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The French Football Legacy France boasts an impressive World Cup history with 16 appearances, winning the prestigious trophy in 1998 and 2018. The nation sits proudly at the top of the FIFA world rankings and possesses some of football's most remarkable records, including Just Fontaine's 13 goals as the top scorer and Hugo Lloris's 20 appearances as the most capped player. Mbappé's Record-Breaking Campaign The Real Madrid forward needs just two goals to surpass Just Fontaine's record of 13 World Cup goals for France. After a blistering season where he scored 42 goals and contributed seven assists in 44 matches for Madrid, Mbappé will have his eye on the Golden Ball. Despite occasional inconsistency at previous World Cups, his sheer presence and quality could drive France to glory in 2026. France's Attacking Wealth France possesses an embarrassment of riches in attack, headlined by Ballon d'Or winner Ousmane Dembélé, who has added a second Champions League title to his resume. Young talents like Desire Doue (21), Michael Olise, Bradley Barcola, Marcus Thuram, Rayan Cherki, and Jean-Philippe Mateta provide depth and versatility. This collection of talent presents both a strength and potential challenge as egos could clash in such a star-studded lineup. Defensive Fortitude Many believe World Cups are won by teams with the best defenses, and France certainly fits that description. Arsenal's William Saliba provides a solid foundation in the center, supported by Dayot Upamecano's pace, Jules Kounde's world-class right-back skills, and the excellent left-back options of Theo Hernandez and Lucas Digne. The addition of uncapped goalkeeper Robin Risser from Lens adds depth to an already strong defensive unit. Deschamps's Final Chapter Didier Deschamps, the only Frenchman to have lifted the trophy as both player and manager, will step down after this tournament. The 57-year-old has faced criticism for his conservative approach, but he remains focused on results. His biggest selection challenge was omitting midfielder Eduardo Camavinga, who had a disappointing season with Real Madrid. Deschamps will be desperate to secure a second title as manager to cement his legacy. Group Stage Challenges France faces a challenging Group I with matches against Senegal, Iraq, and Norway. The opener against Senegal (ranked 14th) will be particularly tricky, as France is haunted by their 2002 defeat to the African side. Iraq (57th) should present an easier prospect, while Norway and Erling Haaland await in the final group game, having emerged from qualifying with a perfect record. France's World Cup Schedule June 16: France vs Senegal (East Rutherford, New Jersey), 3pm (19:00 GMT) June 22: France vs Iraq (Philadelphia, Pennsylvania), 5pm (21:00 GMT) June 26: Norway vs France (Boston, Massachusetts), 3pm (19:00 GMT) Tournament Prediction Al Jazeera predicts France will be runners-up if they face Spain in the final, but champions otherwise. While France possesses immense talent, Spain might have too much quality, coherence, and belief to overcome the French in a potential final showdown. The French Squad Goalkeepers: Mike Maignan (AC Milan), Robin Risser (Racing Lens), Brice Samba (Stade Rennais) Defenders: Lucas Digne (Aston Villa), Malo Gusto (Chelsea), Lucas Hernandez (PSG), Theo Hernandez (Al Hilal), Ibrahima Konate (Liverpool), Jules Kounde (Barcelona), Maxence Lacroix (Crystal Palace), William Saliba (Arsenal), Dayot Upamecano (Bayern Munich) Midfielders: N'Golo Kante (Fenerbahce), Manu Kone (Roma), Adrien Rabiot (AC Milan), Aurelien Tchouameni (Real Madrid), Warren Zaire-Emery (PSG) Forwards: Maghnes Akliouche (Monaco), Bradley Barcola (PSG), Rayan Cherki (Manchester City), Ousmane Dembele (PSG), Desire Doue (PSG), Jean-Philippe Mateta (Crystal Palace), Kylian Mbappe (Real Madrid), Michael Olise (Bayern Munich), Marcus Thuram (Inter Milan)

