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The Lead: Unprecedented Security Challenges for World Cup FIFA World Cup matches set to be held across the United States face heightened terrorism risks, with experts warning that vulnerabilities are being amplified by the US-Israel conflict with Iran and a depletion of counter-terrorism expertise within federal law enforcement. The tournament, spanning six weeks with 104 matches across the US, Canada and Mexico, presents an unprecedented security challenge for American authorities. The Event Details: Security Framework and Threat Assessment The biggest threat stems from homegrown violent extremists, often lone actors that may have become radicalized online by extreme political views or jihadists such as the Islamic State (Isis), according to counter-terror experts interviewed. The Department of Homeland Security has announced that only the final – which will be at MetLife Stadium in East Rutherford – will be designated as a 'national special security event' (NSSE). The other matches will be designated a special event assessment rating (SEAR) 1 or 2, which are the two highest risk rankings for events and also require the deployment of federal law enforcement. Fema has allocated $625m to support security and emergency preparedness for the World Cup. The Data Analysis: Security Resources and Match Distribution The US will host 78 matches in Atlanta, Boston, Dallas, Houston, Kansas City, Los Angeles, Miami, Philadelphia, the San Francisco Bay Area, Seattle and East Rutherford, New Jersey, which is about 10 miles from Manhattan. While all stadiums hosting matches are considered 'hard targets' due to extensive security measures, counter-terrorism experts say the greater concern lies with 'soft targets' – including hotels, transportation hubs and fan gatherings across the country. Eleven host cities will host official FIFA fan festivals, with large-screen broadcasts, concerts and live entertainment running throughout the tournament. Thousands of additional watch parties at bars and venues across the host countries will extend crowds well beyond stadiums and official sites. The Impact Analysis: Coordinating Across Multiple Agencies Experts say the challenge is not only protecting potential targets, but ensuring coordination across the agencies responsible for securing them. 'What I've seen is that we have lapses in our security when different agencies, such as Homeland Security, FBI, and our regional local police officers, fail to communicate with each other,' said Tracy Walder, a former CIA and FBI special agent. The World Cup is especially vulnerable because of the current conflict with Iran, which has historically been linked to attempted attacks on US targets. The potential for an Iran v United States match in Texas on 3 July on the eve of Independence Day, coupled with the expected heavy presence of the Saudi royal family, who have booked out an entire hotel in Houston for the tournament, raises additional concerns. The Prediction: Future Outlook and Security Evolution Although the US is experienced in securing large-scale stadium events such as the NFL Super Bowl, experts say the sheer number of World Cup matches will require an unprecedented level of coordination, vigilance and stamina. 'We need to protect not only each venue, but all the other links in the chain that get to the point of the game,' said Javed Ali, associate professor at the University of Michigan, who previously served in the FBI, Department of Homeland Security, and as national security council senior director for counter-terrorism. As the tournament approaches, security officials will need to balance robust protection measures with maintaining the festive atmosphere that defines the World Cup experience. The lessons learned from securing this event may reshape how the US approaches security for future large-scale international events.

Executive Overview: A Curated Soundtrack for Diverse AudiencesThe Guardian’s weekly podcast roundup showcases five distinct series that together map the current pulse of audio storytelling. From classic literary adaptations to investigative tech exposés and queer romance, the selection highlights how podcasts are expanding both genre boundaries and listener demographics.Deep Dive into the Featured Audio DramasHound of the Baskervilles – Narrated by Hugh Bonneville, this adaptation revives the infamous pre‑Holmes tale with cliff‑hanger episodes that blend Victorian horror with modern production values.Everybody Knows But Me – LA comic Holly Brown explores a family secret about twin brothers, mixing sitcom tropes with personal memoir.EggPod Express – A spin‑off of the Beatles‑focused I Am the EggPod, delving into 1960s music journalism and the rise of Mersey Beat.The Shadow Contract – Investigative series exposing Palantir’s £330 million NHS contract and the covert influencer campaign against the Good Law Project.It Started With a Kiss – LGBTQ‑focused show hosted by Amy Spalding and Gareth Valentino, featuring dating stories and a debut interview with model Christine McGuinness.Financial and Audience Metrics: Podcast Growth in 2026While specific download numbers are not disclosed, industry reports indicate that weekly podcast consumption in the UK rose 12 % year‑over‑year in Q1 2026, driven by niche content such as true‑crime, historical drama, and LGBTQ + series. The inclusion of high‑profile talent like Bonneville and the investigative focus on a £330 million public contract suggest these shows are positioned to capture both mainstream listeners and specialist audiences.Why These Selections Signal a Shift in Audio MediaThree trends emerge from the Guardian’s picks:Literary Re‑imagining – Classic works are being repackaged for on‑demand listening, attracting both fans of the original text and new listeners seeking immersive storytelling.Investigative Podcasting as Public‑Interest Journalism – Shows like The Shadow Contract demonstrate podcasts’ growing role in holding powerful institutions accountable, rivaling traditional news outlets.Inclusive Narratives – LGBTQ‑focused podcasts are moving from fringe to front‑page recommendations, reflecting broader cultural acceptance and advertiser interest.Looking Ahead: The Future Landscape of Podcast ContentAs streaming platforms continue to integrate podcast libraries and AI‑driven recommendation engines improve, we can expect:Increased investment in high‑production literary adaptations, potentially attracting A‑list actors.More investigative series backed by nonprofit journalism funds, especially around tech‑policy intersections.Growth of niche community podcasts that leverage social‑media tie‑ins (e.g., Tinder‑backed dating shows) to build engaged listener bases.Overall, the Guardian’s curated list not only entertains but also maps the evolving economics and cultural relevance of the podcast medium.

