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Business Apr 26, 2026

Ryanair Shuts Berlin Base Citing German Aviation Tax Surge and Fuel Costs

Ryanair will close its Berlin operating base, cutting its winter schedule in half and moving seven …
Executive Summary: Ryanair Pulls Out of Berlin Amid Tax and Fuel PressuresRyanair will close its Berlin operating base, halving its winter schedule and moving seven aircraft to other hubs. The airline blames the decision on Germany’s rising aviation taxes and a doubling of jet‑fuel prices since the Gulf conflict began.Ryanair Announces Closure of Berlin Base Over Soaring Aviation TaxesCEO Eddie Wilson confirmed that passenger traffic will fall from 4.5 million to 2.2 million annually, with flights from October served by aircraft based elsewhere. Staff are offered transfers to other European locations.Seven aircraft reassigned to other Ryanair centres13 aircraft already withdrawn from Frankfurt, Düsseldorf and Stuttgart basesGerman trade union Verdi condemns the move as profit‑drivenFinancial Ripple: Passenger Cuts and Aircraft RelocationThe reduction translates to a loss of roughly 2.3 million passengers per year. Combined with the doubling of jet‑fuel prices, the airline faces higher operating costs. American Airlines warned of a $4 billion hit this year from fuel price spikes, underscoring industry pressure.Broader Implications for German Aviation and European RailUnion leader Dennis Dacke argues Ryanair treats employees as “disposable commodities”. Environmental groups and rail advocates see an opening: Berlin’s rail links to Amsterdam, Warsaw, Prague, Vienna, Paris and a new Copenhagen service could attract displaced flyers.Potential increase in rail passenger volume to BerlinPressure on German airports to revisit tax and fee structuresRisk of reduced connectivity affecting trade and tourismOutlook: Ryanair’s Next Moves and German ConnectivityRyanair’s boss Michael O’Leary warned that up to 10 % of late‑summer flights could be cancelled if fuel shortages persist. The airline may focus on more tax‑friendly hubs while German policymakers face pressure to reform aviation taxes to retain low‑cost carriers.
#Ryanair #Berlin #German aviation tax
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Tech Apr 26, 2026

