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The conflict between Iran and Israel has taken a significant turn, with oil prices skyrocketing to unprecedented levels. Analysts are now warning that prices could reach $150 or even $200 per barrel, a scenario that was previously considered far-fetched.The global benchmark, Brent crude, has hit nearly $120 per barrel and has remained above $100 since March 13. The recent Israeli strike on Iran's South Pars gasfield and subsequent Iranian attacks on oil and gas facilities in Qatar, Saudi Arabia, and the United Arab Emirates have further pushed crude prices up to over $108 per barrel.The Strait of Hormuz, which accounts for about one-fifth of global oil supplies, has been effectively closed since Iran declared it shut early in the conflict. Only a handful of ships, mostly Indian, Pakistani, Turkish, and Chinese-flagged vessels, have been allowed to pass through in recent days.Market watchers agree that prices have room to move much higher if the Strait of Hormuz remains closed. Vandana Hari, founder of Vanda Insights, notes that benchmark Middle Eastern crudes have already crossed the $150 threshold, making $200 a possibility.The International Monetary Fund estimates that every 10% rise in oil prices would correspond with a 0.4% increase in global inflation and a 0.15% reduction in economic growth. Oil prices at $150 or higher would weigh heavily on the global economy.Adi Imsirovic, an energy expert at the University of Oxford, warns that oil at $200 per barrel would be a major handbrake to the world economy, impacting inflation, growth, employment, and potentially causing shortages of fuel and materials.

Iran has granted safe passage through the Strait of Hormuz to ships from select countries, including Pakistan, India, and Turkey, despite its ongoing war with the United States. The strait, a vital waterway for global oil shipments, has been effectively blocked since the conflict began on February 28, causing oil prices to skyrocket above $100 per barrel.On March 2, Ebrahim Jabari, a senior adviser to the commander-in-chief of Iran's Islamic Revolutionary Guard Corps (IRGC), announced that the strait was 'closed' and warned that any vessels attempting to cross would be 'set ablaze' by the IRGC and the navy. This move led to a significant increase in oil prices, with Brent crude rising 2.5 percent to $105.70 on Monday, more than 40 percent higher than before the war began.Iranian Foreign Minister Abbas Araghchi revealed that Tehran had been approached by several countries seeking safe passage for their vessels, with the decision ultimately resting with the military. He confirmed that a group of vessels from 'different countries' had been allowed to pass through, although details were not provided.Pakistan was one of the first countries to have a ship pass through the strait, with a Pakistani-flagged Aframax tanker called Karachi sailing out of the Gulf on Sunday. India also secured permission for some of its vessels to pass through, with two Indian-flagged tankers carrying liquefied petroleum gas safely crossing the strait on Saturday.In addition, Turkey obtained permission for one of its ships to pass through the strait after authorities received approval from Tehran. China is reportedly in talks with Iran to secure safe passage for its crude oil and Qatari liquefied natural gas carriers, with 45 percent of China's oil imports passing through the strait.Meanwhile, France and Italy have requested talks with Iran regarding safe passage for their ships, according to reports. The US has proposed a naval coalition to secure the strait, but countries such as Germany and Greece have ruled out military involvement.

Raye's sophomore album, 'This Music May Contain Hope', is a bold, 73-minute concept album divided into four sections. The album tells the story of an emotional breakdown caused by romantic woe, online criticism, and a troubling call from her grandmother.The album features a wide range of musical styles, from retro soul to swing-era jazz, house music, and show tunes. Raye's soprano is occasionally deployed in distinctly operatic style, while her vocals take on the careful enunciation of a musical theatre star.The album boasts rococo orchestration reminiscent of Hollywood's golden era, with guest stars like Al Green and Hans Zimmer. While the album occasionally feels like A Bit Much, its highlights are 'skyscraping,' with tracks like 'Nightingale Lane' and 'Beware … the South London Loverboy' showcasing Raye's incredible vocal range and genre-bending style.Despite some flaws, the album pays off more often than it fails, making it a rare event in the 21st-century music scene: a wildly ambitious and fascinatingly messy miscellany of ideas that refuses to be pigeonholed.

Leonid Radvinsky, the owner of the adult content platform OnlyFans, has passed away at the age of 43 after a prolonged battle with cancer. The company announced his death on Monday, stating that he passed away peacefully.Radvinsky, a Ukrainian-American billionaire, had a net worth of about $3.8 billion as of May 2025. He acquired OnlyFans' parent company, Fenix International Limited, in 2018 and served as the company's director and majority shareholder. Born in Odesa, he grew up in Chicago and studied economics at Northwestern University.According to reports, Radvinsky began running pornography sites as a teenager. OnlyFans, founded in 2016, is best known for allowing adult film actors and sex workers to monetize their content through a subscription-based model. The company typically takes a 20% cut of payments, leaving creators with 80% of the revenue.In recent months, Radvinsky had been in talks to sell a 60% stake in OnlyFans in a deal that would have valued the company at around $8 billion. He had moved his ownership to a trust in 2024. OnlyFans has faced controversy, including a 2024 Reuters investigation that reported on women who claimed to have been sexually enslaved to make money from the site.Despite efforts to expand beyond sexually explicit content, pornographic material remains OnlyFans' best-known product. The platform has been used by various creators, including Olympians and teachers, who have turned to the site as a way to supplement their income.

