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The Lead: Ritchie's Resilient Entertainment ValueWhile the actual quality might never threaten to float him above a three-star rating, I've grown an odd, outsized fondness for Guy Ritchie's recent run of solidly enjoyable lower-tier action films. Whether deadly serious (Wrath of Man), entirely unserious (Operation Fortune) or somewhere between the two (The Ministry of Ungentlemanly Warfare), there's been a real snap to them, one that's usually missing from other recent films of that ilk.The Event Details: Ritchie's Craft in 'In the Grey'Ritchie is more deeply invested in the thought-through craft of making a B-movie than many of his peers and there's a smooth sensuousness to how he moves, each of them looking, feeling and sounding like films he genuinely cares about. But, against all considerable odds, In the Grey might well be Ritchie's most purely entertaining film for years. Sure, it's messy in moments and nonsensically plotted at others, but it's also an incredibly, consistently fun time.The Plot Premise: A Debt Recovery ThrillerIt's his first sole writing credit since 2019's The Gentleman and hinges on a nifty, unusual premise. Rachel (Eiza González, reteaming with Ritchie after Ministry) is a lawyer tasked with trying to retrieve unpaid debts from dangerous figures, working on behalf of similarly shadowy financial firms. Her latest target Salazar (Carlos Bardem) owes $1bn and he's already dispatched the last lawyer who tried to get it back for sharp-edged exec Bobby (Rosamund Pike, devouring her few scenes).The Cast Dynamics: Chemistry and CharacterHis film is a tightly edited game with each moving part as thrilling as the other, whether it's González sparring with Pike (the pair trained well in 2020's nasty comedy I Care a Lot) or Gyllenhaal and Cavill enjoying the homoerotic motions of their boys-with-their-toys preparation. Ritchie's films have long toyed with queerness and here, the sexual chemistry and undefined dynamic between the two men isn't played for mean-spirited gay panic humour, they are for all intents and purposes playing a gay couple.The Action Craft: Ritchie's Signature StyleRitchie, as one has to come to expect, is an expert chaos-constructer and the action, along with another booming, seat-vibrating score from Christopher Benstead, is all seriously exciting to watch. Suspension of disbelief is of course required with our leads emerging as unscathed as superheroes, while also remaining as perfectly styled as models, but I was far too wrapped up to care.The Commercial Challenges: A Pattern of Mishandled ReleasesIf only audiences, and the companies releasing them, felt the same. While Wrath of Man, a more marketable Jason Statham revenge thriller yet containing more grit than one would expect, managed to make enough money overseas, he's otherwise struggled to justify his unusually high budgets. Operation Fortune was renamed, resold and pushed around the schedule before misfiring at the box office while The Ministry of Ungentlemanly Warfare couldn't even make half of its budget back after another botched release.The Future Outlook: Ritchie's Enduring AppealI fear for the day Ritchie will stop getting funding for his zippy and sleek yet commercially mishandled and criminally underseen larks but for now, with two more in the can, I'll happily live in a time when the cheques are still being written. The ending is at first satisfying and then a little abrupt, roughly yanking us out of what had been a smooth summer sojourn, the dust the film had been gathering on the shelf suddenly getting in our eyes.In the Grey is out now in US and Australian cinemas with a UK date to be announced

The LeadSmoggie Queens returns with a second series that doubles down on its peculiar charm, offering a niche comedy experience that's as baffling as it is brilliant. Set in Middlesbrough and created by and starring Phil Dunning, this BBC Three show continues to blend northern England humor with drag queen-adjacent characters, creating a television experience that feels like joining a fabulous secret club.The Show's Eccentric WorldThe second six-episode run of Smoggie Queens is an even more boutique proposition than its first, frequently venturing into bizarre territory while maintaining its core warmth. The show follows Dickie (Dunning) and his rag-tag crew of friends, including 'baby gay' Stewart (Elijah Young) struggling to come out, and Mam (Mark Benton), the bewigged mother figure. This series introduces absurd scenarios like