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A 68‑year‑old metal‑detecting enthusiast from Somerset has unearthed a rare gold Roman ring, prompting a £78,000 acquisition by the South West Heritage Trust and sparking new insights into late‑Roman life in southern England. The Unexpected Discovery of a Gold Roman Ring in Somerset While scanning a field near Ilminster, Kevin Minto initially thought he had found a coin, then a brooch, before realizing the object was an exquisitely crafted gold ring. Dating to around AD 297, the ring weighs 48 g and features an intaglio gemstone depicting the goddess Victoria in a two‑horse chariot. Location: fields near Ilminster, Somerset Discoverer: Kevin Minto, former soldier and lorry driver Companion find: a hoard of 297 Roman coins and other artefacts Initial reaction: “It was like being hit by an express train,” Minto recalled £78,000 Acquisition and the Economic Ripple for the Finders The South West Heritage Trust announced it had purchased the ring and the associated coin hoard for £78,000. The payment was split between the landowner and Minto, who shared his half with a fellow detectorist. The windfall allowed Minto to clear his mortgage and reduce his lorry‑driving schedule. Purchase price: £78,000 Mortgage paid off for Minto Reduced driving to four days a week, with a plan to cut to three Landowner received 50% of the proceeds Heritage Significance and What It Reveals About Late Roman Somerset Senior curator Amal Khreisheh described the ring as “unparalleled” for Britain, noting its large size, heavy gold content, and sophisticated intaglio work. The find suggests the presence of wealthy Romans—perhaps a governor, merchant, or large landowner—in the Ilminster area during a period of unrest (286‑296 AD). It also highlights important trade routes that passed through south Somerset. Rare combination of large gold mass and intricate gemstone engraving Potential ceremonial or high‑status personal use Provides clues to Roman economic activity and social hierarchy in the region Future Plans: Tours, Education, and Ongoing Research The ring will embark on a primary‑school tour this month and feature in an “Ilminster Ring Discovery Day” at the town’s art centre in August. Its permanent home will be the Museum of Somerset in Taunton. Further metallurgical analysis is planned to determine whether the gold was sourced locally or imported, and archaeologists hope to link the ring to the lead‑lined coffin found nearby. School‑tour itinerary across Somerset primary schools Permanent display at the Museum of Somerset Upcoming scientific analysis of gold composition and gemstone origin Potential excavation of related burial sites

The British Museum delayed a talk on ancient Israel and Judah amid fears of organised disruption, sparking a debate over free expression, public funding and political pressure on cultural venues.Director Defends Postponement Amid Political PressureNicholas Cullinan, the museum’s director, issued a lengthy statement saying that “freedom of expression does not require institutions to provide a platform for disruption.” He framed the decision as a balance between visitor safety and the curator’s right to speak, not as censorship.Credible Threat Assessment and Visitor ImpactIntelligence indicated 25%–50% of ticket‑holders intended to disrupt the event.The lecture was scheduled less than 24 hours before postponement, with thousands of visitors, including school groups, expected in the building.The museum plans to reschedule and livestream the talk later this month.Implications for UK Cultural Institutions and Free SpeechThe episode has drawn criticism from Conservative leader Kemi Badenoch, shadow attorney‑general David Wolfson, and historians such as Simon Schama and Simon Sebag Montefiore. It highlights a growing dilemma for publicly funded museums: navigating protest‑related security concerns while upholding open debate.Future of Contested Programming at Public MuseumsCullinan warned that “the deeper issue extends far beyond a single lecture,” urging institutions to protect conditions for difficult conversations rather than avoid them. The museum’s experience may set a precedent for how future events—especially those touching contemporary conflicts—are managed across Britain.

