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The Play's Concept Imagine if One Day was set in Long Eaton. Now, take its sweeping, time-spanning love story, but make it platonic, and about two theatre-obsessed best mates. That’s the foundation for Jane Upton’s luminous, heart-exploding play, which catches Jess and Billy in a series of snapshots across their friendship. The Story Unfolds Beginning in the early 90s, during their school days, and then moving through their 20s, 30s and into their mid-40s, the play threads together teenage crushes, career decisions, breakups, marriages, births and children. Jess (Katie Redford) is an oversharer while Billy (Benedict Salter) has secrets. Their early years together pass through play rehearsals, parties, personal revelations and betrayals, but even in their lowest moments, the two are always pulled back to each other’s side. The Evolution of Friendship As their lives move in different directions, with Billy heading to London for drama school and later building a career as a high-flying agent, and Jess staying at home in a “suburban bubble” before eventually tiptoeing her way back into the creative scene as a playwright, they turn their noses up at the other’s choices. Still, in times of turmoil, they can’t help but pick up the phone or race across the country just to be there for their old friend. Their dialogue accurately captures people who know each other’s lives inside out. The Production Directed by Hannah Stone, the production shows friendship as something defining. Redford and Salter make their characters people we want to stay with across the decades. In fact, time here slips through our fingers. One moment they’re 15 in 1995, and Jess is getting advice from More! magazine; the next it is 2022, and a 42-year-old Billy is considering surrogacy for his next child. Abby Clarke’s design evokes nostalgia, with the back wall composed of white, Polaroid-inspired squares that shift from photographic outlines to mirrors. The Verdict With so much life to fit into 95 minutes, there are inevitable gaps in Billy and Jess’s stories. We could learn more about the structure of their families and the other relationships in their lives. But really, this is a play about the complicated, beautiful bond between two people. It leaves you desperate for more days with them. Where to Watch At Nottingham Playhouse until 12 June

The LeadAnxious Arsenal fans around the world were glued to their screens when Manchester City's draw at Bournemouth crowned the North London club as Premier League champions – but Mikel Arteta, who led Arsenal to their first league title in 22 years, was not watching.The manager had planned to be at Arsenal's training centre in London Colney to watch the game with his players, but could not find the energy to make the trip, and chose to stay at home.The Unconventional Celebration"I went outside to the garden, I started to build some fire. I started to do some barbecue, I didn't watch any of it," Arteta told reporters on Thursday.After finishing second three times in a row, Arteta heard the news of their long-awaited triumph from his eldest son, Gabriel, who plays for Arsenal's Under-18 side."My eldest son opened the garden door, he started to run towards me. He started to cry, gave me a hug and said, we are champions, daddy," Arteta said."Then my other two boys and my wife came over, and it was beautiful, just to see the joy on them as well."Videos shared by Arsenal on social media showed players dancing and chanting at their training centre after their league title was confirmed with a game to spare."It was their moment. And they have to be themselves in that moment. And if I'm there, I think it wasn't going to be the same," Arteta said.Arsenal captain Martin Odegaard called Arteta soon after, asking where the manager was."I said, guys, enjoy for a while and see you in a few hours somewhere in London," Arteta recalled with a smile.The Manager's JourneyIt is Arteta's first league title as manager, and he admitted that he doubted himself during a high-pressure campaign, where they were often a slip-up away from losing their lead in the title race."To play with that on your back constantly is not easy. That has been one of the toughest moments... we showed very important values not only in sport, but in life. Which is perseverance, to be resilient, to be composed in moments when people are doubting," he said."And to be vulnerable. I've asked that question to myself, am I good enough to lead these players to win a major trophy? Until you do it, you cannot validate yourself."The Team's MomentumArteta said the mood in the club had changed after winning the Premier League, buoying the team's confidence ahead of a Champions League final against Paris Saint-Germain on May 30."It changes because the level of emotion you feel, it's something I haven't felt before," he said.The Final ChapterArsenal will conclude their league campaign and lift the trophy at Crystal Palace on Sunday."We will have a window to celebrate and lift the trophy and connect with the people we have constantly around us. Then we have six days to write new history in this football club," Arteta added.