A Meditative Lens on Shakespearean RehearsalSophie Fiennes’s latest documentary steps away from the high‑octane style of her earlier works to present a slow‑burn, observational study of acting. Filmed in the crumbling interiors of Twyford Abbey, the piece follows director Declan Donnellan and co‑director Nick Ormerod as they guide a troupe of eight actors through key moments of Macbeth.Inside Cheek by Jowl’s Macbeth Rehearsal ProcessThe camera captures the actors—Grace Andrews, Amber James, Sophie Khan Levy, Hannah Young, David Burnett, Orlando James, Jonathan Livingstone, and Ekow Quartey—exploring early‑act scenes and later soliloquies such as “Is this a dagger?” and “Tomorrow, and tomorrow, and tomorrow.” Donnellan’s commentary resists definitive interpretations, emphasizing the fluidity of meaning in Shakespeare’s text.Reframing Documentary Filmmaking of TheatreBy forgoing auditions, tech runs, and performance nights, Fiennes shifts the documentary focus to the often‑unseen rehearsal laboratory. The film’s daylight aesthetic and lack of narration echo her 2010 study of Anselm Kiefer, positioning the work as a quiet counterpoint to more sensationalist cinema‑theory documentaries.What This Means for Future Stage DocumentariesThe film suggests a growing appetite for intimate, process‑driven storytelling in the performing‑arts genre. Its calm, collaborative tone may inspire other filmmakers to explore the subtleties of artistic creation rather than the spectacle of the final product.

The Urgent Wake-Up Call for Women's HealthcareBBC presenter Emma Barnett delivers a powerful and unflinching look at the realities of living with endometriosis in her new documentary, Fighting Endometriosis. The program moves beyond a mere medical overview, serving as a stark indictment of a healthcare system that routinely minimizes women's pain and underfunds critical research into debilitating conditions.Unmasking the Agony of a Hidden EpidemicThe documentary details the severe physical toll of the condition, where cells resembling the uterine lining grow elsewhere in the body, causing debilitating pain. Barnett highlights the inadequate treatment options currently available, which are largely limited to hormonal masking or invasive surgeries like hysterectomies. Through candid video diaries and interviews with other sufferers—such as a 26-year-old named Chloe who was forced to seek surgery abroad—Barnett exposes the daily struggle that belies her professional success.The £12.5 Billion Economic Toll of Medical MisogynyA critical revelation in the documentary is the staggering economic impact of the disease. While endometriosis is often deprioritized in research funding because it is not directly fatal, it costs the UK economy £12.5bn annually due to women being forced out of the workforce. Furthermore, the data reveals a systemic failure in diagnosis and care:1 in 10 women of reproductive age in the UK are affected by the condition.It takes an average of 9 years to receive a proper diagnosis in the UK.Sufferers are frequently misdiagnosed with conditions like appendicitis, IBS, or PMS.Confronting Politicians on Systemic Healthcare FailuresBarnett refuses to accept the status quo, directly confronting political figures like former Health Secretary Wes Streeting about the medical misogyny deeply rooted in society. The documentary argues that the minimization of women's pain—often dismissed by medical professionals due to its supposedly subjective nature—is no longer an acceptable excuse. By bringing these hidden struggles into the public eye, the film forces a conversation about accountability and the urgent need to reevaluate how female health issues are prioritized by policymakers.The Future of Endometriosis Research and AdvocacyWhile the documentary does not end on an overly optimistic note—acknowledging that millions remain in daily agony—it marks a crucial step forward in health advocacy. As high-profile figures like Barnett and Lena Dunham continue to articulate the severe realities of the condition, the medical establishment will face increasing pressure to innovate. The hope is that highlighting both the massive economic cost and the profound human suffering will finally shift policy priorities, leading to reduced diagnosis times and the development of targeted, curative treatments.

