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The Filmmaker's Foray into Documentary Lucrecia Martel, the celebrated director of films like La Ciénaga and The Headless Woman, has expanded her creative horizons with Landmarks, a documentary that scrutinizes a murder trial with far-reaching implications. The film navigates the intricate dynamics between Indigenous communities and the descendants of colonists, set against the backdrop of Argentina's Tucumán province. The Case at the Heart of the Story The documentary centers on the tragic killing of Javier Chocobar, a 68-year-old member of the Indigenous Chuchagasta people. Chocobar was fatally shot during a confrontation with men claiming rights to mine the land. Martel weaves the grainy, shaky footage of the incident into her narrative, juxtaposing it with breathtaking drone shots that capture the vast, poetic landscapes. Exploring Themes of Land and Legacy Martel's concerns extend beyond aesthetics; she places people at the core of her story. Through interviews and personal stories, the film sheds light on Chocobar's life, his family, and the struggles of the Chuchagasta community. A particularly chilling aspect of the documentary reveals how the state and local landowners have attempted to erase the Chuchagasta people, claiming they became extinct in the 19th century. A Quiet yet Powerful Testimony Martel allows the subjects of her film to present their case with quiet dignity, steering clear of strident rhetoric. The documentary is described as beautiful yet occasionally soporific, with a stately pace that allows for deep reflection on the issues presented. What's Next for Landmarks Landmarks is set to screen at Bertha DocHouse in London starting from May 29. This documentary promises to be a significant cultural and cinematic event, offering viewers a chance to engage with pressing social issues through Martel's unique lens.

The Lead 'Fairyland' offers a glorious wallow in nostalgia for those familiar with the Bay Area in the 1970s and 80s, with grainy archive footage of San Francisco Gay Freedom parades and sushi at a book launch. But at its core, the film tells the story of a new kind of family. Queer Parenting in 1970s San Francisco The film centers around Steve (Scoot McNairy), a gay father raising his young daughter Alysia (Nessa Dougherty, then Coda's Emilia Jones as a teen) in San Francisco. After his wife, Alysia's mother, is killed in a car accident, Steve is faced with the challenge of parenting alone. He turns down an offer from his ultra-straight mother-in-law (Geena Davis) to raise the little girl. Parenting Techniques and Resilience Steve's parenting techniques are sometimes selfish and neglectful, but he loves Alysia deeply. He encourages her independence, teaching her to navigate the city and take care of herself. The film draws comparisons to Marielle Heller's adaptation of The Diary of a Teenage Girl, but Alysia turns out to be more resilient and independent. The Impact of the AIDS Epidemic The film's second half covers the later 80s, as the AIDS epidemic takes a devastating toll on the community. The cast, including McNairy and Jones, deliver excellent performances. Writer-director Andrew Durham adapts Alysia Abbott's memoir with sensitivity and discretion. The Future of Queer Representation 'Fairyland' is a significant contribution to queer representation in film. With its release in UK cinemas on May 29, it promises to resonate with audiences and spark important conversations about family, love, and identity.

The Unlikely World of Greenland Football In a world where football often conjures images of packed stadiums and international superstars, 'No Place for Football' offers a refreshing look at the sport's fringes. The documentary focuses on Greenland's eight-team championship playoff, bringing to light the struggles of the country's football enthusiasts. The Challenges of Playing Football in Greenland The film highlights the difficulties faced by Greenland's footballers, from battling ice and snow to dealing with travel issues that make it hard to arrange matches against teams from outside the island. The team captain, Patrick Frederiksen, is shown hunting for seals, while giant icebergs float near the football pitch. The short playing season, due to the country's harsh climate, is a significant obstacle. The Data Behind Greenland's Football Struggles Greenland has only a few short summer weeks where the weather thaws enough for outdoor matches. Travel issues make it almost impossible to arrange games against teams other than local sides. The country's national side has been turned down by Fifa's North and Central Americas organisation Concacaf. The Impact on Greenland's Football Community Despite the challenges, there seems to be plenty of enthusiasm for football in Greenland. However, the country's footballing powers-that-be appear reluctant to give official sanction to the national side. The documentary offers an interesting insight into the fringes of the global game, showcasing the determination and passion of Greenland's footballers. The Future of Greenland Football As climate change continues to affect Greenland, it's possible that warmer weather could increase the country's chances of developing its football scene. For now, 'No Place for Football' provides a unique perspective on the sport's grassroots level, highlighting the struggles and triumphs of Greenland's football community. The film is available on digital platforms from May 29.