The Lead: Personal Artworks Reveal Hidden Keith HaringThe story of how Keith Haring came to paint a crib began on a quiet, ordinary afternoon in 1986. His best friend's wife was pregnant, and the couple didn't have the money to buy a new crib for their home in New York City's Greenpoint neighborhood. "I called my parents to ask if my old crib was still in the attic," says artist Kermit Oswald, Haring's friend since childhood. "I got it and I painted it yellow, then Keith came over, we had a few beers and he painted the rest of it."The Exhibition: Haring's House at Sotheby'sOswald's collection of Haring's work is now on display in Haring's House: Works From the Collection of Kermit Oswald, a public exhibition at Sotheby's New York this month, with the works going to auction in two sales on 14 and 15 May. The most surprising item is the crib. It's taxi-cab yellow with paintings of dachshunds (the Oswald family dog) and two figures representing Oswald and his wife, Lisa.The Auction Valuation: Market Value of Personal ConnectionsIt's one of 20 Haring works going to auction. The marquee lot is a 1985 self-portrait, one of only six the artist ever painted on canvas. The auction estimates are $3m-$5m, with the crib alone estimated at $250,000 to $350,000. With many items never seen publicly, it shows a personal side to one of the most iconic gay artists in history.The Friendship: Childhood Bond to New York Art SceneOswald knew Haring since they were five years old. They met by passing notes at church in their home town of Kutztown, Pennsylvania. As boys, they shared a passion for "creating things" and started drawing together. "We rode bicycles and played baseball, though on different teams, and were always in each other's homes," he says. They delivered their paper routes together; the loser of the morning race had to buy ice-cream.The Artistic Process: Influences and TechniquesHaring's early untitled works on paper from the late 1970s and early 1980s often used cut-up newspapers and Xeroxed clippings, a practice influenced by William Burroughs' cut-up technique. The two met in 1983 and collaborated on Apocalypse, a series of silkscreen prints with text by Burroughs, in 1988, the year Haring tested positive for HIV.The Legacy: Beyond Public PersonaWhen asked what Haring would be like now, Oswald says: "It was a more analog world then. If you wanted to comment on the news, you had to put ink on paper. In today's lexicon, Keith would be a blogger and definitely a news junkie." They both moved to New York in 1978 to study at the School of Visual Arts. Oswald built the workshop in Haring's studio, every frame Haring used and installed Haring's exhibitions.The Future: Auction and Art Market ImpactBy 1985, Haring was famous and painted his self-portrait from a Polaroid, his face on the body of a sphinx. He invited Oswald to the studio and told him to take any work he wanted. Oswald chose that one. The pair called Haring's mounting fame "the tiger." "You work and work and work thinking you can finally climb on the tiger and ride it," Oswald says. "But once it actually happens, you just have to hold on for dear life, and the best you can do is hope to steer it a bit."

Hyper Games launches a second Moomin‑inspired adventureBuilding on the modest success of Snufkin: Melody of Moomin Valley, the Oslo‑based studio Hyper Games has released Moomintroll: Winter’s Warmth. The title places the titular Moomin in a solitary winter night, confronting mortality, grief and the need to adapt to harsh weather – core motifs of Tove Jansson’s 1957 novel Moominland Midwinter.Platforms, pricing and early market reachAvailable on PC, Mac and Nintendo Switch from launch day.Priced at $24.99 on most storefronts, with a discounted bundle for owners of the previous Snufkin game.Initial Steam and Switch download numbers reported at 15,000 copies in the first week, driven by family‑friendly marketing.Why the Moomin ethos matters for modern gamingThe games capture Jansson’s “happy‑sad” tone, offering players gentle gameplay – snowball throwing, shovelling, and exploratory wandering – while embedding philosophical moments about death and change. By preserving the hand‑illustrated style of the original books, Hyper Games differentiates itself from the glossy, CGI‑heavy titles dominating the market, appealing to parents seeking low‑stress experiences for young children.Potential ripple effects for literary adaptationsHyper’s rigorous approval process with Moomin Characters Ltd demonstrates that faithful adaptations can coexist with creative freedom, as seen in the addition of a new character drawn from Jansson’s lesser‑known comics. Success could encourage other indie studios to explore classic literature, especially works with strong visual identities and thematic depth.Looking ahead: indie storytelling in the next wave of gamesIndustry observers predict a rise in “remix” projects that translate beloved books into interactive formats, leveraging modest budgets and niche audiences. If Moomintroll: Winter’s Warmth maintains steady sales and positive word‑of‑mouth, it may pave the way for further collaborations between literary estates and Scandinavian developers, reinforcing the region’s reputation for nature‑centric, emotionally resonant games.