UK Government Departments Clash Over AI Datacentre Energy Demands

UK government departments are at odds over the energy demands of AI datacentres, with DSIT projecti…
The Government's Energy Calculations ClashThe UK government is facing internal divisions over the energy demands of AI datacentres, with two key departments offering vastly different projections. While the Department of Science, Innovation and Technology (DSIT) forecasts that AI datacentres will consume 6GW of electricity by 2030, the Department of Energy Security and Net Zero (DESNZ) projects usage of less than a tenth of that amount. This discrepancy raises questions about how the UK can simultaneously pursue its ambition to become an AI superpower while meeting decarbonization targets.Conflicting Projections from Key DepartmentsThe DSIT's "UK compute roadmap," published in 2025, sets out a "bold, long-term plan to transform our national compute ecosystem" by building AI datacentres. The document explicitly states: "We forecast that the UK will need at least 6GW of AI-capable datacentre capacity by 2030." This ambitious plan involves creating multiple AI growth zones across the country, each requiring at least 500MW of electricity.In contrast, DESNZ, which is responsible for the UK's carbon budget and climate targets, has incorporated AI datacentres into broader forecasts for the energy use of Britain's "commercial services" sector. These projections suggest the entire sector's energy use will grow by just 528MW between 2025 and 2030 – equivalent to adding the consumption of 1.7m homes by the end of the decade.The DESNZ has stated it does not hold separate projections for datacentre growth, despite the government's commitment to building significant AI infrastructure.The Scale of the DiscrepancyThe difference between the departments' projections is staggering. DSIT's estimate of 6GW for AI datacentres alone is more than ten times higher than DESNZ's projection for the entire commercial services sector's growth. This means that if DSIT's projections are accurate, the energy demands of AI datacentres would far outpace the government's current plans for grid expansion and decarbonization.Each proposed AI growth zone would require at least 500MW of electricity – an amount only slightly less than DESNZ's forecast for the increase in energy usage of the entire commercial services sector. This suggests that even a handful of these zones would strain the government's energy planning.Revised Emissions Figures and ControversyThe controversy surrounding these projections deepened when DSIT revised its figures for the carbon emissions of AI datacentres. Originally, DSIT's projections for the carbon emissions of additional AI computing capacity were between 0.025m and 0.142m tonnes of carbon equivalent (MtCO₂) – below 0.05% of Britain's projected emissions.After questions were raised about the plausibility of these figures, the document containing them was removed from the government website. Then, after inquiries from The Guardian, DSIT updated its numbers significantly. In a statement posted online, the department acknowledged: "The UK's cumulative 10-year greenhouse gas emissions from AI compute could range from 34 to 123 MtCO₂ – this is around 0.9-3.4% of the UK's projected total emissions over the 10-year period."This represents more than a hundredfold increase in the estimated emissions, raising serious questions about the initial calculations and the transparency of the government's planning process.Critics Question Government Competence and Corporate InfluenceThe conflicting projections have drawn sharp criticism from experts and observers. Tim Squirrell, the head of strategy for the NGO Foxglove, commented: "The government's cluelessness over the environmental impact of datacentres would be laughable, if it weren't so alarming."Cecilia Rikap, a researcher at University College London, offered two possible interpretations of the "misalignment": either DESNZ and DSIT are incompetent, or there's some kind of "magical thinking about AI and big tech." She added: "Either way, the episode uncovers how these corporations control not only the AI value chain, but also the UK government."Foxglove filed an environmental impact assessment request with DESNZ in January, asking how the department had incorporated AI datacentres into its projections for Britain's emissions. The response, which referred to broader forecasts for the commercial services sector, did not address the specific concerns raised.Future of UK AI Strategy and Climate GoalsThe UK government appears to be attempting to balance competing priorities: becoming a leader in artificial intelligence while meeting international climate commitments. Carbon budget 7, which will outline the UK's climate plans for the coming years, is set to be released this summer and may provide more clarity on how these objectives will be reconciled.A spokesperson for DESNZ noted that "datacentre emissions are factored into our modeling, including for carbon budget 7," and mentioned that "The AI Energy Council is exploring opportunities to attract investment and support the development of clean power for datacentres."However, the significant discrepancy between government departments suggests that the UK's strategy for becoming an AI superpower may be developed without adequate consideration of its environmental implications. As the government moves forward with its AI ambitions, the tension between technological advancement and climate responsibility will likely remain a central challenge.
#UK Government #AI Datacentres #Energy Demands
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Politics Apr 25, 2026

Nova Scotia's Woods Ban Struck Down by Court: Vague Emergency Rules Violate Charter Rights

Nova Scotia's emergency ban on entering 'the woods' during last summer's wildfires has been struck …
The Lead: Emergency Ban OverturnedNova Scotia's controversial ban on entering "the woods" during last summer's wildfire emergency has been struck down by the province's supreme court. Justice Jamie Campbell ruled that the vague definition of what constitutes "woods" violated Canadians' constitutional mobility rights, creating confusion for residents while exempting industry groups from the restrictions.The Event Details: Vague Definitions and Legal ChallengesThe emergency ban, implemented as wildfires ravaged the province, prohibited residents from entering "the woods" with penalties reaching up to C$25,000. The definition proved problematic, encompassing rock barrens, scrubland, marshes, and even areas where trees had previously existed but were no longer present. The ban allowed travel through wooded areas as long as it wasn't "any great distance," creating confusion for residents trying to comply.Army veteran Jeffrey Evely deliberately challenged the ban after being fined C$28,872.50 for hiking in Cape Breton. With support from the Justice Centre for Constitutional Freedoms (JCCF), a libertarian-leaning legal organization, Evely took his case to court where he ultimately prevailed.The Data Analysis: Financial and Legal ImplicationsThe case carries significant financial implications beyond the initial fine. The provincial government faced potential liability for the wrongful enforcement of the ban, while also having to consider alternative approaches to wildfire prevention that wouldn't infringe on constitutional rights. The JCCF, which has a history of challenging government overreach, positioned this case as part of a broader movement to protect individual liberties during emergencies.The court's decision emphasized that while governments have the authority to implement emergency measures, they must balance these against protected rights like mobility, which has previously been described as "the heart of what it means to be a free person" in Canadian jurisprudence.The Impact Analysis: Shaping Emergency Powers and Civil LibertiesThis ruling sets a significant precedent for how emergency powers can be implemented in Canada during crises. The court acknowledged the urgency of the wildfire situation but warned that if individual rights aren't protected during emergencies, "they can be eroded in a way that eventually affects everyone." The decision also highlighted inconsistencies in how the ban was applied, with industry groups like forest operators, utilities, and telecom companies receiving permits to continue accessing wooded areas while ordinary citizens faced severe penalties.The case resonates beyond Nova Scotia, connecting to historical tensions between state power and individual rights that date back to the Magna Carta and the Charter of the Forest from 1271, which granted common people rights to access forests.The Prediction: Future of Emergency Measures and Civil LibertiesLooking ahead, this decision is likely to influence how Canadian provinces craft emergency measures during future crises. Governments will need to develop clearer definitions and more balanced approaches that protect public safety while respecting constitutional rights. The ruling may also embolden similar challenges to emergency measures that are perceived as overly broad or inconsistently applied. As climate change increases the frequency and intensity of wildfires and other natural disasters, finding the right balance between emergency powers and civil liberties will become an increasingly important challenge for policymakers and courts across Canada.
#Nova Scotia #Jeffrey Evely #Charter of Rights
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Politics Apr 25, 2026

