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The Dark Side of Creativity Children’s writers are sometimes cruel, and often damaged. And, as AS Byatt put it crisply when talking about her 2009 novel The Children’s Book: “Writing children’s books isn’t good for the writer’s own children.” Think of Christopher Milne, raging at having been Christopher Robin; Vivian Burnett, dragging Little Lord Fauntleroy behind him; Alastair Grahame, lying down on train tracks. The Trapped Protagonist This is fertile material, as Byatt recognised, for a grown-up book. The American author Melissa Albert, herself a very successful children’s writer, has made it the theme of her first adult novel. The Children’s protagonist is Guinevere Sharpe, who as a grown woman is trapped by a very public version of her childhood. Her mother, Edith, a sort of JK Rowling/Enid Blyton composite, wrote an era-defining run of children’s portal fantasies called the Ninth City series, in which Guin and her older brother Ennis appeared as the named protagonists. The Unraveling of a Family Their marriage turns toxic. Edith is remote and frosty. The loving and boisterous Llewellyn is stricken by an unspecified illness and the light starts to go out of him. And the children, devoted to each other and freed from the necessity of formal schooling, are left to their own devices. Meanwhile, there’s something very spooky about their old wooden house. Occult artefacts surface. Its inhabitants have disturbing dreams. Edith shows up one day with a missing finger. Unraveling the Mystery In the present tense of the novel, meanwhile, Edith and Llewellyn have died in a fire that consumed the house; the sixth and last book in the Ninth City series never got written; and Guin and Ennis, once so close, have been on nonspeakers for two decades. A conceptual artist who builds uncanny installations, Ennis has always refused to talk about his childhood and the Ninth City books – but just as Guin is publicising her memoir, he announces a new show called Mother. The Cost of Creativity What we know about the Ninth City series – that in its universe there’s a vampiric figure called the Architect who steals the dreams of children to build constantly shifting fantasy worlds – casts an ominous shadow over Guin’s story. You get a hunch Albert is saying something here about the creative process, and the cost of it. Edith is a brilliant children’s writer – but she’s not quite right. A Complex but Flawed Novel That bumper crop of mysteries is also a slight weakness of this very readable and intriguing book. There’s simply so much going on that the force of the story dissipates: Edith never comes fully into focus; Guin’s crumbling relationship with her fiance, Hank, though acutely described, struggles to carry the weight it wants to; the ending is a little rushed.

President William Ruto Defends Controversial US Ebola Treatment CenterAmid a wave of street demonstrations in Nairobi, President William Ruto publicly supported the US‑backed Ebola facility, arguing that the centre is a critical component of Kenya’s readiness for future outbreaks. He framed the protests as a misunderstanding of the centre’s purpose and warned that abandoning the project would jeopardise regional health security.Escalating Unrest: Casualties and Protest DynamicsProtests erupted outside the facility on June 3, 2026, driven by concerns over sovereignty and alleged lack of community consultation.Security forces responded with tear gas and baton charges; reports indicate several deaths and dozens of injuries, though official numbers remain unconfirmed.Demonstrators cited fears of a permanent foreign medical enclave and demanded the centre’s closure.Financial Stakes: US Aid and Kenyan Health Budget ImplicationsThe Ebola centre is financed through a $150 million US grant earmarked for disease surveillance and treatment infrastructure. Kenya’s health ministry allocated an additional 5 % of its annual health budget to integrate the facility into the national response framework. Disruption of the project could jeopardise future bilateral health funding and stall planned upgrades to other disease‑control labs.Regional Repercussions: Trust in International Health PartnershipsKenya’s handling of the protests is being watched by neighboring states that rely on similar US‑funded health initiatives. A perceived crackdown could erode public confidence in foreign‑backed programs, prompting governments to reassess partnership terms, increase local stakeholder engagement, or seek alternative financing sources.Looking Ahead: Potential Policy Shifts and Security MeasuresAnalysts anticipate that the government will adopt a dual strategy: reinforcing security around the facility while launching a community‑outreach campaign to explain its benefits. In the longer term, Kenya may negotiate greater local oversight of foreign‑funded health projects to mitigate backlash and ensure smoother implementation of future pandemic‑preparedness efforts.