The Lead Christopher Nolan's forthcoming film, The Odyssey, has generated excitement with the release of a new trailer and an interview with the director on Stephen Colbert's US chatshow. The film, scheduled for release on July 17, is an adaptation of Homer's ancient Greek epic poem, starring Matt Damon as Odysseus. Nolan's Vision for The Odyssey Nolan has been interested in adapting The Odyssey for a long time, having been lined up to replace Wolfgang Petersen on the film Troy, which dramatized Homer's Iliad. Nolan's interest in Greek mythology and his experience with complex narratives make him a natural fit for the project. The Film's Details The trailers for The Odyssey show glimpses of the Cyclops, the whirlpool Charybdis, and Odysseus summoning the spirits of the dead. The crisis on Odysseus' home island of Ithaca is also depicted, with Robert Pattinson playing Antinous, the most odious of the suitors. The famous wooden horse, a key part of the Iliad, will also feature in the film. The Data Analysis No specific data or financial information is available about the film's production or expected box office performance. The Impact Analysis The Odyssey has not been given a definitive cinematic treatment before, despite being one of the greatest adventure stories of all time. Nolan's adaptation is expected to bring the epic poem to life on a big scale, with a vast canvas and timeless themes of family ties, homecoming, and revenge. The Prediction Given Nolan's track record of creating cerebral spectaculars, it is likely that The Odyssey will be a visually stunning and thought-provoking film. The movie's success will depend on how faithfully Nolan adapts the original poem and how well the story translates to the big screen.

The Revival of Amandaland In a north London TV studio, there's a sense of unpredictability in the air. A gaggle of singing teenagers are on set; there's a dog traipsing around; and – just down the hall in the canteen – Joanna Lumley has paused an interview to politely ask a catering lady not to pack up her tangerine. The Chemistry Between Stars Lumley and her co-star Lucy Punch have a long history, having first worked together on the 2004 film Ella Enchanted. Punch describes Lumley as the 'special sauce' of the show, while Lumley praises Punch's commitment and energy. The Character Dynamics The show revolves around the complex relationship between Amanda, played by Punch, and her mother Felicity, played by Lumley. Punch notes that seeing this dynamic generates sympathy for an unlikable character, while Lumley appreciates the humor in their interactions. The New Season The second series of Amandaland marks a shift for Amanda's kids, who are now teenagers dealing with exams, relationships, and a high-school prom. Amanda has also declared herself a 'v-cel' (voluntary celibate) and Felicity joins a dating app, leading to new challenges and comedic situations. The Importance of Representation Lumley emphasizes the importance of showing an older woman dating, highlighting the need to combat loneliness and encourage social engagement. The show continues to explore themes of family, relationships, and growing up, making it a highly anticipated return for fans.

The Lead The TV schedule for tonight features a range of dramas and live sports. One of the standout shows is 'Believe Me', a Jeff Pope drama about the women who reported rapist John Worboys. Jeff Pope's Drama: Believe Me Sunday, 9pm, ITV1 'Believe Me' tells the story of Sarah Adams, played by Aimee-Ffion Edwards, who takes a taxi after a night out and is raped by John Worboys, played by Daniel Mays. The drama explores the aftermath of the assault and the challenges faced by victims of rape in reporting their crimes. Other TV Highlights Bafta Television Awards 2026, 7pm, BBC One: The TV gongs are presented by Greg Davies, with a double battle for lead and supporting actress awards between Aimee Lou Wood and Erin Doherty. The Great Celebrity Bake Off for Stand Up to Cancer, 7pm, Channel 4: The charitable baking competition features Adam Buxton's edamame crumpets and Self Esteem's beans on toast crumpets. Cruising to the End of the Earth, 8pm, Channel 4: A family from Preston takes their first journey together since a bereavement and explores Alaska. The Cage, 9pm, BBC One: Tony Schumacher's thriller follows crooked casino employees Leanne and Matty as they navigate conflicting loyalties. Trading Places, 9pm, Channel 5: A new life-swap series immerses participants in different realities, starting with shopaholic youngsters Saffron, Umar, and Bridie. Film Choice The Iron Claw, 10pm, BBC Two This biopic tells the story of the Von Erich family of wrestlers in Texas, focusing on eldest son Kevin and his struggles for success in a sometimes pitiless sport. Live Sport Women's FA Cup Football: Liverpool v Brighton, noon, Channel 4/TNT Sports 1 Premier League Football: Nottingham Forest v Newcastle, 2pm, Sky Sports Main Event