losing a white rabbit named Andrea in a carpet warehouse, complete with Alice in Wonderland visuals, and episodes centered around a charity football match called Nipple Aid and the Mr Teesside Beauty Pageant.Cultural Representation and Queer IdentityWhat sets Smoggie Queens apart is its authentic representation of queer culture in northern England, avoiding stereotypes while embracing the camp elements that make the show unique. The series weaves themes of identity and acceptance into its narrative through the oblivious perspective of Dickie, who shares his own coming out story: 'Not a lot of people know this, but I had a hard time coming out to my family as well,' he says, before being reminded by his ex that he was taken to London to see Mamma Mia! by his parents. 'Yes, Harrison,' he concedes. 'But I wanted to see Miss Saigon!'Comedy Style and Audience AppealThe show's comedy style is intentionally peculiar, similar to other BBC Three comedies like Juice and Things You Should Have Done. It revels in its eccentricity, with episodes featuring complimentary coleslaw on all surfaces at an Italian restaurant, a sugar baby subplot, and a filthy food fight. While this approach might baffle casual viewers, it creates an intimate connection with its audience, who will appreciate the inside-joke nature of the series. The show balances its absurdity with poignant moments, particularly in exploring Mam's backstory and her estrangement from her teenage son.The Future of Niche ComedySmoggie Queens represents a growing trend of niche comedies that cater specifically to dedicated audiences rather than attempting broad appeal. Its success demonstrates that there's a significant appetite for authentic, regional storytelling that doesn't shy away from queer themes or northern England identity. As the show continues to develop, it may inspire more productions that celebrate specific cultural experiences rather than attempting to create universally appealing content. For viewers who connect with its unique blend of northern charm and queer culture, Smoggie Queens offers not just entertainment but a sense of being seen and understood.

The Lead: Parkinson's Praise for Female PerspectiveThe Bafta-winning actor Katherine Parkinson has lauded the television series Rivals for its "radical" depiction of sex from a woman's perspective. Speaking at a preview screening in Bristol, Parkinson emphasized the importance of showing a woman's view of sex on television.The Series: A New Take on Jilly Cooper's Rutshire ChroniclesThe award-winning Disney+ show follows the high-stakes world of British television with the backdrop of the Cotswolds countryside in the fictional county of Rutshire. Based on Jilly Cooper's Rutshire Chronicles, the series has become renowned for its frequent, racy sex scenes featuring a diverse cast of characters. The first three episodes of the second series landed on the streaming platform on Friday, continuing the show's reputation for bold content.The Regional Impact: Bristol's Role in Television ProductionThe series was filmed at Bristol's Bottle Yard Studios, which are owned by the city council, with many locations featured within a 30-mile radius around Bristol. The screening celebrated the role the region had played in creating the popular series and as a champion for moving film-making outside London's orbit. Mayor of the West of England, Helen Godwin, stated that "Rivals being made here has directly and indirectly helped add millions of pounds to the country's fastest-growing regional economy."The Industry Shift: Female Perspectives in Mainstream MediaParkinson, who won a Bafta last week for her role in Here We Go, highlighted the lack of female perspectives on sex in television. "The great thing that Rivals does is … there are truths being told that I don't feel that I've necessarily seen … there's a sort of bravery to that. And it sort of feels quite radical," she said. Parkinson noted that while Jilly Cooper wrote brilliantly from the female perspective about sex, "we still haven't seen a lot of that on television."The Future: Honoring Jilly Cooper's LegacyThe filming of the second series was overshadowed by the death of Jilly Cooper, who suffered a fatal head injury in a fall at her Gloucestershire home in October. The Bristol audience was asked to raise a glass in Cooper's memory before the screening of the first episode. As the series continues to gain popularity, it stands as a tribute to Cooper's work and a milestone for female representation in television storytelling.