The Guardian reports that the 1939 painting Man in a Black Scarf, long dismissed by Lucian Freud himself, has finally been authenticated by experts and will be displayed publicly for the first time at the Garden Museum in London.The Long‑Running Dispute Over “Man in a Black Scarf”Created while Freud was a student at the East Anglian School of Painting and Drawing in Hadleigh, Suffolk, the portrait is believed to depict John Jameson, a friend of the artist and member of a prominent whiskey family. The work resurfaced on the BBC’s Fake or Fortune? in 2016, where historian Philip Mould deemed it “very likely a Freud”. Yet Freud repeatedly denied authorship, even after Christie’s initially identified it in 1985, prompting a 19‑year effort by the current owner, designer‑author Jon Lys Turner, to secure a formal authentication.Financial Stakes: From £300,000 Speculation to Multi‑Million‑Dollar BenchmarksIn 2016 the painting was speculated to be worth more than £300,000.Freud’s 2015 work Benefits Supervisor Resting sold for $56 million (£42 million).His auction record stands at $86 million.The upcoming Sotheby’s auction of Sleeping by the Lion Carpet carries an estimate of £25 million to £35 million.These figures illustrate how a single authentication can shift a work from modest speculation to a position within the multi‑million‑dollar tier of the contemporary art market.Why the Authentication Shifts the Post‑War British Art NarrativeThe confirmation links Freud’s early style directly to the teachings of Cedric Morris and Arthur Lett‑Haines at the East Anglian School, highlighting a previously under‑explored influence. Turner argues the portrait’s “confrontational gaze” and “thick, daubed paint” reveal Freud’s early adoption of Morris’s techniques, potentially prompting a reassessment of other student‑era works.What Comes Next for the Painting and the Market"Man in a Black Scarf" will open to the public in the 2 June – 20 September 2026 run of the exhibition Benton End: A Paradise of Pollen and Paint. The exposure may spur renewed provenance research on other disputed Freud pieces and could encourage collectors to revisit works from the East Anglian period, driving further market activity ahead of the Sleeping by the Lion Carpet auction.

The Post-Settlement Legal BattleAttorneys for Blake Lively returned to a New York court on Monday to formally demand legal fees and damages from co-star Justin Baldoni, just a month after the parties reached a settlement in their years-long dispute.The Retaliation Argument and Legal HistoryLively’s legal team argued that Baldoni’s defamation lawsuit was a retaliatory move prohibited by California law. This claim contrasts with Baldoni’s previous insistence that neither he nor his studio, Wayfarer Studios, retaliated against the actor.Timeline of the Dispute: Lively filed her initial complaint in December 2024, alleging inappropriate discussions about sex life and attempts to alter the script.Counterclaims: Baldoni countersued for extortion and defamation, but a judge dismissed those claims last year.Current Status: While the judge dismissed some of Lively's claims, he upheld her allegations of retaliation.Box Office Success Amidst ControversyThe legal war surrounded the film *It Ends with Us*, which was based on Colleen Hoover’s bestselling novel. Despite the high-profile conflict, the movie proved to be a massive commercial success.Revenue: The film grossed more than $350m at the box office in 2024.Production: Baldoni directed the film, which also stars Ryan Reynolds.The High Cost of Hollywood FeudsThe case highlights the intense scrutiny surrounding Hollywood productions and the potential for reputational damage through orchestrated PR and social media campaigns. The dismissal of Baldoni’s extortion claims suggests a significant legal victory for Lively, though the demand for fees indicates the financial burden of the litigation remains a point of contention.Future OutlookWith the full terms of the settlement undisclosed, the demand for legal fees signals that the resolution may not have been a total victory for either party. This case serves as a stark reminder of the financial and reputational risks involved in high-profile entertainment disputes.

