Breaking AI & Tech News Analyzed

Sudan's power grid has collapsed, leaving many towns and cities without electricity. The crisis has been worsened by the ongoing war between the Sudanese Armed Forces and the Rapid Support Forces, now in its fourth year. The country's reliance on imported fuel has been disrupted, driving up costs and further straining the economy.In Khartoum, residents like Husna Mohamed are struggling to cope with the daily burden of fetching water and managing household chores without electricity. Fuel prices have surged by over 40% in recent weeks, making it difficult for people to afford basic necessities. The Sudanese pound has also lost roughly 20% of its value against the US dollar.The economic impact is being felt across various sectors. Transport costs have risen, and food prices are increasing, with a 10-kilogramme bag of sugar rising from 28,000 to 35,000 Sudanese pounds in just one week. Merchants are hesitant to sell, waiting to see how prices will develop.Economist Mohamed al-Tayeb notes that Sudan's economy is especially vulnerable to energy disruption due to its heavy reliance on land transport and power-dependent production. The crisis is not only economic but also infrastructural, with informal and makeshift power poles causing frequent failures across the grid.Local solutions, such as solar panels and shared generators, are being implemented, but they remain partial and fragile. The crisis has exposed the limited margin for error in Sudanese households, which were already absorbing multiple shocks, including the war, currency collapse, and displacement.

The Golden State Warriors have kept their NBA playoff hopes alive with a thrilling 126-121 comeback victory over the Los Angeles Clippers in a Western Conference play-in game. Stephen Curry led the charge with a game-high 35 points, including a crucial deep 3-pointer with 50.4 seconds remaining to put the Warriors ahead for good.However, it was Al Horford who stole the show with his late-game heroics. The 39-year-old veteran had just two points off the bench before his pivotal outburst, finishing with 14 points. Horford connected on four 3-pointers in the final 5:37, including the game-ending baskets, as part of a 27-13 Golden State run to seal the win.The Warriors' victory eliminates the Clippers and sets up a sudden-death matchup against the Phoenix Suns in Phoenix on Friday to determine the West's No. 8 seed and the Oklahoma City Thunder's first-round playoff opponent. Stephen Curry's seven makes on 12 attempts from beyond the arc paced the Warriors to a 19-of-41 long-range barrage (46.3 percent).Other key contributors for the Warriors included Gui Santos with 20 points, six rebounds, and five assists, and Kristaps Porzingis with 20 points. For the Clippers, Darius Garland and Kawhi Leonard each finished with 21 points, while Bennedict Mathurin led Los Angeles with 23 points off the bench.In other NBA play-in action, Tyrese Maxey scored a team-high 31 points to lead the Philadelphia 76ers to a 109-97 victory over the Orlando Magic, securing the 76ers' spot in the Eastern Conference playoffs as the seventh seed.

Caro Claire Burke's Yesteryear had all the makings of a thought-provoking novel: a tradwife protagonist who wakes up in the pioneer days and finds that traditional wifedom is not as glamorous as her social media persona had suggested. The premise is genius, and the protagonist Natalie's biting and occasionally hilarious voice makes the novel zip along.However, as the story progresses, it becomes clear that Burke has failed to create a convincing mother figure in Natalie, and the novel's exploration of pronatalism and traditional Christian values feels shallow and cliched. The author's decision to remove politics almost entirely from the narrative is also a major omission, particularly given the current cultural climate.The novel's main drive becomes resolving the mystery of Natalie's situation - has she really time travelled, or is this an awful reality TV show? - to the detriment of more profound concerns. Burke's treatment of birth injury and child disability as a plot point is also shockingly cack-handed and feels cynical and underresearched.Overall, Yesteryear is a disappointing novel that fails to live up to its promise. Despite its talented author, the book feels like a lesson in not allowing a fun premise to get in the way of a good story.

