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The Lead Janine Roebuck, a 72-year-old opera singer from London, has shared her remarkable experience of receiving double cochlear implants, which have transformed her life after hiding her deafness for over 30 years. The Event Details Roebuck, who has sensorineural hearing loss, underwent cochlear implant surgery on the NHS for one ear in 2019 and paid for the other ear to be done at the same time. She described the experience as 'the best thing I've ever done in my life', highlighting the significant improvement in sound quality and her ability to engage in conversations. The Data Analysis The National Institute for Health and Care Research (NIHR) is backing a study into two implants for adults, led by Addenbrooke's hospital and the University of Cambridge. The trial, which includes over 250 adults, aims to compare the results of unilateral and bilateral implants. The Impact Analysis The surgery has not only improved Roebuck's hearing but also her mental health and overall quality of life. She emphasized that the implants have 'broken a generational curse' and allowed her to reconnect with the world around her. The Prediction The study's findings will be submitted to the National Institute for Health and Care Excellence (Nice) for review, potentially paving the way for more adults to receive bilateral cochlear implants on the NHS. This could lead to a significant improvement in the lives of thousands of people with hearing loss.

The Lead: Hantavirus Outbreak on Cruise Ship Two Britons who were medically evacuated from the hantavirus-hit cruise ship MV Hondius are showing improvement in hospitals, according to global health officials. The outbreak, which has been linked to three deaths, has prompted international health authorities to monitor the situation closely while assuring the public that the risk remains low. Patient Updates: Improving Conditions in Hospitals A British passenger, understood to be a 69-year-old man, was taken to South Africa on April 27 and is receiving care at a private health facility in Sandton, Johannesburg. Another Briton, Martin Anstee, 56, an expedition guide, was taken off the MV Hondius on Wednesday and flown to the Netherlands to receive specialist medical care. Dr Maria Van Kerkhove, from the World Health Organization (WHO), reported positive developments: "I am very happy to say the patient in South Africa is doing better, and the two patients in the Netherlands we hear are stable. So that is actually very good news." Outbreak Statistics: Confirmed Cases and International Impact Eight suspected cases of hantavirus Five confirmed by lab tests Three deaths linked to the outbreak Passengers from 12 nations affected Seven British people among those who left the ship The outbreak has been connected to a birdwatching trip to Argentina, Chile, and Uruguay that two of the passengers went on before boarding the ship. The Andes virus variant, linked to this outbreak, has an incubation period of up to six weeks, potentially leading to more cases. Global Health Response: International Coordination Spanish authorities have given permission for the ship to anchor in the Canary Islands, despite concerns from locals and officials. The MV Hondius left Cape Verde at 3.15pm local time on Wednesday and is estimated to arrive at the port of Granadilla in Tenerife in the early hours of Sunday. Two doctors are on board along with infectious disease experts from the WHO and the European Centre for Disease Prevention and Control, who are conducting a medical assessment of everyone on board. The UK Health Security Agency has been asked to confirm it has been in touch with all seven Britons who left the ship on April 24. Future Outlook: Low Risk but Continued Monitoring While the risk to the public is low, Dr Tedros Adhanom Ghebreyesus, the director-general of the WHO, emphasized that there could be more cases due to the incubation period of the Andes virus. However, the WHO is not expecting the outbreak to become an epidemic, citing a similar outbreak in Argentina in 2018-19 which led to 34 cases. "While this is a serious incident, WHO assesses the public health risk as low," Dr. Tedros stated, thanking the ship's operator for its cooperation and acknowledging the difficult situation faced by passengers and crew.

