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The Legacy of a Groundbreaking PerformerWhen Michael Patrick became the first actor in Ireland's theatrical history to portray Richard III as a wheelchair user, he was determined that neither his nor his character's disability be seen as part of the play's inherent tragedy. Instead, as he explained in an interview with the Guardian at the time, he used his still recent diagnosis of motor neurone disease to inform a new understanding of one of the greatest plays in the canon. "It's less about the disability being the tragedy, and it's more about people's reaction to the disability being a tragedy, if that makes sense. Because, you know, in an ideal world, Richard could be in a wheelchair and he could still do all the things he wants to do," he told me ahead of opening night.A Revolutionary Theatrical VisionThe adaptation, staged in 2024 at the Lyric theatre, Belfast, was a huge success and earned Patrick the judges' award at the Stage awards in 2025. The production came about thanks to a half-joking comment Patrick made on social media in July 2023 when he first shared his MND diagnosis: he listed parts he wanted to be cast for, now that "my limp is really authentic", and one was Richard (another more sarcastic suggestion was Dickens' Tiny Tim).A Career Forged in CollaborationPatrick, who has died aged 35, was a well-known figure in the Irish drama world, having had roles with the Royal Shakespeare Company in productions of The Taming of the Shrew and Measure for Measure in the 2019-20 season, as well as several BBC shows including Blue Lights (2023) and This Town (2024), and others for the Irish broadcaster RTÉ. He also appeared in an episode of the sixth season of Game of Thrones in 2016.The Creative Partnership That Defined His WorkHis career was shaped by his long-term creative partnership with the writer and director Oisín Kearney. They were also great friends. The two met at Cambridge University, where Patrick was in the middle of a physics degree at Churchill College when he realised he wanted to be an actor; he later went to drama school at the Mountview Academy of Theatre Arts in London.Political Theatre and Personal StorytellingTogether they put on several plays at Cambridge, including Frank McGuinness's Someone Who'll Watch Over Me and Samuel Beckett's Play, and jointly led the university's Irish society. Working together, Patrick and Kearney would go on to write, direct and act in many productions for stage and screen. The Alternative, a play that reimagined the Irish Republic as part of the United Kingdom and dramatised a fictitious referendum on breaking up the country, was selected over hundreds of scripts to win Fishamble theatre company's competition looking for "a play for Ireland", with an acclaimed touring production in 2019.From Personal Health to Artistic TriumphFor one of their first projects together, the pair wrote a one-man show, My Left Nut, about a testicular condition Patrick developed as a teenager, in which Patrick played himself and other characters. They premiered it at the Dublin fringe festival in 2017 and took it to Edinburgh the following year. Although it dealt with heavy themes, such as shame and the grief a young Patrick experienced when he lost his father, the Guardian described it as "wincingly funny", and it was later adapted for the screen by the BBC.A Final Performance of Profound ResonanceOne-man plays about body parts would prove the bookends of his acting career. Last year, he and Kearney wrote My Right Foot, a deeply personal production about living with a progressive, terminal condition. Patrick, by then using a powerchair, performed it at the Dublin theatre festival. The Stage called the show "funny, warm and incredibly moving".A Life Shaped by Loss and LovePatrick's off-stage name was Michael Campbell, and he was known to friends and family as Mick. Born in Belfast, the son of Mickey, a computer engineer, and Pauline (nee Hughes), a priest's housekeeper, he went to Rathmore grammar school in the south of the city. He was introduced to Shakespeare by a drama teacher, Gwyneth Murdock, as a teenager, and developed a lifelong love of the playwright's work.The Impact of Motor Neurone Disease on His ArtWhen Michael was eight his father also died of MND at the age of 47. Later, he credited his mum with bringing up him and his three siblings while raising £100,000 for an MND charity. When My Left Nut was broadcast, he told the BBC it had been good to have the opportunity to talk about his dad, saying: "He's been a lot more present in our lives recently, which has been really nice."A Legacy of Determination and HumorSpeaking after his friend's death, Kearney said: "His diagnosis didn't stop him from working. He performed onstage six months before his passing and he was still writing up to the moment he went into a hospice. He was as determined as ever to make work with honesty and a sense of humour."Remembering a Life Cut ShortPatrick is survived by his wife, Naomi (nee Sheehan), whom he married in 2023, and by Pauline and his siblings, Kate, Hannah and Maurice.

