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Lead: A Bold Fusion of Realism and HorrorClaire Fuller returns with Hunger and Thirst, a novel that fuses the gritty texture of social realism with the unsettling atmosphere of gothic horror. Set in 1987, the story follows Ursula, a young woman haunted by the deaths of her mother and a later, more sinister companion, while the narrative oscillates between documentary‑style observation and nightmarish spectacle.Fuller Blends Social Realism with Gothic Horror in 'Hunger and Thirst'The novel opens with Ursula’s traumatic childhood—spending two days trapped in a Moroccan bathroom by her mother’s corpse after a dengue fever death. By sixteen, she drifts through seven children’s homes before landing a postroom job at Winchester School of Art, where she meets the volatile Sue and her boyfriend Vince. Their obsession with horror films like The Shining and The Stepford Wives steers the plot toward a derelict house, the Underwood, where a seance and a reenactment of a past murder blur the line between art and atrocity. Fuller’s prose captures the “porousness” of identity, as characters literally and figuratively inhabit each other’s bodies.Publication Details and PricingPublisher: Fig TreeRelease price: £18.99Publication year: 2026Previous award: Fuller’s 2021 Costa‑winning Unsettled GroundSocial Critique of Thatcher‑Era Care System Through HorrorThe novel uses its horror framework to expose the under‑resourced British care system of the 1980s, a period when Thatcher’s government prioritized nuclear families over community support. Ursula’s movement between children’s homes and a “halfway house” populated by addicts and ex‑prisoners illustrates the systemic neglect that left many youths adrift. By juxtaposing this social critique with visceral horror, Fuller argues that the genre can convey truths about societal failure more starkly than conventional realism.Potential Legacy and Reader ReceptionFuller’s “outrageous aesthetic gamble” may set a new benchmark for literary horror that does not sacrifice social urgency. If readers and critics embrace the novel’s dual narrative—documentary‑style observation paired with gothic terror—it could inspire a wave of fiction that treats horror as a vehicle for political commentary. The book’s blend of “intense feeling” and “intimate portrayal” positions it as a contender for future literary awards and a touchstone for authors exploring the intersection of genre and social critique.

The Squad Revelation Thomas Tuchel is set to announce England's 2026 World Cup squad. The big announcement comes at 9:45 am UK time. The Probable Squad David Hytner and Jacob Steinberg have done their analysis and made their predictions on the final 26. Here's their probable squad: Goalkeepers: Jordan Pickford Everton, Dean Henderson Crystal Palace, James Trafford Manchester City Defenders: Reece James Chelsea, Tino Livramento Newcastle, John Stones Manchester City, Marc Guéhi Manchester City, Ezri Konsa Aston Villa, Dan Burn Newcastle, Jarell Quansah Bayer Leverkusen, Nico O'Reilly Manchester City Midfielders: Jordan Henderson Brentford, Elliot Anderson Nottingham Forest, Declan Rice Arsenal, Kobbie Mainoo Manchester United, James Garner Everton, Jude Bellingham Real Madrid, Morgan Rogers Aston Villa Forwards: Bukayo Saka Arsenal, Noni Madueke Arsenal, Eberechi Eze Arsenal, Marcus Rashford Barcelona, Anthony Gordon Newcastle, Harry Kane Bayern Munich, Ollie Watkins Aston Villa, Ivan Toney Al-Ahli The Omissions Trent Alexander-Arnold has been omitted from the squad. Djed Spence has been included but reportedly broke his jaw after a collision with Liam Delap of Chelsea on Tuesday. Maguire was the first to go public about being left out, with the defender taking to social media to express disappointment over failing to make the cut. The most eye-catching omissions came in the attacking areas, with Foden and Palmer left out due to underwhelming seasons. The Surprising Inclusions Tuchel has been bold with his selections, notably turning to Toney for the first time in 12 months. The former Brentford striker, who now plays for Al-Ahli in Saudi Arabia, was part of England's squad at Euro 2024 but has not made an international appearance since coming on as a substitute in the friendly defeat by Senegal last June.

