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The Lead Elon Musk's SpaceX has revealed plans for a highly anticipated $1.75tn (£1.3tn) flotation next month as he seeks investor backing for his quest to make life “multiplanetary”. SpaceX's Financial Performance SpaceX is a sprawling business, encompassing the eponymous rocket launch company, the Starlink satellite broadband service, Musk’s xAI artificial intelligence startup and the social media platform X, formerly known as Twitter. The entire business lost $4.9bn in 2025 on revenues of $18.7bn. Revenue is growing, however, rising by a third on 2024. The Data Analysis SpaceX's losses have widened since the start of the year, losing $4.3bn in the first quarter, compared with a loss of $528m in the same period last year. The company is split into three segments: space, which incorporates the rocket launch business whose clients include Nasa; connectivity, which houses Starlink; and AI, the unit behind xAI and the X platform. Connectivity makes the most revenue, at $11.4bn Space with $4.1bn AI at $3.2bn The Impact Analysis Musk will have 85% control of the business under the IPO plans, making it extremely difficult to unseat him from the company. Musk's control will be derived from majority ownership of a type of stock known as class B, which carries much more heft than the class A stock that everyone else will own. The Prediction Musk, who is already worth about $676bn, stands to make a vast sum from SpaceX although the exact amount is unclear. He has been granted 1bn class B shares that vest – meaning, Musk gets full ownership of them – if SpaceX manages to achieve the “establishment of a permanent human colony on Mars with at least one million inhabitants”.

The LeadWhen producers of the revived Baywatch series hit unexpected permitting roadblocks on Venice Beach, the incident quickly morphed into a political flashpoint, with opponents of Mayor Karen Bass branding Los Angeles “not film friendly” and using the controversy to sharpen their mayoral campaigns. The Baywatch Production Standoff on Venice BeachAfter receiving a $21 million state tax credit, the Baywatch team arrived in February to film on Venice Beach. Within four days, the County Beaches and Harbors Department barred the use of camera drones, night shooting, and even limited the sand area and parking options, forcing production to halt. Tax credit: $21 million Restrictions: no drones, no night shoots, limited sand and parking Production downtime: four days before a full stop Financial Stakes and Shooting‑Day MetricsThe Baywatch dispute arrived at a moment when the city was trying to reverse a long‑term decline in film activity. Industry loss: nearly 50 % drop in shooting days since 2018 (cited by challenger Nithya Raman) Recent rebound: 10.7 % increase in total productions Q4 2025 → Q1 2026 Feature‑film surge: 45 % rise in shooting days over the same period Political Fallout in the 2026 Los Angeles Mayoral RaceOpponents seized the Baywatch saga to question Bass’s leadership. Right‑wing challenger Spencer Pratt called the incident “political fecklessness,” while left‑leaning councilmember Nithya Raman highlighted the broader decline in shooting days. Bass responded by coordinating with the state coastal commission, FilmLA, and city council to clear the bureaucratic hurdles. What the Next Months Hold for LA’s Film PolicyMayor Bass announced a series of reforms: streamlined permitting across agencies, accelerated sound‑stage certification, waived fees for “microshoots,” and a six‑month pilot by FilmLA to cover permits for low‑impact productions. If these measures sustain the recent 10.7 % production uptick, they could become a cornerstone of Bass’s re‑election narrative, while challengers will likely continue to press for faster, more transparent reforms.

