushes appearing as discs of solid yellow against the obscure blue background.The fires, although a lovely yet fearsome sight, came at a cost to the local wildlife. Many stonechats, whinchats, and yellow-hammers had to seek new nesting places, while anemones just beginning to open were scorched to death. The fires transformed the ancient growth into flames and black ashes in mere minutes.The spectacle of the gorse fires was breathtaking, presenting as a pillar of smoke across the sea, a rosy scarlet glare behind the skyline, or a windswept sea of flames. This event highlighted the delicate balance between land management practices and the preservation of natural beauty and wildlife in Cornwall.

Satellite images of Tehran have revealed that toxic fires caused by Israeli bombings on oil depots were still burning days after the strikes, posing serious health risks to millions of residents in the Iranian capital.The bombings, which occurred on March 7, caused clouds of smoke to blanket the city with pollutants ranging from soot to oil particles to sulphur dioxide. A passing storm then showered Tehran with poisonous, oil-filled rain.Residents have reported headaches, eye and skin irritation, and difficulty breathing. Experts have warned that these symptoms could be just the beginning, with long-term risks of cardiovascular disease, cognitive impairment, DNA damage, and cancer.Four fuel facilities in and around the capital were hit, including the Shahran depot in the north-west, the Aqdasieh oil depot in the north-east, the Tehran refinery in the south, and the Shahid Dolati facility in the west.Satellite images taken two days after the strikes showed the Shahran depot and the Tehran refinery were still burning. Another image taken by the European Space Agency satellite on Tuesday – 10 days after the strikes – showed that those two fires had smouldered, but smoke and flames were visible at the Aqdasieh oil depot.Iran has described the attacks as “ecocide”, which is described as wanton acts of environmental destruction.The United Nations Environment Programme (UNEP) has warned that heavy smoke from burning oil was “directly inhaled by people in Iran – including young children – raising serious concerns about long-term impacts on both human and environmental health”.

Have you ever felt like you're racing against the clock, constantly chasing appointments and deadlines? This relentless pursuit of time is a universal experience, but what is time, really? Is it a physical phenomenon or just a tool we use to coordinate our lives? Time is often seen as an independent, physical entity that ticks by relentlessly, but emerging scientific evidence suggests that this isn't the case. Time is more like a mathematical tool, useful for coordinating our interactions, but it doesn't have an independent existence of its own. Just like money, we've become dependent on it, but it's not a physical reality. The pressure to be 'on time' is instilled in us from a young age, and we're constantly surrounded by clocks and digital alerts that divide our day into smaller pieces. This has led to a phenomenon known as 'time famine,' where the more efficient and productive we try to be, the less time we feel we have. Studies have shown that people experiencing time famine are less likely to engage in activities they enjoy, eat healthily, or seek medical attention when needed. Our brains don't have dedicated areas for tracking time, and our experience of it can vary greatly. Time can seem to drag or fly by, depending on our circumstances. For example, people with certain conditions, like akinetopsia, experience time in sudden jumps or frozen moments. The psychedelic drug mescaline can also distort time perception, making it seem like hours or even centuries have passed. Quantum physicists have found that time is not a fixed, physical flow. The famous double-slit experiment shows that a physicist's choice of measurement can influence the behavior of a particle. In a lesser-known variant of this experiment, the physicist's choice at the point of measurement can even influence the particle's past behavior. This suggests that time is not a fixed, linear concept, but rather a flexible and subjective experience. Some indigenous cultures, like the Aymara people of Chile, experience time differently. They see the future as hidden behind them, unseeable and unknowable. The Amondawa people of the Amazon have no clocks or concept of time. Instead, they live in the present, experiencing 'lived time,' which is a personal, malleable experience of change. Lived time is different from clock time, as it's not defined by numerical counters or seconds. Each moment is like a tapestry, woven from changes on multiple timescales. When we focus on lived time, it expands and becomes richer, rather than narrowing or contracting. It's a flow that carries us and connects us with others, rather than something we chase and never catch. To combat time famine, we need to remind ourselves that the clock is a tool, not a master. We should beware of digital alerts and alarms that divide our day into smaller pieces and instead focus on the rich pattern of changing connections that wire us into each moment. By doing so, we can tap into the creative process of lived time and experience a more fulfilling and connected life.