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Unleashing Inner Rage and Satire Bob Odenkirk, known for his role as Saul Goodman in Better Call Saul, recently opened up about life, satire, and his journey as an action hero. In an interview, he expressed his views on the power of satire and his personal experiences that have shaped his career. The Shift to Action Hero Odenkirk discussed how he transitioned from comedy to action roles, citing his age and desire for a change. He mentioned that at 63, he found it challenging to fit into traditional romantic comedies, leading him to explore action movies. His role in Normal, alongside Henry Winkler, marked a significant shift in his career. Working with Henry Winkler Odenkirk praised Henry Winkler, describing him as the "sweetest guy alive." He noted that working with Winkler influenced him to adopt a more patient and kind approach to life's challenges. Odenkirk highlighted the contrast between Winkler's on-screen and off-screen personas, emphasizing Winkler's genuine kindness. Reflections on Saul Goodman Odenkirk shared insights into his portrayal of Saul Goodman, describing the character as earnest but misguided. He discussed how Saul's talents are used for destructive purposes due to his inner resentment. Odenkirk also speculated on what Saul's next move would be if he were to escape prison, suggesting he would continue his schemes but with more caution. Music and Personal Projects Odenkirk touched on his upcoming album, which features comedy Broadway-style songs. He expressed excitement about the project, highlighting the creative process and collaboration with songwriter Mark Nutter. Physical Challenges and Triumphs Odenkirk compared his experiences hiking the West Highland Way and the Inca Trail, noting that the latter was significantly more challenging due to its demanding terrain and high altitude. He also reflected on his performance in Nebraska, appreciating the opportunity to work with Bruce Dern.

The Deportation Process Israel has begun deporting the hundreds of activists abducted by Israeli forces who stormed a Gaza aid flotilla earlier this week, according to the Legal Center for Arab Minority Rights in Israel, Adalah. The rights group told Al Jazeera on Thursday that most of the roughly 430 abducted activists were being transported to Ramon Airport in southern Israel, from where they would be deported. The rest will be deported from Ben Gurion Airport in Tel Aviv. Global Condemnation The abductions have been widely condemned, with the foreign ministers of 10 countries, including Spain, Brazil and India, slamming Israeli forces’ actions as “blatant violations of international law and international humanitarian law”. Israel’s treatment of the activists has since been condemned by more countries, including several key allies, after far-right National Security Minister Itamar Ben-Gvir posted a video on X on Wednesday of him taunting activists who were kneeling on the floor with their hands tied behind their backs. International Repercussions In response, several countries, including France, Canada, Spain, Portugal and the Netherlands, summoned the Israeli ambassadors to their capitals to express their outrage. Meanwhile, European Council President Antonio Costa said he was “appalled” by Ben-Gvir’s behaviour, calling it “completely unacceptable”. “It really goes to show how much Israeli authorities wanted to make a show out of [this] and how it’s very much an extension of the Israeli treatment towards Palestinians, which obviously gets a lot less of a public outcry,” Miriam Azem, the international advocacy coordinator at Adalah, told Al Jazeera. The Future Outlook Earlier, Turkiye announced it was sending chartered flights to Israel to repatriate some of its citizens and those of third countries, including Spanish nationals. Jordan has confirmed that two of its nationals have returned home via the southern crossing with Israel. Reporting from Ramallah in the occupied West Bank, Al Jazeera’s Nida Ibrahim said the ongoing deportations were the fastest Israel has ever carried out, as it scrambles to contain the public relations damage caused by Ben-Gvir’s video. Ibrahim added that many Palestinians believe the incident has gained more international attention because those mistreated were from foreign countries.