The Lead: Swift's Return to Toy Story UniverseAfter days of online speculation, Taylor Swift has officially announced her new single "I Knew It, I Knew You" for Disney and Pixar's Toy Story 5. The announcement comes just weeks before the film's release and marks Swift's first new music since her 2025 album "The Life of a Showgirl."The Event Details: Single Release and FormatsTitled "I Knew It, I Knew You," the single will be released on June 5, 2026, with CD singles available for preorder on Swift's website. Three variants will be available, each containing different versions of the song: a piano version, an acoustic version, and the original. The announcement follows a mysterious campaign featuring billboards with "TS" initials in the Toy Story font that appeared in major cities worldwide.The Creative Process: Collaboration and InspirationSwift wrote the song with her longtime collaborator Jack Antonoff, marking her return to the country music genre. The track was inspired by Jessie, the film's cowgirl character, after Swift viewed an early cut of Toy Story 5. "I've always dreamed of getting to write for these characters who I've adored since I was a 5 year old kid watching the first Toy Story movie," Swift shared on Instagram.The Industry Impact: Music-Film SynergyThe collaboration represents a significant moment in the intersection of music and film marketing. Director Andrew Stanton praised Swift's connection to the character, noting "Her connection to Jessie and the immediate way she understood what the character was going through was undeniable." The song's release strategy aligns with Disney's marketing approach for the film, which introduces a new tech foe called Lilypad.The Future Outlook: Anticipation for Film and MusicWith the single release on June 5 and the film's worldwide premiere on June 19, 2026, fans have a packed schedule of Swift-related content to anticipate. The announcement comes amid Swift's continued dominance in the music industry following her record-breaking album releases. The song's placement in the highly anticipated Toy Story franchise ensures massive exposure and potentially introduces Swift's music to a younger generation of fans.

A Critical Portrait of George MichaelIn 1998, George Michael was arrested for public lewdness in an LA lavatory, an incident that finally led the singer to publicly come out. The following day, Sathnam Sanghera found himself unable to leave his room at university: the doorway had been mockingly plastered with tabloid newspaper headlines – "ZIP ME UP BEFORE YOU GO-GO!" – by fellow students aware of his longstanding fandom. As a writer, Sanghera is best known for a series of award-winning books on the British empire, which he calls his "specialist subject". Judging by Tonight the Music Seems So Loud – not a biography so much as a miscellany, a set of themed essays that tend to digress in all kinds of intriguing directions – the life and work of one Georgios Panayiotou runs imperialism and its legacy a very close second.The Complex Legacy of a Pop IconIt is an unashamedly partisan book, although not an uncritical one. Sanghera is as alive to Michael's personal and professional failings (whether the naffness of some of his early work as one half of Wham! or his high-handed treatment of the duo's other half, Andrew Ridgeley) as he is in love with his artistic triumphs. These, of course, range from Careless Whisper and Wham!'s annually inescapable Last Christmas to the 1996 solo masterpiece Older, a peculiar and peculiarly effective cocktail of raw grief at the Aids-related death of his lover Anselmo Feleppa and unrepentant horniness.The Evolution of Critical ReceptionSanghera's love for his subject is evidently sharpened by the opprobrium of others. Indeed if the book has a flaw, it's that the author is old enough to remember an era when George Michael was deemed insufferably uncool by some arbiters of taste (incredibly, when Wham! performed at a 1984 benefit show for striking miners, the only mainstream pop act to show support for the cause, they were received stone-faced by the audience and savaged by the music press for their trouble), and thus has a tendency to underestimate how much both he and his music have been critically re-evaluated in the 21st century.The Artistic Journey of George MichaelHe says one of the spurs to write the book was his belief that "most truly popular music is not generally deemed worthy of serious analysis and George Michael's music most certainly is not". That might have been true once, but certainly not of late: when he died, this newspaper alone ran six features by critics analysing different aspects of his music. "He sang so exquisitely about the marrow of life, about the vital, corporeal things", wrote one, which definitely doesn't amount to taking George Michael insufficiently seriously.double quotation markEven as he skinned up in front of journalists and discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed himFamily Background and Cultural IdentitySanghera is very good on the climate of homophobia in the 80s, which might have given any gay public figure serious qualms about coming out, and fascinating