The LeadThe trustees of City & Guilds London Institute have been accused of attempting to dodge accountability for a "catastrophic failure of governance" by stalling on the launch of an independent inquiry into the £166m sale of the vocational charity's training and accreditation business to PeopleCert last October.The Governance CrisisMembers of the 148-year-old body voted overwhelmingly last month for the trustee board to trigger what would be the third investigation into how the foundation sold its operations to the private operator. However, members complained that the process then seemed to have stalled. The poll followed the Charity Commission opening a statutory inquiry in January, which was mirrored a day later by PeopleCert commissioning its own internal investigation into the deal.Financial FalloutThe controversy centers around the £166m sale that created a new private company called City & Guilds Ltd, owned by PeopleCert, as well as a rebranded charity, City & Guilds London Institute (CGLI). The deal has since been followed by revelations that the now-private City & Guilds plans to shrink its UK workforce as part of a £22m cost-cutting drive, with £13m of "personnel cost synergies" largely achieved by replacing departing UK staff with cheaper overseas hires.Executive Compensation ControversyThe sale sparked outrage when it was revealed that former chief executive Kirstie Donnelly and finance director Abid Ismail were awarded massive bonuses after the sale—£1.7m for Donnelly plus £1.2m to Ismail. The rationale for making the payouts has never been convincingly explained and came alongside sizeable salary increases for the pair, with Donnelly granted an extra £100,000 a year, lifting her salary to about £430,000. Ismail's base pay also increased by 30%, rising by about £70,000 to £300,000. In total, the pay of the top six executives more than tripled after the deal.Accountability DemandsNeil Bates, an elected member of the City & Guilds council, which appoints and advises the trustees, criticized the board's lack of transparency: "Why would they not be accountable for decisions made if everything was above board? It is shocking there has been such a catastrophic failure of governance – and subsequently a failure of accountability." Bates added: "There is £166m – that is what is left of the City & Guilds legacy. We want to remove this trustee board from having responsibility for those funds and replace them with people properly equipped to restore good governance to the City & Guilds organisation."Future of the InstitutionWhile the council has the power to appoint City & Guilds trustees, it cannot dismiss them unless misconduct has been shown. A spokesperson for the charity stated: "The trustees remain committed to working constructively with members to find a clear and proportionate way forward in the best interests of the charity. We are reviewing options to shape this approach, ensuring we address members' concerns while avoiding unnecessary duplication with the Charity Commission's investigation. Our priority is to safeguard the integrity and future of the Institute." Donnelly and Ismail have since left City & Guilds without "any financial settlement," with lawyers acting for them indicating they will be commencing litigation against City & Guilds Limited.

The Lead: Europe's Defense AwakeningIn a small workshop in England's East Midlands, engineers at the British startup Skycutter are designing weapons for Ukraine. The swarms of cheap, deadly and often autonomous drones deployed in that war have already changed combat completely, forcing European militaries to scramble to catch up in a drive to spend billions on weaponry. This push comes with added pressure from Donald Trump's wavering on the Nato alliance and the US president's insistence that members increase defence budgets.The New Arms Race: Survivable vs. Attritable WeaponsMilitaries do not believe they can totally dispense with people or heavier machinery such as tanks, artillery and ships. But a big chunk of the planned spending will go on drones of various sizes, whether for the air, land, sea or below the waves. Gen Sir Roly Walker, the UK's chief of the general staff, last year said he wanted the forces' equipment to be 20% "survivable" (because they have people inside), 40% "attritable" (you aren't too worried if they're destroyed), and 40% "consumable" (single use).The growing feeling across Europe is that "we should be able to stand up on our own two feet," according to one person at a fast-growing weapons startup. "Sovereignty is about control. If you buy things off the shelf from elsewhere you are always ceding some control." That applies to parts and materials as well. The UK is consulting on how much needs to come from Britain for a product to be sovereign. Manufacturers cannot necessarily rely on parts and materials from various countries who could become adversaries – notably China.The Financial Surge: €800 Billion and CountingThe EU has responded by promising to spend €800bn on defence over four years. The UK has also pledged to put aside more, with Keir Starmer likely to come under pressure to show progress after Labour's heavy losses in recent elections. A crop of well-funded startups are gaining momentum and expanding production, making big promises – many still unproven – that they can do a better job than traditional manufacturers and Silicon Valley rivals.European defence tech unicorns include Helsing, a German company backed by the Spotify founder Daniel Ek, and the German drone makers Quantum Systems and Stark Defence. Stark and Helsing recently won orders from Germany's military for attack