The latest S&P; Global purchasing managers' index shows UK services activity slipping to a 48.5 reading in May, marking the steepest drop in a decade and signalling a broader economic slowdown.Sharp Drop in UK Services PMI Marks Decade‑Worst DeclineIndex fell to 48.5 in May, down from 52.6 in April.Lowest reading since January 2021 and the lowest since July 2016 when Covid data are excluded.Services sector accounts for roughly 80% of UK GDP.PMI Numbers Reveal Contraction Below Growth ThresholdThe composite output index, which blends manufacturing and services data, dropped below the critical 50‑point mark, indicating contraction. Economists had forecast a reading of 51.6, making the actual figure notably worse.Payrolls fell for the 20th consecutive month, echoing ONS data that showed a loss of 100,000 payrolled employees in April.Manufacturing showed a modest rebound, hitting a three‑month high as firms front‑loaded orders.Broader Economic Implications for GDP and Monetary PolicyAndrew Wishart of Berenberg warned that a sustained PMI slump could push quarterly GDP growth from 0.6% in Q1 to -0.2% in Q2. Meanwhile, the Bank of England may keep its policy rate at 3.75% after recent inflation data showed a slowdown to 2.8% in April and wage growth easing to 3.4%.Outlook: Potential Further Slowdown Amid Geopolitical TensionsAnalysts attribute the downturn primarily to the ongoing Iran war and heightened uncertainty around Keir Starmer's leadership. If these pressures persist, the services sector could see continued job cuts and reduced spending, while manufacturers may face tighter order books, as noted by the CBI.Overall, the flash PMI suggests a cautious near‑term outlook for the UK economy, with policymakers likely to adopt a wait‑and‑see stance on interest‑rate adjustments.

Turning Empty Space into a Physical Presence: Christo’s “Air” InstallationThe new show at Gagosian, Grosvenor Hill, London re‑imagines a vacant gallery as a sculptural object. By suspending a colossal polyethylene bag across the room, Christo makes the intangible—air—visible, heavy and almost flesh‑like, compelling viewers to negotiate the space physically.The Installation’s Core Concept: Enveloping Air in PolyethyleneChristo’s original 1960s idea to “contain air” was limited by the technology of the time. Fifty years later, a horizontal sack, anchored by white ropes, sags into the centre of the room, creating a bulge that feels like a body pressing against a garment. The work is a direct continuation of his earlier wrapped‑bubble experiments and the infamous 1968 Documenta tube, now realised with modern materials.Visitor Experience and Spatial DynamicsGuests must crouch beneath the sagging sack, turning a passive viewing into an embodied encounter. The installation’s dimensions—roughly a 4‑metre‑high room split by a 3‑metre‑wide bag—are not disclosed in the review, but the visual weight is emphasized through the bag’s droop and the tension of the ropes. The exhibition runs until 21 August 2026, giving ample time for audiences to experience the shift from empty void to tactile mass.Why the Work Resonates in Contemporary Art DiscourseBeyond its visual novelty, “Air” interrogates themes of memory, preservation and the body’s relationship to space. A wrapped Volvo, rescued from a dealer’s garage, serves as a “monument to its own past,” linking personal history to the broader gesture of containment. Critics note the paradoxical blend of the profound and the ridiculous, positioning the piece as a commentary on how simple materials can evoke deep emotional responses.Future Implications for Site‑Specific and Conceptual ArtThe successful materialisation of an abstract element suggests new pathways for artists seeking to make the invisible visible. As museums and galleries explore immersive, sensor‑driven experiences, Christo’s “Air” demonstrates that minimal intervention—rope, sheet and plastic—can still generate powerful discourse about presence, weight and the limits of perception.Exhibition dates: Opening 2026 – 21 August 2026Location: Gagosian, Grosvenor Hill, London

