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The Triumphant ReturnIn the gloom of an underlit Barrowlands stage, a man in black is holding a large inflatable phone to his ear and chanting these words: "SFA OK. SFA OK." The man is Gruff Rhys. The band is Super Furry Animals. And the song, Wherever I Lay My Phone (That's My Home), allows them to reintroduce themselves at this, their second gig after 10 years away.Not that they need much introducing. This Glasgow date sold out fast, mostly thanks to fans – going by the age of the crowd – who loved them first time around. Signed to Creation, the label flush with Oasis money, they came to prominence in the mid-90s goldrush.The Britpop OutsidersAlan McGee thought he had found his own version of Blur, but their Welshness and weirdness put them at odds with Britpop orthodoxy. That madcap reputation has tended to obscure what they really are: a formidable songwriting force.Confirmation of their immense skill and range comes when they perform Run! Christian, Run! followed by Juxtapozed with U. The former is 70s-style country rock, the latter an immaculately crafted soul tune. Both are wonderful.The Vocal MasteryIt doesn't get said enough that Rhys is a beautiful singer. Live performance makes this clear. His voice is essentially mournful, but the songs are so sweet with melody that the impression is of Eeyore transcendent – becoming Tigger through the transforming power of pop.He's not much of a showman. Likewise the rest of the band. Mostly they let the songs sell themselves. Yet they have their moments. At the noisy climax of Receptacle for the Respectable, Rhys, Huw Bunford and Guto Pryce gather centre stage, guitars aloft, and press the necks together. It's a bit Status Quo, a bit rutting giraffe, more than a bit thrilling.The Epic PerformanceAs the two-hour show builds to its peak, they lean into epics: Mountain People, Slow Life and, of course, traditional set-closer The Man Don't Give A Fuck, extended tonight to 12 minutes. A singalong protest song against whatever evils of the world you want it to be about, it has lost none of its cathartic anger and vulgar cheer.The Road AheadThe Super Furry Animals have announced additional dates following their successful Glasgow return. Fans can catch them at Venue Cymru, Llandudno, 14 and 15 May; before they continue touring the UK. This reunion not only satisfies longtime fans but also introduces a new generation to their unique musical blend that defies easy categorization.

The Discovery Jem Calder's writing career had a fairytale start. Sally Rooney emailed him, impressed with a short story he'd submitted to the literary magazine she was editing soon after Conversations with Friends came out. It was the first story he'd ever completed. Calder was already 'a huge fan' of Rooney's, so the whole thing was surreal, he tells me. 'I can't really imagine what could top that, to be honest.' The Writing Career That story ultimately ended up in Reward System, Calder's 2022 collection of six interconnected tales following a cast of sad young things living in an unnamed city. It was hailed as a book of the year; a review in this paper placed Calder among 'the most talented young writers of fiction at work today'. Now, his debut novel, I Want You to Be Happy, picks up some of the themes of the first book: the trials of modern love, millennial ennui, consumer culture, technology, political and ecological doom. The Novel's Themes The novel explores the challenges of modern relationships, with characters struggling with commitment, addiction, and the search for meaning in a dismal macroeconomic climate. Calder's characters are addicted to instant gratification – buying stuff, social media, vaping, porn – anything to ward off the world's horrors. The Author's Perspective Calder grew up in Cambridge, studied English at Leeds, and has since worked a variety of jobs alongside writing, including those of his protagonists – Joey is a barista, and Chuck is a copywriter. He says he 'truly can't relate' to authors who complain of writer's block – having to work a day job 'gives me such motivation to get back to it and force myself to deal with something difficult in my writing'. The Future Calder could be grouped with a cohort of young novelists to whom the 'voice of a generation' label can easily be applied, alongside the likes of Rooney, Oisín McKenna, Madeleine Gray – writers concerned with how a dismal macroeconomic climate impacts young lives. How does Calder feel about that badge? It 'isn't something I consciously pursue at all', he says. 'It's unavoidable not to critique capitalism in some way if you're trying to address the absurdities of how we live now, but I also don't care about putting my political views in my fiction. The goal is always to just write realistically about how life feels.'

