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Study Shows Fetal Exposure to Vegetable Flavours Influences Post‑Birth PreferencesThe research team gave pregnant volunteers powdered kale or carrot capsules during the third trimester and later measured their children’s facial reactions to the same smells. Reactions were recorded via ultrasound before birth, repeated at three weeks, and again when the children were about three years old.Methodology: Kale and Carrot Powder Capsules Administered to Expectant MothersParticipants were asked to swallow a capsule each day containing either kale or carrot powder. The study avoided large volumes of juice, which many volunteers found unpalatable, opting for a low‑cost capsule format.Capsules administered in late pregnancy (around 32 weeks gestation).Initial chemosensory response captured with ultrasound imaging.Follow‑up assessments at 3 weeks and 3 years post‑birth.Sample Size and Observed Reactions Reveal Early Flavor MemoryAlthough the cohort was modest, the findings were consistent:12 children were observed at age three.Infants exposed to carrot powder smiled when presented with a carrot scent and grimaced at kale, and vice‑versa for the kale group.The same preference pattern was evident in the ultrasound scans before birth.These results suggest that flavour exposure in utero can create a durable chemosensory memory.Potential Public‑Health Benefits of Early Dietary ConditioningIf replicated on a larger scale, the approach could offer a low‑cost strategy for improving population nutrition:Reducing childhood resistance to vegetables may lower long‑term risks of obesity and diet‑related diseases.Capsules are inexpensive and could be integrated into routine prenatal supplements.The concept is adaptable to different cultural diets, as noted by the researchers’ interest in fish‑rich Japanese diets.Next Steps: Larger Trials and Cross‑Cultural ApplicationsThe authors acknowledge the need for a bigger, funded study to confirm the effect across diverse populations. Future research aims to:Expand the sample size to hundreds of mother‑child pairs.Test additional flavours and odourants, including artificial sweeteners.Explore policy pathways for incorporating flavour‑exposure capsules into prenatal care guidelines.Published in Developmental Psychobiology, the paper titled “Do Human Fetuses Form Long‑Lasting Chemosensory Memories?” opens a new avenue for early nutritional interventions.

Roberto Sanchez, the left‑leaning presidential candidate of Juntos por el Peru, has been formally accused of financial crimes, with prosecutors seeking a five‑year‑four‑month prison term and a permanent ban from holding the presidency.Undisclosed Campaign Contributions Trigger Criminal ChargesProsecutors allege that Sanchez and his brother William Sanchez received more than 280,000 Peruvian soles (≈ $81,720) in contributions and membership fees between 2018 and 2020, which were omitted from the party’s financial disclosures to the National Office of Electoral Processes.Financial Scope of the AllegationsUndisclosed amount: 280,000 solesPeriod covered: 2018‑2020Proposed sentence: 5 years 4 months imprisonmentAdditional penalty: permanent disqualification from the presidencyPotential Ripple Effects on Peru’s Run‑off ElectionThe charges emerge just after electoral authorities confirmed Sanchez’s place in the June 7 run‑off against conservative rival Keiko Fujimori. A conviction could bar him from office, reshaping the dynamics of a contest that currently shows Fujimori leading with 17.17 % of the vote and Sanchez at 12 %.Judicial Timeline and What It Means for VotersA judge is slated to rule on May 27 whether the case proceeds to trial. If the case moves forward, Sanchez may be unable to campaign effectively, potentially boosting Fujimori’s chances or opening space for other candidates.