In 1926, Cornwall's moors experienced a significant spell of dry weather, leading to gorse fires that blazed day and night. The fires, used to improve grazing and hunting conditions, had a profound impact on the local ecosystem.Driving through Cornish lanes at nightfall, the windscreen appeared segmented, with the lower part reflecting the road and headlights, while the upper segment was filled with night. The sides were crowded with gorse bushes, which glowed in silhouette as the headlights passed over them. The gorse, described as 'creeping hedgehogs' or 'huge mounds,' was particularly vibrant, with some bushes appearing as discs of solid yellow against the obscure blue background.The fires, although a lovely yet fearsome sight, came at a cost to the local wildlife. Many stonechats, whinchats, and yellow-hammers had to seek new nesting places, while anemones just beginning to open were scorched to death. The fires transformed the ancient growth into flames and black ashes in mere minutes.The spectacle of the gorse fires was breathtaking, presenting as a pillar of smoke across the sea, a rosy scarlet glare behind the skyline, or a windswept sea of flames. This event highlighted the delicate balance between land management practices and the preservation of natural beauty and wildlife in Cornwall.

The world of sports is witnessing a surge in teenage sensations, with young athletes excelling in various disciplines at an unprecedented rate. Max Dowman became the youngest ever scorer in the Premier League, while Sky Brown won her second world championship in skateboarding at just 17. This trend raises questions about whether these prodigies are simply outliers or if there is a pattern emerging. Data suggests that peak performance age across various sports is increasing, with the average age of Olympians rising by two years between 1992 and 2021. However, the emergence of young talents like Luke Littler, a two-time darts world champion by 18, and Emma Raducanu, who won a women's singles title in a grand slam at 18, indicates a shift towards younger athletes dominating sports. Formula One may hold some clues to this phenomenon, with driver academies evolving into advanced athlete development programs. The Premier League's elite player performance plan, introduced in 2012, has also contributed to the rise of young talents, providing them with excellent resources, including physical, medical, psychological, and educational support. Experts like Sean Cumming, professor in paediatric exercise science, highlight the importance of biobanding and tailored training programs for young athletes. However, concerns remain about the risks of injuries and the need for careful workload management for these young athletes. While some, like Des Ryan, director of sports and physical wellbeing at the University of Galway, express reservations about feeding youth athletes into adult sports, the trend of teenage sensations is likely to continue. As sports science and athlete development programs advance, we can expect to see more young athletes making a significant impact in their respective sports.

Choreographer Alexander Whitley's latest works, Mirror and The Rite of Spring, are a thought-provoking exploration of the relationship between technology and human performance. In Mirror, dancers Gabriel Ciulli and Daisy Dancer move in tandem, their bodies studded with motion-capture markers, as they interact with digital doppelgangers that appear on stage.The use of technology in Mirror creates a sense of tension, as the dancers' movements are echoed and eventually upstaged by their digital counterparts. This tension raises questions about the role of technology in dance and whether it enhances or detracts from the human performance.In The Rite of Spring, Whitley reimagines Stravinsky's classic score with a glitched and layered version, accompanied by rudimentary choreography. The piece features five dancers and a makeshift maypole, but ultimately feels disjointed and lacking in energy.Whitley's use of technology in both pieces is a deliberate attempt to explore the boundaries between human and digital performance. While Mirror is a more successful exploration of this theme, The Rite of Spring feels like a missed opportunity to fully integrate technology and tradition.

The announcement of BTS's comeback album has transported me back to a bygone era, one marked by all-consuming passion and a dash of secrecy. As a teenager, I was deeply invested in K-pop, particularly BTS, but I often found myself hiding this obsession from peers due to fear of ridicule. In those days, it was uncommon for groups of girls to openly discuss or watch new music videos from popular K-pop bands like BTS or One Direction. We'd often gather in private settings, like late-night Skype calls or in the back of a classroom, to share and enjoy our favorite content. This clandestine nature of fandom was partly due to the stigma attached to being a 'fan girl.' The author recalls feeling self-conscious about their enthusiasm and downplaying it to avoid being labeled as 'crazy' or 'obsessed.' This behavior was not unique; many teenage girls have similar experiences, often softening their passions to fit in or avoid criticism. The question remains: why is it that displaying genuine emotion is frequently misconstrued as unhealthy dependence? Looking back, the author feels a sense of protection and softness towards their younger self, who found solace, connection, and belonging through BTS's music and universe. During a particularly challenging time, when the author moved to Melbourne alone at 17, BTS's extensive content provided comfort and something to look forward to. This period of intense fandom ultimately helped the author make meaningful connections and discover creative outlets like writing. The experience was pivotal in their personal development, offering a safe space to express themselves and explore their creativity through fan art, fan fiction, and more. With the release of BTS's new album, Arirang, and a world tour on the horizon, the author is eager to revisit their teenage self, embracing the excitement and joy that comes with being a fan. This nostalgia-tinged comeback is not just about the music; it's about reconnecting with a part of themselves that they had set aside.