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The Revival of Motion Gaming For a wonderful moment in the noughties, video games became a truly universal pursuit. The Nintendo Wii flew off the shelves, inspiring a wave of competitors such as the Xbox Kinect camera that encouraged people to play games by moving their bodies. But the tide turned: outside of still-niche VR gaming and the odd controller-waggler on the Switch, motion-controlled gaming has barely been seen for more than a decade. Nex Playground Enters the Scene Now, 20 years later, a new console is aiming to get the whole family flailing in front of the TV once again: the Nex Playground. Launching in the UK later this month, the first thing that struck me about this family-friendly device is just how tiny it is. The size of two and a half Rubik’s Cubes taped together, this impressively unintrusive device swaps cumbersome controllers for camera-controlled minigames, putting you and your family directly in the game. The Technology Behind Nex Playground Using a wide-angle lens and AI-powered tracking tech, the Nex Playground offers over 50 games that track players’ bodies as they leap, flail and dance about the living room. It’s not hard to see the appeal. Physically leaping through puddles in Peppa Pig: Jump and Jiggle, dancing in time to Rick Astley on Starri and slicing up watermelons with my hands in the perennial hit Fruit Ninja, I’m impressed by how seamlessly – and accurately – the tech works. Market Performance and Pricing The Playground retails at £269 ($299) – significantly less than any other games console at the moment. But it comes with just five free games. The rest of its library is locked behind an eye-watering £90 annual subscription. In the US, where it launched in 2023, the Playground has sold over a million units, even outselling Microsoft’s Xbox consoles during 2025’s Black Friday week. Safety and Future Plans Nex appears to be taking great care to earn families’ trust. None of the camera data from Nex play sessions is saved – either offline or online – meaning that families can happily embarrass themselves without worrying that an omniscient tech firm is tracking their every movement. Online multiplayer is coming to Playground soon, via parent-controlled “playdates”, and Lee hopes that this will also help older relatives stay connected with their families. The Future of Family Gaming Game publishers who’ve previously made games for Kinect and VR are already coming to Nex, Kang says. Child-focused brands such as Hasbro, DreamWorks and Mattel have already licensed games for it, perhaps seeing it as a safer alternative to social media and smartphone platforms – a view that most parents are likely to share. The most family-friendly dedicated games console currently available, Nintendo’s Switch 2, recently raised its price to £395.99, with new games at £50+ each; a lot of families are looking for a more affordable option. Nex Playground launches in the UK on 22 June.

The LeadThe Guardian has published a list of the 20 greatest songs about football, featuring a diverse range of tracks that capture the essence of the game. From nostalgic anthems to modern rap tracks, these songs showcase the enduring connection between music and football. The Event DetailsThe list includes songs by renowned artists such as Rod Stewart, The Fall, and AJ Tracey, each offering a unique perspective on the world of football. The songs range from heartfelt ballads to upbeat anthems, highlighting the emotional highs and lows of the game. The Data AnalysisThe list features a mix of classic hits and indie gems, including: Rod Stewart - Touchline (2021) The Fall - Kicker Conspiracy (1983) AJ Tracey - False 9 (2017) Kirsty MacColl - England 2 Colombia 0 (1999) Los Campesinos! - Every Defeat a Divorce (Three Lions) (2011) The Impact AnalysisThe connection between music and football runs deep, with songs like these capturing the spirit of the game and the emotions it evokes. They demonstrate how music can be used to express passion, nostalgia, and community, making football more than just a sport - a cultural phenomenon. The PredictionAs football continues to evolve, it's likely that new songs will emerge, reflecting the changing landscape of the game. However, classics like those on this list will remain timeless, continuing to inspire new generations of football fans and music lovers alike.