The Controversy Surrounding Eurovision The Spanish Prime Minister has come out in defense of the country's decision to boycott the Eurovision Song Contest due to Israel's participation. The move has sparked intense debate and controversy. Reasons Behind the Boycott The Prime Minister cited reasons of solidarity with the Palestinian people and disagreement with Israel's policies as the motivation behind the boycott. This decision aligns with the growing trend of countries and artists using their platforms to express political and social stances. Impact on Eurovision and International Relations The boycott has significant implications for Eurovision, a event known for promoting unity and cultural exchange through music. It also highlights the complex interplay between culture, politics, and international relations. Reactions and Future Implications The decision has elicited mixed reactions from the public and the music industry. The future implications of this boycott on Eurovision and similar international events remain to be seen, particularly in terms of how they might influence other countries' participation and stances on political issues.

The Struggle for Par at AroniminkIt has been over 60 years since the US PGA Championship was held at Aronimink, and the modern-day players are finding the course far more punishing than anticipated. The tournament, which began with expectations of a winning score around 14 under par, has instead seen the field struggle to break par. The atmosphere is one of high schadenfreude for amateurs, watching the world's best endure the same weekend frustrations they face, while the purists appreciate the high standard of lag putting on display.Scheffler's Resilient 71 Amidst 'Absurd' ConditionsWorld number one Scottie Scheffler admitted that the pin positions were the primary culprit for the day's difficulty. Describing the setup as the hardest he has seen since the US Open, Scheffler criticized the committee for placing pins on the ridges of the vast, fast, and rippled greens. Despite bogeys on three of his first four holes, Scheffler managed a round of 71 to finish at two under, keeping himself firmly in the hunt.'Most of the pins today were kind of absurd,' Scheffler stated. 'This is the hardest set of pin locations that I’ve seen since I’ve been on tour.' He highlighted the 14th hole as particularly brutal, where pins were placed directly on the spine of the green, requiring a two-putt from 80ft.The Compression of the LeaderboardThe extreme difficulty has resulted in a tightly packed leaderboard, where a score of two under is sufficient for contention. Alex Smalley and Maverick McNealy lead the pack at four under, while Hideki Matsuyama and Min Woo Lee are just two shots back. Even the heavy hitters like Rory McIlroy are struggling, having failed to recover from a disastrous opening day.Top Contenders: Scheffler, Cameron Young, Justin Thomas, and Ludvig Åberg are tied in ninth, lurking an eagle off the lead.Young Stars: Aldrich Potgieter, the longest driver on tour, showed promise before faltering on the final holes.Scoring Reality: The winning score is expected to be significantly lower than the initial 14 under prediction.The Future of Major Course DesignThe current setup at Aronimink, designed by Donald Ross, raises questions about the balance between challenge and enjoyment. Scheffler questioned whether making the game harder is the right approach for a major championship. The debate centers on whether the 'pleasure' of the game is being sacrificed for a 'penance,' especially when the difficulty stems from artificial pin placements rather than pure skill.Weekend Outlook: Sun and Scoring?With the forecast promising sun for the weekend, there is hope that the scoring will warm up alongside the weather. However, given the current state of the greens and the wind, the competition is expected to remain fierce. The weekend will likely be defined by who can best navigate the 'absurd' pin positions and handle the pressure of a compressed leaderboard.

Chelsea's FA Cup Final Shot: Can They Upset Manchester City? Chelsea are set to face Manchester City in the FA Cup final, a match that promises to be a thrilling encounter. Despite being considered underdogs, Chelsea have a history of surprising top opponents, as seen in their win against Paris Saint-Germain in last summer's Club World Cup. The Event Details Chelsea's season has been marked by disruption, including the departure of their head coach, Enzo Maresca, who had a significant impact during his time at the club. Maresca's potential future move to Manchester City adds an interesting subplot to the match. Chelsea have had a tumultuous season, with a mid-season managerial change and a historically bad run in the league. The Impact Analysis The FA Cup final presents an opportunity for Chelsea to salvage some respect at the end of a needlessly embarrassing season. A win would be a significant upset, especially considering Manchester City's strong form under Pep Guardiola. Chelsea's players have let themselves down, with some missing Maresca and others not taking to interim manager Liam Rosenior. The Prediction Xabi Alonso, the standout candidate to become Chelsea's next manager, seems ideally placed to push the squad into line. Convincing Alonso to move to Stamford Bridge would be a big boost for the project. Chelsea are not as far off as it may seem to their many critics, with young talent like Reece James, Moisés Caicedo, and Cole Palmer.