on Michael's family background: how growing up embedded in north London's Greek Cypriot community impacted on everything from Wham!'s image – not camp, Sanghera suggests, but "the vision of two children of immigrants imagining a kind of glamour they had not actually experienced before" – to his work ethic and control freakery. His dad made good in England by working exceptionally hard, running such a tight ship at his restaurant that he summarily fired his only son for messing up the drinks orders. The fact that the same son went on to hire 12 different saxophonists before finding one that could play the solo on Careless Whisper to his satisfaction doesn't come as a huge surprise.The Perfectionist and Contradictory ArtistThis my-way-or-the-highway perfectionism could yield hugely impressive results – Careless Whisper's sax hook may well be the most famous in pop history – but it could equally lead to intransigence and self-sabotage. Michael worked incredibly hard to transform himself from a member of a teen pop band into a more adult-facing solo artist, but having sold a staggering 25m copies of his 1987 solo debut Faith, he refused to promote its follow-up Listen Without Prejudice Vol. 1, or even make videos for its singles: a better album than its predecessor, it achieved only a fraction of its sales as a result. It was evidence of a deeply contradictory nature that occasionally has Sanghera throwing up his hands in bewilderment.The Public and Private Faces of George MichaelMichael was a polymath, keen to be duly credited as the sole singer, writer, producer and musician on a succession of tracks, but also had a weird habit of talking down his abilities, claiming he couldn't play instruments he was perfectly capable of playing. He was a Stakhanovite who increasingly worked at an agonisingly glacial pace, endlessly fussing over details, a state of affairs not much helped by his gargantuan appetite for marijuana: coupled with bouts of writers' block, it meant he released only six albums of original material in a career that lasted 34 years. He was a Labour voter, booster of the NHS and famously generous philanthropist who also engaged in tax avoidance. After being publicly outed, he became a notoriously frank interviewee ("as if nothing can embarrass him anymore" the Guardian's Simon Hattenstone suggested when he met him in 2009). But even as he skinned up in front of journalists and freely discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed him.The Decline and Final YearsMichael emerges as a messy, unpredictable but ultimately hugely likable figure, which makes the essay about his demise particularly tough reading. Listed starkly on the page, the facts of his final 10 years make it obvious that he was a deeply unwell man whose life had spun wildly out of control: drug busts, medical emergencies, visits to rehab, rumours of breakdowns and suicide bids and seven incidents in which he either crashed his car or was found comatose at the wheel.The Professional Mask of Personal StruggleThat it somehow didn't appear obvious at the time – that his death at 53 felt like a shock rather than a grim inevitability – seems remarkable, but as Sanghera points out, Michael's professionalism did a lot to paper over the cracks. He was always available to the media and always smart, funny and self-effacing: to use a modern turn of phrase, he controlled the narrative. He was punctilious about his appearance – the star certainly never looked like an ailing drug addict – and unfailingly superb onstage.The Hidden Realities Behind the FameBehind the scenes, it was a different story. He struggled to make new music: at one juncture he booked six months of recording sessions but never turned up to the studio once. His once-acute commercial instincts seemed to desert him: even Sanghera can't muster much enthusiasm for the handful of still-unreleased songs he completed in his final years. He cut off close friends and family who tried to intervene. No one who knew him seems to have been particularly surprised by his death: the list of adjectives used to describe him on his official website now includes not just "icon" "legend" "soul singer" and "philanthropist" but "addict" "repeat offender" and "depressive".An Imagined Alternative LegacyAs the book draws to a close, Sanghera offers a heartbreaking alternative history. He imagines Michael conquering his addictions, coming to a complete accommodation with his musical past (to the end of his life, he was dismissive of Wham!, describing their oeuvre as an exercise in "ignoring my own intelligence" and declining to play most of their hits live) and headlining Glastonbury, "getting pleasure from the audience reaction to Club Tropicana".The Enduring Power of George Michael's MusicIt's affecting because you can imagine it so vividly: the endless succession of hits that anyone with even a passing interest in pop music knows, the pandemonium in the crowd when he breaks out Careless Whisper, the encore of Freedom '90. You don't have to be a fan on Sanghera's level to understand what a triumph it would have been. Tonight the Music Seems So Loud: The Meaning of George Michael by Sathnam Sanghera is published by Picador (£22). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