drones, while all but Quantum are investing in UK factories. The British missile maker Cambridge Aerospace – controversially chaired by the former defence secretary Grant Shapps – is reportedly also close to joining the billion-dollar ranks.Geopolitical Shifts: Redefining European Defence PostureThe unsettling combination of Trump and war on the doorstep has sharpened long-running criticism that the continent has relied too much on US weapons makers. "A lot of supply chain diversification dreams have evaporated," says Kusti Salm, a former Estonian defence mandarin turned chief executive of the anti-drone missile startup Frankenburg. "I think it's natural if Europe wants to sustain its prosperity and freedom."Ricardo Mendes, chief executive of the drone maker Tekever, says the advent of unmanned aerial vehicles has prompted "a radical transformation in how defence technology is built", with companies betting on future demand for kit rather than locking in long-term contracts before starting. Tekever, which Mendes co-founded in Portugal in 2001, reached a billion-dollar "unicorn" valuation last year, and has 1,200 people, including new factories in the UK's drone cluster in Swindon, Wiltshire, and another in Cahors, south-west France.The Future Outlook: European Defence Innovation EcosystemUS rival unicorns include the drone maker Shield AI, the autonomous boat company Saronic Technologies, and the anti-drone weapons company Epirus. But two companies with names taken from JRR Tolkien's Lord of the Rings lead the American pack: the software company Palantir and the autonomous weapons maker Anduril. Both are making significant inroads into Europe, particularly the UK, but that expansion is coming under scrutiny as European politicians balk at their stridently pro-Trump backers.Palantir was backed by the billionaire Trump donor Peter Thiel. Thiel, a vocal critic of liberal democracies, has also backed Stark, which has raised concerns in Germany, though Stark says Thiel has no direct operational or strategic influence. Palantir's chief executive, Alex Karp, has repeatedly extolled American dominance, while Anduril is run by 33-year-old Palmer Luckey, who has personally hosted a Trump fundraiser and has cultivated close ties with the administration.As Europe pours billions into defense technology and sovereignty, the landscape of global defense manufacturing is being reshaped. The coming years will determine whether European startups can deliver on their promises and establish a sustainable defense ecosystem independent of traditional suppliers and geopolitical dependencies.

The Lead Football coach Bev Priestman has experienced a dramatic transformation from the isolation of a FIFA ban to leading Wellington Phoenix into their first A-League women's finals campaign, finding renewed purpose and success in New Zealand. From Scandal to Redemption Priestman reflects on her journey from the depths of controversy to the heights of coaching success. "It was my 40th birthday [last week]," she shares. "And it's those moments I think to a year ago, and how I felt. And then how I felt in the club [this year], around my staff, around the team." The isolation following the spying scandal that engulfed Canada's women's football team during the Paris Olympics was profound. "You just become very isolated, very, very quickly, in a job where it is about being part of a team," Priestman explains. "That isolation hits you really hard, as well as things playing out in the public domain." Building a Championship Contender Wellington Phoenix presented a unique challenge and opportunity for Priestman. As the only professional women's football team in New Zealand, they compete in Australia's top tier, presenting significant logistical challenges with half-day flights to matches. Priestman has transformed the club from perennial underachievers to serious contenders. "She took the foundation that had been built and constructed perhaps the A-League's most well-oiled machine," the article notes, highlighting the team's highest scoring attack and most miserly defense under her leadership. Players like Brooke Nunn and Grace Jale have experienced breakout campaigns, while 17-year-old Pia Vlok has established herself as a future star. The team secured a second-place finish and earned a week off in the first round of playoffs. The Impact on New Zealand Football Priestman's success has had a significant impact on the perception of women's football in Wellington and beyond. "For the last three months, wherever I go in the city, people seem to know who I am, who the team is, and how we did on the weekend," she observes. The team's success has created a "buzz about the city" and expanded beyond Wellington to the wider New Zealand football community. "We've got a lot of Football Ferns [New Zealand internationals]," Priestman notes. "I think there's a real buzz and energy." This transformation represents a significant moment for women's football in New Zealand, providing inspiration and visibility for the sport in the country. The Path Forward With Wellington Phoenix needing to overturn a 2-1 deficit against Brisbane Roar in their semi-final, the team faces the biggest game in their history. The match is expected to draw a crowd of 5,000 at Porirua Park, with temporary seating brought in to accommodate the interest. Priestman's journey from controversy to coaching excellence offers a powerful narrative of redemption and the transformative power of sports. Her experience has not only revived her career but has also elevated the profile of women's football in New Zealand, potentially creating new opportunities for the sport in the region.