The Symbolic SummitThe hopes and dreams of Palestinian children from Gaza have reached the top of the world as a kite bearing their handwritten messages was carried to the summit of Mount Everest by a team of mountaineers. The group summited the world's highest peak at 10:48am local time (05:03 GMT) on Thursday, Jordanian Palestinian mountaineer Mostafa Salameh, who was spearheading the expedition but did not summit, confirmed in a social media post.The Humanitarian MissionA team of Nepali Sherpas – led by Italian filmmaker and explorer Leonardo Avezzano – carried the kite to ensure that the dreams of children in the besieged Strip could make it "to the top of the world", Salameh told Al Jazeera from the Everest base camp last week. The 56-year-old climber launched this expedition to raise $10m towards medical aid for children in the Strip and draw global attention towards the difficulties they have faced during the Israeli genocide in Gaza.A Personal Connection to Palestine"After months of preparation, sacrifice, training, fear, hope, prayers, and carrying the weight of a message much bigger than themselves… the kite carrying the dreams of the children of Gaza is now flying above the highest point on Earth," Salameh said in a video posted to Instagram. "From the rubble and pain of Gaza … to the roof of the world. A dream refused to die," he wrote in the caption.The Climbers' JourneySalameh, who has previously summited Everest, stayed at the first base camp due to frostbite and a blood clot in his left hand. "Tonight, at 8,848 metres (29,029 feet) in the death zone where every step feels like a battle between life and exhaustion, Leonardo carried that kite with courage, heart, and purpose," Salameh added. "I am so proud of my brother Leonardo for believing in this mission and for carrying the voices, names, hopes, and dreams of children who deserve to be seen by the world."The Explorer's LegacySalameh is one of 20 people to have completed the Explorer's Slam – the accomplishment of reaching the North and South poles and climbing the highest peaks on all seven continents. He has summited Everest four times, the first being in 2008, the year he was honoured with knighthood by King Abdullah II of Jordan. "What I do best is climb mountains," he told Al Jazeera in an interview last week from the base camp. "I did promise lots of people in my life not to go back to Everest, but this is worth it. As a mountaineer, what I can do is bring the story and suffering of every Palestinian child all the way to the top of the world."From Darkness to LightSalameh acknowledged the immense risks – including death – that come with scaling Mount Everest at 8,000 metres with only 15 percent oxygen, but insisted it was "absolutely nothing" compared with what the Palestinians in Gaza have endured. "This time is very personal for me," Salameh said in another video. "This one hits home for the child in me, because I know what it feels like to be a child at a refugee camp, and I feel for the children of Gaza and what they go through."The Path ForwardSalameh said the "mission [was] not accomplished yet" since summiting Everest was only the halfway point; returning to base camp safely was the next goal for Leonardo and his team. "Tonight, the kite flies above Everest; tonight, the dreams of Gaza touched the sky," Salameh said, ending the video with a chant of "Free, Free Palestine". He emphasised that the summit was not only about climbing a mountain but about humanity, hope, and proving that "even from darkness, something beautiful can still rise into the sky."

The LeadMeghan Markle's lifestyle brand As Ever has launched a $64 candle to commemorate her and Prince Harry's 8th wedding anniversary, sparking debate about the value and purpose of luxury celebrity-branded merchandise.The Anniversary Product LaunchThe candle, described as "modern and elegant" and "housed in a beautiful ceramic vessel," was featured on Markle's Instagram account with the caption: "The feeling of warm sunshine and blue skies, surrounded by love and laughter. Celebrating 8 years of our founder @meghan and Prince Harry's love story."The Signature Candle No 519 is described as having "bright and refreshing, with quietly grounding notes of Moroccan mint, white tea leaves, and a back note of woodsy cardamom." The product page claims it "evokes the freshness of a day in the English countryside."The Price Point AnalysisAt $64 (approximately £48), the candle sits at a premium price point for a scented candle. This places it significantly above average luxury candles, which typically range from $30-$50. The pricing strategy appears to leverage the celebrity connection rather than the intrinsic value of the product itself.The product represents a specific marketing approach that targets dedicated fans willing to pay premium prices for items associated with celebrities, particularly those with royal connections.The Celebrity Business ImpactThis product launch highlights the evolving landscape of celebrity entrepreneurship, where personal milestones are monetized through branded merchandise. The strategy raises questions about the balance between authentic brand building and commercial exploitation of personal relationships.Markle's business ventures, including this candle line and her previously mentioned jam products, represent an attempt to establish a post-royal career through lifestyle branding. However, the anniversary candle specifically has drawn criticism for its perceived disconnect from consumer needs and its focus on monetizing a personal milestone.The Future OutlookThe reception of this anniversary candle will likely influence Markle's future product development strategies. If the product performs well, it may encourage more celebrity-branded commemorative items tied to personal milestones. If it receives significant backlash, it could signal a market limit on how much consumers are willing to pay for celebrity-associated products.The long-term success of As Ever will depend on whether the brand can establish itself as a legitimate lifestyle brand beyond its celebrity connections, or if it remains perceived as primarily leveraging Meghan Markle's royal status for commercial gain.