Iran has intensified its war rhetoric against the United Arab Emirates, reclassifying the Gulf state from “neighbor” to “hostile base” and warning of stronger strikes if the United States and Israel resume attacks. The shift reflects Tehran’s broader strategy to pressure the UAE over its military ties with Washington and Jerusalem, and to deter the use of Emirati ports for operations against Iran.Iran Elevates UAE to ‘Hostile Base’ in War RhetoricParliamentary security commissioner Ali Khezrian announced on state television that the “label of ‘neighbors’ … has been lifted, and the label of ‘hostile base’ has been set for the country.” The joint command of the Khatam al‑Anbiya headquarters echoed the sentiment, accusing the UAE of turning its territory into “the den of Americans and Zionists.”The IRGC further warned that the UAE’s deepening military, political and intelligence links with the US and Israel constitute “regional insecurity” and threatened a “crushing and regret‑inducing response” to any further attacks on Iran’s southern islands and ports.Key Chronology and Claims Since the Conflict Began28 Feb 2026 – War erupts; Iran and the US exchange fire in the Strait of Hormuz.Early Mar 2026 – IRGC statements label the UAE a “hostile base.”Mid‑Mar 2026 – Iranian forces claim the UAE’s port of Fujairah lies within Iran‑controlled maritime zones.Early Apr 2026 – Iranian media circulate images suggesting UAE Mirage‑2000‑9 jets over southern Iran.8 Apr 2026 – Iran launches missiles and drones primarily against the UAE following alleged strikes on Iranian oil facilities.Regional Repercussions: How Tehran’s Targeting of the UAE Reshapes Gulf DynamicsThe escalation threatens to widen the conflict beyond the Iran‑Israel front. The UAE has responded by terminating Iranian visas, shutting Iranian businesses, and reinforcing its own defence posture, including the deployment of Iron Dome systems. Tehran’s attempt to reroute imports through land corridors via Pakistan, Iraq and Turkey underscores the economic fallout of a maritime blockade.Moreover, the dispute over the Tunb islands and Abu Musa, held by Iran since 1971, adds a territorial dimension that could draw other Gulf states into a broader confrontation.What’s Next? Potential Escalation Paths and Diplomatic CalculusAnalysts warn that if the United States and Israel resume overt operations, Iran may intensify missile strikes on UAE infrastructure, especially ports that facilitate “American and Zionist” logistics. Conversely, diplomatic pressure from the Abraham Accords partners could push the UAE to seek a de‑escalation framework, leveraging its economic ties with both Tehran and the West.Key variables to watch:U.S. policy shifts regarding direct engagement with Iran.Israel’s willingness to deepen military cooperation with the UAE.Iran’s capacity to sustain land‑based supply routes amid rising food inflation.In the short term, the Gulf is likely to see heightened alert levels, increased naval patrols, and a diplomatic push for a multilateral cease‑fire that explicitly addresses the UAE’s role in the conflict.

The League's Highest Earner Lionel Messi is receiving $28.3m in his fourth season with Inter Miami, making him the top earner in MLS once again. This figure does not include additional amounts earned via Apple streaming subscriptions or jersey sales through Adidas and Fanatics. Comparing Top Earners Son Heung-min ranks second, with Los Angeles FC paying the Tottenham icon $11.2m, while Rodrigo De Paul joins Messi on the podium with a $9.7m income. The significant gap between Messi's earnings and the rest of the league highlights the substantial investment Inter Miami has made in his talent. The Data Analysis Messi's salary: $28.3m Son Heung-min's salary: $11.2m Rodrigo De Paul's salary: $9.7m The Impact Analysis Messi's new contract keeps him at an unprecedented rate of income. Only one team spends more across its entire roster than Miami pays Messi alone. This significant disparity underscores the competitive imbalance in MLS, where top players like Messi command salaries that rival or exceed the total budgets of several teams. The Prediction As MLS continues to grow and attract top talent, the gap between the highest earners and the rest of the league may widen. Teams will need to strategically manage their rosters and finances to remain competitive, potentially leading to more significant investments in player development and team infrastructure.