The Lead The Edinburgh Festival 2026 promises to be an exciting event with a wide range of theatre productions. From feminist explorations to epic dramas, there's something for everyone. Roleplay and Mayflies Producer Francesca Moody brings 'Roleplay', a new offering by Australia's Hannah Reilly, about a feminist podcaster who becomes an online 'slutfluencer'. Meanwhile, Andrew O'Hagan's coming-of-age novel 'Mayflies' is adapted by Ben Harrison and directed by Grid Iron. 'Roleplay' - Summerhall, 6-31 August 'Mayflies' - Brown's of Leith, 7-30 August Epic Dramas Paines Plough's Katie Posner directs 'After Party', an epic drama by Morna Young, which explores family secrets on the night of an actor's 80th birthday celebrations. Additionally, Internationaal Theater Amsterdam revives Tony Kushner's 'Angels in America', a masterpiece about AIDS in the 1980s, directed by Ivo van Hove. 'After Party' - Traverse, 6-30 August 'Angels in America' - King's theatre, 15-20 August Unique Performances Other notable productions include '116 Grams: A Play to Lose Weight' by Letícia Rodrigues, 'Cathy' starring Elaine C Smith, and 'The Jolly Fisherman' by John Dinneen. '116 Grams: A Play to Lose Weight' - Zoo Southside, 7-30 August 'Cathy' - Traverse, 31 July-30 August 'The Jolly Fisherman' - Underbelly, 5-31 August Experimental and Innovative The festival also features experimental and innovative productions like 'Bigfoot Ripped My Dog in Half I Saw It' by Xhloe and Natasha, 'The Singer' with music and lyrics by KT Tunstall, and 'Concerts of the Future' by Ciaran Frame. 'Bigfoot Ripped My Dog in Half I Saw It' - Summerhall, 6-30 August 'The Singer' - Traverse, 4-30 August 'Concerts of the Future' - Summerhall, 6-31 August Powerful Messages Lastly, productions like 'Hang Time' by Zora Howard and 'A Trial – After An Enemy of the People' tackle serious issues like racialised violence and social justice. 'Hang Time' - Royal Lyceum, 20-23 August

The Lead In a revealing interview, Mark Williams, beloved for his portrayal of Arthur Weasley in the Harry Potter films, shares candid insights about his experiences on set, his relationships with fellow cast members, and the enduring impact of his iconic roles on both his career and public recognition. On-Set Memories and Fellow Actors Williams reflects on the challenges and joys of filming the Harry Potter series, noting that the worst part was "being away from home and the long hours," while the best was "the work and talking to the other actors." He recalls the legendary storytelling abilities of his co-stars, particularly Michael Gambon and Richard Griffiths, whose backstage anecdotes were "brilliant, and completely unpublishable." One of the more unusual on-set activities involved browsing agricultural equipment magazines with Robbie Coltrane. "With Robbie Coltrane I used to like going through Plant Trader, which was a sales magazine for big stuff: cranes, tractors, earthmoving equipment. We never purchased anything, but we came close," Williams reveals. The Unexpected Recognition Williams shares an amusing anecdote about recognizing someone unexpected on the Harry Potter set. While filming in the Ministry of Magic, he spotted his accountant among the extras. "When we'd stopped shooting I went over and said: 'Harry? What are you doing?' He said: 'Oh, it's a group of us. We just come and do supporting artist extra work for a laugh. That guy over there is a high court judge, and he's a contract law specialist.'" This experience taught him to "never underestimate the extras," highlighting the diverse backgrounds of people working in the film industry. Career Highlights and Collaborations When asked about his favorite collaborations, Williams cites two distinct areas: working with Hugh Laurie in films like "101 Dalmatians" and "The Borrowers," and his relationships with costume departments. He recalls a particularly memorable meeting with costume designer Bunny Christie on "Shakespeare in Love," who looked him up and down and declared, "Hmm, a make, I think," making him feel like he'd "arrived" in the industry. Williams also discusses his role as Brian Williams in "Doctor Who," describing his character as "the sort of antihero," and expresses his fondness for the maritime culture of the British Isles, which he'd love to explore in a potential documentary series. Iconic Catchphrases and Public Perception The interview touches on Williams' most famous catchphrases from "The Fast Show," including "Suits you, sir" and "Nice." While he doesn't find himself frequently quoting these lines in everyday life, he reveals that his mother used to say "Which was nice" without acknowledging its origin. When asked if he's tired of hearing his catchphrases, Williams responds with characteristic humor: "If you can't do the time, don't do the crime." When asked which catchphrase he wishes was his, Williams singles out Catherine Tate's "How very dare you?" as "a work of genius," noting its political undertones and versatility. Life Beyond Harry Potter Williams discusses his current role as Father Brown, revealing his love for the "Britishness" of music hall traditions and the "lunacy, the madness of it." While he has an excellent voice and can perform an uncanny George Formby impression, he hasn't pursued a singing career, though he has played Doctor Dolittle on tour. He also shares his thoughts on the Harry Potter studio tour, particularly fond of "Fluffy's paw," describing it as "a giant animatronic hand" that reminds him of Ray Harryhausen's work, noting that such creations are unique to films.