The Lead Mindy Kaling's latest sitcom, 'Not Suitable for Work', attempts to bring back the charm of classic shows like Friends, but ultimately falls short. The show revolves around five young adults navigating life and love in Manhattan, but its predictable plot and lackluster dialogue make it feel like a rehash of familiar tropes. The Show's Concept and Characters The show follows the lives of five friends living in two apartments across a hallway in Manhattan. The characters include AJ, an ambitious first-year analyst at a merchant bank; Kel, a medical student who longs to be an actor; Davis, a people-pleaser and romantic; Josh, a 'super woke' child of privilege; and Abby, AJ's college friend. While the characters have some diversity, with two people of color in the main cast, the show's overall feel is reminiscent of classic sitcoms. The Dialogue and Plot The show's dialogue often feels forced and unnatural, with jokes that fall flat. The plot is predictable, with characters facing obstacles and entanglements that are easily anticipated. For example, AJ's boss is an arrogant but attractive older man who gets into an argument with her, and the outcome is never in doubt. The Bright Spots Despite the show's overall lackluster performance, there are some bright spots. Michael Benjamin Washington brings his unique energy to the role of the group's landlord, Antoine, and adds much-needed flavor to every scene he's in. Greg Germann's comic chops as Josh's father, David, are also welcome, and Jay Ellis as AJ's boss, Bill Gibson, brings astringency to the show. The Verdict 'Not Suitable for Work' is an easy watch, but its charms may not grow on audiences. While the joke hit rate picks up as the episodes go on, the show feels like a rerun of familiar sitcom tropes. If you're a fan of Mindy Kaling's previous work, you may want to give it a try, but otherwise, there are better shows to watch.

The Final Bow for Football's GreatestThe FIFA World Cup 2026 could be the final act for some of football's finest talents. Although some of this tournament's players will set a men's football record by appearing in their sixth World Cup, age is catching up, and other players have struggled with injuries.Cristiano Ronaldo - Portugal's Ageless WonderAlthough fitness has been one of Ronaldo's biggest strengths during his illustrious career, at 41, the Portugal forward knows his playing days are numbered. Numbers have always been on the former Manchester United and Real Madrid forward's side, though, and he fired in 30 in 37 matches for Al-Nassr this season, while his tally for Portugal currently sits at 143 goals.The second-oldest player at this year's tournament, only behind Scotland's 43-year-old Craig Gordon, Ronaldo heads to his record sixth World Cup, well aware it could be his final chance to lift the coveted golden trophy: the only one missing from his glittering cabinet.Lionel Messi - Argentina's Final ChapterLike Ronaldo, Messi is also off to his record sixth finals appearance, one where he will lead Argentina's defense of the title they won in Qatar four years ago. Argentina's all-time leading scorer and appearance holder, Messi, has struggled with injury in the build-up to the tournament, raising doubts about whether he will feature in each game and if his body can keep up with the gruelling demands of an expanded World Cup.The eight-time Ballon d'Or winner's impact and talent, however, are such that, even at 38, he remains the heartbeat of the football-crazy South American nation.Luka Modric - Croatia's Midfield MaestroAfter playing a key role in Croatia's run to the 2018 final and a third-place finish in 2022, Modric is ready for his fifth and final appearance at the World Cup. As the 40-year-old heads to the tournament after undergoing cheekbone surgery, the veteran knows the team still relies heavily on him for his playmaking prowess.The ageing midfielder, also the Balkan nation's captain, still enjoys a hero's status within a side that has often defied expectations on the global stage. Enjoy his magic in midfield before he bows out.Neymar Jr - Brazil's Comeback KingAt 34, Brazil's all-time leading scorer Neymar is much younger than Messi or