English Heritage has finished a 7‑metre‑high, £1 million reconstruction of a 4,500‑year‑old Neolithic hall, called the Kusuma Neolithic Hall, near the Stonehenge visitor centre. The structure is slated to open to the public this summer and will later serve as an immersive educational hub for schools. Recreating a 4,500‑Year‑Old Neolithic Hall at Stonehenge The hall is based on the archaeological footprint of Durrington 68, a “square‑in‑the‑circle” building discovered two miles from Stonehenge. Excavations first began in 1928 by Maud Cunnington and were revisited in 2007 by the Stonehenge Riverside Project. The reconstruction features a horseshoe‑shaped ring of post holes and four massive internal roof‑support pillars, mirroring the original layout. Experimental archaeologist Luke Winter oversaw the design, using Neolithic carpentry studies and pollen data to ensure authenticity. Every timber was shaped with replica stone tools, and the frame was aligned with the winter solstice – the shadow of the central post falls precisely on the midsummer sunrise. £1 Million Investment and Volunteer Workforce Cost: £1 million Construction period: nine months Volunteer involvement: >100 volunteers contributed hand‑crafted timber work Opening: Summer 2026 Future educational capacity: aim to serve nearly 100,000 students annually by 2031 Educational and Cultural Impact on Heritage Tourism The hall forms the first phase of English Heritage’s broader educational expansion, which will also include the Clore Discovery Lab and Weston Learning Studio, scheduled for completion by the end of 2026. By offering a free, hands‑on experience – from making prehistoric cheese to shaping pottery – the project is expected to boost visitor numbers and deepen public engagement with Neolithic heritage. Curator Win Scutt emphasizes that the reconstruction highlights the communal spirit of Neolithic societies, providing a tangible illustration of how ancient peoples built collective monuments as expressions of social identity. Future Role in Neolithic Research and Learning Beyond tourism, the hall serves as a living laboratory for researchers. The experimental construction process has already shifted expert confidence from a 50 % to a 75 % likelihood that the original Durrington 68 structure was roofed. Ongoing studies will use the hall to test hypotheses about building techniques, seasonal alignments, and social organization. As the site opens to schools, it will become a model for immersive archaeology, potentially inspiring similar reconstructions across the United Kingdom and informing curriculum development for the national education programme on the Neolithic period.

The Scale of Government WasteCancelled government projects cost taxpayers a staggering £6.6 billion in the past year alone, with money written off that achieved no intended objectives or created any value for the public, according to parliament's spending watchdog. The Public Accounts Committee (PAC) described successive governments' tendency to abandon projects after spending significant sums as a "particularly egregious" example of poor value for public money.Key Failed InitiativesAmong the most prominent cancelled projects were the Conservative government's Rwanda deportation scheme, which cost £290 million before being scrapped by the new Labour administration, and the planned A303 road tunnel under Stonehenge, which contributed to a £472 million loss for the Department for Transport. The Ministry of Defence emerged as one of the most wasteful departments, incurring a £1.6 billion loss through project cancellations in the 2024-25 tax year.Financial Impact AnalysisThe cross-party committee analyzed spending across 17 main government departments and identified several factors behind the financial losses:Write-offs and debts no longer being pursuedDepartments cancelling or retiring assetsFraud, particularly in the Department for Work and PensionsCompensation schemes reaching £73.4 billion by the end of the last financial yearThe Department for Work and Pensions reported £9.3 billion in overpayments due to fraud and errors that have persisted for 36 years.Governance and Accountability ConcernsThe PAC deputy chair, Labour MP Clive Betts, characterized the high costs as a sign of government "complacency," stating that hard-working taxpayers should be "rightly aggravated" by the figure. The committee rejected the argument that high levels of fraud and waste are simply "the cost of doing business in the public sector," instead labeling them "the cost of complacency." James Bowler, the Treasury's permanent secretary, acknowledged that write-offs could occur with changes in government and differing objectives, suggesting a "value for money trade-off" in project completion decisions.Future Outlook on Government SpendingThe report calls for urgent action to reduce fraud and improve value for money in government programs. The Treasury has stated it "will never tolerate fraud, error or waste" and emphasized that the government ended the Rwanda scheme and cancelled unaffordable road projects to "protect the public finances." With public finances under increasing scrutiny, the findings are likely to intensify demands for greater accountability and more rigorous project planning before major initiatives receive approval and funding.