The Archers Actors on Their Flower Power Stage Show The actors from the popular rural radio drama The Archers are set to take the stage in a special production marking the show's 75th anniversary. Susie Riddell, who plays Tracy Horrobin, Sunny Ormonde, who plays Lilian Bellamy, and Tim Bentinck, who plays David Archer, sat down with The Guardian to discuss their excitement and nerves about performing live. Characters Come to Life The actors discussed how they bring their characters to life, even in a radio drama. Riddell mentioned that she has to be careful not to betray her true levels of excitement when speaking about the show. The actors also talked about the importance of using their imagination to create the world of Ambridge, where the show is set. From Radio to Stage The actors will be performing a specially written episode, set at Ambridge's annual flower and produce show. They discussed their concerns about adapting to a live stage performance, including what to wear and how to interact with the audience. Bentinck joked about trying to look cool on stage, while Riddell expressed her worry about people reacting to her "gurning" on stage. A Community of Fans The actors emphasized the strong connection they feel with the show's fans, who have been listening for decades. They discussed how the show's characters are very much character-led, and that the listeners have a sense of ownership over the characters. The actors are looking forward to performing in front of a live audience and interacting with fans.

Three Swiss men aged 28, 43 and 52 were wounded in a stabbing at the Winterthur train station on Thursday morning (08:30 local time). Police identified the attacker as a 31‑year‑old Swiss‑Turkish dual national and classified the incident as an “act of terror”.Stabbing at Winterthur Train Station Classified as Terrorist ActRegional police chief Marius Weyermann confirmed the suspect was arrested five minutes after emergency services were alerted. The man had previously attracted police attention in 2015 for distributing ISIL propaganda and had been briefly placed in a psychiatric facility days earlier.Casualties and Immediate ResponseVictims: ages 28, 43, 52Two victims discharged or set for release by mid‑afternoonOldest victim remains hospitalized after thigh surgeryArrest made within five minutes of the attackSecurity Implications for SwitzerlandZurich’s top security official Mario Fehr described the incident as “an evil act of terror”. Swiss President Guy Parmelin expressed shock, emphasizing the deep impact on the nation. The Islamic Central Council of Switzerland condemned the attack and reiterated that ISIL is a perverse terrorist sect, not an Islamic movement.Potential Policy and Community Reactions AheadAuthorities believe the attacker acted alone, but the incident may prompt tighter monitoring of individuals with extremist links and renewed debate on mental‑health assessments in security contexts. Community leaders are expected to call for solidarity and increased vigilance in public spaces.

What sparked the latest anti‑migrant unrest in South Africa?In late May 2026, demonstrations erupted in Johannesburg, Cape Town and Durban, quickly turning violent as crowds targeted foreign nationals from other African countries. Protesters cited soaring unemployment, perceived competition for jobs and a surge in crime as justification for their anger.Key statistics behind the tensionUnemployment: The national unemployment rate remains above 34%, the highest in decades.Crime perception: Recent surveys show that 68% of South Africans believe crime has increased over the past year.Foreign‑born population: Approximately 2.5 million migrants reside in South Africa, many employed in informal sectors.How the protests are reshaping South Africa’s social landscapeThe unrest has reignited long‑standing xenophobic sentiments, prompting community leaders to call for dialogue while businesses warn of a decline in tourism and foreign investment. Police have deployed additional units and declared a temporary state of emergency in affected municipalities.What the government and civil society are doing nextPresident Cyril Ramaphosa’s administration announced a task force to address the root causes of xenophobia, focusing on job creation, crime reduction and public education campaigns. NGOs are mobilising volunteers to protect vulnerable migrants and to mediate between communities.Outlook: Can South Africa defuse the crisis?Analysts suggest that lasting stability will depend on tangible economic improvements and a coordinated effort to counter hate rhetoric. If the government can deliver measurable job growth and enforce law‑and‑order measures, the risk of further anti‑migrant violence may diminish; otherwise, the country could face prolonged social unrest.