The Lead Addie E Citchens's debut novel Dominion has been shortlisted for the Women's Prize, offering a scathing critique of patriarchy through the lens of a prominent Black church family in Mississippi. The Event Details The novel, set in the fictional town of Dominion, Mississippi, revolves around the Winfrey family, particularly Rev Sabre Winfrey Jr and his wife Priscilla. The story explores the exercise of dominion through violence, charisma, piety, and male entitlement. The Character Analysis The narrative unfolds through the perspectives of Priscilla and Diamond, Wonderboy's teenage girlfriend. Both women become tragically bound to Wonderboy, with Priscilla having helped create and enable him, and Diamond experiencing the cruelties that flourish under his indulgence. The Impact Analysis Citchens astutely interrogates the ways religious performance can become a theatre for power, highlighting the hypocrisy of public holiness masking private cruelty. The novel reveals itself to be a tale about inheritance: the inherited scripts of masculinity, the inherited submission of women, and the inherited sadness of towns built atop generations of grief. The Prediction Dominion has been praised for its bruising, funny, and deeply intelligent exploration of the ways women’s lives are warped by the whims and cruelty of men. The novel offers a powerful portrayal of what becomes possible when women begin to imagine lives larger than those who diminish them.

The Grim Reality of China's Gig Economy Hu Anyan's memoir, 'I Deliver Parcels in Beijing', began as a blog and became a bestseller in China, selling nearly 2 million copies. It details his experiences as an internal migrant, working 19 jobs in six cities over 20 years, often in terrible conditions and for very low wages. The Daily Grind Hu's jobs included security guard, hotel waiter, delivery driver, bicycle salesman, bike courier, gas station attendant, and logistics warehouse worker. He often worked long shifts on little sleep and went without food for eight hours at a time. The Human Cost The book, translated by Jack Hargreaves and narrated by Winson Ting, conveys the dehumanizing reality of Hu's experiences and the struggles of internal migrants in China. It is a grim indictment of a system that prioritizes convenience over people's well-being. Further Listening Maybe I'm Amazed by John Harris, a moving account of a father's bond with his autistic son, narrated by the author. Creation Lake by Rachel Kushner, a novel about an American spy who infiltrates a group of eco-warriors in France, narrated by the author.

The Unlikely Revival of Mr Blobby Margaret Thatcher wasn’t to blame for the closure of Britain’s coalmines. Mr Blobby was. A harrowing spoof documentary exposed this horrific truth during the finale of Saturday Night Live UK’s debut season. Back in 1992, drilling activity at Nottinghamshire’s Grumthorpe Colliery awoke an evil entity buried underground. Mr Blobby promptly went on an unstoppable murderous rampage, ripping off miners’ limbs and becoming “an atom bomb made flesh”. The Event Details Mr Blobby being disinterred is an apt metaphor. Recent months have seen the pink-and-yellow agent of chaos unearthed and on the comeback trail. He has appeared on primetime TV shows, duetted with popstars, and convinced nostalgic punters to part with a surprising amount of cash to get their hands on Blobby-themed merchandise. What has prompted the comeback of a character once considered irredeemably naff? The Data Analysis Blobby costumes change hands for thousands of pounds on eBay. In Scotland, the Blobby-shaped iced biscuits at Bayne’s bakers (“made with natural colouring”) have become a cult bestseller to rival Gregg’s sausage rolls. The Impact Analysis For cultural historian Dr Matthew Sweet, his revival is a sign of idiotic times. “Mr Blobby is a creation of breathtaking stupidity,” he says. “His stupid name, his stupid appearance, his stupid voice and its ceaseless repetition of his own stupid name are unimaginative to the point of atavism. Somehow, his dumb relentlessness has allowed him to push through into some other territory. Maybe his blundering, lobotomised qualities strike a chord in a world that’s commonly said to be getting more stupid.” The Prediction With renewed interest and rumours afoot of further Blobby antics, don’t be surprised to see more pink-and-yellow chaos coming our way. After all, 2026 is the year of the Blobaissance. Resistance is futile. We might as well say it: blobby, blobby, blobby.