A candid kitchen conversation with Sir Derek Jacobi The Guardian’s interview captures a warm, unguarded moment as Jacobi and his husband, director Richard Clifford, share coffee and stories in their London home. Jacobi, 80, jokes about his looks, admits he never felt “movie‑star material,” and confides that he would love to reach his centenary. Career milestones and personal anecdotes 1970s breakthrough as the stammering Emperor in I, Claudius. Acclaimed stage work including Cyrano de Bergerac (Royal Shakespeare Company, 1980s) and Macbeth at the Barbican (1993). Recent TV roles in Vicious and Last Tango in Halifax. Early life in Leytonstone; rheumatic fever at nine sparked a shift from working‑class roots to a posh accent and ambition. No financial figures – cultural impact takes centre stage The piece contains no monetary data; its value lies in documenting the lived experience of a veteran actor whose voice and presence have shaped British drama for five decades. What Jacobi’s reflections mean for British theatre and aging performers Jacobi’s honesty about age, health (including his AIDS diagnosis) and self‑image highlights the often‑unspoken pressures on older actors. His partnership with Clifford, who directs and designs their home, underscores the importance of supportive creative collaborations in sustaining long‑term artistic careers. Looking ahead: the goal of hitting 100 Jacobi ends on a hopeful note, expressing a desire to “hit 100” and continue contributing to the arts. His story suggests that longevity in performance is as much about personal resilience and community as it is about talent.

Hull KR's Crushing Warm‑up Sets a Bold Tone for WembleyHull KR delivered a relentless performance against an under‑strength Wigan Warriors, leading 42‑0 at the break and finishing with 11 tries. The win narrows the gap to the league leaders, St Helens, to just two points.Wigan’s Experimental Line‑up and the Rationale Behind ItCoach Matt Peet rested the majority of the 17‑man squad slated for the Challenge Cup final, fielding eight debutants and only three players over 23. The approach was described as “intelligent” workload management, but the heavy defeat has drawn scrutiny.Scoreline and Statistical BreakdownHalf‑time lead: 42‑0Total tries: Hull KR 11, Wigan 1Key performers: Mikey Lewis hat‑trick, tries by Tom Davies, Jez Litten, Jai Whitbread, Rhyse MartinWigan’s lone try by Nathan LoweImplications for the Super League Playoff Race and TV RightsThe victory propels Hull KR within two points of the leaders, intensifying the battle for playoff positions. With the Super League TV contract up for renewal, a one‑sided warm‑up raises concerns about the marketability of a final that may appear predictable.Outlook for the Challenge Cup Final at WembleyBoth clubs will reassess their strategies before the final in nine days. While Wigan hopes the rest will restore its senior talent, Hull KR will look to maintain momentum. The final will likely be a true test of depth versus experience.

The LeadThomas Tuchel is set to finalise his 26-strong England squad for the World Cup, with a focus on consistency and a blend of experience and youth.The Event DetailsTuchel's selection is set to be defined by consistency, with players like Jordan Pickford, Declan Rice, and Bukayo Saka expected to make the cut. The squad will be announced on Friday morning via a live stream on the England app, featuring appearances from former England internationals Theo Walcott and Daniel Sturridge.The Data AnalysisThe probable England World Cup squad includes:Goalkeepers: Pickford, D Henderson, TraffordDefenders: James, Livramento, Stones, Guéhi, Konsa, Burn, Quansah, O’Reilly, Lewis-SkellyMidfielders: Rice, Anderson, J Henderson, Mainoo, Bellingham, RogersForwards: Saka, Madueke, Eze, Rashford, Gordon, Kane, Watkins, ToneyThe Impact AnalysisTuchel's selection will have a significant impact on the team's performance, with a focus on blending experience and youth. The inclusion of players like Ivan Toney and Nico O’Reilly could bring a fresh perspective to the team.The PredictionThe England team's chances of success in the World Cup will depend on the squad's chemistry and Tuchel's tactics. With a mix of experienced players and young talent, the team has the potential to make a deep run in the tournament.