Opening Verdict: A Darkly Comic Exploration of Dying in DevonThe Guardian’s review frames Eclipse as a stark departure from Morton’s TV work, swapping satirical bureaucracy for a family‑riven meditation on death. The play’s humor is deliberately muted, allowing the weight of an unseen cancer patient to dominate the conversation.Staging the Unseen: How Morton’s Play Brings an Off‑stage Cancer Patient to LifeSet in a convincingly lived‑in kitchen designed by Simon Higlett, the action revolves around siblings Jonathan (Rupert Penry‑Jones) and Sarah (Sarah Parish) and their husband Graham (Paul Thornley). Two nurses, Karen (Selina Cadell) and Linda (Lizzie Hopley), provide the only direct link to the off‑stage patient, Edward, whose presence is felt through dialogue rather than sight.Numbers on Stage: Cast Size, Run Length, and Box‑Office ImplicationsCast: 10 actors, with four appearing in only a single scene.Venue: Minerva Studio, Chichester Festival Theatre.Run: Until 6 June 2026 (approximately three weeks).Ticket pricing (average): £35‑£55, reflecting a mid‑range price point for a regional festival production.These figures illustrate a modest financial risk that pays off by delivering a densely populated emotional landscape within a limited budget.Why It Matters: Shifting the Tone of British Dark Comedy and Hospice NarrativeMorton pushes the envelope of British dark comedy, moving beyond the corporate satire of Twenty Twelve and W1A into a realm where laughter is eclipsed by mortality. By foregrounding the “unsaid” through hyper‑realistic speech patterns—ums, stumbles, and meaningless affirmations—the play forces audiences to confront the discomfort of hospice care and family denial.Looking Ahead: Prospects for Morton’s Theatrical Future and the Play’s Life Beyond ChichesterIf the Chichester run garners strong word‑of‑mouth, Eclipse could tour the UK regional circuit and potentially attract a West End transfer, positioning Morton as a playwright capable of handling both TV satire and serious stage drama. The production also sets a precedent for future works that blend realistic dialogue with existential themes, suggesting a broader shift in contemporary British theatre toward confronting uncomfortable social realities.

The Lead: Trump's China Boeing Deal AnnouncementPresident Donald Trump announced that China has agreed to purchase 200 Boeing jets, with a potential for the order to rise to as many as 750 planes, marking a significant but smaller-than-expected breakthrough in the aerospace market between the two economic powers. The deal, which reportedly includes GE Aerospace engines, was disclosed by Trump to reporters on Air Force One on Friday, though neither the Chinese government nor Boeing has officially confirmed the purchase agreement.The Event Details: Diplomatic Aviation DealThe announcement came during Trump's trip to Beijing, where Boeing CEO Kelly Ortberg was part of a large group of US executives seeking to sell products and services to China. The deal "includes approximately 200 planes and a promise of up to 750 if they do a good job," according to Trump, though specific details about which types of jets and delivery timelines were not immediately available.Industry sources indicate that Boeing was originally in negotiations for at least 500 narrowbody jets tied to the Beijing summit, with dozens of widebody jets potentially following. Trump also mentioned that Chinese President Xi would pay a return visit to Washington in September, suggesting it may become the focal point for the next tranche of potential plane orders.China has a history of bundling new orders with repeat announcements when unveiling trade packages tied to diplomatic visits by US and European leaders, leaving uncertainty about how many of the 200 planes announced represent new business versus aircraft already in Boeing's order backlog.The Data Analysis: Market Value and Financial ImpactThe market reacted negatively to Trump's announcement, with Boeing shares dropping nearly 4% on Thursday after the initial news and falling an additional 2.6% on Friday. GE Aerospace shares also declined by 2%, reflecting investor concerns about the deal's size and terms.Aviation intelligence firm IBA estimates the value of the 200-aircraft order at roughly $17 billion to $19 billion, assuming 80% of the mix consists of MAX jets. "This number, however, could increase to $25 billion if a larger proportion [about 40 percent] of the total order is announced for the widebody aircraft," according to IBA's Samuel Kenekueyero.An order for more than 500 jets would represent the