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Within its opening weekend on Netflix, Peaky Blinders: The Immortal Man attracted over 25 million streams, outpacing all other titles that week despite already enjoying a UK cinema run and a high‑profile red‑carpet premiere at Birmingham’s Symphony Hall.Banijay Entertainment, a co‑producer of the film, capitalised on the buzz by launching an official Peaky Blinders merchandise store, underscoring how streaming services are now flipping the classic content pipeline—moving from streaming to the big screen rather than the reverse.Beyond promotional stunts, these theatrical forays are becoming a strategic revenue stream and franchise‑building tool. Shows such as Stranger Things, KPop Demon Hunters and The Mandalorian are being repackaged for cinemas, offering fans a premium, event‑style experience that streaming alone cannot replicate."Cinema still creates anticipation, hype and a sense of scarcity that streaming platforms struggle to match," explains Ben Woods, analyst at MIDiA Research. Historically, Netflix limited theatrical releases to qualify films like The Irishman for awards, but the current focus is on monetising proven intellectual property across both mediums.The success of Peaky Blinders—a series with a built‑in audience—demonstrates the model’s viability. Lead actor Cillian Murphy, who also produced the film, described the release as "one for the fans," signalling the intent to reward loyal viewers.Netflix’s own experiment with KPop Demon Hunters proved lucrative: limited theatrical screenings across two weekends generated more than $24 million (£18 million) at the box office and helped the animated musical secure two Academy Awards for Best Animated Feature and Best Original Song.Co‑CEO Ted Sarandos highlighted that the film’s triumph stemmed from its initial Netflix debut, which fed the theatrical audience via the platform’s recommendation engine. While a sequel is slated to follow the same streaming‑first rollout, the Peaky Blinders movie’s cinema‑first launch shows that release strategies remain flexible.Industry observers note that gaps in the traditional release calendar give streaming services opportunities to fill weekends with original content, a tactic Netflix is actively exploiting.Major studios are also blurring the line between streaming and cinema. Disney, for example, transformed its hit Disney+ series The Mandalorian into a feature film, reflecting a broader push to bring Star Wars stories back to theatres.Adapting episodic narratives for the big screen presents creative challenges. As Ben Woods asks, should a film cater primarily to dedicated fans familiar with the series, or aim for a stand‑alone appeal that attracts a wider audience?Fan reaction to The Immortal Man has been mixed on the Peaky Blinders subreddit, with some critics questioning the decision to condense a season‑long arc into a single film. Nonetheless, the movie enjoys a strong critical consensus, holding roughly a 90 % fresh rating on Rotten Tomatoes.Looking ahead, Netflix announced on 20 March that two new post‑war seasons of Peaky Blinders are in development, raising the question of how soon the next installment might receive a cinematic spin‑off.

The 2026 International Booker Prize shortlist has been unveiled, marking the award's 10th anniversary. Daniel Kehlmann, Marie NDiaye, and Yáng Shuāng-zǐ are among the six authors competing for the top honor.The annual prize celebrates the best works of fiction translated into English, with the winning author-translator pair receiving £50,000, split equally.The shortlisted authors and their works are:Daniel Kehlmann - 'The Director', translated by Ross BenjaminMarie NDiaye - 'The Witch', translated by Jordan StumpYáng Shuāng-zǐ - 'Taiwan Travelogue', translated by Lin KingRene Karabash - 'She Who Remains', translated by Izidora AngelShida Bazyar - 'The Nights Are Quiet in Tehran', translated by Ruth MartinAna Paula Maia - 'On Earth As It Is Beneath', translated by Padma ViswanathanThe judging panel, chaired by author Natasha Brown, praised the shortlisted books for capturing moments from across the past century, saying they 'reverberate with history' and offer 'hope, insight and burning humanity.'The winner will be announced on May 19, with each shortlisted title receiving £5,000.