The Star's Impactful Performance Cristiano Ronaldo scored twice as Al-Nassr clinched the Saudi Pro League title with a 4-1 win over Damac, ending his long wait for domestic silverware. Ronaldo's Road to Glory A trademark free-kick and a close-range finish, both in the final half-hour of Thursday’s game, sealed the win Al-Nassr needed on the last night of the season, with Al Hilal finishing just two points behind. Career Milestones and Achievements Ronaldo, 41, who was without a major club trophy since winning Serie A with Juventus in 2020, arrived in the oil-rich desert kingdom to great acclaim in 2023. He adds the Saudi championship to his English, Spanish and Italian titles and five Champions League medals. Ronaldo opened the door to a series of big-money Saudi signings when he joined Al-Nassr in January 2023, following an unhappy second spell at Manchester United. The Future of Saudi Football Next up for the all-time leading men’s international goalscorer, with 143 goals, is a sixth crack at the World Cup after he was named in Portugal’s squad this week. League and Player Statistics Ronaldo was the Pro League’s top scorer in his first two seasons, with his career tally now at 973 – tantalisingly close to the 1,000-goals milestone. Challenges and Controversies His Saudi stint has not always been smooth. In 2024, he was left in floods of tears when Al-Nassr lost the King’s Cup final to Al Hilal on penalties, denying him his first Saudi title. This season, he disappeared from Al-Nassr’s lineup for three games in an apparent protest at Benzema’s transfer to rival team Al Hilal.

The Play's Concept Imagine if One Day was set in Long Eaton. Now, take its sweeping, time-spanning love story, but make it platonic, and about two theatre-obsessed best mates. That’s the foundation for Jane Upton’s luminous, heart-exploding play, which catches Jess and Billy in a series of snapshots across their friendship. The Story Unfolds Beginning in the early 90s, during their school days, and then moving through their 20s, 30s and into their mid-40s, the play threads together teenage crushes, career decisions, breakups, marriages, births and children. Jess (Katie Redford) is an oversharer while Billy (Benedict Salter) has secrets. Their early years together pass through play rehearsals, parties, personal revelations and betrayals, but even in their lowest moments, the two are always pulled back to each other’s side. The Evolution of Friendship As their lives move in different directions, with Billy heading to London for drama school and later building a career as a high-flying agent, and Jess staying at home in a “suburban bubble” before eventually tiptoeing her way back into the creative scene as a playwright, they turn their noses up at the other’s choices. Still, in times of turmoil, they can’t help but pick up the phone or race across the country just to be there for their old friend. Their dialogue accurately captures people who know each other’s lives inside out. The Production Directed by Hannah Stone, the production shows friendship as something defining. Redford and Salter make their characters people we want to stay with across the decades. In fact, time here slips through our fingers. One moment they’re 15 in 1995, and Jess is getting advice from More! magazine; the next it is 2022, and a 42-year-old Billy is considering surrogacy for his next child. Abby Clarke’s design evokes nostalgia, with the back wall composed of white, Polaroid-inspired squares that shift from photographic outlines to mirrors. The Verdict With so much life to fit into 95 minutes, there are inevitable gaps in Billy and Jess’s stories. We could learn more about the structure of their families and the other relationships in their lives. But really, this is a play about the complicated, beautiful bond between two people. It leaves you desperate for more days with them. Where to Watch At Nottingham Playhouse until 12 June