Ronaldo, but unlike the two greats of the game, his place in the national team is not guaranteed. Neymar's comeback in the Brazil squad after a two-and-a-half-year hiatus electrified football fandom, and only time will tell whether it was a gamble or a tactical masterclass by coach Carlo Ancelotti.With a history of fitness issues, a series of injuries and mounting age (he would be 38 by the 2030 World Cup), what looks more certain is that this could be Neymar's fourth and final act at the tournament.Manuel Neuer - Germany's Goalkeeping LegendSuch is the "aura" of Neuer, as coach Julian Nagelsmann said last month, that the 40-year-old came out of retirement to be named Germany's first-choice goalkeeper for the 2026 World Cup. Back in the squad after nearly two years, fans will have a final chance to see him at the World Cup.Widely regarded as one of the greatest goalkeepers, Neuer has played at four World Cups, most notably having a key role in Germany's 2014 World Cup triumph on Brazilian soil.Mohamed Salah - Egypt's African StarArguably Africa's greatest player of all time, Salah became a global superstar on the back of his success at Liverpool, where he won nine trophies. At 33, and no longer at the peak of his powers, this could be the forward's second, and possibly final, World Cup.An underwhelming season and his subsequent departure from Liverpool may have tempered expectations. Yet Egyptians continue to place their faith in their beloved number 10, hoping he can inspire the nation and help deliver something it has never experienced before: the joy of celebrating a World Cup victory.Kevin de Bruyne - Belgium's Playmaking EngineA big part of Belgium's "golden generation" between 2014 and 2022, playmaker De Bruyne continues to flourish in his duties for club and country. Age, however, is starting to catch up with the playmaker, who turns 35 later this month.The Napoli midfielder's performance is central to Belgium's odds of a deep run at the 2026 World Cup, and he will be eager to drive them to a memorable finish in what will be his fourth and presumably final appearance at the tournament.Virgil van Dijk - Netherlands' Defensive LeaderExperienced centre-back van Dijk is not quite the force he was a few years ago, when he won the Champions League and Premier League in back-to-back seasons with Liverpool. The Netherlands captain turns 35 next month, and the Dutch could move on with a younger defensive core by the time the 2030 edition comes around.After reaching the 2022 World Cup quarterfinals and Euro 2024 semifinals, van Dijk will hope to take the team one step further in what will be his third finals.Sadio Mane - Senegal's Inspirational CaptainWidely regarded as one of the world's best wingers, Mane heads to the World Cup seeking to make up for the disappointing leg injury that denied him a shot at Qatar 2022. At 34, the Senegal international is far from the peak of his career, which saw him enjoy trophy-laden spells at Liverpool and Bayern Munich.Despite his mounting age, Mane remains the team's source of inspiration and creativity, and he was an integral part of the side that beat Morocco in the Africa Cup of Nations final – only for the result to be overturned due to Senegal's mid-game protest.Mane will feature in his third, and likely final, World Cup, given that the Teranga Lion has said the last AFCON was his last, although the coaching team have said they have not given up on changing his mind.Guillermo Ochoa - Mexico's Record-Setting GoalkeeperPart of an esteemed group which includes Messi and Ronaldo, Ochoa is also set to play at a record sixth World Cup. The goalkeeper, who will turn 41 next month, had not been part of the national squad in recent years, but was picked for the tournament, which is being co-hosted by his country, Mexico.Known for being a formidable figure in Mexico's previous World Cup campaigns, Ochoa will retire at the end of the team's run at the tournament.The FIFA World Cup begins on June 11. You can follow the action on Al Jazeera's dedicated World Cup 2026 page with all the latest news, match build-up and live text commentary, and keep up to date with group standings, real-time match results and schedules.