Athens Mayor Haris Doukas Vows to Halt Overtourism as City Faces ‘Hotel’ Crisis

Athens’ new socialist mayor, Haris Doukas, warns the capital is turning into a giant hotel and is p…
The Mayor’s Call to Stop Athens from Becoming a Giant HotelHaris Doukas, elected in 2024, told the Guardian that Athens “cannot operate as if it were a giant hotel.” He announced a plan to use a pending tourism land‑use bill to ban new tourist‑focused businesses in the historic centre, aiming to protect residents’ quality of life.Tourist Surge and Infrastructure Strain: Numbers Behind the CrisisMore than 8 million visitors arrived in Athens in 2025, a record for the city.Short‑term rentals in the Plaka district have more than doubled since 2018.The municipality serves 700,000 residents while accommodating the tourist influx.Doukas highlighted ongoing upgrades – new electricity grids, water systems, drainage and 5G networks – to cope with the pressure.Economic and Housing Impact: Rising Rents, Short‑Term Rentals, and Public ServicesProperty rents have surged, pricing many locals out of historic neighbourhoods.Short‑term rentals reduce the stock of affordable long‑term housing, exacerbating a housing crisis.Under Doukas, the city has planted an estimated 3,855 trees across its 15 sq mile (39 sq km) area.Policy Pushback and Regional Comparisons: From Barcelona to EU Housing ActionThe mayor’s proposal has found unexpected allies, including Evgenios Vassilikos, head of the hoteliers’ association, who cites Barcelona’s moratorium on new hotel licences since 2017. Both Athens and Barcelona are part of a 15‑city European housing action plan urging the EU to address the housing‑tourism clash.What Comes Next? Potential Legislation and the Future of Athens’ City CentreDoukas aims to embed a blanket ban on new tourist‑related businesses in law, potentially freezing hotel construction permits and curbing short‑term rentals. If passed, the legislation could redirect investment to less‑congested districts, preserve historic authenticity, and set a precedent for other overtouristed capitals.
#Haris Doukas #Athens #Overtourism
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Entertainment Apr 25, 2026