The Lead Taiba Akhuetie is redefining the boundaries of art and fashion through her unique medium of hair. Her upcoming exhibition at the Sarabande Foundation in London promises to blur the lines between the living and the inanimate, showcasing her ability to transform mundane objects into hauntingly beautiful taxidermy-like sculptures. The Medium of Hair: From Salon to Sculpture Akhuetie’s artistic breakthrough occurred during the 2020 lockdown, when she was forced to pivot from traditional braiding to a new medium. By wrapping a simple metal stool in braids and embellishing it with flowers and a bee, she realized she could use hair "off the head." Signature Works: Handbags, mirrors, rocking chairs, and umbrellas adorned with long, chunky braids. Viral Moment: Her large umbrella covered in dirty-blond hair garnered 100,000 views on TikTok. Current Exhibition: "The Tone: Taiba’s World of Hair" at the Sarabande Foundation in London. Bridging the Gap Between Street Style and Couture Akhuetie’s work has successfully infiltrated the high-fashion world, validating her unconventional approach. Her clients include global icons who appreciate the intricate detail and "super textural" quality of her creations. Rihanna: Commissioned a bespoke braided Louis Vuitton handbag. Cate Blanchett: Wore Akhuetie’s creations for a Met Gala afterparty. Tems: The Nigerian singer has also been a wearer of her avant-garde pieces. Reclaiming Identity Through Textile Art Beyond the celebrity endorsements, Akhuetie’s work holds deep cultural significance. Having grown up in a white, middle-class area, she initially felt "gaslit" by her Blackness. Her art serves as a therapeutic reclamation of her identity, turning a source of insecurity into a medium of power. She emphasizes that her work is not exclusive to the Black community but is "for everyone," challenging viewers to find beauty in the unfamiliar. The Future of Avant-Garde Textiles As the fashion industry continues to explore sustainability and unconventional materials, Akhuetie represents a growing trend of artists using organic, often discarded, materials to create high-value art. Her success suggests a future where hair and textile art are recognized as legitimate fine art forms rather than just beauty services.

Trump’s Claim of Chinese Non‑Intervention in the Iran ConflictIn a White House briefing, President Donald Trump asserted that Xi Jinping promised China would not send weapons to Iran, describing the pledge as a "beautiful promise" he would take at face value. The statement arrived on May 19, 2026, shortly after Trump concluded a three‑day trip to China.Xi’s Assurance Delivered During Post‑Visit Press BriefingTrump relayed the assurance while standing on the construction site of the White House ballroom, emphasizing that Xi also wants the Strait of Hormuz kept open “like me.” The comment coincided with Russian President Vladimir Putin arriving in China for his own visit, underscoring the broader strategic context.Trump’s China visit: May 15‑17, 2026Statement to reporters: May 19, 2026Parallel Russian‑Chinese talks: ongoing during the same weekGeopolitical Ripple Effects of the AssuranceThe pledge, if credible, could temper US concerns about a coordinated China‑Iran arms pipeline, but analysts note Beijing’s historical reluctance to deepen involvement in the war. Meanwhile, the United States continues to weigh military options, having placed a “hold” on a planned strike at the request of Qatar, Saudi Arabia, and the United Arab Emirates.Iran’s parliament‑linked security committee chief, Ebrahim Azizi, dismissed Trump’s motives, suggesting the US president is driven by fear of Iranian retaliation rather than genuine diplomatic progress.Future Outlook for US‑China‑Iran RelationsShould Xi’s promise hold, Washington may pursue a more nuanced diplomatic track, leveraging China’s influence to push Iran toward a revised peace plan. However, the lack of concrete verification mechanisms leaves the assurance vulnerable to skepticism, and any breach could exacerbate tensions across the Indo‑Pacific and Middle East.Observers expect the next few weeks to be critical as US officials, regional allies, and Chinese diplomats navigate a fragile cease‑fire landscape while monitoring potential shifts in arms shipments.