The Giro d’Italia Suffers a Major Blow with Adam Yates’ WithdrawalBritish cyclist Adam Yates has been forced to withdraw from the Giro d’Italia, dealing a severe blow to UAE Team Emirates' ambitions. The 33-year-old rider sustained a concussion and significant facial injuries after a chaotic crash involving nearly 30 riders on stage two.Stage Two Chaos: A 30-Rider Crash in Rain-Swept BulgariaThe incident occurred on a rain-soaked 221km route from Burgas to Veliko Tarnovo. Yates hit a barrier at high speed, resulting in abrasions and a laceration to his left ear. Despite the severity of the impact, he initially continued the race, eventually crossing the finish line almost 14 minutes behind the leading pack while riding in a blood-stained kit.Triple Injury Blow to UAE Team Emirates’ Title HopesThe crash has decimated the team's roster, with two other key riders also sustaining serious injuries. The team's medical director confirmed that Yates showed delayed concussive symptoms and will not start stage three.Adam Yates: Concussion, abrasions, laceration to left ear.Jay Vine: Concussion and elbow fracture.Marc Soler: Pelvic fracture.All three riders are under medical observation and will travel home to continue their recovery, leaving the team with a depleted squad for the remainder of the race.The Unpredictable Danger of Wet-Weather CyclingThis incident underscores the inherent volatility of professional cycling, particularly in adverse weather conditions. The slippery roads and high speeds required for the peloton make crashes like this a constant threat, often resulting in multi-rider pileups that can end careers or seasons in an instant.What’s Next for the Giro and the UAE Team?With stage three set for Sunday—a 175km flat stage from Plovdiv to Sofia—the race continues without its top contenders. The team faces a difficult challenge in maintaining morale and competitive pressure without its leaders, while the riders focus on recovery in the coming days before the race returns to Italy for the Calabria stage on Tuesday.

The Managerial Shake-Up at Crystal Palace Crystal Palace are stepping up their attempts to convince Bournemouth’s Andoni Iraola to take over from Oliver Glasner and are set to offer him a lucrative three-year contract. Iraola's Potential Move to Selhurst Park It is understood that Palace have made Iraola, who confirmed last month that he will be leaving Bournemouth at the end of the season, their preferred target and held initial talks with the Spaniard’s camp in the past few weeks. The Appeal of European Football Palace are aware that the 43-year-old has plenty of other suitors from the Premier League, including Chelsea, but hope that the lucrative contract offer and the potential of European football next season should they win the Conference League could help to lure him to Selhurst Park. Oliver Glasner's Future Glasner’s side face Rayo Vallecano in the final on 27 May in Leipzig, with the winners qualifying directly for the Europa League. The Austrian revealed in January that he will depart Selhurst Park when his contract expires this summer despite leading them to the FA Cup last year – the club’s first major trophy. Other Candidates for the Job Coventry’s Frank Lampard Kieran McKenna of Ipswich Thomas Frank, former Brentford and Tottenham manager Marcelino García Toral, who is leaving Villarreal

The Genesis of a Masterpiece This week we mark two extraordinary centenaries. Sir David Attenborough's, of course, but only four days after the birth of the bona fide national treasure, Dmitri Shostakovich's First Symphony also first saw the light of day – premiered in Leningrad on 12 May 1926. The 19-year-old's composition was played by the Leningrad Philharmonic, conducted by Nicolai Malko. The Revolutionary Sound The symphony's four-movement structure is just about the only conventional feature it has. The teenage Shostakovich had imbibed all the lessons he could about what orchestral music should sound like and how it should behave, and was bold enough to subvert all those ideas and send them up. There is no forelock-tugging to earlier generations of Russian symphonists and orchestral pioneers; instead, Shostakovich's First resounds with a self-confidence that's both optimistic and deliciously sardonic. A Circus of Sound From the distorted trumpet call that opens the work – a fanfare that thumbs its nose at your expectations of how a symphony should start; not an affirmative flourish, but a snakingly dissonant question mark – Shostakovich sets out on a first movement that's like a circus: a cavalcade of characters who take the stage and exit, more often