A Critical Portrait of George MichaelIn 1998, George Michael was arrested for public lewdness in an LA lavatory, an incident that finally led the singer to publicly come out. The following day, Sathnam Sanghera found himself unable to leave his room at university: the doorway had been mockingly plastered with tabloid newspaper headlines – "ZIP ME UP BEFORE YOU GO-GO!" – by fellow students aware of his longstanding fandom. As a writer, Sanghera is best known for a series of award-winning books on the British empire, which he calls his "specialist subject". Judging by Tonight the Music Seems So Loud – not a biography so much as a miscellany, a set of themed essays that tend to digress in all kinds of intriguing directions – the life and work of one Georgios Panayiotou runs imperialism and its legacy a very close second.The Complex Legacy of a Pop IconIt is an unashamedly partisan book, although not an uncritical one. Sanghera is as alive to Michael's personal and professional failings (whether the naffness of some of his early work as one half of Wham! or his high-handed treatment of the duo's other half, Andrew Ridgeley) as he is in love with his artistic triumphs. These, of course, range from Careless Whisper and Wham!'s annually inescapable Last Christmas to the 1996 solo masterpiece Older, a peculiar and peculiarly effective cocktail of raw grief at the Aids-related death of his lover Anselmo Feleppa and unrepentant horniness.The Evolution of Critical ReceptionSanghera's love for his subject is evidently sharpened by the opprobrium of others. Indeed if the book has a flaw, it's that the author is old enough to remember an era when George Michael was deemed insufferably uncool by some arbiters of taste (incredibly, when Wham! performed at a 1984 benefit show for striking miners, the only mainstream pop act to show support for the cause, they were received stone-faced by the audience and savaged by the music press for their trouble), and thus has a tendency to underestimate how much both he and his music have been critically re-evaluated in the 21st century.The Artistic Journey of George MichaelHe says one of the spurs to write the book was his belief that "most truly popular music is not generally deemed worthy of serious analysis and George Michael's music most certainly is not". That might have been true once, but certainly not of late: when he died, this newspaper alone ran six features by critics analysing different aspects of his music. "He sang so exquisitely about the marrow of life, about the vital, corporeal things", wrote one, which definitely doesn't amount to taking George Michael insufficiently seriously.double quotation markEven as he skinned up in front of journalists and discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed himFamily Background and Cultural IdentitySanghera is very good on the climate of homophobia in the 80s, which might have given any gay public figure serious qualms about coming out, and fascinating on Michael's family background: how growing up embedded in north London's Greek Cypriot community impacted on everything from Wham!'s image – not camp, Sanghera suggests, but "the vision of two children of immigrants imagining a kind of glamour they had not actually experienced before" – to his work ethic and control freakery. His dad made good in England by working exceptionally hard, running such a tight ship at his restaurant that he summarily fired his only son for messing up the drinks orders. The fact that the same son went on to hire 12 different saxophonists before finding one that could play the solo on Careless Whisper to his satisfaction doesn't come as a huge surprise.The Perfectionist and Contradictory ArtistThis my-way-or-the-highway perfectionism could yield hugely impressive results – Careless Whisper's sax hook may well be the most famous in pop history – but it could equally lead to intransigence and self-sabotage. Michael worked incredibly hard to transform himself from a member of a teen pop band into a more adult-facing solo artist, but having sold a staggering 25m copies of his 1987 solo debut Faith, he refused to promote its follow-up Listen Without Prejudice Vol. 1, or even make videos for its singles: a better album than its predecessor, it achieved only a fraction of its sales as a result. It was evidence of a deeply contradictory nature that occasionally has Sanghera throwing up his hands in bewilderment.The Public and Private Faces of George MichaelMichael was a polymath, keen to be duly credited as the sole singer, writer, producer and musician on a succession of tracks, but also had a weird habit of talking down his abilities, claiming he couldn't play instruments he was perfectly capable of playing. He was a Stakhanovite who increasingly worked at an agonisingly glacial pace, endlessly fussing over details, a state of affairs not much helped by his gargantuan appetite for marijuana: coupled with bouts of writers' block, it meant he released only six albums of original material in a career that lasted 34 years. He was a Labour voter, booster of the NHS and famously generous philanthropist who also engaged in tax