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The Rise of Female Tent Pegging in Pakistan In a country where traditional sports like tent pegging have long been dominated by men, a growing number of women are saddling up and demanding equal respect. Anum Shakoor, a 30-year-old rider from Rawalpindi, is at the forefront of this movement. She is part of Pakistan's first female-only tent-pegging club, Bint-e-Zahra Club, which was formed in 2025 to provide women riders with a platform for training and community-building. Breaking Down Barriers Shakoor and her fellow riders face significant challenges, including social pressure and financial obstacles. Many families in Pakistan still view horse riding as a masculine pursuit, and women who participate in the sport often face skepticism and criticism. Additionally, the cost of owning and maintaining a horse is prohibitively expensive for many women, making it difficult for them to access the sport. The Impact of Social Media Despite these challenges, social media has played a crucial role in promoting female tent pegging in Pakistan. Riders like Ayesha Khan and Zoya Mir have gained millions of followers on Instagram and TikTok, where they share videos of their sporting victories and challenge traditional stereotypes about women in sports. A New Era for Pakistani Sports As more women take up tent pegging and other traditionally male-dominated sports, there is a growing recognition of the need for greater inclusivity and equality. Khan, who captains Pakistan's only all-women tent pegging team, believes that the sport has the power to bring people together and challenge social norms. "We want equal respect," she says. "We want to be recognized as players, not just as women riders." The Future of Female Tent Pegging As the popularity of female tent pegging continues to grow in Pakistan, there is a sense of excitement and optimism about the future of the sport. With the support of organizations like the Equestrian Federation of Pakistan and the International Tent Pegging Federation, women riders like Shakoor and Khan are poised to take their place on the world stage and inspire a new generation of female athletes.

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.

The Equine Flu Alert: Protecting British Racing's FutureThe British Horseracing Authority (BHA) has issued a critical alert to all British trainers, urging heightened vigilance as a surge in equine flu cases threatens to disrupt the sport. The email underscores the potential for a complete shutdown of racing if the virus breaches the safety of licensed yards, drawing immediate parallels to the devastating 2019 outbreak.BHA's Strategic Response to Rising Viral ThreatsTo mitigate the risk, the BHA has reinforced existing protocols, mandating that all thoroughbreds in licensed yards maintain up-to-date vaccinations with boosters administered every six months. The authority has also implemented strict isolation measures, requiring any horse entering a yard to be quarantined for 14 days and monitored daily for symptoms.Comparing the 2019 Outbreak to Current Trends2019 Context: An outbreak led to a six-day shutdown and the cancellation of 23 meetings, the most significant suspension since the 2001 foot-and-mouth crisis.Current Status: More counties are reporting cases now than in 2019, though crucially, no racing horses have been infected yet.Key Difference: The current focus is on preventing the virus from entering the racing environment, rather than managing an outbreak within it.Operational Disruptions and Safety ProtocolsThe impact on operations is already being felt. The BHA has cancelled the remainder of the hunter-chase season, including the popular Stratford fixture. Furthermore, the authority is restricting racecourse access for horses from non-licensed yards where vaccination is not mandatory. This includes exploring exemptions for the traditional Royal procession at Royal Ascot in June to ensure the event proceeds without risk.Outlook for Royal Ascot and the SeasonThe racing industry is walking a fine line between maintaining the schedule and ensuring safety. While the current measures are science-based and consultative, the threat remains high. The coming weeks will be critical; if cases are detected in racing yards, the industry faces a difficult choice between risking the health of the horses or halting the lucrative summer season.