The Lead: Celebration Amidst Challenges In a remarkable display of hope and community spirit, central Gaza witnessed the union of 300 couples in a mass wedding ceremony. The event brought together families from across the region in a celebration of love and commitment, offering a moment of joy amidst the ongoing difficulties faced by Palestinians in Gaza. The Event Details: A Grand Celebration of Unity The mass wedding ceremony was a meticulously organized affair, with 300 brides and grooms participating in the collective celebration. Traditional Palestinian music filled the air as couples exchanged vows in a unified ceremony that symbolized both personal commitment and collective solidarity. The event was attended by community leaders, family members, and well-wishers who gathered to celebrate the unions and offer blessings to the newlyweds. The Cultural Significance: Tradition and Resilience Mass weddings hold particular significance in Palestinian culture, especially in Gaza where economic challenges often make individual weddings financially burdensome for families. This collective celebration not only reduces the financial burden on participants but also strengthens community bonds and preserves cultural traditions. The event represents a powerful assertion of cultural identity and resilience in the face of adversity, demonstrating the enduring importance of communal celebrations in Palestinian society. The Human Impact: Joy in Difficult Times For the 300 couples, the mass wedding provided an opportunity to begin their married lives with dignity and celebration, despite the economic constraints that might have otherwise prevented such festivities. The event offered a rare moment of joy and normalcy for participants and their families, many of whom have endured years of hardship. The ceremony also served as a reminder of the importance of human connection and celebration, even in the most challenging circumstances. The Future Outlook: Building Stronger Communities >As these 300 couples begin their married lives together, the mass wedding is expected to have lasting positive effects on the community. The event has strengthened social networks and provided a model for future collective celebrations that can help alleviate economic burdens while preserving cultural traditions. In a region marked by uncertainty, such events offer a glimpse into the resilience and hope that continue to define Palestinian communities in Gaza.

Colombian President Gustavo Petro became the first foreign head of state to set foot in Venezuela since the United States military seized former President Nicolas Maduro on January 3, 2026. The meeting at the Miraflores Palace in Caracas, hosted by interim President Delcy Rodriguez, signals a potential thaw in a relationship long marred by accusations of drug trafficking, border insecurity, and U.S. sanctions.Petro’s Trailblazing Visit to CaracasThe two leaders embraced, waved, and entered the palace together, underscoring the symbolic weight of the encounter. The agenda is expected to focus on security along the 2,200‑kilometre (1,367‑mile) Colombia‑Venezuela border, a corridor that doubles as a trade route and a conduit for illicit drug flows and paramilitary activity.First Diplomatic Contact Since the U.S. OperationPetro arrived on Friday, April 24, 2026, after a cancelled meeting in Cucuta earlier in March.Rodriguez, former vice‑president under Maduro, has been balancing U.S. pressure with domestic loyalty.The visit follows a February White House meeting that eased recent U.S.–Colombia tensions.Border Metrics, Trade, and Economic PressuresBorder length: 2,200 km (1,367 mi).Key trade goods: agricultural products, fuel, and manufactured items worth an estimated $1.2 billion annually.Venezuelan inflation: soaring above 200 %, driving the government’s push for foreign oil and mining investment.Geopolitical Implications for the RegionThe meeting could reshape three intertwined dynamics:U.S. strategy: Washington’s “law‑enforcement” narrative versus regional sovereignty claims.Colombia’s security posture: Petro’s pledge to boost military presence along the border.Venezuela’s economic outreach: Rodriguez’s courting of investors while seeking sanction relief.Future Outlook: From Tense Standoff to Conditional CooperationAnalysts anticipate a cautious but pragmatic trajectory:Short‑term: Joint security patrols and intelligence sharing to curb drug smuggling.Medium‑term: Negotiations on oil‑sector concessions and possible U.S. sanction adjustments.Long‑term: A framework for new Venezuelan elections overseen by a U.S. envoy, contingent on measurable security improvements.