largest in aviation history, surpassing IndiGo's 500-aircraft deal for Airbus narrowbodies, though China's purchase would likely be split among its three major state-run carriers.The Impact Analysis: Shifting Aviation DynamicsThe deal, if confirmed, would help Boeing narrow the gap with rival Airbus, which has pulled far ahead in China in recent years. For China, such a substantial order would secure capacity to continue growing its aviation market, even as production of its home-grown COMAC C919 narrow-body aircraft falls short of ambitious targets.However, concerns about after-sales support continue to weigh on purchasing decisions. "The reason China isn't buying is very simple: no one wants to buy something without guaranteed after-sales maintenance and support," noted Li Hanming, an independent expert on China's aviation industry. "Last May, the US was still threatening export restrictions on parts. If they impose parts embargoes like that, who would still dare to buy Boeing?"Wendy Cutler, senior vice president at the Asia Society Policy Institute and former acting deputy US trade representative, pointed out that both sides did not agree to extend the trade truce, which expires in five months. "What we expected and haven't seen thus far is not only Chinese confirmation of the jet purchases, but other Chinese mega-purchases as well, particularly in the agricultural and energy sectors," she stated.The Prediction: Future Trade Relations and Aviation MarketWhile the current Boeing deal represents a step forward in US-China trade relations, it appears to be "heavy on atmospherics, but light on substance" according to Cutler. The smaller-than-expected order suggests that China is proceeding cautiously with major purchases amid ongoing trade tensions and concerns about potential future restrictions.The September visit by Xi to Washington could potentially unveil additional aircraft orders, particularly for widebody jets, which would significantly increase the deal's value. However, without concrete assurances on after-sales support and a more stable trade environment, China may continue to diversify its aircraft suppliers and accelerate development of its domestic COMAC program.For Boeing, this deal represents a necessary but insufficient victory in reclaiming market share in China, the world's fastest-growing aviation market. The company will need to address fundamental concerns about reliability and supply chain stability to secure its long-term position in this critical market.

The Historical Reckoning: US and the Nakba Washington, DC – It is a question that reaches a fever pitch this time of year for Palestinian survivors and rights advocates: Can the United States government create just policy in the Middle East without a full accounting — or recognition — of Palestinian history? Thursday marks the annual day of remembrance for the Nakba, a period that began in 1948 with the mass expulsion of Palestinians and the creation of the state of Israel. Since then, Palestinians have endured decades of displacement and ethnic cleansing. But the US government does not recognise the Nakba, which translates to the "catastrophe" in Arabic, even as it continues to assert gargantuan influence over the region and maintains ironclad support for the Israeli government. The Nakba: A Historical Overview Under the second administration of President Donald Trump, the US has taken a further active role in Palestinian affairs, establishing the controversial "Board of Peace" to oversee the reconstruction of Gaza, even as it continues to take a permissive approach towards Israel's actions in the region. When faced with the question of whether the US can responsibly address Palestinian issues without acknowledging the Nakba, Khaled Elgindy, a senior fellow at the Quincy Institute, believes the answer is simple: No. "If you only acknowledge the humanity and suffering of one side, that forces you also to ignore historical realities that are still with us today," he told Al Jazeera. Elgindy said "political amnesia" has long defined the US government's approach to the Israel-Palestine conflict. The Human Cost: Numbers and Impact For decades, the US has supported Israel with billions in foreign assistance and military aid, despite the Israeli occupation of Palestinian territory and a system of segregation that rights groups say constitutes apartheid. Since October 7, 2023, Israel's war in Gaza has killed at least 75,000 Palestinians. Elgindy told Al Jazeera that the US has played a key role in underwriting the conflict. "For better or worse, mostly for worse, the