The Lead: International Outrage Over Ben-Gvir's Video Israel's far-right National Security Minister Itamar Ben-Gvir has posted a video of himself taunting foreign activists abducted from a Gaza-bound aid flotilla at a makeshift holding pen in Israel's city of Ashdod. The activists, abducted by Israeli forces in international waters, are seen cable-tied and kneeling while Israel's national anthem blares in the video, which was released on Wednesday. Several countries, including Italy and France, have summoned Israeli ambassadors to explain the stunt. As well as a global backlash, the video has even been met with sharp rebukes from Israeli Prime Minister Benjamin Netanyahu and staunch ally, United States ambassador to Israel, Mike Huckabee. Who is Ben-Gvir: The Far-Right Minister at the Center of Controversy The 50-year-old lawyer and politician has led the far-right Jewish Power (Otzma Yehudit) party in Israel since 2019. He was sworn into the cabinet after the 2022 elections and was later appointed as national security minister and given control of Israel's Border Police division in the occupied West Bank. A settler in Kiryat Arba, one of the most radical settlements on Palestinian land in the occupied West Bank – all of which are illegal under international law – Ben-Gvir has convictions for incitement to racism, destroying property, possessing a "terror" organisation's propaganda material and supporting a "terror" organisation – Meir Kahane's outlawed Kach group, whose founder advocated for expelling non-Jews from Israel and which Ben-Gvir joined when he was 16. He frequently carries out anti-Palestinian acts, including regularly storming the Al-Aqsa Mosque compound in occupied East Jerusalem's Old City, Islam's third holiest site, alongside Israeli settlers and under the protection of Israeli forces. The Flotilla Activists: International Aid Efforts to Gaza This refers primarily to the Gaza aid flotillas – groups of boats carrying activists from different countries which have set out across the Mediterranean in an attempt to deliver aid and raise awareness at various times since October 2023, when Israel launched its brutal assault on the Gaza Strip, which has killed more than 72,000 Palestinians, mostly civilians. The modern flotilla movement emerged in 2006 during Israel's war on Lebanon and expanded after Israel imposed its blockade on Gaza in 2007. Since then, hundreds of vessels organised by international solidarity groups have attempted to reach the territory, carrying humanitarian aid and activists. In 2008, two boats from the Free Gaza Movement became the first to successfully reach Gaza by sea despite the blockade. But since 2010, Israeli forces have intercepted nearly every flotilla in international waters. On Tuesday, at least 430 activists from more than 46 countries were abducted during Israeli interceptions of the latest flotilla. The Video: Ben-Gvir's Taunting of Detained Activists In the video released on Wednesday, a woman approaches the minister and says in English, "Free Palestine!" before masked security officers put their hands on her head as they snap it down and push her away. "Good job," Ben-Gvir says to the officers, before stating, "Welcome to Israel. We are the landowners here; that is how it should be." Activists are then seen on their knees with their heads on the ground and arms tied behind their backs in "stress positions" as the figures of armed Israeli security officers look down on them from atop shipping containers. Ben-Gvir, waving an Israeli flag and heavily protected by security personnel, can be seen weaving in between the activists, appearing to relish the moment as he taunts them. International Response: Global Condemnation of Israel's Actions Several countries, including Italy, France, the Netherlands and Canada, have summoned Israeli ambassadors to their capitals to express their "indignation" over Israel's treatment of the abducted Gaza flotilla activists and to demand the release of their citizens. French Foreign Minister Jean-Noel Barrot also denounced Ben-Gvir's actions as "unacceptable", calling for the release of French citizens "as soon as possible". Canadian Foreign Minister Anita Anand called the incident "deeply troubling". United Kingdom Foreign Secretary Yvette Cooper said the video showed "totally disgraceful scenes". "The images of Israeli Minister Ben Gvir are unacceptable. It is unacceptable that these protesters, including many Italian citizens, are subjected to this treatment that violates their human dignity," Italian Prime Minister Giorgia Meloni said in a statement on X. Previous Treatment of Activists: A Pattern of Controversy In May 2010, when Israeli commandos stormed the Turkish ship Mavi Marmara, 10 activists were killed and dozens were wounded. Allegations of mistreatment by activists who have been brought to Israel after naval interceptions have been common, and organisers say they fear sanctions and accusations of Hamas links are being used to justify further crackdowns. The concerns come amid previous allegations by activists of abuse, including sexual abuse, during past interceptions by Israeli officials. Organisers have also accused Israeli naval forces of firing "rubber bullets" at activists during the latest interception, which occurred in international waters. Many activists who have previously been detained have been eager to point out that the focus should be on Palestinian prisoners in Israeli jails who are subjected to torture and do not have the option to be deported. In 2025, high-profile activist Greta Thunberg, who was on board a previous flotilla, told Swedish newspaper Aftonbladet that activists had been beaten, kicked and threatened with being gassed in cages. Palestinian Prisoners: The Broader Context of Detention Nearly 10,000 Palestinians are currently being held in Israeli prisons in Israel and in the occupied territory, according to the prisoners' rights group Addameer. Some 3,532 of them are administrative detainees – people held without charge or trial – while 342 are children. Israel is the only country in the world that tries children in military courts, often denying them their basic rights. Palestinians detained in Israeli prisons suffer near-constant dehumanising treatment by guards and soldiers. Under a new law passed this year and spearheaded by Ben-Gvir, military courts are now able to impose the death penalty on Palestinians convicted of killing Israelis in acts of "terror". This law will not impose the same penalty on Jewish Israelis convicted of killing Palestinians, which reinforces the legal inequalities that grant privileges to Jewish citizens while targeting Palestinians.