Tom Wright’s latest theatrical offering, “Please Please Me”, turns the spotlight onto the often‑overlooked figure of Brian Epstein, the man who shepherded the Beatles to global fame. By weaving together the manager’s personal turmoil, his ambiguous bond with John Lennon, and a pivotal holiday in Torremolinos, the play asks whether the myth of Beatlemania can ever be fully disentangled from the private shadows of its architect.The Play’s Narrative Focus on Epstein’s Inner WorldThe production opens in Epstein’s father’s record shop, where a young Brian swaps classical violin concertos for Elvis’s “Hound Dog,” signalling the cultural rupture of the 1960s. Set designer Tom Piper employs rotating closets and dimly lit corridors to echo the manager’s sense of concealment, while the script delves into his identity as a Jewish gay man navigating a hostile industry. Central to the drama is the disputed Torremolinos encounter, a moment that, according to the play, intensified Epstein’s dependence on drugs and deepened his entanglement with Lennon’s volatile genius.Critical Reception and Box‑Office SnapshotVenue: Kiln Theatre, London (running until 29 May 2026)Lead Cast: Calam Lynch as Brian Epstein, Eleanor Worthington‑Cox in multiple roles including Cilla Black, Noah Ritter debuting as John LennonDirection: Amit SharmaCritical notes: Praise for Lynch’s “terrific, increasingly physical” performance and the production’s “mobile set of spinning closets” that visualise the era’s chaos.Reframing the Beatles’ Mythos Through Epstein’s LensBy centring Epstein rather than the band, the play challenges the conventional hero narrative that has long dominated popular culture. It foregrounds how the manager’s personal insecurities and hidden sexuality may have shaped key decisions—such as the timing of the Torremolinos trip—that in turn influenced the Beatles’ trajectory. This reframing invites audiences to reconsider the price of fame and the often‑invisible architects behind cultural revolutions.Future Prospects for Musical Biographies on Stage“Please Please Me” arrives at a moment when theatre is increasingly embracing biographical stories that blend music, politics, and personal identity. Its success could spur further productions that explore the backstage lives of iconic artists, especially those whose stories intersect with LGBTQ+ history and post‑war cultural shifts. Expect more investors to back daring, historically nuanced works that promise both critical acclaim and modest commercial returns.

First Global ‘Transition Away from Fossil Fuels’ Conference Kicks Off in Santa MartaThe world’s inaugural conference dedicated to phasing out fossil fuels opens in Santa Marta, Colombia on 24 April, running through 29 April. Co‑hosted by Colombia and the Netherlands, the event gathers a “coalition of the willing” to chart a pragmatic roadmap for low‑carbon energy after years of stalemate at UN COP meetings.Conference Structure and Participating NationsFifty‑four governments have registered, sending ministers or senior officials. Together they represent roughly one‑fifth of global fossil‑fuel production and one‑third of global demand. Key participants include:EU member states and the UKCo‑hosts of COP31: Turkey and AustraliaMajor producers: Brazil, Mexico, Nigeria, Angola, CanadaAbsent are the world’s largest emitters: China, India, the United States, Russia, Iran and Japan. Colombian Environment Minister Irene Vélez Torres emphasized that non‑participants are “not a problem” for a gathering of willing nations.Numbers Highlighting the Scale of the Coalition54 governments registeredRepresenting ~20% of global fossil‑fuel productionRepresenting ~33% of global fossil‑fuel demandOil price surge linked to war in Iran and closure of the Strait of Hormuz, a chokepoint for ~20% of world oil and LNGThe oil price spike is driving higher costs for energy, food, fertiliser and industrial