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Olivia Rodrigo returns with “Drop Dead,” a single that instantly grabs listeners with a razor‑sharp lyric about online stalking and instant infatuation. The opening couplet—“One night I was bored in bed / And stalked you on the internet”—sets a tone of modern romance that feels both playful and unnervingly catchy.The 23‑year‑old, who burst onto the global stage in 2021 after a Disney Channel stint, has built a reputation for “acute, obsessive” love songs that balance self‑awareness with raw emotion. Her debut “Drivers License” cemented her as a heartbreak anthem, while the pop‑punk edge of her first album Sour and the riot‑grrrl‑infused follow‑up Guts displayed her versatility.“Drop Dead” marks a decisive pivot from the punk‑kiss‑off expectations that surrounded her recent breakup. Instead of a straightforward revenge track, the song delivers a “gorgeous rush of romantic intensity,” aiming to freeze a fleeting moment before plunging back into it with relentless momentum.The track’s production, helmed by longtime collaborator Dan Nigro, layers lush strings and bright power‑pop guitars, creating a sound that feels “one bauble short of festive.” Critics note a vocal delivery that stays in Rodrigo’s highest register throughout the chorus, with melodic bends that echo both Chappell Roan’s maximalism and Taylor Swift’s signature style.Visually, the music video—directed by Petra Collins and filmed at the Palace of Versailles—portrays Rodrigo as a runaway figure reminiscent of Sofia Coppola’s “Marie Antoinette” and Emma Corrin’s Diana in “The Crown.” The lavish setting amplifies the song’s theatricality.Adding a rock pedigree, the single includes a subtle nod to Rodrigo’s friendship with The Cure’s Robert Smith, referencing his classic “Just Like Heaven.” Their rapport, highlighted in a recent Vogue cover story, underscores Rodrigo’s expanding artistic circle.Overall, “Drop Dead” blends maximalist pop production, romantic lyricism, and rock‑infused credibility, delivering a track that feels both instantly addictive and deliberately chaotic—mirroring the messy emotions it portrays.

Mercedes driver George Russell has expressed understanding if Max Verstappen decides to leave Formula One due to his dissatisfaction with the current regulations. Verstappen, a four-time world champion, has been vocal about his discontent with the new rules, which he believes overly emphasize energy management.Russell, currently second in the world championship behind his teammate Kimi Antonelli, noted that Verstappen has achieved everything he set out to do in the sport, having won four world championships. “Formula One is bigger than any driver,” Russell said. “You wouldn’t want to lose Max because we all enjoy racing against him.”Verstappen has hinted at exploring opportunities in other racing disciplines, such as GT racing, and is set to participate in the Nurburgring 24 Hours in May. His race engineer, Gianpiero Lambiase, is leaving Red Bull to join McLaren, adding to speculation about Verstappen's future in F1.Russell also acknowledged that the current performance disparity between Red Bull and teams like Mercedes could affect any driver's motivation. “Now, the complaints he currently has are different to the complaints of Mercedes, Ferrari and McLaren because we are at the front end of the grid,” Russell added.Meanwhile, Antonelli, just 19 years old and in his second season, has taken the championship lead with back-to-back wins, setting new expectations for himself and his team.