Claude Lemieux’s Untimely Death Sends Shockwaves Through Hockey CommunityThe NHL Alumni Association confirmed the passing of Claude Lemieux, a four‑time Stanley Cup champion known for his ferocious play, at age 60. The news broke on 2026-05-28, just after Lemieux carried the torch for the Canadiens ahead of Game 3 of the Eastern Conference final.A Look at Lemieux’s Storied Career and Final MomentsLemieux’s career spanned 26 seasons (1983‑2009) with six teams, highlighted by clutch performances in three different championships.1986: Won the Stanley Cup with the Montreal Canadiens1995: Captured the Stanley Cup and earned the Conn Smythe Trophy as playoff MVP with the New Jersey Devils1996: Helped the Colorado Avalanche win the Stanley Cup in their first season after relocation2000: Returned to the Devils for a second championshipHe played 1,449 regular‑season and playoff games before retiring in 2009. After hanging up his skates, Lemieux became a player agent, representing stars such as Frederik Andersen, Timo Meier, Moritz Seider and Hampus Lindholm.Numbers That Defined Lemieux’s On‑Ice SuccessTotal games played: 1,449Stanley Cups: 4 (1986, 1995, 1996, 2000)Conn Smythe Trophy: 1 (1995)Teams represented as agent (as of 2026): >12 NHL playersHow His Passing Affects the NHL, Montreal Canadiens and Player RepresentationCommissioner Gary Bettman called Lemieux “one of the greatest big‑game players in hockey history,” underscoring his impact on the sport’s competitive narrative. Geoff Molson, owner of the Canadiens, highlighted Lemieux’s embodiment of the franchise’s “relentless, courageous, and tenacious” spirit.The loss also revives discussion about player safety and the legacy of on‑ice incidents, such as Lemieux’s controversial hit on Kris Draper that sparked a notorious rivalry with the Detroit Red Wings.What the Future Holds for NHL Alumni Engagement and Player AgencyWith Lemieux’s death, the NHL alumni network may intensify support programs for former players, focusing on health monitoring and post‑career transitions. His successful shift to player representation suggests a growing trend of former athletes leveraging on‑ice experience to guide new talent, potentially reshaping the agent landscape in the coming years.

The Rise of AI Financial MarketsThe most important market of the future could be in LLM tokens — and financial groups are rushing to build new infrastructure for them. China's Shanghai Futures Exchange is currently designing a derivatives market for AI tokens, while major derivatives exchanges CME Group and the Intercontinental Exchange (the owner of the NYSE) have separately announced they're working on launching futures contracts for renting GPUs.Building the AI Derivatives InfrastructureGPU markets are still maturing, but given the wide range of companies using, selling, and renting GPUs, there's already a robust market for spot prices on GPU rental, typically charged by the hour. This has prompted major financial players to develop futures contracts that would allow businesses to hedge against fluctuating compute costs.Enterprise plans for major AI companies are commonly denominated in tokens: OpenAI, for example, charges $5 per million input tokens, and $30 per million output tokens if you want to use the API for its latest GPT-5.5 model. Even cloud providers are increasingly offering the opportunity to charge per token, as in Amazon's Bedrock system.The Economics of GPU and Token PricingAccording to data from AI Mining Co., which tracks daily GPU rental pricing across 28 marketplaces and cloud providers, median prices for Nvidia H100 GPUs ranged from $1.40 to $4.27 per hour across 13 marketplaces, while the average price for H200 GPUs were between $2.34 and $5 per hour across 10 marketplaces.Just over the past seven days, average H100 prices ranged from $2.79 to $3.33, showing the volatility that makes futures contracts attractive for risk management.Transforming the AI Investment LandscapeThe effort comes amid an unprecedented buildout of AI infrastructure. Cloud service providers, private equity firms, and infrastructure players alike have poured hundreds of billions into building data centers, anticipating that demand for GPUs and compute will continue to rise.An emerging crop of global neocloud companies is also vying for a piece of this demand. Some of these new entrants are specializing, focusing on inference, while others are competing with cloud giants like Oracle, AWS, and Google Cloud to offer their services to AI companies.The Future of AI Financial InstrumentsBy targeting AI tokens, the Shanghai exchange's derivative product would be tied to how AI companies price their services, giving businesses, investors, and data center operators a way to hedge against the cost of compute. As AI becomes increasingly central to business operations, these financial instruments will likely become essential components of the technology investment ecosystem.

The Rising Tensions Between the US and Cuba US President Donald Trump is taking a harder stance on Cuba, with an indictment against former Cuban President Raul Castro and military threats reminiscent of Washington's approach in Venezuela. The US Playbook Applied to Cuba Trump's strategy towards Cuba seems to mirror the US approach in Venezuela, suggesting a broader regional strategy. This has raised concerns about the potential for increased conflict and instability in Latin America. Cuba's Preparedness and Response Despite decades of pressure from the United States, Cuba appears to be preparing for a potential major confrontation. The country is experiencing blackouts and rising tensions, which could escalate into a larger crisis. The Implications of Trump's Actions The question remains whether Trump's actions are merely political theatre or the beginning of a significant escalation. The international community is watching closely as the situation develops. Expert Insights and Analysis Lucia Newman, Al Jazeera Senior Latin America Correspondent, provides expert analysis on the situation. Episode credits: This episode was produced by Marcos Bartolomé and Sarí el-Khalili with Catherine Nouhan and our guest host, Tamara Khandaker. It was edited by Alexandra Locke. Our sound designer is Alex Roldan. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take’s executive producer.