goods, intensifying pressure on vulnerable populations and boosting the economic case for renewable alternatives.Why the Breakaway Conference Could Shift Climate NegotiationsUnlike the UN COP process, which requires consensus and has been repeatedly blocked by petrostates, this summit focuses on actionable items: financing mechanisms for developing nations, debt‑relief packages, and concrete demand‑reduction strategies. A panel of leading scientists—dubbed “rock‑star academics” by Vélez—will draft a technical report to guide national roadmaps.The conference also aims to harmonise overlapping global initiatives, ensuring that parallel efforts (such as the roadmap promised at COP30) do not work at cross‑purposes.What the Next Steps May Look Like for Global Fossil‑Fuel Phase‑outWhile no binding treaty is expected, the summit will produce a set of policy recommendations and a draft framework for national transition plans. These outputs are intended to feed into the forthcoming UN‑led process and to give finance ministries concrete levers for supporting clean‑energy investments.If the “coalition of the willing” can demonstrate tangible financing pathways and credible demand‑reduction targets, it could pressure reluctant major emitters to re‑engage, potentially reshaping the trajectory of global climate governance.

The Lead This week's art world offers a diverse mix of exhibitions, from a copyright-bending green ogre to monochrome grey paintings and a recovered Vermeer masterpiece. The Guardian's art roundup brings together the most significant shows and stories from across the UK art scene. Exhibition Highlights Bruce Asbestos: Bootleg Shreg 2 brings the artist's wacky comic style to Exeter Phoenix Gallery, featuring Shreg, a green ogre that breaches absolutely zero copyright rules. The show runs from 25 April to 20 June. Roy Oxlade presents rough, scrappy, primitive painting at Alison Jacques in London, showcasing the work of this major figure in 20th-century British art. The exhibition continues until 30 May. May Morris: Crafting a Legacy at Lady Lever Art Gallery in Liverpool showcases embroidery, wallpaper, watercolours, costumes and jewellery by the hypertalented youngest daughter of Arts and Crafts pioneer William. The exhibition runs from 25 April to 1 November. 30 Years at Timothy Taylor in London features works by big hitters including Philip Guston, Alex Katz and Antoni Tàpies alongside younger artists, celebrating three decades at the top of the art game for this commercial gallery. The show continues until 30 May. Alan Charlton presents new works at Annely Juda Fine Art in London, featuring paintings made exclusively in one colour: grey. The exhibition runs from 30 April to 7 June. Image of the Week Photographer Jon McCormack captured a rock formation on Kangaroo Island that resembles a modern sculpture by Barbara Hepworth or Henry Moore. This hollowed out form, created by wind and rain over thousands of years, serves as a reminder of nature's awesome power. Art World News This year's Turner prize nominees played it safe Martin Parr's first posthumous exhibition is a dazzling final chapter The story of Black British music is told in the first exhibition at V&A; East Portugal's newest art festival takes an anarchistic approach Isaac Julien's new show is a bombastic meditation on human connection Picasso's Guernica is being used in Spain's partisan squabbles The finalists for museum of the year have been announced Masterpiece of the Week The Guitar Player (Lady With a Guitar), c.1670-1720 by Johannes Vermeer, currently on display at Kenwood House in London. Despite a guide's comment that the subject "looks like a boiled egg," the painting's ghostly quality and the subject's quiet amusement make it a remarkable work of art. The painting has an intriguing history, having been stolen in the 1970s and recovered with the help of a clairvoyant.