avoidance. After being publicly outed, he became a notoriously frank interviewee ("as if nothing can embarrass him anymore" the Guardian's Simon Hattenstone suggested when he met him in 2009). But even as he skinned up in front of journalists and freely discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed him.The Decline and Final YearsMichael emerges as a messy, unpredictable but ultimately hugely likable figure, which makes the essay about his demise particularly tough reading. Listed starkly on the page, the facts of his final 10 years make it obvious that he was a deeply unwell man whose life had spun wildly out of control: drug busts, medical emergencies, visits to rehab, rumours of breakdowns and suicide bids and seven incidents in which he either crashed his car or was found comatose at the wheel.The Professional Mask of Personal StruggleThat it somehow didn't appear obvious at the time – that his death at 53 felt like a shock rather than a grim inevitability – seems remarkable, but as Sanghera points out, Michael's professionalism did a lot to paper over the cracks. He was always available to the media and always smart, funny and self-effacing: to use a modern turn of phrase, he controlled the narrative. He was punctilious about his appearance – the star certainly never looked like an ailing drug addict – and unfailingly superb onstage.The Hidden Realities Behind the FameBehind the scenes, it was a different story. He struggled to make new music: at one juncture he booked six months of recording sessions but never turned up to the studio once. His once-acute commercial instincts seemed to desert him: even Sanghera can't muster much enthusiasm for the handful of still-unreleased songs he completed in his final years. He cut off close friends and family who tried to intervene. No one who knew him seems to have been particularly surprised by his death: the list of adjectives used to describe him on his official website now includes not just "icon" "legend" "soul singer" and "philanthropist" but "addict" "repeat offender" and "depressive".An Imagined Alternative LegacyAs the book draws to a close, Sanghera offers a heartbreaking alternative history. He imagines Michael conquering his addictions, coming to a complete accommodation with his musical past (to the end of his life, he was dismissive of Wham!, describing their oeuvre as an exercise in "ignoring my own intelligence" and declining to play most of their hits live) and headlining Glastonbury, "getting pleasure from the audience reaction to Club Tropicana".The Enduring Power of George Michael's MusicIt's affecting because you can imagine it so vividly: the endless succession of hits that anyone with even a passing interest in pop music knows, the pandemonium in the crowd when he breaks out Careless Whisper, the encore of Freedom '90. You don't have to be a fan on Sanghera's level to understand what a triumph it would have been. Tonight the Music Seems So Loud: The Meaning of George Michael by Sathnam Sanghera is published by Picador (£22). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

Introduction: Alphabet to Raise $80bn for AI Spending Alphabet, Google's parent company, has announced plans to raise up to $80bn in equity to fund its vast AI infrastructure investments. This move is one of the largest equity raisings ever and includes a $10bn share sale to investment giant Berkshire Hathaway. The AI Investment Strategy Alphabet, whose Gemini AI system has been growing its share of the AI chatbot market, says it will use the money to expand its “world-class AI compute infrastructure to meet its unprecedented customer demand.” The company stated: AI is driving an expansionary moment for Alphabet. The company is experiencing strong demand for its AI solutions and services from enterprises and consumers, at levels that are exceeding the company’s available supply. By scaling its investments, the company seeks to expand its foundational infrastructure to support the significant growth opportunity ahead. The Financial Implications However, such a huge fundraising also serves as a warning to the markets that, despite the many billions of dollars thrown at AI infrastructure, meaningful returns are limited. Jim Reid, market strategist at Deutsche Bank, noted: “Funding of the AI capex boom is becoming an increasingly key topic for markets.” The Berkshire Hathaway Partnership The decision to tap Berkshire Hathaway is eye-catching, given the company's history of providing crucial funding to companies in need. Under Warren Buffett, Berkshire made a habit of stepping in to provide important, and lucrative, funding for companies who really needed cash, such as the famous $5bn investment into Goldman Sachs at the height of the financial crisis. The Competitive Landscape Alphabet is also tapping investors before some of its largest AI rivals attempt to join the stock market. Yesterday, Anthropic, which makes the Claude chatbot, said it had filed confidentially for an initial public offering on the US stock market. Anthropic is now valued at $965bn after raising $65bn in funding, making it the world’s most valuable startup.