English Heritage has finished a 7‑metre‑high, £1 million reconstruction of a 4,500‑year‑old Neolithic hall, called the Kusuma Neolithic Hall, near the Stonehenge visitor centre. The structure is slated to open to the public this summer and will later serve as an immersive educational hub for schools. Recreating a 4,500‑Year‑Old Neolithic Hall at Stonehenge The hall is based on the archaeological footprint of Durrington 68, a “square‑in‑the‑circle” building discovered two miles from Stonehenge. Excavations first began in 1928 by Maud Cunnington and were revisited in 2007 by the Stonehenge Riverside Project. The reconstruction features a horseshoe‑shaped ring of post holes and four massive internal roof‑support pillars, mirroring the original layout. Experimental archaeologist Luke Winter oversaw the design, using Neolithic carpentry studies and pollen data to ensure authenticity. Every timber was shaped with replica stone tools, and the frame was aligned with the winter solstice – the shadow of the central post falls precisely on the midsummer sunrise. £1 Million Investment and Volunteer Workforce Cost: £1 million Construction period: nine months Volunteer involvement: >100 volunteers contributed hand‑crafted timber work Opening: Summer 2026 Future educational capacity: aim to serve nearly 100,000 students annually by 2031 Educational and Cultural Impact on Heritage Tourism The hall forms the first phase of English Heritage’s broader educational expansion, which will also include the Clore Discovery Lab and Weston Learning Studio, scheduled for completion by the end of 2026. By offering a free, hands‑on experience – from making prehistoric cheese to shaping pottery – the project is expected to boost visitor numbers and deepen public engagement with Neolithic heritage. Curator Win Scutt emphasizes that the reconstruction highlights the communal spirit of Neolithic societies, providing a tangible illustration of how ancient peoples built collective monuments as expressions of social identity. Future Role in Neolithic Research and Learning Beyond tourism, the hall serves as a living laboratory for researchers. The experimental construction process has already shifted expert confidence from a 50 % to a 75 % likelihood that the original Durrington 68 structure was roofed. Ongoing studies will use the hall to test hypotheses about building techniques, seasonal alignments, and social organization. As the site opens to schools, it will become a model for immersive archaeology, potentially inspiring similar reconstructions across the United Kingdom and informing curriculum development for the national education programme on the Neolithic period.

Six-Month Contempt Sentence for LC&F; Founder Over Illegal Asset SalesFormer London Capital & Finance chief Michael Thomson was sentenced to six months in prison for contempt of court after admitting he breached a restraining order by selling luxury items, including horse saddles and a hot tub. His wife Debbie Thomson received a suspended six‑month term.Financial Scale of Breaches and Compensation PayoutsBreached SFO restraint order by receiving a £2,000 holiday refund and selling assets worth almost £5,800.Earlier breach involved a £95,000 transfer to his wife to conceal funds.SFO estimates the Thomsons dissipated over £100,000 in assets.LC&F collapsed after selling £236 million of mini‑bonds.As of February 2024, the Financial Services Compensation Scheme has paid out more than £173 million to victims (£58 million from industry funding, £115 million from government top‑up).Implications for SFO Enforcement and Investor Confidence in Mini‑Bond MarketThe case underscores the Serious Fraud Office’s aggressive stance on post‑collapse asset recovery and highlights lingering vulnerabilities in the UK mini‑bond sector, where speculative investments and opaque fund flows contributed to the 2019 failure of LC&F.Future Regulatory Scrutiny and Potential ReformsAccording to Paul Napper, head of proceeds of crime at the SFO, the inquiry will continue on behalf of thousands of investors. The sentencing may prompt tighter oversight of restraint orders and reinforce the need for robust compensation mechanisms for victims of similar schemes.

