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Liverpool's impressive second-leg performance against Paris Saint-Germain ultimately proved insufficient, as they were eliminated from the Champions League with a 4-0 aggregate defeat. Ousmane Dembélé's late double dashed Anfield's hopes of another European comeback.Manager Arne Slot expressed his disappointment, lamenting Liverpool's inability to capitalize on their numerous scoring chances. He credited his players and fans for their efforts, stating, 'I have to give a lot of credit to the players for how hard they worked and to the fans for helping us execute our gameplan by always getting behind us.' Slot also acknowledged that the team's future looks bright, despite the current setback.The match took a concerning turn with Hugo Ekitiké's suspected achilles injury in the 27th minute. Slot described the situation as 'really bad' but noted that further assessments are needed to determine the full extent of the damage. This injury adds to Liverpool's concerns, particularly given the limited minutes Florian Wirtz, Alexander Isak, and Ekitiké have played together this season.Slot reflected on the team's performance, saying, 'We are very disappointed because there were parts of the second half where you could feel, ‘If we could just score now, this could become a very special night.’ Creating chances is one thing, though; scoring is another.' He also praised his team's dominance against PSG, noting that not many teams can create as many chances as Liverpool did.

The UK government has unveiled a significant investment in England's cultural sector, with over 100 venues set to share a £130m funding package under the Arts Everywhere scheme. This initiative is part of a broader £1.5bn package aimed at supporting cultural infrastructure projects throughout the current parliament. The funding will be administered by Arts Council England on behalf of the Department for Culture, Media and Sport. It comprises three main funds: the Creative Foundations Fund (£96m for 74 arts and cultural venues), the Museum Estate and Development Fund (£28m for 28 museums), and the Libraries Improvement Fund (£6.3m for 28 library services). Beneficiaries of the funding include the Lowry Centre in Salford, which will receive £8.5m to upgrade critical infrastructure such as replacing escalators with new lifts and providing step-free access to galleries. The Royal Shakespeare Company in Warwickshire and the Hexagon in Reading are also among the recipients. Culture Secretary Lisa Nandy emphasized the importance of local arts, museums, and libraries in bringing communities together and reflecting the country's identity. She stated, 'Arts and culture aren’t a luxury for a privileged few. They are for everyone, everywhere.' The funding package represents a significant injection into a sector that has faced challenges in recent years. Arts Council England chair Nicholas Serota noted that the investment will help organizations secure their futures and continue to provide access to excellent art and culture. This investment follows a previously announced £270m and is part of a broader effort to repair the UK's cultural infrastructure. It marks one of the biggest resets in the arts for a generation, particularly after ACE funding was cut by 30% in 2010.

England Test captain Ben Stokes has moved to play down suggestions of a disagreement between himself and Brendon McCullum, the England head coach, despite the challenging Ashes series that raised questions about their tactical alignment.In a recent video released by the England and Wales Cricket Board, Stokes stressed that he and McCullum share the same overall vision for the team, but acknowledged that their approach might look 'different' this summer. He emphasized that agreeing on every single thing would be 'unhealthy' and that their discussions are crucial to achieving their goals.Stokes highlighted that he and McCullum are 'similar' but also 'dissimilar' in certain areas, which leads to constructive discussions about their strategy. He confirmed that they agree 95% of the time, and the remaining 5% is addressed through open dialogue.The England captain was keen to retain McCullum as head coach after the 4-1 Ashes defeat and has publicly expressed confidence in their ability to work together effectively. Despite reports suggesting they criticized each other during the ECB's internal review, Stokes and McCullum have maintained a united front.Looking ahead, the team's approach to cricket will be closely watched during the upcoming visits by New Zealand and Pakistan this summer, followed by tours to South Africa and Bangladesh next winter, and the home Ashes in 2027.Stokes concluded that he and McCullum are committed to making the team as good as possible and that their alignment towards winning is unwavering, even if their methods might evolve over time.

World Aquatics has announced that Russian and Belarusian athletes will be allowed to compete under their national flags and anthems in international swimming and aquatic sports events. This decision marks the end of restrictions imposed after Russia's invasion of Ukraine in February 2022. The move follows a similar decision by the International Paralympic Committee, which allowed Russian and Belarusian athletes to compete under their own national flags at the 2026 Winter Paralympics. Senior athletes with Belarusian or Russian sport nationality will be permitted to compete in World Aquatics events in the same way as their counterparts representing other sport nationalities, with their respective uniforms, flags and anthems. To compete, athletes from Russia and Belarus must pass at least four consecutive anti-doping controls. World Aquatics President Husain Al Musallam stated, 'We are determined to ensure that pools and open water remain places where athletes from all nations can come together in peaceful competition.' This decision signals a further easing of limits on Russian and Belarusian athletes, who have been allowed to compete as neutrals since September 2023. The next world swimming championships will take place in Budapest, Hungary, in 2027.

