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The Lead: Ritchie's Resilient Entertainment ValueWhile the actual quality might never threaten to float him above a three-star rating, I've grown an odd, outsized fondness for Guy Ritchie's recent run of solidly enjoyable lower-tier action films. Whether deadly serious (Wrath of Man), entirely unserious (Operation Fortune) or somewhere between the two (The Ministry of Ungentlemanly Warfare), there's been a real snap to them, one that's usually missing from other recent films of that ilk.The Event Details: Ritchie's Craft in 'In the Grey'Ritchie is more deeply invested in the thought-through craft of making a B-movie than many of his peers and there's a smooth sensuousness to how he moves, each of them looking, feeling and sounding like films he genuinely cares about. But, against all considerable odds, In the Grey might well be Ritchie's most purely entertaining film for years. Sure, it's messy in moments and nonsensically plotted at others, but it's also an incredibly, consistently fun time.The Plot Premise: A Debt Recovery ThrillerIt's his first sole writing credit since 2019's The Gentleman and hinges on a nifty, unusual premise. Rachel (Eiza González, reteaming with Ritchie after Ministry) is a lawyer tasked with trying to retrieve unpaid debts from dangerous figures, working on behalf of similarly shadowy financial firms. Her latest target Salazar (Carlos Bardem) owes $1bn and he's already dispatched the last lawyer who tried to get it back for sharp-edged exec Bobby (Rosamund Pike, devouring her few scenes).The Cast Dynamics: Chemistry and CharacterHis film is a tightly edited game with each moving part as thrilling as the other, whether it's González sparring with Pike (the pair trained well in 2020's nasty comedy I Care a Lot) or Gyllenhaal and Cavill enjoying the homoerotic motions of their boys-with-their-toys preparation. Ritchie's films have long toyed with queerness and here, the sexual chemistry and undefined dynamic between the two men isn't played for mean-spirited gay panic humour, they are for all intents and purposes playing a gay couple.The Action Craft: Ritchie's Signature StyleRitchie, as one has to come to expect, is an expert chaos-constructer and the action, along with another booming, seat-vibrating score from Christopher Benstead, is all seriously exciting to watch. Suspension of disbelief is of course required with our leads emerging as unscathed as superheroes, while also remaining as perfectly styled as models, but I was far too wrapped up to care.The Commercial Challenges: A Pattern of Mishandled ReleasesIf only audiences, and the companies releasing them, felt the same. While Wrath of Man, a more marketable Jason Statham revenge thriller yet containing more grit than one would expect, managed to make enough money overseas, he's otherwise struggled to justify his unusually high budgets. Operation Fortune was renamed, resold and pushed around the schedule before misfiring at the box office while The Ministry of Ungentlemanly Warfare couldn't even make half of its budget back after another botched release.The Future Outlook: Ritchie's Enduring AppealI fear for the day Ritchie will stop getting funding for his zippy and sleek yet commercially mishandled and criminally underseen larks but for now, with two more in the can, I'll happily live in a time when the cheques are still being written. The ending is at first satisfying and then a little abrupt, roughly yanking us out of what had been a smooth summer sojourn, the dust the film had been gathering on the shelf suddenly getting in our eyes.In the Grey is out now in US and Australian cinemas with a UK date to be announced

The Lead: Scotland's World Cup AnthemThe lyrics came to Stuart Murdoch in the hazy aftermath of Scotland's dramatic qualification for the World Cup. The Belle and Sebastian frontman had watched his side's playoff victory over Denmark through his fingers before deciding to write his own anthem to a team he has followed for more than 50 years. "Most people recognised instantly the next day that they'd witnessed the most important Scottish game ever," says Murdoch. "That was our magic moment."The Anthem Creation: It Only Takes One Lion"It Only Takes One Lion" starts by hinting at the travails of the team ("You gave us hope, you gave us despair"), turns into a bombastic four-on-the-floor singalong with self-deprecating lyrics ("This is Scotland, where everybody knows you start with nothing"), and nods to the Tartan Army ("you can join an army that's for peace"). The song's danceable beat was inspired by the team's current anthem, Baccara's 1977 hit, Yes Sir, I Can Boogie, which has been blasted out at Hampden Park after recent Scotland victories. "I like the thought that they just might play It Only Takes One Lion after a game, that's what I fantasise about," Murdoch says.Historical Significance: Scotland's Football JourneyFootball has been a life pursuit for Murdoch, who is an Ayr United fan, and Belle and Sebastian have broached the topic of football before, notably in the tale of Sunday league woes, Another Sunny Day. It is fair to say Scotland and Murdoch have got a bit of previous with the World Cup. The singer's earliest memories of the team at the tournament are of the 1974 edition where Scotland – despite not losing a game and only conceding one goal – were knocked out in the first round. There was more heartbreak in 1978 when a formidable Scotland team featuring Joe Jordan, Graeme Souness and Kenny Dalglish came back early from Argentina – despite a legendary Archie Gemmill goal.Cultural Impact: Music Meets Football PassionThe song, which the band debuted as part of an encore at an April gig at the Royal Albert Hall and is out on 2 June, coincides with Scotland preparing to play in their first World Cup tournament since 1998. Scotland will face Brazil and Morocco in the group stage, with Haiti the final team making up a tough draw. But Murdoch remains optimistic about the team avoiding any unnecessary drama. He concedes It Only Takes One Lion is a not-too-subtle dig at the auld enemy and England's anthem, Three Lions, Baddiel and Skinner's track, which celebrates its 30th birthday this summer. "It was done in a nice way," says Murdoch, who says he will support England if Scotland get knocked out early.Future Outlook: World Cup Dreams and Musical LegacyThe band's US tour finishes on the same night Scotland play Haiti in their first game, but Murdoch may try to watch a later group game, despite the eye-watering prices Fifa is charging for tickets. "We're going to play it by ear," he says. "I'm hoping the song does well and we'll get invited to a game." As Scotland prepares to make their return to the World Cup stage, "It Only Takes One Lion" stands as both a tribute to decades of football passion and a potential new soundtrack for Scottish sporting history.