First‑Time Glory on the Horizon: The 2026 World Cup LandscapeThe expanded 48‑team tournament promises more opportunities for nations that have never lifted the trophy. While traditional giants still dominate the conversation, several contenders show the blend of talent and circumstance needed to break the eight‑nation monopoly.Expanded 48‑Team Format and Its Upset‑Friendly DynamicsFIFA’s decision to add 16 extra slots creates a longer group phase and a tougher Round of 32, increasing the chance of surprise results. Host‑nation climates, travel fatigue and higher ticket prices are expected to level the playing field, especially for teams accustomed to navigating harsh conditions.48 teams instead of 32 – 16 new qualifiers.Group stage now features three matches per side, reducing margin for error.Round of 32 introduces an extra knockout round, amplifying the impact of a single upset.Historical Performance and Qualification Stats of the ContendersRecent tournament finishes and qualifying records provide a statistical backdrop for each hopeful:Portugal: 2022 quarter‑finals; Euro 2016 champions; Ronaldo likely playing his final World Cup.Netherlands: 2022 quarter‑finals; unbeaten 27‑4 qualifying record; lacking a prolific striker.Morocco: 2022 fourth place; 2024 African Cup of Nations champions; strong defensive core.Senegal: 2022 round of 16; reigning AFCON champions amid administrative controversy.Japan: Consistent round‑of‑16 finishes (2002‑2022); depth in midfield and emerging talent.Why Traditional Powerhouses May Falter and Dark Horses RiseSeveral factors could undermine the usual suspects:Spain and France carry high expectations but face squad transition issues.Brazil struggled in qualifying, losing six matches, and is still adapting to Carlo Ancelotti’s tactics.Germany lacks a reliable No 9 despite a crop of young talent.Travel and heat in North America could sap the stamina of teams unaccustomed to such conditions.Conversely, the highlighted nations combine experienced leaders with emerging stars, positioning them to exploit any slip‑ups from the favorites.Which Nation Is Poised to Break Through First?Considering squad balance, recent form, and the tournament’s structural quirks, Portugal emerges as the most likely first‑time champion, driven by a cohesive midfield and a solid defensive line that could compensate for Ronaldo’s waning pace. However, the African duo of Morocco and Senegal possess the motivation and tactical discipline to pull off a historic upset, while Japan could leverage its disciplined approach and group‑stage familiarity with North American venues to go further than ever before.

A Dark Revival of Shaffer’s Controversial ClassicThe Menier Chocolate Factory presents a stripped‑down, thrust‑stage version of Peter Shaffer’s Equus, directed by Lindsay Posner. The narrative follows Noah Valentine as the disturbed 17‑year‑old Alan Strang, whose obsession with horses culminates in the blinding of six stallions and a courtroom‑driven psychological showdown with psychiatrist Toby Stephens as Martin Dysart.The Physicalisation of Desire: Men as HorsesPosner abandons traditional mechanical horse heads, opting for six bare‑chested men whose bodies become the embodiment of the stallions. Paul Pyant’s lighting accentuates the muscular silhouettes, turning the ensemble into a living, breathing animal that mirrors Alan’s sexual reverence and inner turmoil.Six male performers serve as the equine presence.Movement direction by James Cousins creates a fluid, herd‑like choreography.Lighting design highlights the tension between humanity and animality.Critical Reception and Box‑Office OutlookEarly reviews praise Valentine’s “mature intensity” and the production’s “solid, satisfyingly plotted script.” While the show offers no “bad seat,” its most compelling moments arise during the visceral horse sequences, suggesting strong word‑of‑mouth potential. The run continues until 4 July, with ticket availability indicating steady demand.What This Means for Modern British TheatrePosner’s choice to foreground raw physicality over elaborate set pieces reflects a broader trend toward minimalist, actor‑driven storytelling in London’s fringe venues. By confronting themes of sexual obsession, authority, and the value of a life lived with “world‑burning devotion,” the revival re‑engages audiences with the moral ambiguities that made the original controversial.Future Prospects for Equus ProductionsIf the current run maintains its momentum, a West End transfer or international tour could follow, capitalising on the renewed interest in psychologically charged dramas. The production’s innovative staging may also inspire other directors to reinterpret classic works through embodied, non‑literal symbolism.