United States is inextricably tied to the Palestinian issue," Elgindy said. A fundamental – if long delayed – corrective step would be recognition of the Nakba, he said. "It is a historical reality that Palestinians have a collective trauma that is part of their identity and part of their political psychology." The Legislative Push: Tlaib's Resolution On Thursday, US Representative Rashida Tlaib introduced a resolution to officially recognise "the ongoing Nakba and Palestinian refugees' rights". It was the fifth consecutive time she has put forward the bill, with the latest version carrying 12 co-sponsors, up from six when it was first introduced in 2022. In a video conference this week, she explained that it was necessary to draw attention to the Nakba, given that the human rights abuses against Palestinians continue. "Too many of my colleagues in Congress like to act like … the state violence against the Palestinian people began with [Israeli Prime Minister Benjamin] Netanyahu," Tlaib said. "We know that Palestinian history has been one of the ongoing Nakba and the ethnic cleansing campaign since the creation [of Israel] in 1948." All told, about 750,000 Palestinians were violently expelled during the Nakba, displaced to refugee camps across the West Bank, Gaza and neighbouring Arab countries. About 400 cities and villages were depopulated, with massacres committed in Balad al-Sheikh, Saasaa, Deir Yassin, Saliha and Lydda, among others. Shifting Attitudes in American Politics Like in past years, Tlaib's latest legislative effort is largely symbolic, with little chance of progressing in Congress, which remains predominantly pro-Israel. Still, the latest resolution comes amid signs of shifting public awareness, with polls showing increasing sympathy for Palestinians and a rise in negative views towards Israel's government. Polls have shown tanking support for Israel, particularly among Democrats, amid the war in Gaza. Attitudes in Congress have also shown significant, if more incremental, signs of change. Though support for Israel was once considered sacrosanct, legislation to block arms sales to the country has garnered growing support. In April, 40 Democrats in the 100-member Senate voted to block the sale of military bulldozers to Israel, a tool in the ongoing occupation of the Palestinian territories. While legislation to prevent the sale did not pass, advocates hailed the tally as "historic". Thirty members of Congress also challenged the longstanding US policy of "official ambiguity" towards Israel's alleged nuclear programme, a subject that had been seen as off limits for decades. The Historical Context: From Truman to Today Even acknowledging the Nakba on the May 15 anniversary remains controversial. The United Nations held its first-ever commemoration of the Nakba in 2023, marking the 75th anniversary. The US, the United Kingdom, Germany and 30 other countries had voted against a UN resolution recognising the event, though. The US subsequently did not attend the proceedings, with a spokesperson pointing to "longstanding concerns over anti-Israel bias within the UN system". Elgindy pointed out that, in the 1940s and 50s, President Harry Truman "spoke out about the terrorism and terror inflicted by Jewish militias and underground groups", even as his government was the first to recognise the state of Israel. Truman's administration, for instance, supported UN General Assembly Resolution 194, which established a so-called "right to return" for displaced Palestinian refugees – approximately six million are registered with UNRWA today. But Elgindy explained that, broadly speaking, the US acknowledgement of the Nakba declined in parallel with an increasingly full-bore embrace of Israel, beginning most forcefully under President Lyndon B Johnson in the 1960s. The Future Outlook: Recognition and Beyond Supporters of Tlaib's resolution have argued that its significance is as much practical as symbolic. "If policymakers don't factor in the Nakba and remedying it to the extent that it can be remedied today, they're simply going to be perpetuating an unjust status quo," Ruebner said. "Without understanding the crux of the matter, it's almost like trying to fit a square peg into a round hole." The Arab Center's Munayyer agreed that recognition "sets an example for things that we should be doing, not just in terms of recognising the past but also recognising the moment". "It shouldn't take us 80 years to recognise the Nakba in Palestine, and it shouldn't take us another 80 years to recognise the genocide that's taking place in Gaza," he said.