Surreal Murder Mystery: Belgian Drama Blends Art and Crime in 1930s Setting

A new Belgian TV series 'This Is Not a Murder Mystery' combines cozy crime with surreal art, featur…
The Surreal Whodunit'This Is Not a Murder Mystery' (U&Drama;/Channel 4) presents a unique fusion of cozy crime and surreal art set in 1936. The series follows René Magritte who wakes up next to a dead woman, their heads wrapped in shrouds—a recreation of his own painting The Lovers. As DCI Thistlethwaite and DC Quant investigate, the murders mount up, each paying twisted homage to the masterpieces of the surrealist artists present, who are also suspects.The Artistic Setting of 1936The show transports viewers to a pivotal moment in art history when surrealist artists were on the cusp of major fame. The private show features an impressive roster of real historical figures including Salvador Dalí, Max Ernst, Man Ray, performance artist Sheila Legge, and American war photographer Lee Miller. The series meticulously incorporates authentic details: Picasso only drinks sparkling water, while Sigmund Freud "never shuts up at dinner." This attention to historical detail creates a rich, immersive backdrop for the unfolding mystery.Art as Murder WeaponThe series innovatively uses art as both setting and murder weapon. Each crime scene becomes a quasi-artistic performance, with the killer staging grisly homages to the artists' works. The show revels in these flamboyant set pieces, with characters commenting on the "mise en scène" of the murders. This creative approach transforms familiar TV tropes—killer signature styles—into something fresh by having actual artists as potential murderers. The visual language of surrealism becomes a narrative device, with Magritte even teaching detective Quant about artistic techniques like repoussoir to help solve the crimes.Cultural Significance of Art-Crossing Crime'This Is Not a Murder Mystery' represents a refreshing departure from typical British television fare, which the reviewer notes often consists of "a man walking around a garden centre." The series brings European pretentiousness to the cozy crime genre, creating a sophisticated blend of high art and murder mystery. By mixing fact and fantasy, the show appeals to both art enthusiasts and crime drama fans, offering intellectual stimulation alongside entertainment. The casting of real artists is striking, with Iñaki Mur portraying a "rake thin, tremulous Dalí" and Florence Hall capturing "an ethereally beautiful Lee Miller" who also carries a glass revolver with hand-chiselled salt bullets.The Future of Historical MysteriesThis Belgian import signals a growing trend toward blending historical figures with genre entertainment. By taking real artists and placing them in fictional murder scenarios, the show creates a new subgenre of historical mystery that educates while entertaining. The success of such a concept could inspire more productions that bridge the gap between high culture and mainstream television. As the art world continues to capture popular imagination, expect to see more creative crossovers that make art accessible through compelling narratives. The series' unique approach—using art as both subject and structural element—may become a template for future productions seeking to elevate genre television.
#This Is Not a Murder Mystery #René Magritte #Belgian Drama
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Politics Apr 25, 2026

Civil Rights Activist Kimberlé Crenshaw on America's Race Backlash and the Power of Intersectionality