The Historic Europa League TriumphIn the early hours of morning in Istanbul, Aston Villa's players began making their way back to their hotel near Besiktas Park, celebrating a Europa League victory that will be etched in history. The club secured their first trophy in three decades, with Matty Cash toasting the achievement while acknowledging manager Unai Emery's gameplan that led them to success. The victory marked the culmination of an eight-year journey under the club's ownership, with co-owner Nassef Sawiris expressing that "the sky's the limit" for the team's future ambitions.Post-Match Celebrations in IstanbulThe celebrations continued long after the final whistle, with Villa's players reveling in their achievement until after 7am. Prince William joined the players for beers in the dressing room, while billionaire co-owners Nassef Sawiris and Wes Edens watched on proudly. Morgan Rogers, scorer of the third goal in the final, led teammates out of the stadium wearing ski goggles in a conga-like procession. Jadon Sancho blasted music from a speaker as teammates including Leon Bailey, Amadou Onana, Lamare Bogarde and Ian Maatsen followed, determined to savor the historic occasion.Emery's Legacy and Building on SuccessManager Unai Emery, who has now won his fifth Europa League, has achieved god-like status among Villa fans. The Spanish manager had spent the previous three and a half years walking past the 1982 European Cup trophy at the club's training ground, and his persistence has finally brought silverware back to Villa Park. Emery has already urged the team to set their sights on Europe's elite, indicating that the Europa League victory is just the beginning of their ambitions. With Champions League qualification secured, Villa is expected to pursue elite talent this summer to elevate the squad further.The Journey to GloryThe victory represents a remarkable turnaround for a club that was close to collapse seven years ago. Villa dodged relegation by just one point in 2020 after averting a financial crisis by clinching promotion via the playoffs. Ollie Watkins, who has scored in double figures for six consecutive seasons, finally received his first winner's medal, while John McGinn reflected on the pride he felt knowing they were about to become champions. Eleven players from Emery's first Villa squad in November 2022 were celebrating in Istanbul, demonstrating the stability and growth the manager has brought to the club.Future Outlook and Squad EvolutionWith Champions League football secured, Aston Villa is positioned to attract higher-caliber players this summer. The club has been unafraid to trade in the past and may look to sign talent previously deemed out of reach, though financial regulations remain a consideration. The future of goalkeeper Emiliano Martínez, who suffered a finger injury in the warmup, remains unclear as the squad evolves. Despite these uncertainties, the core group that has built Villa's recent success remains intact, providing a foundation for continued growth and potential further European success.

Alexander Zeldin’s latest work, ‘Care’, opens at the Young Vic and immediately immerses the audience in a locked‑down dementia ward where the invisible lives of the elderly surface with stark clarity. Through characters such as Joan (played by Linda Bassett) and the compassionate carer Hazel (Llewella Gideon), the play interrogates autonomy, love, and institutional neglect.Zeldin’s ‘Care’ Puts Dementia Front‑and‑Centre on the Young Vic StageThe opening scene captures Joan’s disorientation, while her daughter Lynn (Rosie Cavaliero) and grieving sons struggle to bridge the widening emotional gap. Supporting residents—Agnes, Paula, and the Beckett‑like John—populate the ward with fragmented memories that oscillate between humor and profound sorrow. Set designer Rosanna Vize creates a dank, institutional atmosphere that underscores the play’s thematic weight.Critical Reception and Audience ResponseCritics praise the “gruelling, intense and true” performances, especially Bassett’s portrayal of a woman clinging to fleeting autonomy.Audience reactions range from uneasy laughter at confused dialogue to palpable silence during the hug between Joan and John, highlighting the play’s emotional volatility.The production runs until 11 July, indicating strong box‑office demand for a socially charged drama.Why ‘Care’ Challenges Societal Views on Elder CareBeyond personal stories, the play subtly exposes systemic issues: chronic understaffing, the slow passage of days, and the emotional toll on both residents and carers. By juxtaposing moments of accidental humour with stark loneliness, Zeldin forces a reassessment of how society values its oldest members and the responsibility of care institutions.Future Outlook: Dementia Stories on the British Stage‘Care’ may signal a shift toward more honest, medically informed narratives about ageing in theatre, encouraging playwrights to tackle dementia without sentimentality. As audiences respond to its raw honesty, producers are likely to commission further works that blend artistic expression with social advocacy, potentially influencing policy discussions around elder care.