The Warning Anthropic has updated its website to warn investors that a slew of private and secondary investment platforms offering access to shares in the AI company are not authorized to do so. The company named Open Doors Partners, Unicorns Exchange, Pachamama Capital, Lionheart Ventures, Hiive, Forge Global, Sydecar and Upmarket as companies that are not authorized to provide access to buy or sell its shares. Unauthorized Share Sales "Any sale or transfer of Anthropic stock, or any interest in Anthropic stock, offered by these firms is void and will not be recognized on our books and records," the company's blog post reads. Anthropic's preferred and common stock are subject to transfer restrictions, which means any share sale or transfer not approved by its board of directors will be considered invalid. The Rise of Secondary Markets The update comes alongside a rise in the number of investment platforms offering exposure to AI companies' shares (and thus their growth) via secondary markets where existing shareholders sell their shares, "tokenized" securities, special purpose vehicles (SPVs), or secondary market holdings. Anthropic, rumored to be raising fresh funding at a $900 billion valuation, has especially been in demand. The Impact on Investors Over the past year, some crypto companies, like crypto exchange OKX, have spun up investment products selling exposure to AI companies. These often take the form of pre-IPO perpetual futures contracts, which are derivative instruments that track the value of private companies on secondary markets but don't offer ownership of actual shares. SPVs are different from those derivative systems, offering investors a chance to buy shares of an entity that holds at least some stake in Anthropic. The Future Outlook Anthropic says it does not permit special purpose vehicles (SPVs) to acquire Anthropic stock and any transfer of shares to an SPV are void under its transfer restrictions. "Offers to invest in Anthropic's past or future financing rounds through an SPV are prohibited."

The Lead Los Angeles, notorious for its traffic congestion, has taken a significant step towards transforming its transportation landscape with the opening of its first new subway stations in over 25 years. The D line extension, a long-awaited project, promises to reduce travel times and provide Angelenos with a viable alternative to driving. The Event Details The D line extension, also known as the 'subway to the sea,' aims to bring seven stations in three phases along Wilshire Boulevard. The first phase adds three stations, connecting Union Station to Beverly Hills in just 21 minutes. The project, conceptualized in the 1960s, was hampered by challenges such as a methane explosion in the 1980s that led to a ban on tunneling in certain areas. The Data Analysis The D line extension spans four new miles of subway service. The project includes three new stations: Wilshire/Fairfax, Wilshire/La Brea, and Wilshire/Beverly Hills. The extension is expected to reduce travel times and alleviate traffic congestion in the region. The Impact Analysis The D line extension marks a significant shift in Los Angeles's transportation ecosystem, which has long been dominated by cars. The project is part of a larger effort to create a more sustainable and efficient public transportation system, with plans to host major global events such as the World Cup and the Olympics in the coming years. The Prediction As the city continues to grow and evolve, the D line extension is poised to play a critical role in shaping Los Angeles's transportation future. With plans for further extensions and improvements, Angelenos can expect a more streamlined and efficient way to navigate the city, reducing congestion and promoting a healthier environment.

The World Cup 2026: A Logistical Challenge for Fans With the 2026 World Cup set to take place in the United States, fans are already making plans to attend matches. One question on everyone's mind is whether it's possible to walk to MetLife Stadium from New York City. MetLife Stadium: A Massive Venue Located in East Rutherford, New Jersey, MetLife Stadium is one of the largest stadiums in the United States, with a seating capacity of over 82,000. It's set to host several matches during the 2026 World Cup, including the final. The Distance: A Significant Challenge The distance from New York City to MetLife Stadium is approximately 10 miles (16 kilometers). While it may seem feasible to walk this distance, there are several factors to consider, including traffic, road conditions, and pedestrian infrastructure. The Route: A Possible Path One possible route from New York City to MetLife Stadium is via the Lincoln Tunnel, which connects Manhattan to New Jersey. However, this route involves crossing a major highway and navigating through dense traffic. The Verdict: Not Recommended While it's technically possible to walk to MetLife Stadium from New York City, it's not a recommended journey. The distance, traffic, and road conditions make it a challenging and potentially hazardous endeavor. Fans are advised to consider alternative transportation options, such as public transit or ride-sharing services. Conclusion As the 2026 World Cup approaches, fans should plan ahead and explore safe and convenient transportation options to MetLife Stadium. While walking may not be the best option, there are many other ways to enjoy the tournament and make the most of this exciting event.