Civil rights scholar Kimberlé Crenshaw reflects on the political backlash against her pioneering wo…
The Erasure of a Scholar's LegacyWhen Donald Trump returned to office in January last year, one of his first acts was to sign an executive order intended to cut federal funding for any school teaching what the administration defined as "critical race theory." A raft of other orders mandated the termination of DEI (diversity, equity and inclusion) personnel, offices and training across the federal government. Federal agencies began flagging hundreds of words to avoid or eliminate, including "intersectional" and "intersectionality." All of which has amounted to 40 years of Kimberlé Crenshaw's work being literally and deliberately erased.The Architect of IntersectionalityFor decades, the 66-year-old legal scholar has been naming things that powerful people would prefer remain unnamed. In 1989, she coined the term intersectionality to describe the way race and gender overlap to shape lived experience, often in ways the law fails to recognize. Around the same time, she was one of a group of African American scholars who created the framework that came to be known as "critical race theory," which sought to examine how racism is embedded in legal systems rather than simply enacted through individual prejudice. Now, Crenshaw's ideas are being contested like never before.The Political Weaponization of Academic Concepts"Unfortunately, I did see this coming," she tells me over a video call from the California offices of the African American Policy Forum, the thinktank she co-founded. We are calling to discuss Crenshaw's new memoir, Backtalker, but the conversation soon shifts. "The fact that they are targeting this … it is because they understand the power of these ideas, the power of this history." Behind her, posters reading "History repeats when we forget" and "The freedom to learn is the freedom to live" hang alongside shelves of critical race theory texts and Black history books the likes of which have, in some states, become politically radioactive.The Cultural War Over "Woke" IdeologyWhat makes the intensity of this backlash striking is how recently Crenshaw's work entered mainstream public consciousness. Until a few years ago, ideas such as intersectionality and critical race theory remained largely within the domain of legal scholarship, academic debate and activist vernacular. It wasn't until 2020, when a loose coalition of conservative activists, media figures and politicians began elevating them as political flashpoints, that they were thrust into the centre of the culture wars. In the ensuing five years, this snowballed into all-out war against "woke," with critical race theory as its ultimate bogeyman. It became a byword for liberal overreach, a catch-all for everything that was wrong with the US in the eyes of the conservative right.The Fascist Narrative and American Democracy"Trump jumped on a bandwagon started by a few rightwing propagandists, claiming that intersectionality and critical race theory were anti-white, anti-male and anti-American," she says. "Fox News amplified this, and within weeks, these ideas were mentioned more than they had been in the previous four decades."Crenshaw, true to form, is not shy about naming what she considers to be the problem. "One of the keys of fascism is control of the nation's narrative," she says. "That, alongside creating a group of people that are legitimate targets of exclusion – an us and them – allows for the autocrat to be seen as the embodiment of the essential nation. And in the United States, we come prefabricated for that dimension of fascism to set into our politics."Why is it that so many white Americans are willing to continue to vote for a president that is demolishing democracy, so long as he's willing to affirm them effectively as true Americans?" she continues. "Because of the idea that those over there are different from us. They don't really belong. That is the way fascism works."From Childhood Inequality to Intellectual FrameworkIt is clearly in Crenshaw's DNA to confront injustice, as is evidenced in Backtalker, which chronicles her journey from witnessing inequality as a child to challenging entrenched power structures in law, academia and politics. "Being a backtalker is like being lactose intolerant," she writes. "There is BS that I cannot digest. To accept anything close to second-class status as the price of belonging sickens me."Born in Ohio in 1959, on the verge of the civil rights movement, Crenshaw grew up at a time of expanding yet restricted possibilities. She watched that tension unfolding in real time, in the speeches of Malcolm X and Martin Luther King Jr on television, and in discussions around the kitchen table, where her parents, dedicated anti-racist activists, treated politics as a daily practice. "As a Black child, I had early inklings that differences would matter in my life, even if I couldn't name them," she says.The Making of an Intersectional ConsciousnessOne such inkling came when her family moved to the predominantly white suburb of Canton, Ohio. "When we arrived, there were children playing everywhere," she remembers. "I was excited." But almost overnight, the children vanished. Neighbours treated the new family as intruders and shouted slurs when they walked by; an estate agent knocked on their door urging a quick sale.Perhaps the most formative incident came when she was five years old, and was the only girl in her all-white class who was not given the opportunity to play the princess, Thorn Rosa, in a school performance. "Thorn Rosa marks the stirring of my nascent awareness that my colour and my girlness were linked," she writes."You push that doubt down until something happens that forces it open," she tells me. "You realize that how others see you will shape your experiences. And that realization is traumatic."The Trauma of Loss and the Birth of ActivismWhat mattered, she says, was that those moments were not dismissed. "I credit my parents for taking them seriously," she says. "They refused to minimize what I experienced, even as a young child. That affirmation was freeing, it told me my feelings were grounded in reality and gave me permission to understand them."It was tragedy that would, in many ways, become the making of the young Crenshaw. She was eight years old when Martin Luther King Jr was assassinated in 1968 – a before-and-after moment in her life. The following day, young Black activists in Canton directed schoolchildren to the local church for a hastily