The End of an Era for Sustainable GastronomyMichelin has abruptly retired its green star award, which recognized restaurants for demonstrating exceptional commitment to sustainability practices and eco-friendly cooking. The decision has left UK chefs who received the accolade feeling betrayed and questioning the timing and reasoning behind the move.The Green Star's Brief History and SignificanceIn 2020, Michelin introduced the green star as a way to acknowledge restaurants that prioritized eco-friendly ingredients, reduced waste, and demonstrated environmental responsibility. Winners received a green plaque to display and were able to feature the star on their websites, similar to the traditional Michelin stars.The award quickly became a prestigious recognition in the culinary world, with 37 restaurants across the UK and beyond earning the distinction. For many establishments, it represented not just an environmental commitment but also a significant marketing advantage that helped them stand out in a competitive industry.Economic and Professional Impact on Award-Winning RestaurantsThe loss of the green star represents more than just a symbolic change for affected restaurants. For many, it means losing a key differentiator in an increasingly crowded fine-dining market. The award provided international recognition, facilitated collaborations with other chefs, and attracted customers specifically interested in sustainable dining experiences.Restaurants like Pythouse Kitchen Garden in Wiltshire, Culture in Falmouth, and Homestead Kitchen Garden in North Yorkshire reported that the green star brought them customers who shared their environmental values. The award was particularly valuable for smaller, independent establishments that built their brand around sustainability.Industry Reactions and Broader ContextThe decision has been met with widespread disappointment from the culinary community. Piers Milburn of Pythouse Kitchen Garden expressed feeling "let down" by Michelin, noting that the company had built a platform for businesses to thrive from the accolade before abruptly removing it. Hylton Espey of Culture restaurant criticized the lack of communication, stating they learned about the changes only after the press release was issued.The retirement of the green star comes amid a broader trend of corporations reducing sustainability initiatives globally. Some chefs have expressed concern that this may reflect a wider retreat from environmental commitments, particularly in light of political shifts in certain regions.The Future of Sustainable Recognition in GastronomyIn place of the green star, Michelin has introduced "Mindful Voices," described as a "global editorial platform" about sustainable restaurants and people "pioneering new approaches in the fields of gastronomy, hospitality and wine." However, this platform will not bestow any official accolade, leading many to view it as an inadequate replacement.Some industry observers suggest the retirement may be due to branding confusion, as the green star visually resembled the traditional Michelin star, leading some customers to mistakenly believe recipients had received a full Michelin star. Despite this explanation, many chefs remain unconvinced and feel the decision undermines years of work toward more sustainable practices in the restaurant industry.

US Treasury Announces Removal of ICC‑Related Sanctions on AlbaneseThe Department of the Treasury updated its website on Wednesday, listing Francesca Albanese under “International Criminal Court‑related Designation Removal,” effectively ending the sanctions that had been in place since July 2025.Legal Battle and Judge Leon’s Injunction Prompt ReversalA federal judge, Richard Leon, issued a temporary injunction last week after Albanese’s husband and daughter sued, arguing the sanctions were a punitive response to her public advocacy. Leon found the Trump administration had sought to curb her speech because of the “idea or message expressed.”Sanctions Timeline and Financial ImplicationsJuly 2025: Treasury imposed sanctions following Albanese’s report accusing 48 companies, including Microsoft, Alphabet and Amazon, of complicity in Israel’s war on Gaza.May 14, 2026: Judge Leon blocks the sanctions with a temporary injunction.May 22, 2026: Treasury removes the designation, ending travel bans and asset freezes tied to the sanctions.No specific monetary penalties were disclosed, but the sanctions restricted Albanese’s ability to travel to the United States and froze any U.S.‑based assets.Broader Implications for US Policy on Human‑Rights AdvocacyThe reversal signals a potential shift in how the United States uses economic tools against UN human‑rights experts. Under the Trump administration, sanctions were employed to pressure advocates for Palestinians and other progressive causes, including climate‑change activists. Removing the sanctions may ease diplomatic friction with the UN Human Rights Council and the International Criminal Court.Future Outlook: Potential Shifts in US‑UN Relations and ICC PressureAnalysts expect the Biden administration to review the broader sanctions regime targeting ICC officials and activists. Continued legal challenges could further limit the U.S. government’s ability to weaponize sanctions against speech, while the ICC’s ongoing investigations into Israeli leaders may keep the issue in the spotlight.