Germany enters the 2026 World Cup with a mix of seasoned veterans and emerging talent, but doubts linger over tactical consistency and depth in key positions.Nagelsmann's Tactical Blueprint for 2026Julian Nagelsmann is known for rotating line‑ups, making it hard to pin down a single system. After a shaky qualifying campaign highlighted by a 2‑0 defeat in Slovakia and a subsequent 6‑0 win, he is expected to base his approach on the latter, demanding high emotion and pressing intensity from his players.Core Bayern Munich Players Anchoring the SquadThe squad leans heavily on Bayern talent: Jonathan Tah, Aleksandar Pavlovic, Joshua Kimmich, Leon Goretzka, Jamal Musiala and impact sub Lennart Karl. Manuel Neuer has come out of retirement for his fifth tournament, while Serge Gnabry misses out through injury.Group E Fixture Schedule and Key Dates14 June – Germany vs Curaçao, Houston (12:00 local / 18:00 BST)20 June – Germany vs Côte d'Ivoire, Toronto (16:00 local / 21:00 BST)25 June – Germany vs Ecuador, New York/New Jersey (16:00 local / 21:00 BST)Depth Concerns: Midfield and AttackWhile Florian Wirtz offers a rare blend of creativity and work‑rate, his recent form at Liverpool has been underwhelming. The No 10 role could also feature Kai Havertz, Musiala or Lennart Karl, but Germany lacks a traditional poacher after the decline of Niclas Füllkrug and Nick Woltemade. Defensive solidity is questioned despite Neuer's return, with only Jonathan Tah and Nico Schlotterbeck standing out.Projected Performance and What Lies AheadIf Nagelsmann can harness the Bayern core and extract consistency from his attacking options, Germany could progress to the knockout stages. However, reliance on a single tactical formula and the absence of a proven goal‑scorer may limit their ability to compete against the tournament's elite sides.

The Lead Hungary is on the verge of launching a wealth tax aimed at oligarchs who accumulated wealth during Viktor Orbán's 16-year rule. The move is part of a broader effort to dismantle the System of National Cooperation (NER), which rewarded political loyalty with economic opportunities. The Event Details The proposed wealth tax, announced by Péter Magyar, leader of the Tisza party, would apply to individuals with assets exceeding 1 billion forints (£2.4m). The tax would be levied on the portion of their estate above that threshold, including property, shares in companies, and assets held abroad. This move is seen as a way to address social injustice and bring public money back into the public coffers. The Data Analysis According to Zoltán Pogátsa, a political economist, 38 of the 50 richest Hungarians acquired their wealth under Orbán's rule through public tenders or benefited extensively from public procurements. One of the best-known oligarchs is Lőrinc Mészáros, with an estimated net worth of $5bn. The wealth tax could impact prominent figures like Mészáros and István Tiborcz, Orbán's son-in-law. The Impact Analysis The wealth tax debate is a global one, with countries like Brazil and California pushing for similar legislation. In Hungary, the tax could have significant implications for the country's economic landscape and the fortunes of its oligarchs. The Tisza party's proposal has secured a two-thirds majority in parliament, paving the way for its implementation. The Prediction If implemented, the wealth tax could mark a significant shift in Hungary's economic policy, potentially setting a precedent for other European countries. As Magyar has promised to reform the public tender process and established a National Asset Recovery and Protection Office to pursue corruption, the wealth tax could be a crucial tool in dismantling the NER system and promoting social justice.

Rebekah Vardy Speaks Out on Wagatha Christie Case Rebekah Vardy will speak out on the Wagatha Christie case in a new TV documentary. The documentary, titled 'The Vardys', will feature Rebekah and her husband Jamie Vardy as they move to Italy. Rebekah recently lost her libel case and has stated that she will never apologize for something she didn't do. TV Lineup for Tonight 9pm, ITV1: 'The Vardys' - Rebekah Vardy speaks out on the Wagatha Christie case. 9pm, BBC One: 'Who Do You Think You Are?' - Amy Dowden explores her family's history. 9pm, Channel 4: 'Falling' - A drama about a nun and a man with a troubled past. 9pm, Channel 5: 'The Fortune' - A thriller about a woman who inherits money from a stranger. 9pm, U&Dave: 'The Way Out' - A game show where teams solve puzzles. 10.40pm, BBC One: 'Half Man' - A drama about masculinity and violence.