The LeadRivals season 2 returns with an unapologetically preposterous bonkbuster extravaganza that defies conventional criticism. Jilly Cooper's review praises the show's naked audacity and its ability to make 80s excess look like a delightful romp through scandal and seduction.The Bonkbuster PhenomenonThe series centers around Rupert Campbell-Black, a bounder and braggart described as having "a head for business and a body for wearing jodhpurs while shouting 'ARE YOU READY FOR ME TO COME DOWN YOUR CHIMNEY?' during sex." His character, the MP for Chalford and Bisley and "most handsome man in England," serves as the throbbing nub of this adaptation of Cooper's 80s novel. The show doesn't shy away from explicit content, featuring "frantic halfway-up-the-stairs sex," "shouting-into-a-full-length-mirror sex," and even a soft-focus barnyard tryst.The Performances That Define ExcessThe acting is described as "huge and gleeful within the ever-present fug of hairspray," with everyone involved "clearly having the time of their life." Special praise is reserved for Aidan Turner as densely moustached broadcast hunk Declan O'Hara, whose shower scene performance is said to "live long in the memory." The show's ability to balance outrageous content with superb performances creates a viewing experience that is simultaneously ridiculous and captivating.Cultural Impact of 80s ExcessEvery frame of Rivals is "saturated with cigarette smoke and an affection for the 80s so intense it almost manages to make the era's casual bigotry and venality look as quaint as boil-in-the-bag cod." The show navigates outdated attitudes with a wink and a nod, addressing "hideously outdated attitudes to homophobia and the ignorance and panic that once surrounded Aids" while maintaining its campy charm. This delicate balance of critique and celebration gives the show a unique cultural resonance.The Future of Escapist TelevisionRivals season 2 represents a bold statement in the current television landscape—proof that audiences still crave unapologetically excessive, character-driven storytelling. Its success on Disney+ suggests that there's room for big, bold, bonkbuster-style entertainment in an increasingly cautious media environment. As Cooper concludes, "Rivals is beyond earthly praise"—a sentiment that perfectly captures the show's ability to transcend criticism through sheer audacity and charm.

The Rise of a Provocative Comedy StarOnce in a while, you get to see a legend at the absolute top of their game," booms a voice at the beginning of Robby Hoffman's Netflix special, Wake Up, welcoming her to the stage. High praise indeed – especially since the voice is that of the leading US comedian John Mulaney, who directed the special, and who clearly thinks this 36-year-old New Yorker is one of the hottest talents around.Over the last year, Hoffman's star has risen at a stunning pace. She is currently on TV in Rooster, a college campus comedy starring Steve Carell, as well as the fifth season of the critically acclaimed sitcom Hacks. This is only her second season as talent agency assistant Randi, but last year the role earned her an Emmy nomination.From Religious Upbringing to Hollywood Success"Last week, I was a Hassidic Lubavitch Jew living in Crown Heights, New York," was Hoffman's first line as Randi. "Now I'm in LA, I'm gay and probably an atheist." Hoffman's own life has taken a similar about-turn after being thrust into the spotlight. Randi, a role that was created for her by writers Lucia Aniello, Paul W Downs and Jen Statsky and draws on Hoffman's own background, has been "a life-changing part," she says on a video call from the home in Los Angeles that she shares with her wife, the reality TV star Gabby Windey.Home life in Montreal was chaotic, living in a house that was "so packed with so many people," Hoffman says. She would frequently get into physical fights with her brothers and "cried every single day … sometimes I was kicking and screaming on the floor." She got out as soon as she could, at 17, when she began renting a place of her own, taking on a part-time job to support herself through her Cégep, a type of pre-university college unique to Quebec.Awards, Recognition, and Controversial Comedy StyleAlthough Hoffman insists she isn't trying to offend ("I do think that a lot of my jokes are misinterpreted"), she also doesn't think being offended is the worst thing: "Being poor is." She's speaking from experience: she grew up in a family that relied on welfare payments, the seventh of 10 children.Wake Up includes gags about "disgusting" women ("always the hottest ones are sickest") and abortion ("we raise the age of abortion till 10, we got a lot of well-fucking-behaved kids on our hands"). Not to mention the jokes about paedophilia. But although her punchlines make some audience members bristle, "I just don't get to choose my thoughts," the comedian says. "I'm just sharing it with you. I wish I didn't know some of these things. I truly wish paedophilia was not something that I was introduced to or heard about. I think it's more democratic that I joke about everything, you know?"The Changing Landscape of ComedyThe comedian's proclivity for referring to women, including herself and her mother, as "bitches" is an aspect of her onstage coarseness that carries over into our call, in which she is otherwise much more mellow and thoughtful. Sure, she doesn't follow the typical Hollywood script of simpering self-deprecation, instead unapologetically backing herself and frequently talking about how great it is to be rich. But you get the impression that this is self-conscious gaucheness, a send-up of convention rather than outright rudeness."I come in hot," Hoffman admits – especially on stage. But she is not pretending to be something she's not – unlike, she says, supposedly "kind and nice" figures such as Will Smith, who was banned from the Oscars after slapping the comedian Chris Rock, or Ellen DeGeneres, whose talk show was cancelled after allegations that junior staff had been bullied.Future Prospects and Industry ImpactHoffman is endearingly grateful for her success. "Am I not living one of the greatest lives you've heard about?" she said during her recent appearance on Late Night With Seth Meyers. "I really do feel that," she says. When she started out in comedy, it felt like "such a risk" to pursue a career with no promise of financial stability: "It's becoming harder and harder to go from no money to money, so when we get one of our guys in, it always feels miraculous."She wishes it wasn't so miraculous – Hoffman is a Bernie Sanders supporter and believes "everybody's entitled to dignity." She resents being an example of someone who "did it" – got herself out of poverty via talent and determination. "You shouldn't have to be this special, you shouldn't have to be this talented," she says. Throughout her adolescence, she was "so sick of being poor," so focused on working hard at the Jewish private school for which her grandfather had helped her win a scholarship, then pursuing a degree in accounting.