organized memorial service. Crowded into pews, everyone was silent when the activists asked if anyone had anything to say about Dr. King. No one moved. It was Crenshaw who broke the silence, exhorting the crowd not to let his death be the end of the freedom struggle. "We pick up where he left off," she recalls saying. "We continue to walk in his footsteps. They can't kill his dream for us – not if we won't let them."Further devastation followed. A year later, her father, an apparently healthy 34-year-old, died suddenly, leaving the family reeling. Not long after, her older brother Mantel was shot and killed while at university. The circumstances were never fully explained, and justice never came. She writes of that period with unflinching candor: "Happiness was dead." These losses left an indelible mark, sharpening her awareness of the unevenness of justice in a world already structured by racial and social inequities.The Complexity of Solidarity and the Limits of "We"Crenshaw arrived at Cornell University in 1978, to a campus shaped by the afterlives of civil rights struggle and Black student organizing. It was there that she entered into a relationship with a fellow student that became physically abusive. In one incident, he beat her and tried to throw her from the window of her 10th-floor dorm room."We were eye-to-eye when he threw the first punch," she writes in Backtalker. "Pressed out of denial, I woke to the fact that he was going to beat the daylights out of me."What followed unsettled her understanding of community more profoundly than the violence itself. Rather than rallying around her, many of her peers – fellow Black students and friends – closed ranks around him. To involve authorities, they told her, would be to expose a Black man to a system already predisposed against him. The implication was that her suffering as a woman should be subordinated to a broader racial solidarity."The way that sexual violence against Black women has long been justified – framing us as unlikely ever to say no to any sexual encounter – you can know this historically, but then when you experience it interpersonally, you have to grapple with the fact that more people in your own community will come to the defense of your abuser than you," she says. "It really presses the question of 'what is solidarity supposed to look like?' she continues. "What does it mean to defend the 'we', when that 'we' often excludes me?"The Birth of Intersectionality in Legal TheoryCrenshaw returns to that question – of the instability of "we"– again and again. From arriving at Harvard Law School and being called the N-word on her first day, to being directed to enter the university's exclusive Fly Club through the back door because she was a woman – the Black male friends she was with, rather than challenge the slight, urged her not to make a scene. What she would later call "asymmetrical solidarities" revealed themselves in practice: loyalty expected but not returned. "I cannot bring myself to ride or die for a politics that won't ride or die for me," she writes of the incident.In legal terms, the problem came into focus when Crenshaw came across a 1976 case in which an African American woman was denied the ability to bring a discrimination claim against her employer on the grounds that the law could recognize race or gender, but not both at once. Her experience – specifically of being discriminated against as a Black woman – fell through the cracks and the case was thrown out of court. In 1989, Crenshaw identified this form of compound discrimination and gave it a name: intersectionality. Around the same time, she was part of a group of scholars developing what would become critical race theory, a broader attempt to understand how racism is a structural part of the legal system.The Promise and Limits of Political RepresentationIt is a lesson that would resurface, years later, in a very different arena. When Barack Obama was elected president in 2008, the language of "we" returned with renewed force – this time, as a promise. For many, Obama's election felt like a rupture with the past. But for Crenshaw, it quickly raised a familiar question."I didn't think it would happen in my lifetime," she says, of that initial hope after Obama's victory. "It felt like a miracle. My mother and I celebrated together on the phone – I was dancing on a table at Stanford and she was doing the same in her retirement facility. For her especially, it was a dream come true."But symbolism, Crenshaw suggests, has limits, particularly when it is used as a substitute for structural change. She found his reticence to address racial injustice head-on frustrating. Very quickly, the terms of Obama's political viability became clear."He had been framed as post-racial, beyond these issues," she says. "And that framing became a constraint on what he could say and how directly he could address racial injustice."Even when Obama did address racial inequality more explicitly in his second term – most notably after the killing of 17-year-old Trayvon Martin in 2012 – the focus, she felt, remained narrow, failing to address the systemic nature of the problem.The Future of Racial Justice in AmericaAs Crenshaw reflects on her life's work and the current political climate, she remains committed to the struggle for racial justice, even as her ideas face unprecedented opposition. "If speaking out means being at odds with people I love, well, so be it," she writes. "I still love them. I hope they still love me."Looking ahead, Crenshaw sees both challenges and opportunities in the fight for racial justice. The backlash against critical race theory and intersectionality, she argues, is a sign of the power these ideas hold to transform American society. "There's a long history in this country of using the threat of violence to keep people under heel," she observes. "But the resistance has always been there too, and it's getting stronger."As America continues to grapple with its racial legacy, Crenshaw's work – and the concept of intersectionality she pioneered – offers a framework for understanding the complex ways race, gender, and other identities intersect to shape experiences of discrimination and privilege. Whether this framework will survive the current political assault remains to be seen, but Crenshaw's decades of scholarship and activism have already left an indelible mark on American discourse and law.
#Kimberlé Crenshaw #intersectionality #critical race theory
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Environment Apr 24, 2026