Visual Overview of the Biennial’s Core NarrativeThe Guardian’s picture‑rich report presents a snapshot of the Upstate Photography Biennial, emphasizing three intersecting motifs: lesbian rebels challenging gender norms, exotic dancing as a form of bodily expression, and domestic scenes that foreground everyday intimacy.Exploring the Three Narrative ThreadsLesbian rebels: Photographs showcase queer subjects asserting agency through bold poses and activist symbolism.Exotic dancing: Images capture kinetic performances that blur the line between art and ritual, highlighting movement as narrative.Domesticity: Intimate home settings reveal the quiet power of routine, contrasting the overt rebellion of the other themes.Why These Themes Resonate in Contemporary PhotographyBy juxtaposing radical queer visibility with sensual performance and ordinary life, the Biennial reflects a broader cultural appetite for nuanced representation. The curatorial choice underscores a move away from singular aesthetic statements toward layered, socially aware storytelling.Implications for Regional Art PlatformsHighlighting such diverse subject matter positions Upstate New York as a fertile ground for experimental photography, potentially attracting wider curatorial interest and funding. The exhibition may encourage other regional festivals to adopt similarly inclusive programming.Looking Ahead: The Next Chapter for the BiennialFuture editions are likely to build on this momentum, inviting more artists who explore identity, performance and the private sphere. Continued media coverage, like the Guardian’s visual essay, will be crucial in amplifying the Biennial’s impact beyond its geographic locale.

Young Job‑Seeker’s Quest Through Grimsby’s Vape‑Shop CorridorA 19‑year‑old from Grimsby spends his days knocking on the doors of the town’s expanding vape‑shop network, hoping each will offer a first‑hand job. Despite the visible surge in storefronts, none of the owners have vacancies, leaving the young man to confront a stark reality: retail growth does not guarantee employment for local youth.Retail Expansion vs. Job Creation: The Numbers Behind Grimsby’s EconomyUnemployment rate in Grimsby (Q1 2026): 7.4%, higher than the national average of 4.1%.Youth unemployment (16‑24) in North East Lincolnshire: 12.8%, reflecting a persistent challenge for the region.Vape‑shop licences issued in the borough rose by 38% year‑on‑year between 2024 and 2025, according to local council records.While the sector’s licensing data shows rapid expansion, employment statistics reveal no corresponding rise in entry‑level positions.Why the Retail Boom Isn’t Translating Into JobsThe surge in vape‑shop openings is driven by changing consumer habits and relatively low entry barriers for entrepreneurs. However, most shops operate as small, owner‑run enterprises that rely on the proprietor’s labor, limiting the need for additional staff. This business model, combined with a tight local labor market, leaves young job‑seekers without viable options.Implications for Grimsby’s Youth and the Wider CommunityThe lack of entry‑level roles hampers skill development and income generation for young residents, potentially fueling out‑migration to larger cities. For the town, a disengaged youth cohort can depress consumer spending and strain social services.Looking Ahead: Potential Paths to Bridge the GapLocal authorities and industry groups are exploring apprenticeship schemes and incentive programmes to encourage vape‑shop owners to hire apprentices. Additionally, broader economic diversification—such as investment in green manufacturing or digital services—could create alternative pathways for young workers in Grimsby.