The Rise of a Culinary PioneerIn Japan, the sushi bar where the chef chops fish for the clientele is a kind of stage. In which case all the world's a sushi bar for Nobuyuki Matsuhisa, whose deluxe Nobu chain has taken root in dozens of cities across the globe. Matt Tyrnauer's documentary charts the rise of this affable but restless pioneer, motivated since the start of his career to break out of insular Japan and shake up its cuisine.Innovative Culinary PhilosophySignature dishes like his iconic black cod with miso – made with Alaskan sablefish – or Peruvian-influenced yellowtail sashimi with jalapeno veer well off the sushi-restaurant template. But don't call it fusion, Tyrnauer's film says early on; it's still Japanese food, just open to foreign ingredients and techniques.From Japan to Global SuccessAfter a rocky start in life, in which a young Matsuhisa was placed on probation after reckless driving, he got "lost in sushi." After stints in Peru and Alaska, it was setting up Matsuhisa restaurant on Los Angeles' La Cienega Boulevard that made his name, introducing a sense of the unexpected and the lavish to the burgeoning western yen for sushi.The De Niro PartnershipRobert De Niro was one convert, making an offer to set up a New York branch that Matsuhisa refused; it was something he felt he wasn't ready for. Several years on, they finally partnered to set up the first of the eponymous eateries. One of De Niro's acquaintances questioned how Matsuhisa could be a master if he just had to chop raw fish. "Nobu wouldn't like to hear you say that," was the actor's testy reply.Personal Struggles and Culinary PerfectionismThis docu-portrait reveals telling vignettes in the second half. One is Matsuhisa hauling the Los Cabos hotel staff over the coals for sloppy preparation of his dishes; the other is De Niro shooting down another partner's ill-fitting ideas for new Nobu locations. Both testify to the difficulty of maintaining a coherent culinary and brand culture in globalised ventures; Matsuhisa does indeed seem to supply a Japanese aestheticism and rigour at the centre of things.The Cost of SuccessOne colleague suggests his sensitivity to failure is also very Japanese: he came close to suicide after his Alaska restaurant burned down and is haunted by a feeling of responsibility for the suicide of his best friend. But having lost his father traumatically early, it's just as likely this anxiety is personal. Either way, it's clear that this sensitivity paid off in the kitchen.

The Artist's Monument to Forgotten WorkersAn air of civilisational wipeout hangs over the Gehrenseestrasse complex, an abandoned housing estate on the north-eastern outskirts of Berlin, where the city still looks shabby without the chic. The insides of the nine prefabricated blocks have long been gutted; six floors of empty window frames stare hollow-eyed over multi-lane carriageways. In the courtyard, paintballers have left behind wooden barricades from when they played at World War III.Yet in one of the second-floor rooms of Berlin's largest ruin, artist Sung Tieu is waltzing across the concrete floor and reliving scenes from her childhood. "Here was the single bed I shared with my mother for three years," she says, pointing into a corner of the small room. "Two metres by 90cm, can you believe it?" There in the corridor is where her neighbours used to make bánh bao dumplings on camping stoves, for lack of private kitchens. "I still remember the smell." Here was the door through which she used to entertain her best friend when his mother locked him in during working hours. "We played cards through the gaps," she recalls with glee.But she also still remembers where neo-Nazis tried to throw molotov cocktails into the building: "They eventually set up a net because the windows kept on getting smashed".The Mosaic Recreation of a Lost CommunityThese days, few people have heard of the Gehrenseestrasse complex, whose last tenants left in 2002. But if Tieu had her say, it would be as essential a stop on the tourist trail as the Brandenburg Gate, the Reichstag or Checkpoint Charlie. There is, in her view, no place that better tells the story of the Vertragsarbeiter generation – the oft-forgotten workers who were hired on fixed-term contracts from socialist "brother states" in Vietnam, Mozambique, Angola or Cuba to boost the East German economy. "To me, this place is a monument," says Tieu.By the end of this summer, many more