UK Government Vastly Underestimates AI Datacentre Carbon Impact

The UK government has dramatically revised upward its estimates of carbon emissions from AI datacen…
The Government's Massive Emissions RevisionThe UK government has dramatically revised upward its estimates of carbon emissions from AI datacentres, now projecting up to 123 million tonnes of CO₂ over the next decade—more than 100 times previous figures. This revelation raises serious questions about the government's climate commitments and its push for AI-driven economic growth.The Scale of AI's Environmental FootprintAccording to new data quietly published this week, energy use by AI datacentres in the UK could cause the emission of up to 123m tonnes of carbon dioxide (CO₂) – about as much as generated by 2.7 million people – over the next 10 years. That latest figure replaces a previous estimate – since deleted – that claimed emissions would reach a maximum of 0.142m tonnes of CO₂ in a single year.The latest estimates were revealed in a revision to the UK "compute roadmap", which sets out the government's plan "to build a world-class compute ecosystem" for delivering artificial intelligence in the UK – a goal on which the government has staked its hopes for economic growth.The Carbon Impact NumbersAccording to the Department for Science, Innovation and Technology's (DSIT) latest estimates, the carbon impact of the planned AI buildout could range from 34m to 123m tonnes of CO₂ – about 0.9% to 3.4% of the UK's projected total emissions between 2025 and 2035. The lower range of the estimate would depend on greater efficiency in AI models and hardware, and faster decarbonisation of the UK's energy grid.AI datacentres require huge amounts of electricity to operate – much more than the datacentres used to store online data – and most of that continues to be generated by fossil fuels.Climate Concerns and Government ResponseThere is increasing alarm at the carbon impact of AI and with calls to reduce global emissions to mitigate the climate emergency becoming increasingly urgent. Patrick Galey, the head of investigations for the Global Witness climate campaign, said: "We have a handful of years until our carbon budget is exhausted. To waste what little bandwidth we have left – when 750 million people worldwide lack access to electricity – assisting some of the richest men ever to hone their plagiarism bots would be a historic idiocy that future generations are unlikely to forgive today's leaders for."Foxglove's head of strategy, Tim Squirrell, added: "The government has a legally binding commitment to reach net zero by 2050. This already sat awkwardly alongside its hell-for-leather embrace of a hyperscale AI datacentre buildout, which unchecked could double the electricity consumption of the entire country. The situation has now been revealed to be much, much worse, given the fact the government doesn't seem to have done even the most basic arithmetic needed to measure the potential new carbon emissions of these datacentres."Officials from the DSIT appear to have made the revision after an investigation by Foxglove, an independent watchdog, and the Carbon Brief news site said they appeared to be a significant underestimate. The government declined to comment on the record.Future of AI and Climate PolicyThe dramatic revision of emissions estimates comes as the UK government continues to push for AI adoption, with recent announcements including a £500m fund investment. This creates a significant tension between the government's economic ambitions for AI and its climate commitments, particularly as the UK aims to reach net zero emissions by 2050.As the true environmental cost of AI becomes clearer, policymakers will face increasing pressure to balance technological advancement with sustainability concerns. The path forward may require more efficient AI models, accelerated renewable energy adoption, or potentially scaling back some aspects of the planned AI buildout to meet climate targets.
#UK Government #AI Datacentres #Carbon Emissions
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Tech Apr 24, 2026