The UK's housing crisis has reached a critical point, with homelessness rates among over-55s on the rise. The current housing system is failing to provide affordable options, leading to a growing number of people relying on friends and family for a roof. The issue is not just about the number of homes being built, but also about the type of housing being constructed. Currently, four-bedroom detached houses on car-dependent estates are being prioritized, which do little to address the needs of those facing rising rents and insecure tenancies. To address this crisis, there is a pressing need for genuinely affordable social housing within existing towns and cities. This means building accessible, energy-efficient homes close to shops, healthcare, green spaces, and public transport. Local authorities and housing organizations have long argued for urban densification, but planning policy still favors sprawl. The financial implications of inaction are stark. By 2029-30, local councils across England are projected to spend almost £4bn annually on temporary accommodation for those experiencing homelessness. Meanwhile, the building of new social housing, a key solution to the issue, is at historic lows. The government's intention to invest in affordable housing is welcome, but it will only deliver 300,000 new homes over a 10-year period, while there are currently 1.34m households on local authority waiting lists. To address this crisis, local councils, central government, and civil society must come together to devise an exit strategy that transforms the skyrocketing temporary accommodation bill into long-term investment in permanent social housing stock.

Pope Leo XIV arrived in Algeria on Monday, inaugurating the first papal visit to the country and the opening leg of an ambitious 11‑day African tour that includes Cameroon, Angola and Equatorial Guinea. The trip, the longest since his election in May 2025, signals a strategic shift toward the continent.The choice of Africa sends a clear message, according to scholars, that the continent is now a top priority for the Church. Professor Adriaan van Klinken of the University of Leeds notes that Africa now accounts for roughly 20% of the world’s Catholics, making it one of the fastest‑growing Catholic regions, while western Europe’s Catholic numbers are in decline.In the past year, 14 new dioceses have been established across Africa, and the Catholic population has risen by 7 million, according to John Pontifex of Aid to the Church in Need UK. He describes the continent as “coming of age” in Catholicism.Upon landing at Algiers International Airport, Pope Leo was greeted by Algerian President Abdelmadjid Tebboune and later visited the Maqam Echahid, a monument honoring those who died in Algeria’s 1954‑62 war for independence.Father Peter Claver Kogh, rector of the Basilica of Our Lady of Africa, framed the visit as a bridge‑building effort between Christians and Muslims, emphasizing a “climate of peace and tolerance.” He added that the world “needs a fraternal living and harmony” now more than ever.For biographer Austen Ivereigh, the trip continues Pope Francis’s legacy of interfaith dialogue, recalling the 2019 “human fraternity” accord signed with Muslim leaders in the UAE. John Pontifex also highlighted the visit’s timing amid a decline in religious freedom for Christians and liberal Muslims in Algeria.Lucy Esipila of Caritas Africa expects the journey to bolster Catholic communities facing conflict, debt and inequality, describing it as a vivid expression of “synodality” – the Church walking together with peripheral voices.Algeria holds special significance for Pope Leo, the first pontiff from the Augustinian order, as the birthplace of Saint Augustine. Professor Anna Rowlands of Durham University points out that North Africa was a cradle of early Christianity, underscoring the region’s deep theological heritage.The African focus comes as Pope Leo declined an invitation to the United States, opting instead to visit Lampedusa on July 4, a key entry point for migrants crossing the Mediterranean. Historian Dr Miles Pattenden suggests this contrast sends a powerful message to both European leaders and African communities.Father Kogh summed up the atmosphere in Algiers: “It’s a feeling of joy… a message of peace, coexistence and fraternity.”