people in Germany – and art enthusiasts around the globe – will know about her childhood home. For this year's Venice Biennale, Tieu has clad the German pavilion with a like-for-like replica of the complex's facade, recreating the grey concrete and smudges of graffiti with three million mosaic stones made in Ravenna. She conceived the pavilion in tandem with the artist Henrike Naumann, who died in February from cancer aged only 41.Bureaucracy as Artistic MediumThe woman I meet at a Vietnamese restaurant in Berlin's Lichtenberg district is the antithesis of that exoticised cliche: modest, dressed all in black, analytical in her answers to my questions. She talks me dispassionately through the more experimental food options on the menu, but comes alive when explaining bilateral treaties and labour regulation."I really try to avoid the pure post-migrant diaspora narratives. By focusing on individual experience you can lose sight of the bigger picture. Contracts, state treaties, floorplans – that's what I am interested in. There has to be a certain formal toughness."Looking through her catalogue raisonné you are reminded of Marcel Duchamp. You see an artist dedicating her career to seeking ever more minimalist ways to express the same idea, from Cubist painting to readymade to annotations of chess moves. And in Tieu's case, that big idea is bureaucracy. In 2015, she reprogrammed the scrolling LED displays at a shop inside the Dong Xuan Centre, Berlin's largest Asian market, to display the texts of immigration treaties. For a group show at Berlin's Haus der Kulturen der Welt in 2024, she transcribed by hand documents from the national archives on the East German porcelain industry, authenticating them with her own ornamental stamp. Her website, fittingly, is just a long index of file names and a deadpan biography section: "Sung Tieu is an artist."Childhood Trauma and Artistic Vision"I think it's also a childhood trauma," she says when I ask her where her interest in bureaucracy comes from. "I've had to fill out forms for my mother since I was five, since she didn't speak any German. And by the time I was seven my German was better than hers. Bureaucracy was part of my childhood – I studied politics and administration because I wanted to understand it."Born in 1987 in Hai Duong, northern Vietnam, Tieu moved with her mother to what was by then the formerly socialist East German regions in 1992. They were joining up with her father, who had moved to the GDR five years earlier via a bilateral agreement for factory workers from the socialist republic.Initially announced in the romantic spirit of ideological solidarity, the treaty between the two states soon became a more hard-nosed deal, addressing ongoing labour shortages in East Germany while helping to rebuild a war-ravaged Vietnam, which took a...The Legacy of Forgotten WorkersTechnically there was no racism in the GDR, because it wasn't documented. But of course it always existed. This is the uncomfortable truth that Tieu's installation confronts – the erasure of immigrant experiences in official narratives, even as these workers were essential to East Germany's economy.Through her art, Tieu transforms personal memory into collective history, giving voice to the thousands of contract workers who built East Germany but were never fully acknowledged as part of its society. The Venice Biennale installation, with its meticulous recreation of a housing complex that many would prefer to forget, serves as both memorial and critique – a reminder that the stories of immigrants are integral to understanding modern Germany.The Future of Migration Narratives in ArtAs Europe continues to grapple with questions of migration and identity, artists like Sung Tieu are pioneering new forms of expression that move beyond personal stories to examine the structures and systems that shape immigrant experiences. By focusing on bureaucracy, architecture, and official documents, Tieu creates art that is both deeply personal and universally relevant.The Venice Biennale platform ensures that these often-overlooked histories reach a global audience, challenging visitors to reconsider their understanding of migration, labor, and belonging. As Tieu continues her exploration of these themes, we can expect more installations that transform bureaucratic systems into powerful artistic statements, creating spaces where the voices of the marginalized can be heard and remembered.