than not pursued by a cartoon bear, clown or bassoon. The momentum that Shostakovich generates from the way he juxtaposes ideas – cutting from one to the other as if the symphony were a reel of film – continues deliriously in the second movement. Here, a piano part is added to the orchestral texture, and that's where one of the secrets of this music's compositional energy is revealed. As a teenager, Shostakovich played the piano for Soviet silent cinema screenings, and in the symphony's piano solos, he turns his work into a knockabout farce that Buster Keaton would be proud of. A Masterpiece of Unbridled Creativity The movement builds to a climax that is both terrifying – a sudden fanfare that consumes the whole orchestra – and bathetic, in the form of the solo piano's chords, as if the pianist couldn't keep up with the music's pace. There is no hint anywhere in this piece of the bombast and poster-paint ideology of Shostakovich's later symphonies, but there is real feeling here, hinted at in that climax of the scherzo, as the cartoon suddenly shudders into real life. The slow movement that comes next is one of the most unironically passionate that Shostakovich ever wrote, as a solo oboe and solo cello inspire the whole orchestra to a melodic outpouring that feels more Shakespearean drama than circus hijinks. A Legacy of Creative Freedom The final movement somehow brings all of these worlds together, and the symphony ends in a torrent of irresistible energy, a culmination of pure sentiment as well as sheer excitement. This is, surely, the most creatively confident First Symphony by any teenager in musical history (and there is plenty of competition, from Mendelssohn to Knussen, from Rihm to Schubert). It announces a world of possibility in which musical conventions are gleefully turned upside down in a frenzy of modernist creativity that's both funny and profound. It's the sound of a unique symphonic avant garde that might have heralded an era of unfettered creative freedom for Shostakovich and generations of composers. A What-If of History Instead, these are the sounds of what might have been, for Shostakovich and for Russia. In Shostakovich's later symphonies, especially from the mid-1930s onwards, you hear the chilling of that freedom and the daily terror of living in Stalin's Soviet Union. The confidence and joy in his own brilliance that you hear in every page of the First Symphony is a miracle that Shostakovich never quite repeated and which is still strikingly new, a century on.

The Intersection of Cultures Rostam Batmanglij, the 42-year-old superproducer and former Vampire Weekend member, sat down with The Guardian to discuss his latest solo album 'American Stories'. Born to Iranian parents and raised in America, Batmanglij's music often reflects his diverse cultural background. Musical Beginnings and Influences The first song Rostam learned to play on guitar was Chuck Berry's 'Johnny B Goode', a quintessentially American rock'n'roll hit. This early influence set the tone for his future work, which often blends American and Middle Eastern musical elements. American Stories: A Reflection of Identity 'American Stories', Batmanglij's third solo album, is a beautiful blend of pop, rock, and Middle Eastern music. The album's songs reflect on love, songwriting, and the fast-unspooling political landscape. Batmanglij's experiences as an Iranian-American and his observations of the world around him have shaped the album's themes and sound. Politics and Social Commentary Batmanglij's music often touches on politics and social issues. He was inspired by the 2025 election of New York mayor Zohran Mamdani, a Muslim Indian democratic socialist, and has written songs that seem to reference Israel's bombardment of Gaza. His music is a call to action, encouraging listeners to think critically about the world around them. The Power of Protest and Younger Generations Batmanglij believes that younger people have more clarity about what's going on in the world, while many people in his generation and older have 'deluded themselves'. He sees his music as a way to inspire and empower listeners, particularly younger generations, to take action and make a difference. Creative Freedom and Future Plans As a solo artist, Batmanglij has the freedom to pursue any idea he wants, no matter how weird or unconventional. He has worked with a range of artists, from Frank Ocean to Clairo, and is always looking for new ways to push the boundaries of his music. With 'American Stories', he has created a truly unique and captivating album that showcases his talents as a producer, songwriter, and performer.