‘Departures’ arrives in UK and Irish theatres on 17 April, offering a sharply observed portrait of a man navigating the aftermath of a breakup. The story centers on Benji, a thirty‑something who, after parting ways with his charismatic trainer Jake, plunges into a haze of parties, substance use and fleeting encounters in an attempt to dull the ache of lost love. The film tackles weighty subjects—body‑image insecurity, familial rejection and the pressures of toxic masculinity—yet it avoids sentimentality by leaning into a darkly comic tone and a poppy visual palette. Its elliptical editing stitches together present‑day self‑destruction with fragmented memories of Jake, creating a nonlinear rhythm that mirrors the disorienting experience of a broken heart. Ey​re‑Morgan not only co‑writes and co‑directs but also embodies Benji, delivering a performance that feels both self‑deprecating and raw. His on‑screen chemistry with David Tag’s Jake provides the emotional anchor of the film, allowing the audience to glimpse the genuine connection that fuels Benji’s subsequent turmoil. Despite its strengths, the movie leans heavily on voice‑over narration, which at times hampers momentum, especially during emotionally charged scenes. The tendency to verbalise feelings rather than let the cinematography speak can feel redundant, and the multiple flashbacks occasionally drift into over‑exposition. Overall, ‘Departures’ stands as a thoughtful exploration of love, identity and the search for authenticity, while also showcasing the burgeoning talent emerging from northern England’s film scene.

Senator Bernie Sanders used a Manhattan rally on Sunday to issue a stark warning: “the worst is yet to come” for the U.S. economy unless workers confront a ruling class of billionaires. Sharing the stage with New York City mayor Zohran Mamdani, the two leaders announced the launch of Union Now, a nationwide drive to boost union density and provide resources for organizing and strikes. Sanders singled out high‑profile billionaires – Elon Musk (Tesla, SpaceX), Jeff Bezos (Amazon), and President Donald Trump – as the architects of a looming crisis. He warned that Musk’s push for robotics and AI, coupled with Bezos’s recent pledge to raise $100 billion for buying and automating manufacturing firms, threatens to replace human labor on a massive scale. “Unless we fundamentally transform our economic and political systems, the worst is yet to come,” Sanders declared, emphasizing that increasing union membership is the most effective tool to tackle income inequality. Mamdani echoed the sentiment, noting that artificial intelligence is “coming for human jobs” and that worker protections are eroding. He pledged his administration’s support for Union Now, describing the effort as essential for safeguarding workers’ rights. Data presented at the rally underscored the scale of wealth concentration: in 2025, 938 U.S. billionaires saw their net worth rise by $1.5 trillion, while Musk alone possesses more wealth than the bottom 53 % of Americans. Sanders painted the billionaire class as “extremely greedy” and likened their self‑perception to 19th‑century monarchs who believe they have a divine right to rule. He warned that their unchecked influence could leave future generations without a safety net. Highlighting a recent political victory, Sanders cited Mamdani’s mayoral win as proof that ordinary people can defeat billionaire‑backed opposition. He warned that if the current trajectory continues, “fewer people will have more wealth and power, democracy will be undermined, and workers will be left with no recourse.” Closing his speech, Sanders urged unity: “If we stand together and fight for a government that works for all of us, there is nothing we cannot accomplish.”

In the quiet town of Iseyin, about 200 km north‑west of Lagos, shaded courtyards and narrow lanes have become the beating heart of Nigeria’s iconic aso‑oke textile industry. Under makeshift sheds, weavers operate wooden looms that have remained largely unchanged for generations. Recent years have seen a surge in demand for the thick, multicoloured fabric, driven by the Nigerian diaspora and an expanding international appetite for African fashion. Yet the craftsmen and women of Iseyin staunchly oppose the introduction of machines, arguing that the hand‑woven process is essential to the cloth’s distinctive texture and cultural value. The craft now serves as an economic lifeline. Young Nigerians—including university graduates—are flocking to Iseyin to learn the trade, attracted by the promise of a steady income. One such convert, Waliu Fransisco, abandoned a career as a Lagos nightclub singer a decade ago to master the loom. At 34, he says, “I now earn a decent living from weaving aso‑oke and I’m satisfied.” Aso‑oke, literally meaning “cloth from the up‑country,” has become a staple in Nigeria’s fashion scene, appearing in ceremonial attire, contemporary streetwear, and even high‑profile outfits such as the wrapper and shawl worn by Meghan Markle during her 2024 visit to Nigeria with Prince Harry. Traditionally, the fabric was produced from locally sourced cotton or silk, with threads hand‑spun, dyed, and woven in limited colour palettes. Today, most weavers use loom‑ready yarns imported primarily from China, allowing for a broader spectrum of hues while preserving the labor‑intensive hand‑weaving technique. Each loom requires meticulous arrangement of narrow, tightly patterned strips that are later sewn together to form the wider cloth used for garments and accessories. “This is what Iseyin is known for,” says 35‑year‑old weaver Kareem Adeola, echoing the sentiment of a community that views the craft as a direct inheritance from its forebears. As global fashion houses and consumers continue to seek authentic African textiles, the artisans of Iseyin stand at the crossroads of tradition and market opportunity, proving that cultural heritage can thrive alongside modern demand.