James Noyes, an early advocate of affordability checks for gamblers, has issued an urgent call for a pause in their rollout, a stance echoed by former gambling minister Stuart Andrew MP. The British Horseracing Authority warns the checks could strip the industry of up to £250 million in annual revenue as punters may avoid providing personal financial data and shift to unregulated markets. Rising Calls to Halt Affordability Checks from Within the Gambling Reform Movement April 13 2026 – Noyes publicly urges a pause via Guardian article. Thursday (date of board meeting) – Gambling Commission expected to approve the checks despite opposition. Stuart Andrew, former gambling minister, aligns with Noyes on the need for a rethink. £250 million Annual Revenue Risk Highlighted by British Horseracing Authority The BHA estimates that mandatory financial risk assessments could divert a significant share of betting spend, potentially costing the racing sector £250 million each year. Potential Shift to Unregulated Black Market Threatens UK Racing Industry If punters are required to disclose salary or asset details, many may turn to offshore or black‑market operators, undermining the industry's financial stability. The Guardian notes that betting on racing is among the safest products, yet the checks are designed primarily for high‑risk casino gaming, risking false‑positive exclusions for bettors. Regulatory Uncertainty Sets the Stage for Future Policy Revisions The Gambling Commission’s history – including the poorly managed Football Index collapse that cost users over £100 million – raises doubts about its capacity to oversee the new checks. With the pilot data showing less than 3 % of accounts would trigger action, but no clear split between gaming and betting customers, the Commission faces pressure to reconsider before a Thursday vote.

The latest MLS round delivered unforgettable moments: a beer‑chugging winner in San Jose, a Brazilian newcomer lighting up Houston, and Lionel Messi delivering a win for Phil Neville’s Inter Miami at the new Nu Stadium.Dallas’s Late Heroics Fueled by a Stoppage‑Time Beer ChugSam Sarver entered the match against the San Jose Earthquakes in the 84th minute and, after a dramatic 80th‑minute equaliser, sealed the three points with a stoppage‑time finish. In a nod to MLS folklore, Sarver celebrated by shotgunning a stadium beer, echoing cult‑hero Roger Levesque. The win keeps Dallas firmly in the Western Conference hunt.Guilherme’s Scoring Burst Propels Houston Dynamo Up the WestThe Brazilian signing Guilherme has delivered seven goals and four assists in his first 13 MLS matches, averaging 2.9 successful dribbles per 90 minutes (sixth‑best in the league). His latest strike turned a 0‑0 draw with Vancouver into a 1‑3 victory, pushing Houston to sixth place in the West and cementing his status as a potential All‑Star selection.Phil Neville Guides Inter Miami to First Home VictoryInter Miami opened Nu Stadium with a 2‑0 win over the Portland Timbers, marking Phil Neville’s first match against his former club. Lionel Messi opened the scoring with a give‑and‑go alongside Luis Suárez, and later set up Germán Berterame for the second. The result gives Miami five wins in seven games despite recent coaching changes.Statistical Snapshot: Goals, Minutes, and xG Across the WeekendSam Sarver: 3 goals in 182 minutes (including 19 goals in 2025 Next Pro season).Guilherme: 7 goals, 4 assists, 12 goal contributions in 13 matches.Inter Miami: 2.45 xG in first half, 0.59 xG after halftime.Houston Dynamo: 5‑0 win over Vancouver, climbing to 6th in the West.What These Results Signal for the Western Conference RaceDallas’s comeback and Houston’s surge tighten the battle for the top three spots, while Miami’s home win re‑establishes them as a dark‑horse contender. San Jose’s dropped points open a window for rivals, and Austin FC’s defeat raises questions about their strategic direction under Rodolfo Borrell.Looking Ahead: Playoff Implications and Transfer Market MovesWith the World Cup break looming, teams will assess squad depth. Petar Musa continues to attract European interest, and Miami’s reliance on Messi may prompt further signings. Houston’s form suggests they could challenge for a conference final spot, while Dallas aims to maintain momentum heading into the postseason.