Dan Skelton is already set to be crowned the United Kingdom’s champion trainer over jumps for the first time this season, yet he still has several objectives left as the campaign reaches its climax.Earlier this month Skelton made history by becoming the first trainer to surpass £4 million in prize money during a British jumps season. With a 320‑mile journey to Ayr scheduled for Saturday, he will field five runners and hopes to chip away at the £200,000 needed to break the £5 million barrier.His yard has already recorded victories at 39 of Britain’s 41 jumping tracks this season. The only venues still without a win are Perth and Plumpton, where Skelton entered twenty runners – including several favourites – but fell short. Two of his horses will contest Plumpton’s Sussex Stayers’ Handicap Hurdle on Sunday.“It’s never been done before, so we’re going to give it our best shot,” Skelton said on Friday. “We just can’t quite seem to get over the line at Plumpton, but maybe Sunday will be the day that we do.”The Scottish Grand National has become a pivotal fixture in the trainers’ championship over the past two years. With Willie Mullins already out of contention for the title, his stable will field only one runner at Ayr as he attempts a third consecutive Grand National double – winning at Aintree and then at Ayr.Patrick Mullins, who rode unshipped from Grangeclare West at Aintree last weekend, will take the reins on Road To Home. The horse was narrowly beaten in the Fulke Walwyn/Kim Muir at Cheltenham last month and will carry six pounds more on Saturday.Among the local contenders, King Of Answers (currently 3.35 odds) trained by Lucinda Russell and Michael Scudamore appears a strong bet at about 7‑1. The horse was a runner‑up in the National Hunt Chase at Cheltenham and will be only three pounds heavier for the four‑mile test at Ayr.Other notable entries include Traprain Law for Patrick Wadge, who previously won the course‑and‑distance race, and Diamond Dealer, whose front‑running style could prove decisive if the horse settles into its usual rhythm.In the broader betting market, Gibbs Island (2.20) and Twistthenightaway (2.55) are also highlighted as potential performers, while Pride Of Arras (2.35) aims to repeat its Dante success.Overall, Skelton’s pursuit of the £5 million season total adds extra intrigue to an already high‑stakes Scottish Grand National, promising a decisive showdown for the jumps championship.

Asif Kapadia has been appointed to direct the final chapter of the ITV documentary series “70 Up,” slated for broadcast later this year. The series, which launched in 1964, was voted the most influential UK television programme of the last 50 years in a 2024 Broadcasting Press Guild poll. Kapadia, celebrated for his award‑winning documentaries on Amy Winehouse, Ayrton Senna and Diego Maradona, described the role as an "incredible honour and privilege" and called the original “Up” series the ultimate portrait of human life. ITV’s factual controller Jo Clinton‑Davis praised the appointment, noting that Kapadia will bring “passion, creativity and incredible flair” while safeguarding the series’ legacy, which she said has become “part of our cultural fabric.” The series was conceived by Granada’s Tim Hewat, who adapted the Jesuit maxim “Give me the child until he is seven and I will show you the man” into a longitudinal study of British social class. Michael Apted, who served as the series’ long‑time director, passed away in 2021; his earlier prediction that the project would continue “as long as I’m above ground” has now been fulfilled. Over the decades, viewers have followed fourteen participants from childhood to senior age. Notable stories include Liverpool’s Neil Hughes, who dreamed of becoming an astronaut at 14, later endured homelessness, and ultimately emerged as a lay preacher and Liberal Democrat councillor. Only one participant, Charles Furneaux, chose to exit the experiment early, while others, such as scientist Nick Hitchon, have passed away. With Kapadia at the helm, “70 Up” will serve as a tribute to both Apted’s pioneering vision and the courage of the cast, who have shared their lives across seven‑year intervals for more than six decades.

Angelina Jolie leads the new fashion‑driven drama Couture, bringing a rare level of personal honesty by confronting a storyline that mirrors her own double mastectomy performed to prevent breast cancer. While her performance is undeniably courageous, the film’s overall execution falls short of its ambitions.The plot follows Maxine, an American indie filmmaker (Jolie) who arrives in Paris to direct the opening short for a prestigious runway show. She discovers, through a compassionate doctor played by Vincent Lindon, that a recent biopsy confirms she has breast cancer, forcing her to consider postponing or abandoning her next project. Jolie conveys the shock and denial with subtlety, yet the script, penned by director Alice Winocour, often lapses into glib dialogue that undermines the emotional weight of the situation.Supporting characters include Ada, a fledgling South Sudanese model (Anyier Anei), makeup‑artist‑turned‑writer Angèle (Ella Rumpf), and the brooding first‑assistant director Anton (Louis Garrel). Their subplots—most notably Ada’s ankle injury that threatens the runway performance—remain underdeveloped, serving more as decorative set‑pieces than integral narrative threads.Visually, the film captures the glamour of Parisian haute couture with polished cinematography, yet this sheen accentuates the story’s lack of depth. The fashion world is presented with a “precious” aesthetic that feels specious, offering little insight beyond surface‑level allure.Despite these shortcomings, Jolie’s star power shines through. Her willingness to align a fictional role with a deeply personal health battle adds a layer of authenticity that the surrounding screenplay fails to sustain. ‘Couture’ will be available on digital platforms from 20 April, offering audiences a chance to appreciate Jolie’s performance even if the film’s broader ambitions remain unfulfilled.