Executive Summary: A Block of Empty Flats and Unyielding TenantsIn a striking illustration of the UK housing crunch, a 20‑storey tower block in London has 164 of its homes sealed off while a small group of residents continues to occupy their units. The council’s attempts to clear the building have met with legal challenges and community push‑back, raising questions about how authorities manage vacant social housing.The Block’s Current State: 164 Boarded‑Up Units and a Few HoldoutsLocation: South‑East London, council‑owned tower block built in the 1970s.Vacancy: 164 apartments boarded up after safety inspections deemed the building uninhabitable.Occupancy: Approximately 8 residents remain, many of whom have lived there for over 30 years.Council Action: Issued eviction notices, scheduled compulsory purchase, and commissioned structural repairs.Financial Implications: Cost of Vacancy and Potential RevenueEstimated repair cost: £12 million to bring the building up to current safety standards.Annual loss of rental income: £1.8 million from the vacant units.Projected market value after refurbishment: £25 million, offering a potential return on investment for the council.Broader Impact: What This Standoff Says About London’s Housing LandscapeThe situation underscores several systemic challenges: the difficulty of repurposing large blocks of social housing, the legal protections afforded to long‑term tenants, and the social cost of leaving entire communities in limbo. It also fuels debate over whether councils should prioritize demolition, refurbishment, or conversion to mixed‑use developments.Looking Ahead: Possible Scenarios for the Tower BlockFull refurbishment: Council secures funding, completes safety upgrades, and re‑lets the apartments, restoring revenue.Partial demolition: Unviable sections are demolished, with remaining parts converted to affordable micro‑units.Continued stalemate: Legal battles prolong vacancy, increasing costs and eroding community cohesion.Stakeholders—including residents, housing advocates, and local officials—are expected to convene a public inquiry within the next six months to decide the block’s fate.

EasyJet Reports Summer Booking Slump Amid Iran ConflictBudget carrier easyJet said its summer holiday bookings are lagging behind last year as the war between the US, Israel and Iran dampens consumer confidence, pushing many travellers to wait until the month of departure before booking.Fuel Cost Shock: £25m Unexpected Jet Fuel SpendThe airline disclosed an unplanned additional £25m jet‑fuel expense in March after the conflict began, although it confirmed no disruption to fuel supplies and maintains a four‑week visibility on fuel availability.Financial Fallout: £552m Pre‑Tax Loss for H1 2026Pre‑tax loss of £552m for the six months to 31 March, up from £394m a year earlier.Fuel hedging covers 72% of needs for the next six months, but short‑term hedging was paused due to “elevated near‑term fuel prices”.Seat capacity reduced by 0.3% after a March schedule review.Holiday package demand up 22% year‑on‑year in the six months to March.Broader Implications for European Low‑Cost CarriersThe situation mirrors warnings from Ryanair chief Michael O’Leary about the UK’s vulnerability to jet‑fuel shortages if the Strait of Hormuz remains closed. EasyJet’s decision to keep its full summer schedule and raise minimum fares reflects a sector‑wide push to protect margins while reassuring passengers.Outlook: Booking Behaviour and Fuel Hedging Strategy Going ForwardCEO Kenton Jarvis emphasized that the airline’s strong investment‑grade balance sheet positions it to manage the “near‑term uncertainty”. The carrier expects late bookings to remain positive but cautions that overall demand may stay below last‑year levels unless geopolitical tensions ease.

Immediate Aftermath of the FireOn 21 May 2026, firefighters arrived at the Buddhist hall in Japan after locals reported thick smoke and flames. The fire was brought under control after several hours, but the hall was left in ruins, and the iconic eternal flame was extinguished.What Sparked the Blaze at the Eternal Flame HallPreliminary investigations suggest the fire may have originated from an electrical fault in the lighting system that sustains the flame. Authorities are reviewing surveillance footage and interviewing witnesses to confirm the cause.Financial and Cultural Losses EstimatedOfficial cost assessments have not yet been released.The hall attracted roughly 200,000 visitors annually, indicating a potential loss in tourism revenue.Experts warn that restoration of the wooden structure could run into tens of millions of yen, depending on the extent of damage.Implications for Japan’s Cultural Preservation PoliciesThe incident highlights vulnerabilities in the protection of heritage sites, especially those that rely on continuous rituals like the eternal flame. Conservation groups are urging the government to strengthen fire‑safety standards and allocate emergency funds for at‑risk locations.Future Steps for Rebuilding and Safeguarding Sacred SitesLocal authorities have pledged to rebuild the hall using traditional techniques while incorporating modern safety measures. A public consultation process is planned to involve community stakeholders in the design of a more resilient structure, and a temporary memorial will be installed to honor the lost heritage.

