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A recent study has shown that a simple yet effective method can help prevent gulls from stealing food from beachgoers. Painting eyes on takeaway boxes can reduce gull theft by up to 50%. The research, conducted by Laura Kelley from the University of Exeter and her colleagues, involved presenting herring gulls with tempting takeaways at various seaside towns in Devon and Cornwall.The study found that when faced with a choice between a box with eyes painted on it and a plain box, gulls were slower to approach the box with eyes and less likely to peck at it. This effect was sustained, with gulls remaining wary of the boxes with eyes on them even after repeated exposure. The findings were published in Ecology and Evolution.The concept of using watchful eyes as a deterrent is not new. It has been shown to be effective in keeping starlings away from crops, raptors away from airports, and even reducing predator attacks on livestock by painting eyes on an animal's rump. Humans are also susceptible to the feeling of being watched, with images of human eyes successfully used to deterrent bike theft and increase charitable donations. However, not all gulls are deterred by the feeling of being watched, and shouting has been shown to be a good deterrent for bolder gulls.

The Gondoliers, Gilbert and Sullivan's last big hit, has been brought to life by the English Touring Opera in a production that is both a feast for the eyes and ears. The opera, which came hot on the heels of the famous quarrel over a carpet at the Savoy theatre, showcases Sullivan's sunniest and most sophisticated score paired with some of Gilbert's most brilliantly barbed lyrics.A sharply pointed satire on the pitfalls of egalitarianism, the plot features babies swapped at birth and a pair of gondoliers, one of whom may or may not be the son of the recently deceased King of Barataria. The production locates the action in the late 17th century, but contemporary resonances abound, including the cash-for-endorsements antics of the money-grubbing Duke and Duchess of Plaza-Toro.Visually stunning, Liam Steel's staging channels the chocolate box style of the D'Oyly Carte company, with set designer Michael Pavelka's revolving Venetian bridges and Laura Jane Stanfield's rococo costumes creating a feast for the eye. The ensemble cast, including Robin Bailey as Marco and Samuel Pantcheff as Giuseppe, deliver exceptional performances with boundless enthusiasm.The production's success can be attributed to the mischievous wit of Steel, who places dance at the heart of everything while never missing a trick with copious running gags and deft comic timing. A standout moment is the putting of the true king's elderly nursemaid to the rack, which is pure laugh-out-loud entertainment.