The Modernist Comedian's Journey How has it come to this? That's what new show Tilting at Windmills finds John Kearns asking, and – after a fashion – it's what TS Eliot asked in The Waste Land, the modernist poem Kearns deploys here as an unlikely motif. After the breakup of a 12-year relationship with the mother of his son, we find the 39-year-old angrier than usual, and unmoored: flat-hunting pessimistically while living back home with mum and dad, roaming the streets of London having fled a disappointing walking tour based on Eliot's verse. High Culture Meets Everyday Life Sound clips of the poem, read by Alec Guinness, punctuate the show. They infuse it (as Van Gogh's Starry Night did with its predecessor, The Varnishing Days) equally with awe, at life's ineffable mysteries, and bathos – at the contrast between high literary culture and the humdrum realities of our host's life. Here he is shopping in Aldi with his mum; there he is naked and not very wet under a dripping shower. A remark about washing machines by a newspaper columnist induces a bout of class anxiety; an awkward teenage meeting is recalled with then-PM Tony Blair, who came to see Kearns' school play. Existential Questions and Personal Struggles Under Jon Brittain's direction, this all comes at us in Eliot-alike fragments, as Kearns bounces between existential conjecture (an encounter with ventriloquist Nina Conti has him wondering "am I my own puppet?!") and sadness at the wreckage of his domestic dreams. We're not let deeply into all that: no oversharer he. But if his real feelings are woven obliquely into this tapestry of a Streatham clown adrift, they remain palpable, not least in the surprising ferocity this usually low-key act brings to his dialogues with dimwit estate agent Connor, say, or with two poetry scholars in a pub over an illicit packet of prawn cocktail crisps. A Poignant Reflection on Modern Life Maybe its sharp edges, that sense of real hurt beneath the (very funny) gags about Kearns' limited commercial reach, forestall hilarity. But there's no resisting the care, the craft and the many beautifully turned phrases of a comic who "feels like he's being CC'ed into his own life". At its best, this show about The Waste Land itself aspires to wonderstruck, workaday poetry. Show Information Artist: John Kearns Show: Tilting at Windmills Director: Jon Brittain Touring to 6 November

Rooney’s Decision to Publish with a BDS‑Compliant Israeli House Sally Rooney announced that her latest novel Intermezzo will be translated into Hebrew by November Books, an independent Israeli publisher that meets the Boycott, Divestment and Sanctions (BDS) movement’s exemption criteria. The publisher does not operate in Israeli settlements, receives no state funding, and publicly recognises Palestinian rights. Key Facts and Timeline 2024 – Intermezzo becomes Rooney’s bestselling novel. 2021 – Rooney turned down a Hebrew translation offer for Beautiful World, Where Are You to support the BDS movement. May 19, 2026 – Announcement that the Hebrew edition will be released by November Books in partnership with +972 Magazine and Local Call. 2025‑2026 – Over 7,000 authors and advocacy groups have signed onto the cultural boycott of Israeli publishers. Financial and Market Numbers Behind the Deal Rooney’s four novels have been translated into dozens of languages, generating significant global sales. While exact revenue figures for the Hebrew edition are undisclosed, the following data illustrate the scale of her market impact: Four bestselling titles, each selling > 1 million copies worldwide. Translations in over 50 languages to date. The cultural boycott has rallied 2,000+ arts organisations, potentially shifting market share away from mainstream Israeli publishers. Implications for the Publishing Industry and Cultural Boycott Debate The partnership signals a growing willingness among high‑profile authors to align publishing choices with political convictions. It challenges the traditional dominance of established Israeli houses such as Modan, which previously handled Rooney’s Hebrew editions. Critics argue the move fuels accusations of antisemitism, while supporters view it as a principled stand against what they describe as Israeli apartheid. Looking Ahead: Potential Trajectories for BDS‑Influenced Publishing Analysts predict that if more authors follow Rooney’s example, BDS‑aligned publishers could carve out a niche market, prompting mainstream houses to reassess their policies regarding Israeli settlements and state funding. Conversely, heightened backlash from pro‑Israel groups may lead to legal challenges or increased pressure on retailers to limit distribution of such titles. The outcome will likely shape the broader cultural‑boycott landscape for years to come.

The San Diego Mosque ShootingA security guard at the Islamic Center in San Diego, California, has been hailed as a “hero” after he was killed while trying to prevent suspected shooters from entering the mosque complex in an attack police are investigating as a hate crime.At least three people were killed after two teenage attackers opened fire at the San Diego mosque on Monday. Authorities have yet to publicly identify the victims, but community leaders have named the guard as Amin Abdullah.Who was Amin Abdullah?A family friend identified the guard as a well-known face at the mosque, who had been working there for more than a decade, The Associated Press news agency reported.“He wanted to defend the innocent, so he decided to become a security guard,” said Sheikh Uthman Ibn Farooq, who had spoken with Abdullah’s son. The family could not immediately be reached for comment.Local media reports suggest that Abdullah was a father of eight.The Impact of the AttackUnited States officials said the guard “played a pivotal role” in preventing the attack from being “much worse”. “It’s fair to say his actions were heroic,” San Diego Police Chief Scott Wahl said at a news conference. “Undoubtedly, he saved lives today.”At the time of the shooting, children were attending a private school located inside the complex, according to ABC News.The Response to the AttackThe mosque’s director, Imam Taha Hassane, called it “extremely outrageous to target a place of worship”.“All the places of worship in our beautiful city should always be protected,” he said.He added that the centre focused on interfaith relations and community building, and that a group of non-Muslims had been touring the mosque earlier Monday to learn about Islam.The Council on American-Islamic Relations (CAIR), one of the largest Muslim civil rights and advocacy groups in the US, condemned the shooting.