The Lead All murders are shocking, but few unsettle a nation in the way that of Rachel Nickell did in 1992. She was stabbed 49 times while walking on Wimbledon Common during the day with her two-year-old son, Alex. The viciousness of the attack, in a public place and in front of a child, lingered darkly in the minds of the public, especially since Alex being the only witness enabled the killer to remain at large for years. A New Perspective on a National Tragedy It is a crime that has been discussed, analysed and dramatised, but never quite in the way The Witness does. Across its three episodes, narrative emphasis rarely falls where we expect it to, because the main characters are not the police or the killer but the family Rachel left behind: Alex (Jahsaiah Williams, then Max Fincham as the older boy) and his devastated father André (Jordan Bolger). This harrowing new perspective proves to be rewarding. The Family's Ordeal André has to deal with the grief of losing his partner, the challenge of becoming a single parent overnight, the complexity of caring for a traumatised young boy and the demands of the police investigation. The Witness is particularly interested in whether Alex, who is too young for anyone to be certain about how well he understands what he saw, will be further damaged by efforts to extract whatever information is locked up in his preschooler's brain. André must make the call about how far to push him. The Media's Intrusive Role Even taking into account the long history of despicable behaviour by the British tabloid press, their portrayal here is startling: they are everywhere, at André and Rachel's home, at the police station and the crime scene, a feral pack barking out crass questions that combine into a wordless roar. When André seeks refuge at his mother's house, reporters and paparazzi work out where it is and camp outside, rifling through the bins and stealing the post. After one visit to the police, André steps into the car park to the familiar wall of aggressive squawking, but now one of the hacks is doing a racist monkey chant to try to provoke him into engaging. Psychological Impact of Trauma As the story hops back and forth in time, we see Alex as a teenager, rebelling in normal ways, with the unique extra fissure of the disagreement between him and his father about how to address their past: Alex doesn't want to, but André knows this is unsustainable. The war between them can make them frustrating protagonists, constantly butting up against problems they don't know how to resolve, and Bolger sometimes struggles to bring depth to a role that requires him to be extremely sad and stressed at all times. When they do eventually find a path, though, it is a sweet redemption, very well earned. The Value of This Perspective If both that section of the narrative and the one following the later cold-case investigation that caught the real killer feel perfunctory, they give us a strange sort of respite from André and Alex's ordeal. They had to live it, without help or relief; The Witness is a valuable insight into what that hell was like.

Lead: A Wild Card Returns as England’s Summer Gets Even More ChaoticThe Guardian posits that Ollie Robinson, the once‑exiled England bowler, may be the chaotic element the national side needs to survive a summer squeezed by the IPL, a Women’s T20 World Cup and a packed domestic calendar.Robinson’s Recall Amid a Turbulent English SummerAfter a 27‑month exile since his debut in Ranchi, the 32‑year‑old has been recalled following a promising spring with Sussex. His return comes as England prepares for a four‑day Test against New Zealand at Lord’s, with tickets still on sale at roughly £110 each.First Test tickets: ~£110, still available.Second Test scheduled at The Oval in two weeks.England’s effective Test window: 47 days before the Hundred and other competitions begin.Numbers That Shape the NarrativeKey figures underline the pressure:27 months since Robinson’s last England appearance.32 years old – older than many of the "Nice Young Lads" in the squad.England’s summer packed with four major tournaments: IPL, World Cup, Women’s T20 World Cup, The Hundred.Why Robinson’s Disruption Matters for England’s Test OutlookRobinson embodies the anti‑establishment spirit that defined the early Bazball era: raw talent, a rebellious attitude and a flair for drama. His presence could:Re‑ignite a competitive edge in a side perceived as a "sideshow".Offer a counter‑balance to the polished, franchise‑focused image promoted by the ECB.Provide a talking‑point that keeps fans engaged amid dwindling stadium attendances.At the same time, his history of off‑field controversies – from past racist tweets to unsanctioned podcasts – raises questions about team culture and media management.Looking Ahead: Can Robinson Salvage England’s Test Summer?If Robinson delivers with his trademark pace and seam, he could become the catalyst that steadies England’s Test fortunes and re‑asserts a distinct national identity separate from the franchise‑driven narrative. Failure, however, would likely accelerate calls for a deeper overhaul of the Stokes/McCullum project.In a season where commercial budgets run into the millions and the IPL threatens to dominate the international calendar, Robinson’s raw, unfiltered style may be the only thing that reminds fans that Test cricket can still be unpredictable, gritty and, above all, human.