Monroe’s Home Becomes a Legal FlashpointThe iconic Spanish‑style bungalow that Marilyn Monroe bought in February 1962 has been thrust into a courtroom showdown after the Los Angeles City Council designated it a cultural‑historical monument in 2024. The designation halted the owners' demolition plans and sparked a lawsuit alleging a violation of constitutional property rights.Owners’ $8.35 Million Purchase and Demolition PlansBrinah Milstein, a real‑estate heiress, and her husband Roy Bank, a reality‑TV producer, acquired the property for $8.35 million in 2023. Their intent was to raze the original structure and fold the half‑acre lot into their adjoining estate, a plan initially approved through a demolition permit.Financial Stakes: Purchase Price and Potential CompensationPurchase price: $8.35 million (2023)Potential compensation sought: unspecified multimillion‑dollar claim for loss of investmentLegal fees and court costs expected to run into six‑figures for both partiesThe federal judge’s dismissal leaves the plaintiffs the option to file an amended complaint, meaning the financial exposure could increase if the case proceeds to trial.Implications for Historic Preservation and Property Rights in Los AngelesThe dispute highlights a tension between private property owners and the city’s historic‑preservation authority. While the designation does not require public access, it obliges owners to maintain the structure, effectively turning a private residence into a public monument at the owners’ expense. The case could set a precedent for how “demolition through neglect” is addressed and whether cities can enforce costly upkeep on designated properties.What the Courts May Decide and Future of the PropertyLegal analysts anticipate three possible outcomes: (1) the court reinstates the demolition permit, allowing the owners to proceed; (2) the city’s preservation order is upheld, forcing the owners to preserve the house and potentially seek compensation; or (3) a settlement that includes partial demolition of non‑character‑defining elements while preserving key historic features. Regardless of the verdict, the saga will likely influence future landmark designations and real‑estate transactions in Los Angeles.

The Incident Victor Wembanyama was ejected for the first time in his NBA career after an elbow to the jaw of Naz Reid as the Minnesota Timberwolves beat the San Antonio Spurs to level their playoff series. Details of the Play Wembanyama was whistled for an offensive foul as soon as he struck Reid, who had swarmed the Spurs star outside the paint along with teammate Jaden McDaniels after the 7ft 4in Wembanyama rebounded a missed three-pointer by the Spurs. The incident occurred during a crucial moment in the game, with the fans at Minnesota's Target Center chanting, 'Kick him out! Kick him out!' After a video review of the play, the foul was upgraded to a Flagrant 2 for excessive contact above the neck. The Impact of the Ejection The penalty triggered an automatic ejection, immediately swinging the balance of the game, which the Timberwolves won 114-109. The best-of-seven series is now level at 2-2. When the penalty was announced, Wembanyama appeared to ask teammate Harrison Barnes: 'What does that mean?' Reid sank both free throws to give the Timberwolves a 38-34 lead after Wembanyama's ejection. Wembanyama's Performance Despite the ejection, Wembanyama had an impressive game prior to the incident, with 39 points on 13-for-18 shooting from the floor in Game 3. The Series Outlook With Reid, Julius Randle, and McDaniels in their frontcourt, the Timberwolves have had plenty of muscle and tenacity to send at Wembanyama, setting up a competitive series.

The Dramatic Turnaround Supporting Rochdale should come with a health warning. For all that football has a wonderful propensity for drama, few clubs have ever packed in the heart-stopping tension of their past fortnight. But, after it all, they are a Football League club again. And that is all that matters. The Event Details Hopes of returning to the ranks of the country’s top 92 clubs looked to have disintegrated with seconds remaining for Boreham Wood to cling on for victory in this extraordinary National League playoff final. Then came Mani ­Dieseruvwe’s 97th-­minute ­equaliser to send the match into extra time that preceded penalties. The Hero of the Hour Step up Oliver Whatmuff, an 18-year-old goalkeeper on loan from Manchester City, who began the weekend named in the National League team of the season and ended it as Rochdale’s other hero, saving twice to secure a 3-1 shootout triumph after 120 minutes had left the teams deadlocked. The Impact Analysis Many suggested the emotional toll of that last-ditch defeat would be too great to recover from, but this is a club built on resilience. Having played in League One as recently as 2020-21, the end of their 102-year Football League stay was almost followed by total demise, only to narrowly avoid liquidation amid major financial problems. Now solvent again off the pitch, they find themselves back in League Two. And in what remarkable fashion. The Prediction “I feel like it was destined to end this way,” said Rochdale’s manager, Jimmy McNulty. “The season itself has been incredible: the points tally, the performances, the guts, the character, the late goals. At 2-0 down, it’s tricky, but our belief was still there. It does feel like some sort of footballing justice was served today.”