The Evening’s Dual Focus: Franceschi’s Choreography and Krasner’s StoryThe Guardian’s review opens with a clear picture of the night’s two pillars: choreographer Antonia Franceschi, a former NYCB dancer turned artistic director of the New York Theatre Ballet, and the subject of the evening’s most ambitious work, abstract expressionist painter Lee Krasner, whose legacy is often eclipsed by her husband Jackson Pollock.Prophecy in Motion: A Sketch of Lee Krasner’s LifeFranceschi’s piece Prophecy (still a work‑in‑progress) is a dance‑theatre vignette that layers voice‑over excerpts from Krasner’s and Pollock’s own words over sparse, gestural movement. The choreography leans on minimalism, allowing a single hand gesture or a tender head tilt to amplify the emotional weight of the text. The reviewer notes that the work aims to evolve into a full‑length production that charts Krasner’s entire career.Numbers on the Stage: Run Dates and Audience ReachVenue: The Mount Without, BristolRun until: 22 May 2026While ticket‑sale figures are not disclosed, the limited‑run schedule suggests a targeted, high‑impact engagement with regional audiences, positioning the piece as a test‑bed before a broader rollout.Reframing the Narrative of Female Artists in DanceThe review argues that Uncaged+ and Prophecy together challenge the traditional male‑centric mythos of abstract expressionism by foregrounding Krasner’s agency, creative labor, and the domestic constraints she navigated. By juxtaposing her story with Pollock’s larger‑scale myth, the production invites a re‑examination of how dance can reinterpret art‑historical narratives and give voice to previously marginalised figures.Future Prospects: From Sketch to Full‑Length ProductionCritic Roseanna Anderson expresses a strong desire to see the sketch mature into a full‑length work, noting that the current minimalism serves as a compelling proof‑of‑concept. If the piece secures further funding and audience interest, it could become a landmark dance‑theatre exploration of a female artist’s life, potentially touring beyond the UK and influencing future interdisciplinary collaborations.

At the Cannes premiere of his new film “Bitter Christmas”, acclaimed Spanish director Pedro Almodóvar warned that filmmakers have a moral duty to speak out against the rise of far‑right politics, citing recent threats to free speech in Europe and the United States.Almodóvar’s Cannes Speech Highlights Growing Political TensionsSpeaking to reporters after the screening, the 76‑year‑old auteur emphasized that artists must address the political climate they inhabit, brandishing a Free Palestine badge as a visual cue. He warned that Europe “must never be subjected to Trump” and linked the silence of cultural figures to a broader erosion of democratic norms.Absence of Protest Numbers Underscores Cultural SilenceAlmodóvar noted the lack of visible protests at this year’s Oscars, contrasting it with a solitary “No to war and free Palestine” chant by Javier Bardem. While no concrete statistics were offered, the anecdotal evidence points to a shrinking space for public dissent within high‑profile entertainment events.Implications for European Film Industry and Free ExpressionIndustry leaders, such as Canal+ chief, face accusations of blacklisting actors who oppose right‑wing billionaire Vincent Bolloré.Far‑right parties are leading polls in France, Germany and the UK, raising concerns about future censorship.Almodóvar’s stance may embolden other directors to use festivals as platforms for political commentary.These dynamics suggest a potential clash between commercial interests and artistic freedom across Europe’s film sector.What This Means for Future Artistic ActivismIf Almodóvar’s call resonates, we may see a surge in politically charged premieres, open letters, and coordinated protests at major festivals. Conversely, studios wary of market backlash could tighten control over content, deepening the very self‑censorship Almodóvar decries. The coming months will reveal whether the moral duty he espouses becomes a catalyst for change or a rallying cry for industry pushback.