The Lead From blacklists for UK passport holders to being asked to work illegally while on holiday, the plethora of extra costs and red tape thrown up post-Brexit are restricting opportunities for British actors seeking work in the EU. Mainland Europe has always been a springboard for those in the creative industries, from gaining crucial first credits on a TV, film or theatre production to building a marketable resume and paying the bills while attempting to make it big in the UK or US. The New Barriers for UK Performers Since Brexit, new barriers that have had a devastating effect for performers include visa rules that only allow work for up to 90 out of 180 days, inclusive of any European holiday time, and myriad customs, tax and other documents that can take an inordinate amount of time and cost to get processed, and can vary between countries. The performers' union Equity cited one common example of a member being taxed on their accommodation costs because that was classified as a "benefit in kind", which had a big impact on their net wages. Spotlight pointed out that, for UK performers, social security costs are deducted in the country where they are working – anywhere from 12% to 22% of their pay. This can be reclaimed but the process can take many months, and often requires paying accountants to chase the money. The Decline in European Opportunities Between 2016 and 2023, performing arts exports to the EU fell from £1.15bn to £929m, according to the Office for National Statistics. By contrast, figures for creative industry exports to non-EU countries show an 18% increase over the same period, from £1.57bn to £1.87bn. The National Theatre halted tours to mainland Europe in 2021 and Europe's largest educational touring company, White Horse Theatre, which has provided English-language performances to schools and theatres across Europe for almost half a century, said last year that Brexit threatened its future. In evidence provided to an investigation being conducted by the culture select committee on the impact of Brexit on performers going to the EU, Spotlight said that jobs on TV commercials were now "almost completely unavailable to UK performers". The Impact on Different Segments of the Industry While performers with star status continue to have a streamlined experience, it is jobbing actors who are often finding they are no longer on the list for parts. One past regular source of work was in adverts filmed abroad, such as the long-running "Get away!" campaign for the now defunct package holiday pioneer Lunn Poly, which featured British tourists filmed in locations such as the Balearic islands. In its written evidence sourced from the experiences of its members, Spotlight said it was "aware of named holiday companies that no longer audition UK-only passport holders" to appear in adverts filmed in the bloc. The difficulty for performers also extends to the many other crew involved. One casting director said that, pre-Brexit, one TV campaign employed 45 people based in the UK but similar campaigns are now being cast from Spain or another EU country. The paperwork involved, and the quick-turnaround nature of shooting, has meant that it is simply easier to not bother auditioning UK talent. The Growing Crisis for Emerging Talent It is young UK performers, and in particular those from a working-class background, who have been most hit by the loss of the EU for work and experience. Students and new graduates would previously have typically secured summer contracts for theme parks, tours and cruises, which are now largely closed off post Brexit because of factors such as the visa changes. According to Spotlight, casting directors have seen a significant decrease in working-class actors in particular picking up jobs in the EU. Unlike actors from wealthier backgrounds, who have access to finances to cover things such as visa costs and sometimes having to wait many months for payments relating to working in mainland Europe, they simply cannot afford to accept a job in the EU. The Future Outlook for UK Performers Agents have turned to encouraging actors to check their heritage to see if they are eligible for some form of dual citizenship, an Irish passport, for example, while some businesses based in the EU now actively blacklist UK-only passport holders. However, the "most concerning" anecdotal evidence is of UK performers being asked to skip getting a legitimate work visa if the paperwork can't be finalised in time, and to lie and work while claiming to be on holiday. Spotlight calls this practice a "ticking timebomb" that could involve the use of sanctions for performers and agents caught taking this route to secure work. The agency said this would include "deportation and potential blacklisting" from future opportunities. "The simple answer is Brexit has been catastrophic for the creative industries," says Jonathan Shalit, founder of InterTalent Rights Group. "We as a country made the decision to leave Europe. This is self-inflicted. Europe don't really want us unless they have to."