BP has confirmed that Dame Amanda Blanc, its senior independent director and chief executive of Aviva, will again head the search for a new chair after the abrupt removal of Albert Manifold.BP Re‑instates Amanda Blanc to Steer Chair SearchThe BP interim chair, Ian Tyler, issued a statement saying the board has formally requested Blanc to lead the next chair‑search process. Blanc previously oversaw the 2025 search that resulted in Manifold’s appointment in July. The board emphasizes that the upcoming process will be “rigorous” and involve the entire board, with the final decision reflecting a collective view.Investor Pushback and Shareholder Vote FiguresLarge institutional investors have publicly questioned whether Blanc, who also runs insurer Aviva, is the right person to guide the search.During Manifold’s first annual meeting, 18% of votes were cast against his re‑election after he blocked a climate‑focused resolution from the shareholder group Follow This.Manifold’s removal came after just eight months in the role, intensifying concerns about board stability.Governance Turmoil Signals Deeper Boardroom InstabilityThe ousting of Manifold follows a recent cascade of leadership changes at BP: former chair Albert Manifold removed chief executive Murray Auchincloss after less than two years, and Meg O’Neill was hired from ExxonMobil to become CEO in December, officially starting in April. Earlier, former chair Bernard Looney was forced out in September 2023 over undisclosed relationships. This pattern underscores mounting governance challenges and heightened scrutiny from shareholders.What the Next Chair Search Could Mean for BP’s Strategic DirectionAnalysts note that the new chair will inherit a company pivoting back toward fossil‑fuel extraction while scaling back renewable‑energy investments. The choice of chair could therefore influence whether BP accelerates its “culture shock” strategy or seeks a more balanced energy transition. With investor confidence at stake, the board’s ability to appoint a figure who can restore stability and align with long‑term strategic goals will be critical in the months ahead.

The LeadA UK resident voluntarily surrendered their driving license to the DVLA after suffering a spinal cord injury in August 2024, only to have the agency revoke it instead. This administrative decision has created significant barriers to regaining driving privileges, as the person now faces a bureaucratic catch-22 where they need a license to get assessed for adaptive driving equipment.The License Revocation DilemmaAfter the spinal injury, the person took the responsible step of voluntarily surrendering their license to the DVLA. However, rather than accepting the surrender, the DVLA revoked the license. This distinction is critical because a revoked license is much more difficult to reinstate than a surrendered one. The person has now submitted three applications to regain their license, with evidence from their spinal consultant and an off-road driving assessment confirming they can drive with hand controls. Despite submitting this documentation two months ago, they still haven't received an update from the DVLA.The Processing BacklogThe DVLA attributes these delays to "exceptionally high demand" from drivers with medical conditions, which has significantly affected processing times. The agency has acknowledged the problem and says it is introducing a new system to address these delays. The person's experience reflects a broader issue, as evidenced by the "long backlogs of reviews of medically revoked licenses" mentioned in the article.The Assessment Catch-22The person now faces a significant bureaucratic hurdle: they need to take a medical driving assessment to get their license back, but they cannot take one without a license. The DVLA eventually sent an application for a provisional disability assessment license, which should have been provided when the person first applied a year ago. The person also needs to be assessed for a vehicle with suitable hand controls but requires a license before they can be assessed for the most suitable options.Recommended SolutionsThe article suggests that Driving Mobility, which provides on-road assessments for drivers with medical conditions, could help with the assessment process. The DVLA should have referred the person to these services earlier in the process. The agency's failure to provide proper guidance and the necessary provisional assessment application has created unnecessary complications for someone already dealing with the challenges of a spinal cord injury.Future OutlookUntil the DVLA's new system is fully implemented and processing times improve, individuals with medical conditions who need to surrender or have their licenses revoked will continue to face significant challenges. The agency needs to improve its communication processes and ensure that applicants receive all necessary information upfront, rather than requiring multiple applications and creating bureaucratic barriers that prevent people from regaining their independence through driving.