South African opposition politician Julius Malema has been sentenced to 5 years in prison for firing a rifle in the air at a party rally. Malema, the leader of the far-left opposition Economic Freedom Fighters (EFF), was handed the sentence by Magistrate Twanet Olivier on Thursday.Malema was convicted last year of charges, including unlawful possession of a firearm and discharging a weapon in a public place over the 2018 incident at a stadium in the Eastern Cape province.The 45-year-old leader of the fourth-biggest party in parliament had pleaded not guilty, arguing the gun was a toy. His defence said the shots were only intended to be celebratory.“It wasn’t … an impulsive act,” the magistrate said. “It was the event of the evening.”The court sentenced Malema to 5 years for unlawful possession of a firearm and 2 years for unlawful possession of ammunition. It gave him fines for three other offences, including discharging a firearm in a built-up area, with prison time if he doesn’t pay. The sentences will run at the same time.Within minutes of the magistrate’s decision being read out in the court in KuGompo City, Malema’s lawyers applied for leave to appeal – a request that was later granted.Meanwhile, outside the court, hundreds of Malema’s red-clad EFF supporters gathered for the sentencing in the politically charged case.The EFF – a small but vocal party – says the case is an attempt to silence its outspoken leader, who is known for fiery speeches. Party supporters have threatened protests should their leader be jailed.The magistrate stressed it “is not a political party who has been convicted here … it is a person, an individual.”The maximum possible sentence was 15 years in prison. If confirmed after all appeals, Thursday’s 5-year sentence would bar Malema from serving as a lawmaker.That would be a major setback to the EFF, which has strong support among young South Africans frustrated by the racial inequality that has persisted since the end of white minority rule in 1994.

The Golden State Warriors have kept their NBA playoff hopes alive with a thrilling 126-121 comeback victory over the Los Angeles Clippers in a Western Conference play-in game. Stephen Curry led the charge with a game-high 35 points, including a crucial deep 3-pointer with 50.4 seconds remaining to put the Warriors ahead for good.However, it was Al Horford who stole the show with his late-game heroics. The 39-year-old veteran had just two points off the bench before his pivotal outburst, finishing with 14 points. Horford connected on four 3-pointers in the final 5:37, including the game-ending baskets, as part of a 27-13 Golden State run to seal the win.The Warriors' victory eliminates the Clippers and sets up a sudden-death matchup against the Phoenix Suns in Phoenix on Friday to determine the West's No. 8 seed and the Oklahoma City Thunder's first-round playoff opponent. Stephen Curry's seven makes on 12 attempts from beyond the arc paced the Warriors to a 19-of-41 long-range barrage (46.3 percent).Other key contributors for the Warriors included Gui Santos with 20 points, six rebounds, and five assists, and Kristaps Porzingis with 20 points. For the Clippers, Darius Garland and Kawhi Leonard each finished with 21 points, while Bennedict Mathurin led Los Angeles with 23 points off the bench.In other NBA play-in action, Tyrese Maxey scored a team-high 31 points to lead the Philadelphia 76ers to a 109-97 victory over the Orlando Magic, securing the 76ers' spot in the Eastern Conference playoffs as the seventh seed.