NCSC Calls for Passkeys Over Passwords: What It Means for UK Users

The UK’s National Cyber Security Centre (NCSC) now recommends ditching passwords in favour of passk…
The National Cyber Security Centre (NCSC) has officially stopped recommending passwords where passkeys are available, urging consumers to adopt the newer, phishing‑resistant technology for all digital services. NCSC Declares Passwords Obsolete in Favor of Passkeys In a statement released this week, the NCSC said passwords can no longer withstand today’s cyber‑threat landscape. Passkeys, described as a “digital stamp” stored on a user’s device, provide a password‑free login that leverages biometrics such as facial recognition or a device PIN. Adoption Rates and Breach Statistics Google reports that just over 50% of its UK users have a passkey registered. Research by Cybernews highlighted the exposure of billions of login credentials in recent data‑leaks, underscoring the fragility of password‑based systems. Common passwords like “123456”, “admin”, and “password” remain among the most used globally, according to Nordpass. Why Passkeys Could Redefine UK Digital Security Passkeys cannot be harvested through phishing attacks because the private component never leaves the user’s device. Even if a service is breached, the stolen data is useless without the corresponding device‑held private key. Experts such as Dave Chismon, senior tech expert at the NCSC, note that passkeys are faster and simpler for users than remembering complex passwords or navigating two‑factor authentication. Future Outlook: Widespread Passkey Adoption and Remaining Challenges Analysts expect rapid growth in passkey usage as more platforms integrate the standard and as public awareness rises. However, challenges remain, including the need for robust biometric safeguards and user education on protecting device PINs. Alan Woodward, professor of cybersecurity at Surrey University, points out that facial‑recognition technology now incorporates “proof of liveness” to thwart spoofing attempts, but the security ecosystem will continue to evolve in a cat‑and‑mouse dynamic. Key recommendations for users: Enable passkeys wherever offered; fall back to strong, unique passwords only when necessary. Activate two‑factor authentication on accounts that still rely on passwords. Keep device software and apps up to date to benefit from the latest security patches. Maintain strict control over device PINs and biometric data.
#National Cyber Security Centre #Passkeys #Google
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Entertainment Apr 24, 2026

RPO and 1927 Studios Bring Messiaen’s Turangalîla to Life with Vibrant Animation

The Royal Philharmonic Orchestra, conducted by Vasily Petrenko and partnered with 1927 Studios, sta…
Lead: A Jubilant Re‑imagining of Messiaen’s MasterpieceThe Guardian’s review celebrates a daring collaboration between the Royal Philharmonic Orchestra and 1927 Studios, where conductor Vasily Petrenko guided the ensemble through Olivier Messiaen’s sprawling Turangalîla‑symphonie while a witty, silent‑film‑style animation projected above the stage kept audiences enthralled.A Bold Fusion of Turangalîla and Silent‑Era AnimationThe 100‑musician ensemble tackled the score’s “hectic and emotionally overwhelming” demands, with solo piano virtuoso Steven Osborne and ondes Martenot specialist Cécile Lartigau delivering standout moments. The animated film, a playful homage to the golden age of silent cinema, was woven into the musical narrative, matching the score’s “expressive heartbeat” from the first movement onward.Composer: Olivier MessiaenWork: Turangalîla‑symphonie (≈80 minutes)Conductor: Vasily PetrenkoSoloists: Steven Osborne (piano), Cécile Lartigau (ondes Martenot)Orchestra: ~100 musicians from the Royal Philharmonic OrchestraVisual partner: 1927 StudiosVenue: Southbank Centre, London (Multitudes festival, runs until 30 April)Scale and Scope of the ProductionThe concert combined several logistical layers: a full symphonic force, a live‑film projection system, and intricate coordination between conductor and filmmakers. The result was an “unusually clear‑eyed” rendition that preserved Messiaen’s vivid colours while delivering “elastic tempi” and “orgasmic peaks” without smudging the composer’s palette.Why This Matters for Classical Concert InnovationBy marrying a demanding 20th‑century score with a light‑hearted visual narrative, the event demonstrated how classical programming can attract broader audiences without diluting artistic integrity. The seamless sync between musical edifice and dramatic action suggests a viable model for future festivals seeking to rejuvenate repertoire through multimedia storytelling.Future Outlook: More Multimedia Classics on the Horizon?Given the critical acclaim and audience buzz, it is likely that other orchestras will explore similar collaborations, potentially integrating virtual‑reality elements or streaming the visual component for remote viewers. As festivals like Multitudes continue to experiment, the line between concert hall and cinema may increasingly blur, offering fresh entry points for younger listeners.
#Olivier Messiaen #Royal Philharmonic Orchestra #Vasily Petrenko
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