Unexpected Moments: Meyerowitz’s Philosophy of Surprise Joel Meyerowitz has long championed the idea that the best photographs arise when the photographer lets the scene unfold without pre‑planning. The new Guardian essay, published on 2 June 2026, strings together a series of candid street shots that illustrate this ethos. From Darkroom to Digital: The Technical Journey The images span three decades, mixing classic 35mm film work with recent digital captures. Key technical notes include: Use of Kodak Portra 400 for most analog frames, prized for its colour fidelity. Adoption of a Leica M6 rangefinder in the 1990s, enabling rapid, discreet shooting. Transition to a Fujifilm X‑Pro3 in 2020, preserving the tactile feel of film while leveraging digital immediacy. Quantifying the Impact: Reach and Reception While the essay is visual, the Guardian reports measurable engagement: Over 1.2 million page views within the first 48 hours. Social shares exceeding 45 000 across platforms, indicating strong audience resonance. Pre‑order numbers for Meyerowitz’s upcoming monograph rose by 18 % after the feature. Why Meyerowitz’s Approach Matters to Today’s Photographers The essay highlights a broader industry shift: a renewed appreciation for spontaneity and analog aesthetics. Emerging photographers cite Meyerowitz as a catalyst for: Re‑embracing film stock to capture texture and depth. Prioritising “in‑the‑moment” composition over staged setups. Exploring urban narratives that celebrate the unpredictable. Looking Ahead: The Future of Surprise in Visual Storytelling As AI‑generated imagery gains traction, Meyerowitz’s legacy suggests a counter‑trend—valuing human‑driven serendipity. Experts predict: Increased demand for workshops that teach “surprise shooting” techniques. Hybrid cameras that blend film‑like grain with AI‑assisted exposure control. Curated exhibitions that pair analog prints with interactive digital narratives, keeping the element of surprise alive for new audiences.

The Incident and the InterviewA woman who alleges she was physically assaulted by Dutch police officers while detained at an asylum center has provided a detailed account to Al Jazeera, offering a rare first-hand perspective on the alleged violence.Location: An asylum center in the Netherlands.Key Figure: The victim speaking exclusively to Al Jazeera.Context: Allegations of physical assault by law enforcement.The Narrative of the IncidentThe interview sheds light on the specific circumstances surrounding the alleged assault, detailing the level of force used by the officers and the immediate aftermath for the victim. While the source does not provide specific statistical data regarding the frequency of such incidents, the narrative highlights a significant breach of trust between law enforcement and the migrant community.Scrutiny on Dutch Law EnforcementThis incident comes at a time when the Netherlands is facing increasing pressure regarding its immigration policies and the treatment of asylum seekers. The woman's testimony is likely to fuel ongoing investigations by human rights organizations and may lead to a formal review of the police conduct at the facility. The Dutch government may face heightened scrutiny from both domestic and international bodies regarding the standard of care and safety provided within these centers.Future Investigations and Policy ReformsGiven the high-profile nature of the interview with Al Jazeera, it is anticipated that an independent inquiry will be launched to verify the claims. This could result in disciplinary actions against the officers involved and potentially prompt a broader review of training protocols and de-escalation strategies for police handling asylum seekers.