UK Chancellor Rachel Reeves has announced that she and Energy Secretary Ed Miliband are working to break the link between gas prices and electricity costs in the UK. Currently, under the marginal cost pricing model, gas prices almost always set the price of electricity. Speaking in Washington, Reeves explained that when gas prices are high, electricity costs increase even though the cost of producing electricity doesn't change. The goal is to delink these prices, especially as renewable energy makes up a larger part of the UK's energy mix. Renewables have already reduced the time gas sets the wholesale price of electricity by about a third since the early 2020s, according to the Department for Energy Security and Net Zero. The head of Energy UK, Dhara Vyas, noted that decoupling electricity prices from gas will occur gradually with the transition to clean power. Reeves also discussed encouraging investment in North Sea oil and gas tiebacks, which involve using existing infrastructure to exploit larger areas of oil and gas. This approach is seen as the quickest way to bring more oil and gas online. Greenpeace has proposed moving gas plants into a regulated asset base to make gas a strategic reserve and reduce its impact on market prices. The organization argues that this could save billions annually and benefit from cheaper, homegrown renewables.

The recent WNBA draft saw Azzi Fudd selected as the No 1 overall pick by the Dallas Wings, marking a significant achievement for the talented young player. Fudd, who played under Geno Auriemma at UConn, distinguished herself as one of the best shooters in college basketball and was named an All-American by the Associated Press. However, rather than focusing on her impressive athletic career, the draft night discourse was dominated by her relationship with teammate Paige Bueckers, who was also a top pick in the WNBA draft last year. The pair confirmed they were dating in 2025, but have kept their relationship largely private. This fixation on the personal lives of WNBA players raises questions about the media's priorities and the cultural context of women's sports. Experts argue that the surge of interest in the love lives of WNBA players is fueled by social media, which makes it easy to form parasocial relationships with athletes. Dr. Alicia Smith-Tran, an associate professor of sociology, notes that women athletes continue to be seen as lesser than their male counterparts, and the focus on their romantic lives is a manifestation of this marginalization. The conversation around romance in the WNBA also contributes to the fetishization of queer couples and relationships. Frankie de la Cretaz, author of the Out of Your League newsletter, warns that queer relationships are often dehumanized and become fodder for people to project their own desires onto. In the case of Fudd and Bueckers, their relationship has become a side point, overshadowing their achievements as athletes. As the WNBA enters its 30th season, it's essential to recognize the cultural significance of women's sports and the importance of respecting athletes' personal boundaries. The focus should be on their skills, contributions, and achievements in the workplace, rather than their personal lives. By doing so, we can work towards a more nuanced understanding of women's sports and the athletes who play them.

Crystal Palace turned a daunting 3‑0 first‑leg deficit into a triumphant advance after fending off a determined Fiorentina side in the second leg of the UEFA Europa Conference League quarter‑final. The match began with Ismaïla Sarr opening the scoring early, giving the South London fans a glimmer of hope. Despite losing Adam Wharton and Maxence Lacroix to injuries before the break, Palace maintained composure and kept Fiorentina at bay. Fiorentina, managed by Paolo Vanoli, reduced the aggregate gap to two goals with about thirty minutes remaining, sparking a tense period. However, Palace’s defence, anchored by David de Gea in goal, held firm, denying further breakthroughs. Key moments included a penalty conversion by Albert Gudmundsson and a crucial save from de Gea after a wayward strike by Daniel Muñoz. Palace also benefited from a disciplined performance by goalkeeper Dean Henderson, who thwarted several Fiorentina attempts, including a long‑range effort from Cher Ndour. In the second half, manager Oliver Glasner introduced Norwegian striker Jørgen Strand Larsen, who replaced Jean‑Philippe Mateta, adding fresh impetus to the attack. Although Fiorentina pressed hard, Palace’s makeshift defence weathered the storm, and a late header from Roberto Piccoli sailed over the crossbar, sealing the result. With the aggregate score favoring Palace, the club now prepares for a semi‑final clash against Shakhtar Donetsk, marking a remarkable milestone for a side that, just a year ago, was still awaiting its first major trophy. Fans celebrated the achievement under the Tuscan sun, with vibrant displays of red and blue flags and flares organized by the Holmesdale Fanatics, highlighting the growing passion surrounding Palace’s European adventure.