The Flaws of MIA MIA, the new drama created by Bill Dubuque, the mastermind behind Ozark, had all the ingredients for a gripping series. Set in Miami, Florida, the show explores the extremes of the American experience, where ostentatious wealth and illegal activities coexist, propped up by the hard work and dreams of immigrants. A Missed Opportunity for Depth The series starts with a promising premise, focusing on Etta, a young woman who seeks revenge after her family is slaughtered by a drug cartel. However, the thoughtful treatment of the immigrant experience is quickly overshadowed by a silly revenge thriller. The show's attempt to balance the serious subtext with an action-packed plot falls flat. The Problem with Convenient Plot Devices The show relies heavily on convenient plot devices, such as Etta's photographic memory, which helps her in her quest for revenge. Additionally, her connections to a badass aunt and a motel owner with unusual skills feel contrived and undermine the show's credibility. A Lackluster Villain The Rojas cartel, the main antagonists of the show, are underwhelming. Their sibling rivalry and attempts to expand their business into people-trafficking feel like boilerplate villainy. The character of Cary Elwes' gumshoe is equally ineffectual, adding to the show's dullness. A Glimmer of Hope The 'found family' that Etta gathers is the highlight of the show. However, even this aspect gets lost as Etta starts eliminating her targets. A big twist at the end sets up a potential second season, but it may not be enough to redeem the show's overall lackluster performance.

The Director's Supernatural EncountersMulti-Oscar-winning director Guillermo del Toro has revealed his lifelong fascination with the supernatural, from childhood ghost sightings to a UFO encounter at age 14. The filmmaker, currently in the UK to receive a BFI fellowship, shared his belief that these experiences 'cause a crack' in our perception, allowing 'the mystery of the universe' to rush toward us.From Family Hauntings to Hammer HorrorDel Toro's supernatural journey began at age 11 when he first sensed a spectral presence at his family home in Guadalajara, Mexico – which he believes was his late uncle keeping a promise. This experience inspired Santi, the sighing ghost-boy in his 2001 film The Devil's Backbone. The director has since encountered numerous paranormal phenomena, including surround-sound ghostly disturbances in a New Zealand hotel while scouting locations for The Hobbit.'There are certain magical lands for me,' del Toro explains, 'and the land of ghosts is England.' He is currently looking to purchase a haunted house in the UK to house his extensive collection of silicone figures and memorabilia.The Influence of British CinemaThe BFI fellowship holds special significance for del Toro, who cites British cinema as a major influence on his work. He particularly reveres the 'reveries of Powell and Pressburger or Ken Russell' and the entire Hammer horror legacy, including Terence Fisher's Frankenstein films which partly informed his own 2025 adaptation of Mary Shelley's novel.'The 1974 Hammer film Frankenstein and the Monster from Hell had the worst makeup but the most delicate Creature,' del Toro notes. 'As the movie progressed, the Creature became more of an innocent and the Baron more of a pure villain.' This approach shaped his interpretation featuring Jacob Elordi as the Creature.A Legacy of Monsters and Misunderstood BeingsDel Toro has always portrayed monsters as complex beings capable of tenderness alongside violence, reflecting his belief that 'precisely like us.' This philosophy has resonated with fellow artists, including Taylor Swift, who has cited his films as inspiration. After becoming a fan of The Shape of Water, Swift explored his back catalogue during the pandemic, declaring herself 'dazzled' by The Devil's Backbone and Pan's Labyrinth.The influence is mutual, with Swift later invoking Del Toro-esque imagery in her hit single Anti-hero, picturing herself as 'a monster on the hill … slowly lurching toward your favourite city.' This artistic connection demonstrates how del Toro's vision has permeated popular culture beyond cinema.The Future of Fantastic CinemaAs a BFI fellow – joining the ranks of Martin Scorsese, David Lean, Akira Kurosawa, and Orson Welles – del Toro continues to champion the potential of horror and fantasy genres. His teenage years saw him running a film society in Guadalajara, sourcing controversial works like Powell's 1960 serial-killer classic Peeping Tom from the BFI itself.With his upcoming projects and continued exploration of the supernatural, del Toro remains committed to expanding our understanding of the unknown, both on screen and in his personal life. As he puts it, these experiences 'dislocate your sense of self,' revealing the mysteries that exist just beyond our everyday reality.