Tribunal Victory Exposes Systemic Abuse in the UK Care SectorThe employment tribunal’s decision in favour of Shabin Shaji marks the first time a migrant care worker has forced a UK employer to pay back unpaid wages, bringing renewed attention to a broken sponsorship and visa framework that leaves overseas workers vulnerable.Shabin Shaji’s Case Against Swan Care SolutionsShaji, a computer‑science graduate from south India, paid £17,000 to an agent in 2023 to secure a health‑and‑care visa and a placement with Swan Care Solutions in Stafford. After a year of promised shifts that never materialised, he was left without income, living on charity and occasional odd jobs. In May 2026 a Birmingham judge ordered Swan to pay him almost £30,000 in back wages and damages.Agent fee paid: £17,000Tribunal award: £29,800 (approx.)Visa type: health and care visa (non‑professional category)Outcome for employer: licence to sponsor migrant workers revokedFinancial Stakes and Visa StatisticsBetween 2021 and 2025, roughly 160,000 health‑and‑care visas of the same class were issued, with at least a quarter sourced from India. The tribunal’s award, while modest compared with the total market, highlights the scale of unpaid wages that can accumulate across the sector.Broader Implications for Migrant Workers and Visa PolicyThe case arrives amid a backdrop of tightening visa eligibility—since 2025 only doctors, nurses and other professionals qualify for the streamlined route. Yet the sector still relies heavily on lower‑skilled migrant labour, many of whom face:Exorbitant recruitment feesWithholding of passports and wagesLimited legal recourse due to short claim windows (now extended to six months)Inadequate fines for employers—over 3,200 licences were suspended or revoked in Q1 2026, but financial penalties remain low.Charities such as the Work Rights Centre argue that without stronger deterrents, exploitation will persist, especially as visa holders can work up to 20 hours a week for employers other than their sponsor, often in precarious part‑time roles.Future Outlook: Policy Reforms and Sector SafeguardsAnalysts predict that the government may move toward “sector‑linked” visas, tying sponsorship to the care industry rather than individual employers, to reduce the incentive for agencies to exploit workers. Additional measures under discussion include:Higher fines and compulsory compensation funds for breached licencesMandatory wage insurance for agenciesRestoration of the anti‑slavery commissioner’s budget to monitor abusesExtended legal aid for migrant workers filing tribunal claimsIf enacted, these reforms could curb the debt‑bondage‑like conditions described by Eleanor Lyons, the UK anti‑slavery commissioner, and provide a more sustainable framework for the essential contribution migrant workers make to the UK’s care sector.

The President's Defiant Response to New US TariffsLuiz Inacio Lula da Silva told reporters he could not "accept the treatment" after the United States announced a fresh round of tariffs on Brazilian goods, emphasizing Brazil’s willingness to seek other partners if necessary.Trump Administration Announces 25% Tariff on Select Brazilian ImportsOn Wednesday, June 3, 2026, the administration of Donald Trump unveiled a 25 percent duty on a range of Brazilian products, rolling back a tentative detente that had begun after a May White House meeting between the two leaders.Tariffs target specific categories while exempting beef, coffee, rare earths, other metals, energy and aircraft parts.The proposal is being processed under Section 301 of US trade policy, with a public comment period ending in early July.Trade Numbers Reveal a $420 million Surplus for the United States in MarchUS Trade Representative Jamieson Greer cited a "giant" trade deficit, yet public data for March show Brazil imported more from the US than it exported, resulting in a $420 million US trade surplus.Escalating Trade Tensions Threaten Brazil's Diplomatic Strategy Ahead of ElectionsThe tariff announcement arrives as Lula prepares for a tight re‑election race in November against Flavio Bolsonaro, son of former president Jair Bolsonaro. Re‑imposing duties could push Brazil to diversify its trade relationships and strain the nascent institutional ties with Washington.Potential Shift Toward Alternative Trade Partners as Tariff Comment Period ClosesWith the comment window set to close in early July, analysts expect Brazil to accelerate talks with other markets to offset possible revenue losses, while the US may reassess its approach if domestic stakeholders raise objections.