Lahore Qalandars batter Fakhar Zaman has been charged with ball-tampering in a recent Pakistan Super League (PSL) match against Karachi Kings, the Pakistan Cricket Board (PCB) announced.The incident took place in the final over, with Karachi needing 14 runs to win. Fakhar, Lahore captain Shaheen Afridi, and fast bowler Haris Rauf were involved in a brief discussion, during which Fakhar and Rauf passed the ball between them.The umpire then approached Rauf and asked to see the ball. Following consultations with the square-leg umpire, the officials awarded five penalty runs to Karachi and ordered the ball to be changed.The penalty proved costly, as Karachi went on to chase down a target of 129 with three balls to spare, and Abbas Afridi hitting a four and a six to seal a four-wicket victory.“Fakhar denied the charge levelled against him during a disciplinary hearing led by the match referee Roshan Mahanama,” the PCB said.“Another hearing is set to take place within the next 48 hours after which the match referee will share his verdict.”Fakhar, 35, could face a ban of one or two matches if found guilty of ball tampering for a first offence in the PSL.

Dua Lipa, the Brit award-winning pop star, has been announced as the curator of this year's London literature festival at the Southbank Centre. The festival, now in its 19th year, will run from October 21 to November 1.Lipa will shape the programme of events across the opening weekend and beyond in collaboration with her Service95 book club, which she launched in 2023. This initiative is part of the Southbank Centre's 75th anniversary programme and during the UK's National Year of Reading.Lipa has established herself as a prominent advocate for reading through her book club, where she spotlights established writers and emerging voices. She has interviewed notable authors such as Margaret Atwood, George Saunders, and Olga Tokarczuk.“Reading has anchored me through every chapter of my life,” Lipa said. “Curating the Southbank Centre’s London literature festival is a dream come true. I’m thrilled to indulge one of my greatest obsessions: books and the brilliant minds behind them.”Mark Ball, artistic director of the Southbank Centre, praised Lipa's passion for literature, stating, “Dua Lipa is a global cultural force with millions of fans around the world, and her passion for the written and spoken word has inspired a new generation of readers.”The 2026 edition will feature a mix of ticketed and free events, highlighting both Lipa's favourite writers and new literary voices. The full programme is expected to be announced over the summer.

Actor Corey Feldman, known for his role in Stand By Me, has spoken out about being omitted from the Oscars tribute to Rob Reiner earlier this month. Reiner, along with his wife Michele, was remembered during the Academy Awards' in memoriam section. Feldman expressed his feelings of being snubbed, likening it to 'a family reunion I wasn’t invited to.' He mentioned that his co-stars from Stand By Me, Jerry O'Connell and Wil Wheaton, were present at the tribute. “I think Jerry and Wil did what had to be done,” Feldman said. “It was a fleeting moment, so I don’t feel like I missed much at all. Although they did a wonderful job, I would’ve liked to have heard from Wil and Jerry and a few other people up there.” Feldman also noted that plans for events to mark the 40th anniversary of Stand By Me have been scaled down following Reiner's death. “We all would’ve loved to be able to say goodbye in our own ways. Unfortunately, that didn’t happen,” he said. “The best way we can say goodbye is honouring him and his work … and hopefully going out there to celebrate him one last time on a big screen where it deserves to be seen.” The Reiners were found dead at their home on December 14. Their son, Nick Reiner, has been charged with two counts of first-degree murder.

A recent survey conducted by the Football Supporters' Association has revealed that 91% of football fans believe the game is better off without Video Assistant Referees (VAR). The survey, which polled over 7,000 fans, found that the vast majority of respondents are dissatisfied with the VAR system, which has been in use for over eight years.The survey results show that only 2% of fans agree that VAR makes football more enjoyable, while 3% said it improves the experience of attending a match. In contrast, 81% of fans prefer watching matches without video technology. The survey also found that 96% of fans disagree with the statement that VAR decisions are generally resolved in a reasonable amount of time.While some fans approve of the introduction of in-stadium communication from referees to explain VAR decisions, other extensions of the VAR protocol were largely unpopular. For example, only 21% of fans agreed that VAR should adjudicate on whether corner kicks are awarded, a system set to be trialled at this summer's World Cup.The survey results may not necessarily influence the game's decision-makers, as competition organisers and big clubs are committed to the use of VAR. However, the International Football Association Board (Ifab) has announced a two-year review into the system's performance, which may lead to changes in how VAR is used.