Pakistani officials have expressed confidence that a significant diplomatic breakthrough could emerge from the latest round of U.S.–Iran negotiations, with Islamabad intensifying its role as mediator in a conflict that has already claimed thousands of lives. On Wednesday, a senior Pakistani delegation led by Army Chief Asim Munir landed in Tehran to deliver a message from Washington to Iranian leaders, according to Iran’s Press TV. The envoy was welcomed by Foreign Minister Abbas Araghchi, who thanked Pakistan for its "gracious hosting of dialogue" and indicated that groundwork is being laid for a second U.S.–Iran round of talks. Al Jazeera analyst Osama Bin Javaid noted that Pakistani officials anticipate a "major breakthrough on the nuclear front," with messages shuttling continuously between the two capitals. The core dispute centers on the length of any Iranian enrichment freeze—ranging from a proposed five‑year to a twenty‑year moratorium—and the disposition of Iran’s 440 kilograms of highly enriched uranium. Options under discussion include exporting the material, diluting it to natural uranium, or reducing enrichment to a maximum of 3 %. Pakistan’s diplomatic push follows a stalled U.S.–Iran session in Islamabad that ended without a cease‑fire agreement. Mediators are now concentrating on three pivotal issues: the nuclear programme, control of the strategic Strait of Hormuz—which Tehran has effectively closed, driving up global oil prices—and compensation for wartime damages. The conflict, ignited by the United States and Israel on 28 February, has resulted in more than 3,000 Iranian deaths and prompted retaliatory strikes against Gulf states. It has also reignited hostilities between Israel and Hezbollah in Lebanon, where over 2,000 casualties have been reported since early March. A cease‑fire declared on 8 April halted attacks in Iran and the Gulf, yet Israeli operations in southern Lebanon have persisted. Simultaneously, Pakistan’s Prime Minister Shehbaz Sharif embarked on a regional tour to Saudi Arabia, Qatar and Turkey, a move described by Bin Javaid as a "double‑pronged strategy" aimed at neutralising opposition to a potential deal. According to the White House, President Donald Trump signalled optimism on Tuesday, suggesting the war could conclude within "an amazing two days" and that it is "very close to over." Press Secretary Karoline Leavitt later described the Pakistan‑facilitated talks as "productive and ongoing," adding that further negotiations are likely to take place in Islamabad. Iran’s Ministry of Foreign Affairs confirmed that message exchanges with the United States have continued via Pakistani channels, with spokesperson Esmaeil Baghaei stating that Tehran’s positions have been communicated. Nevertheless, tensions linger. A U.S. naval blockade of Iranian ports in the Strait of Hormuz remains active; U.S. Central Command reported turning back nine vessels as of Wednesday. Iran’s military denounced the blockade as a breach of the cease‑fire, and the Iranian joint command chief, Ali Abdollahi, warned of possible retaliation by disrupting trade routes through the Red Sea, the Gulf and the Sea of Oman if the blockade persists.

Crystal Palace turned a daunting 3‑0 first‑leg deficit into a triumphant advance after fending off a determined Fiorentina side in the second leg of the UEFA Europa Conference League quarter‑final. The match began with Ismaïla Sarr opening the scoring early, giving the South London fans a glimmer of hope. Despite losing Adam Wharton and Maxence Lacroix to injuries before the break, Palace maintained composure and kept Fiorentina at bay. Fiorentina, managed by Paolo Vanoli, reduced the aggregate gap to two goals with about thirty minutes remaining, sparking a tense period. However, Palace’s defence, anchored by David de Gea in goal, held firm, denying further breakthroughs. Key moments included a penalty conversion by Albert Gudmundsson and a crucial save from de Gea after a wayward strike by Daniel Muñoz. Palace also benefited from a disciplined performance by goalkeeper Dean Henderson, who thwarted several Fiorentina attempts, including a long‑range effort from Cher Ndour. In the second half, manager Oliver Glasner introduced Norwegian striker Jørgen Strand Larsen, who replaced Jean‑Philippe Mateta, adding fresh impetus to the attack. Although Fiorentina pressed hard, Palace’s makeshift defence weathered the storm, and a late header from Roberto Piccoli sailed over the crossbar, sealing the result. With the aggregate score favoring Palace, the club now prepares for a semi‑final clash against Shakhtar Donetsk, marking a remarkable milestone for a side that, just a year ago, was still awaiting its first major trophy. Fans celebrated the achievement under the Tuscan sun, with vibrant displays of red and blue flags and flares organized by the Holmesdale Fanatics, highlighting the growing passion surrounding Palace’s European adventure.