The Lead: Mortgage Affordability CrisisUK homebuyers are facing the worst mortgage affordability pressures for almost two decades, with initial mortgage repayments typically consuming more than a fifth (21.3%) of a homebuyer's gross income – the highest level since 2008. This financial strain is not evenly distributed across the country, with significant regional variations in affordability challenges.The Affordability Data: A Nationwide SqueezeAccording to UK Finance, the banking industry body, the current affordability crisis stems from a combination of high property prices and elevated borrowing costs. The data, which relates to 2025, doesn't yet account for the economic turmoil unleashed by the Iran war, which has further pushed up mortgage costs. Many new borrowers now face paying hundreds or even thousands of pounds more annually than before the conflict began.Regional Disparities: The Affordability DivideThe headline figure masks significant regional differences in mortgage affordability. The least affordable areas are north Norfolk and the west London borough of Hillingdon, where homebuyers typically spend over a quarter of their gross income on repayments (25.7% and 25.1%, respectively). Eight of the ten least affordable places are in the London commuter belt, including Luton (24.9%), Slough (24.8%), Broxbourne (24.4%), and Harlow (24.2%).At the other end of the scale, seven of the ten most affordable local authority areas are in Scotland. East Ayrshire and Inverclyde top the list, with average homebuyers committing just 17% of their gross income to mortgage repayments. Surprisingly, the City of London ranks as the third most affordable area, which UK Finance attributes to the fact that those who can afford to buy there typically belong to the highest-earning income brackets.Market Impact: Resilience Amidst ChallengesDespite sustained affordability pressures, 2025 proved to be a year of robust activity in mortgage borrowing. The number of mortgages advanced for house purchase reached 723,000 – an impressive 17% increase on 2024. This resilience suggests that while affordability is challenging, demand for homeownership remains strong.James Tatch, head of analytics at UK Finance, emphasized that the pain of affordability pressures is not felt equally across the country. "Property prices, wages and demographics vary greatly across and within regions. All of these have an impact on affordability," he noted.Future Outlook: Navigating Economic UncertaintyThe mortgage landscape has been volatile, with borrowers initially benefiting from cheaper home loans before the Iran war disrupted this trend. The conflict led to numerous fixed-rate mortgage deals being pulled and repriced upward. However, recent weeks have shown a gradual downward trend in fixed-rate mortgage pricing, offering some relief to potential buyers.As economic conditions continue to evolve, the mortgage market will likely remain sensitive to geopolitical events and interest rate decisions. The regional disparities highlighted by this data suggest that housing policies may need to address these localized affordability challenges rather than adopting a one-size-fits-all approach.

The Lead In a world where wealth inequality reaches unprecedented levels, a curious debate has emerged: should "tax the rich" be considered hate speech? Fiona Katauskas's satirical cartoon commentary explores this question by highlighting the disconnect between extreme wealth concentration and concerns about the wealthy's perceived victimhood. The Wealth Divide: A Satirical Perspective The article presents a satirical take on the current economic landscape, where the top 1% accumulate vast fortunes while simultaneously portraying themselves as victims of public criticism. Katauskas's cartoon illustrates the absurdity of suggesting that calls for fair taxation constitute hate speech, particularly when contrasted with the actual hardships faced by the majority of the population. The Data Behind the Divide While the article doesn't provide specific statistics, it references the growing wealth gap that has become a central issue in economic discussions globally. The satirical nature of the piece underscores the disconnect between the reality of wealth concentration and the narrative of wealthy victimhood that has gained traction in certain circles. The Impact on Public Discourse This commentary reflects a significant shift in how economic policy discussions are framed. By questioning whether advocating for progressive taxation constitutes hate speech, the article highlights how the wealthy have successfully shifted the narrative from economic justice to perceived persecution, potentially undermining legitimate policy debates. The Future of Tax Policy Debates As wealth inequality continues to grow, the debate around taxation will likely intensify. The article suggests that recognizing calls for fair taxation as legitimate policy discussions—rather than hate speech—will be crucial for addressing economic disparities and creating a more equitable society.