The Funeral of a Fallen JournalistMourners gathered to pay their respects to a journalist who lost their life in a targeted Israeli strike. The funeral ceremony brought together colleagues, family members, and supporters who came to honor the memory of the deceased reporter, whose work often covered the volatile region.The Circumstances of the Journalist's DeathThe journalist was reportedly killed during an Israeli military operation that targeted specific individuals in the region. While the exact circumstances remain under investigation, the incident has raised serious questions about the safety of journalists working in conflict zones and the protection of media professionals under international law.International Response to the KillingThe killing of the journalist has drawn condemnation from international media organizations and human rights groups. Press freedom advocates have called for a thorough investigation into the circumstances surrounding the death and for greater protection of journalists operating in areas of armed conflict.Impact on Media Coverage in the RegionThe incident is expected to have a chilling effect on media coverage in the region, with journalists potentially facing increased risks while trying to report on the ongoing conflict. This could lead to reduced information flow from affected areas and potentially greater difficulties in documenting human rights violations and civilian casualties.Future Outlook for Journalists in Conflict ZonesIn the coming months, international organizations are likely to increase pressure on all parties to conflict to ensure the safety of journalists. There may also be renewed efforts to establish clearer guidelines for military operations in areas where media personnel are present, with the goal of preventing similar incidents in the future.

The EU's Critical Support for UkraineThe European Union has given final approval to a 90-billion-euro ($105bn) loan for Ukraine and a new round of sanctions on Russia, providing a significant boost for Kyiv after a prolonged diplomatic row. This financial assistance comes at a crucial time when the United States has largely cut off aid to Ukraine, making the EU support even more vital for Ukraine's war effort and economic stability.The Breakthrough in EU-Ukraine RelationsThe measures were signed off after Hungary and Slovakia dropped their objections following Ukraine's decision to restart oil flows through the damaged Druzhba pipeline. This pipeline carries Russian oil to Hungary, and its disruption had been used as leverage by Hungarian Prime Minister Viktor Orban to stall the EU loan approval. "Deadlock over," EU foreign policy chief Kaja Kallas posted online, emphasizing the significance of this development for both Ukraine and the EU's stance against Russia.The Geopolitical Impact of Hungary's PositionHungary's outgoing Prime Minister Viktor Orban – who suffered a crushing election defeat this month – had stalled the loan as leverage to pressure Ukraine to fix the pipeline carrying Russian oil to his landlocked country. Orban's position highlighted the complex dynamics within the EU regarding support for Ukraine, with some member states using their influence to advance their own interests despite the broader European consensus on supporting Kyiv against Russian aggression.Financial Lifeline for Ukraine's War EconomyThe green light means that Brussels should, in the coming months, be able to start paying out the funds that Kyiv badly needs to plug budget black holes four years into Russia's invasion. Ukrainian President Volodymyr Zelenskyy welcomed the EU's approval, stating: "Today is an important day for our defence and for our relations with the European Union. The European support loan for Ukraine has been unblocked – 90 billion [euros or $105bn] over two years." Zelenskyy emphasized the importance of this financial certainty after more than four years of full-scale war and urged that the first tranche be disbursed by May or June.New Russia Sanctions Target Multiple SectorsAt the same time, the EU's 27 countries also signed off on a new package of sanctions against Moscow that had been held up by both Hungary and Slovakia over the same pipeline dispute. This marks the 20th round of EU sanctions against Russia since its full-scale invasion of Ukraine in 2022. The new measures target Russia's energy, banking, and trade sectors, including clamping down further on the so-called "shadow fleet" of ageing tankers that Moscow uses to skirt oil-export restrictions, and curbs on Russian cryptocurrency traders.Innovative Sanctions Enforcement MechanismThe EU also announced it was stopping sales of certain machinery to the Central Asian nation Kyrgyzstan to prevent the products from going to Russia. This marks the first time the EU has used a mechanism to halt entire categories of exports to a specific country to avoid sanctions circumvention, demonstrating a more sophisticated approach to enforcing sanctions against Russia.Future Outlook for EU-Ukraine RelationsWhile the EU stopped short of imposing a full maritime service ban for vessels carrying Russian crude, stating it hoped to get Group of Seven (G7) partner nations to go ahead together on it at a later date, the approval of the loan and sanctions represents a significant step in EU-Ukraine relations. This financial support will help Ukraine maintain its defense capabilities and economic stability as the conflict with Russia continues, while the new sanctions further pressure Russia's war economy, as noted by EU foreign policy chief Kaja Kallas.