CAF President Patrice Motsepe has stated that he will respect and implement the decision by the Court of Arbitration for Sport (CAS) on Senegal's appeal against being stripped of their Africa Cup of Nations (AFCON) title. The controversy began after Morocco was awarded a 3-0 victory over Senegal in the final, following a disputed penalty.Motsepe emphasized that his personal opinion on the matter is irrelevant and that the appeal board consists of independent judges and lawyers. The CAF president plans to visit Senegal and Morocco to stress the importance of 'working together to grow African football' and implement changes to ensure that similar incidents are not repeated.In a related development, CAF official Veron Mosengo-Omba has resigned as general secretary, citing his decision to devote himself to more personal projects. Mosengo-Omba had been a divisive figure at CAF, accused by some employees of creating a toxic work environment.Motsepe also announced that Nigeria-born CAF official Samson Adamu will become the caretaker general secretary of the organization. The changes come at a turbulent time for African football, with CAF implementing changes to strengthen trust and confidence in referees, VAR operators, and judicial bodies.

Meta's attempt to shift the blame for a young user's mental health issues away from its platforms and onto her family and offline social problems has backfired in a landmark social media addiction trial. The company, parent of Facebook and Instagram, employed a aggressive defense strategy that included highlighting the plaintiff's complaints about her mother in her teenage text messages and personal writings.The jurors, however, were not convinced by Meta's arguments and decided 10-2 in favor of the plaintiffs, awarding $4.2m in damages from Meta and $1.8m from co-defendant YouTube. This verdict could set a precedent for thousands of similar trials already in the works against social media companies.Meta's defense strategy drew backlash from parental advocates, who argued that the company was attempting to shift the blame away from its own design choices and onto parents and users. "For the biggest tech executives, I want to say something: stop blaming the parents. It's on you," said Julianna Arnold, a co-founder of advocacy group Parents Rise!.The trial's outcome reflects a growing distrust of social media companies and their impact on society. A Pew Research Survey found that around 64% of US adults believe that social media platforms have a negative impact on the country, and around two-thirds of Americans have a negative view of Meta CEO Mark Zuckerberg.The verdict has been celebrated by advocates for reining in big tech, who see it as a significant step towards holding social media companies accountable for their role in shaping societal harms. "This trial was proof that if you put CEOs like Mark Zuckerberg on the stand before a judge and jury of their peers, the tech industry's wanton disregard for people will be on full display," said Sacha Haworth, executive director of The Tech Oversight Project.

UK Prime Minister Keir Starmer has expressed strong support for curbing addictive social media features that target children, stating that the government 'will have to act' to regulate these features. In an interview with the Sunday Mirror, Starmer emphasized that these features 'shouldn’t be permitted' and that the government is committed to taking action.The government's education secretary, Bridget Phillipson, also weighed in on the issue, stating that social media platforms are 'designed to keep you there' and that the government will closely examine how to tackle addictive features. The comments come amid a growing debate about the impact of social media on children's mental health and wellbeing.The UK government's consultation on social media regulation has garnered significant attention, with nearly 30,000 parents and children responding to the digital wellbeing consultation. The government is considering a range of options, including a ban on social media for under-16s, which has already been enacted in Australia.The move comes after a US court ruling found Meta and Google liable for a woman's childhood social media addiction, awarding $6m in damages. The companies plan to appeal the decision. The UK government's consultation will also examine the use of addictive algorithms and algorithmically driven content on social media platforms.As part of the consultation, hundreds of UK teenagers will trial social media bans, digital curfews, and time limits on apps as part of a government pilot. The government aims to introduce significant changes to regulate social media and protect children online.