Warner Bros' new take on The Mummy, directed by Lee Cronin, has been met with criticism for its grandiose approach and lackluster execution. The film's attempt to distance itself from Universal's upcoming return to the franchise and capitalize on the current trend of auteur-driven horror films has been seen as unearned and indulgent. Cronin, an Irish filmmaker with only two previous films under his belt, has been praised for his visual talent, but his Mummy has been criticized for being absurdly overlong at 134 minutes and tonally unsure. The film's attempt to blend elements of classic monster movies with modern horror tropes has resulted in a messy and unoriginal product. The film's plot, which revolves around a creepy kid who returns from the dead with a malevolent presence, has been compared to other horror films such as The Exorcist and The Omen. However, the execution falls short, with rubbery prosthetics and an exhaustingly loud finale that fails to deliver scares. Despite its bold ambition and stunning visuals, the film ultimately feels like a lesser imitation of other horror films. The lack of character development, suspense, and logic makes it difficult to become invested in the story. The Mummy is set to release in Australian cinemas on April 16 and in the US and UK on April 17.

Massive Attack has returned with their first single in a decade, 'Boots on the Ground', featuring the iconic voice of Tom Waits. The song is a seven-minute track that showcases the band's signature dark and experimental sound.The song's release marks a significant event in the music world, especially given Massive Attack's influential history in shaping the trip-hop genre with their debut album Blue Lines in the 90s. The band's music has since evolved to incorporate more abstract and disquieting elements, as evident in 'Boots on the Ground'.The track features a haunting intro and coda with Tom Waits's labored breathing, creating an unsettling atmosphere. Waits's vocals are unmistakable, and his presence elevates the song to a new level of intensity. The lyrics are surreal and disturbing, tackling themes of violence and authority.The song's accompanying video features the work of a documentary photographer, showcasing powerful images of Black Lives Matter protests, ICE raids, and homeless veterans. This visual component adds to the song's impact, making it a thought-provoking and timely release.'Boots on the Ground' is a fitting addition to Massive Attack's discography, reflecting the band's continued ability to push boundaries and create music that resonates with the current times. The song's dark and ominous tone, combined with Tom Waits's haunting vocals, makes it a standout track in the band's oeuvre.

When Capcom first unveiled Pragmata alongside the PlayStation 5 in 2020, the teaser promised high‑octane space action. Six years later, the game finally launched on April 17, 2026 at a retail price of £49.99, revealing a narrative that leans more toward emotional storytelling than pure spectacle.Set on a moon‑based research outpost operated by the fictional Delphi corporation, the story revolves around a cutting‑edge 3D‑printing material called Lunafilament. When the station loses power, Earth‑based engineer Hugh is dispatched to investigate, only to discover a silent, half‑printed landscape littered with abandoned tools and unfinished constructs.Gameplay hinges on a novel hacking mechanic. Hugh is accompanied by Diana, a 3D‑printed android designed to resemble a six‑year‑old girl, who can infiltrate enemy code in real time. Players trigger a side‑screen mini‑game that reveals robotic foes’ weak points, turning combat into a blend of reflex shooting and strategic code‑breaking reminiscent of classic handheld RPGs.Beyond the mechanics, the title’s emotional core emerges through the evolving bond between Hugh and Diana. Their interactions feel organic, with Diana sketching pictures, playing hide‑and‑seek, and gradually learning about humanity through Hugh’s stories. This father‑daughter dynamic avoids saccharine tropes, instead offering moments that genuinely resonate.Exploration rewards curiosity: the lunar base gives way to tropical jungles, sun‑kissed beaches, and a half‑printed recreation of New York City. An underground shelter functions as a hub for upgrades, training simulations, and further character development, echoing the atmospheric pacing of titles like Death Stranding.Visually, the game benefits from the direction of Cho Yonghee, known for the acclaimed Nier: Automata. Despite its ambitious art direction, Pragmata runs smoothly on both the high‑end PS5 Pro and the portable Switch 2, demonstrating impressive optimization across hardware tiers.In sum, Pragmata stands out as a beautifully crafted single‑player adventure that marries inventive combat with a surprisingly moving narrative. Its blend of sci‑fi aesthetics, heartfelt storytelling, and polished performance makes it a noteworthy addition to the current generation of console releases.