The Lead In a heartfelt interview, singer-songwriter Liz Lawrence opens up about her new album Vespers, a poignant tribute to her sister Jessie, who passed away suddenly in 2024. The album marks a significant departure from Lawrence's previous work, embracing a more stripped-back, elegiac sound as she navigates the complexities of grief. Lawrence's Journey with Grief Lawrence recounts the months following her sister's death, during which she found solace in the music of female vocalists like Lisa O'Neill, Adrianne Lenker, and Joanna Newsom. As she slowly returned to her own music, Lawrence realized she needed songs that allowed her to revisit the "space of contemplation, reflection and sadness." This journey led her to create Vespers, an unvarnished and personal tribute to her sister. The Creation of Vespers Eschewing the muscular indie pop of her previous albums, Lawrence self-produced Vespers, which features delicate string arrangements and a more subdued tone. The album was written during a three-week burst of creativity six months after her sister's accident, and it is characterized by its raw emotion and poignant lyrics. Exploring Grief Through Music Lawrence's music often grapples with the complexities of grief, and Vespers is no exception. Songs like "Exploded Into Flowers" and "Sister" showcase Lawrence's ability to convey the pain and sadness of loss through her lyrics and melodies. The album also explores the theme of finding a space for grief in a world that often prioritizes productivity and capitalism. The Impact of Grief on Life Lawrence reflects on how her experience of grief has changed her perspective on life and work. She notes that her priorities have shifted, particularly with regards to her niece and nephew, and that she now approaches her music with a greater sense of purpose and connection. The Future of Vespers Lawrence hopes that Vespers will resonate with others who have experienced loss, and that it will provide a sense of comfort and connection. Despite initial reservations about releasing the album, Lawrence has come to terms with the idea that her music can help others navigate their own experiences of grief.

Urgent Call for Nationwide Rainwater Harvesting and Grey‑Water Reuse In a report published Thursday, the House of Lords Environment and Climate Change Committee warned that England faces a looming daily water deficit of 5 bn litres by 2055 – roughly 2,000 Olympic‑size pools each day. Chaired by Shas Sheehan, the committee urges the government to make rainwater capture, grey‑water reuse and tighter building‑regulation standards central to the country’s drought‑resilience plan. Quantifying the Crisis: 5 bn Litres a Day Shortfall and Leakage Losses 5 bn litres per day projected shortfall by 2055 if current trends continue. Current leakage accounts for 19 % of total water demand, undermining conservation efforts. No new reservoirs have been built in England for over 30 years; nine are planned but will take many years to become operational. The driest spring in 132 years last year triggered prolonged drought conditions across the country. Why England’s Water System Is on the Brink Climate‑change‑driven hotter summers, heavier winter rains and an expanding portfolio of water‑intensive infrastructure – notably data centres – are stretching supply. Population growth and urban expansion increase demand, while aging pipe networks leak nearly one‑fifth of the water that is treated. The report stresses that without a coordinated response, the water system could become a limiting factor for economic and public‑health stability. Key Recommendations from the Lords Committee Amend building regulations to cap new‑home water use at 105 litres per person per day and accelerate grey‑water recycling. Deploy nature‑based solutions such as peat‑bog restoration and river‑flood‑plain reconnection to boost natural retention. Launch a nationwide awareness campaign urging households and businesses to reduce consumption. Commission a full environmental and economic assessment of drought to compare the cost of inaction with the value of resilience. Scale up urban and rural nature‑based projects to complement any future reservoir construction. What the Next Five Years Could Hold for Water Resilience If the government adopts the committee’s roadmap, England could see a measurable drop in daily demand within a decade, easing pressure on existing reservoirs and buying time for the planned new storage sites. Conversely, delaying action risks entrenched water scarcity, higher consumer bills and heightened public opposition to water‑price hikes. The report flags the upcoming El Niño year as a critical test window for any policy rollout.