The LeadDriven hard, driven fast is very much the norm in Formula One, on and off track, but even by the sport's own standards the development of Red Bull's in-house engine project has been exceptional. As is what it has delivered. Walking through the gleaming corridors of the team's bespoke engine manufacturing department at their Milton Keynes headquarters, it is all but impossible to conceive that only four years ago the area where the buildings stand was just empty space peppered with rubble.The Engine RevolutionThe decision to build their own engines rather than continuing to buy customer units from other manufacturers ranks among the boldest steps Red Bull have ever undertaken. No little feat even for a team who have long revelled in carving their own path in F1. When the project began in 2022, with the team under the leadership of Christian Horner, it was a step into the unknown with no guarantee of success, but with the promise of making the team entirely the master of every aspect of their cars and how they go racing.It is an advantage that cannot be overstated, with the design of engine and chassis playing to each other's strengths rather than a chassis being built around a customer engine. Their venture was greeted with scepticism, in some quarters with an anticipation of failure or at very least a long, painful learning curve. It was the 'ghost' that haunted the project, as team principal, Laurent Mekies, refers to it.The Technical MarvelIn terms of harnessing the horsepower, Red Bull have hit the ground at a gallop. It becomes clear quite how much in a rare opportunity to visit the engine manufacturing facility in the company of Red Bull Ford Powertrain's technical director, Ben Hodgkinson, who was headhunted from Mercedes to lead the project and has 27 years of experience in building engines. He describes the project as bold and audacious and believes that it attracted characters with similar attributes to join it.When it began he was taking on 25 personnel a month and the team he leads is now 700 strong. For all the noise around high-profile departures, Red Bull are maintaining no little momentum in recruitment, having taken on 120 new employees across engine and chassis in the first quarter of this year alone. From that barren patch of ground at the Milton Keynes campus, Hodgkinson had one major advantage for his task in that he was building a unique facility from scratch – and it shows.The romantic picture of engine assembly involving spanners and oily overalls has long gone from modern F1, but the assembly rooms at Red Bull are another experience altogether even compared with those of rival teams. There is an air of pristine, precise, perfectionism amid an almost disarming, preternatural quiet. Were an actual spanner to drop it would echo like thunder in this meticulous atmosphere.The Competitive LandscapeMekies acknowledges then that this season Mercedes – by far the class of the field – have as much as a two- to three-10ths advantage over his team from the engine. That Red Bull are so close at their very first attempt is remarkable. They have been off the pace of Mercedes, Ferrari and McLaren in the opening three rounds this season but, as Mekies admits, the real deficit is in the chassis.The same attention to detail applies in the area where engines at the end of their life are disassembled in detail to identify any areas of weakness that could help to prevent a failure in future models. There is an entire room for cleaning crank shafts before use and another for oil analysis – a process that identifies particulate elements that may be wearing the engine with undue haste.The Future OutlookThe focus on creating a coherent organisation with an overarching sense of purpose and direction is evident everywhere and it is impossible not to be impressed by how singularly it has been achieved given the sheer scale of the task that began four years ago. Indeed for all Red Bull's current travails, including Max Verstappen's dissatisfaction with the new rule set and his recalcitrant car, their engine has proved an undoubted success story.'It has clearly exceeded expectations,' says Mekies. 'We were gearing up from a much further away starting point. It's something that could have put the project at big risk for two or three years. But now the ghost of the power unit – is Oracle Red Bull Racing going to have a strong enough power unit for the years to come? – has disappeared. We have our own issues. We need to get these tenths back, we need to fix what we need to fix with the car. This, we know how to do. It's going to happen, not in Miami, but it's going to happen.'