Gunmen Storm Mussa School, Seizing Dozens of PupilsAt about 9 am (08:00 GMT) on Friday, suspected insurgents on motorcycles entered Mussa Primary and Junior Secondary School in the Askira-Uba Local Government Area of Borno State. Ubaidallah Hasaan, a nearby resident, reported that the attackers moved swiftly while classes were in session and carried away a large number of students.Scale of Recent Kidnappings Across NigeriaCurrent incident: "dozens" of students taken (exact number not disclosed).Earlier this month: 23 children abducted from an orphanage in Lokoja, Kogi State.Recent parallel raid: students seized from Baptist Nursery and Primary School in Oyo State.These events follow a pattern of mass abductions that have become a revenue stream for armed groups, echoing the infamous 2014 Chibok schoolgirl kidnapping.Why the Northeast Is Becoming a Security Black HoleThe community of Mussa lies adjacent to the Sambisa Forest, a long‑standing insurgent stronghold. Despite ongoing military operations, repeated attacks on schools highlight persistent gaps in state presence, especially in rural zones where government services are minimal.Analysts, including writer Gimba Kakanda, note that insurgencies thrive not only on ideology but also on terrain, supply routes, and local economies that operate beyond state control.Future Outlook: Anticipated Rise in Rural AttacksSecurity experts warn that attacks could increase throughout 2026, driven by weakened government reach and the profitability of kidnappings. Policymakers face pressure to bolster protection for schools, improve intelligence sharing, and address underlying socioeconomic drivers such as chronic poverty and educational exclusion.

The Rise of Delta Goodrem in Eurovision 2026 Delta Goodrem's performance of 'Eclipse' in Eurovision 2026's second semi-final has propelled Australia to the grand final, with her odds of winning soaring. She's now ranked second, behind Finland. Why is Australia Included in Eurovision? Australia's inclusion in Eurovision stems from its strong viewership and multicultural population. The European Broadcasting Union (EBU) allowed Australia to join due to its good business case, particularly SBS's consistent high ratings for Eurovision since 1983. Australia's Eurovision watch parties were popular long before its participation in 2015. The country's multicultural broadcaster SBS had been getting good numbers for Eurovision locally. How Does Eurovision's Scoring System Work? The Eurovision winner is decided 50% by jury votes and 50% by televotes from viewers in each participating country, as well as a 'rest of the world' vote. Each country has its own jury, made up of seven music industry types. Juries use four judging criteria: vocal capacity, performance, composition, and overall impression. Countries cannot vote for themselves. Is There an Art to Winning Eurovision? According to analysis by Spotify, the perfect tempo for a Eurovision entry is 127 beats per minute. Delta Goodrem's song 'Eclipse' is 134 BPM. Carniel says there's a risk of getting too precise with a Eurovision bid. The winning song usually needs something that really connects with the audience. If Australia Wins Eurovision, Does That Mean Australia Gets to Host It? No, if Australia wins, it must 'co-host' the event with a full EBU member country within Europe. Australia is only an 'associate member'. There is a precedent: when Ukraine won in 2022, the UK hosted it due to Ukraine's inability to do so. Will the Juries Vote Against Australia Because It's Not in Europe? All signs indicate no. When Australia came second in 2016 with Dami Im, she had the most jury votes. Carniel says the EBU wants to avoid any sign that the jury system is corrupt or biased.

The LeadThis week's entertainment landscape is dominated by standout performances and productions that have critics raving. From Ian McKellen's latest role in 'The Christophers' to the bonkbuster revival of 'Rivals' on Disney+, viewers are spoilt for choice with exceptional content across both television and film.TV Highlights: Rivals Takes Center StageDisney+'s 'Rivals' stands out as a preposterous adaptation of Jilly Cooper's 80s bonkbuster that has everyone involved clearly having the time of their life. Critics describe it as 'beyond earthly praise' with 'naked audacity' that deserves to be celebrated with a glass of Cinzano.Documentary Impact: Children of the BlitzBBC iPlayer's 'Children of the Blitz' offers a moving and important film featuring the last survivors of the blitz sharing their shattering stories. The documentary provides priceless access to the inner lives of children in wartime, with reviewers noting how these insights can be transposed to understand the emotional dislocation of modern children in conflict zones like Gaza, Ukraine, and Sudan.Political Satire: Wrestling With TrumpChannel 4's 'Wrestling With Trump' sees comedian and satirist Munya Chawawa deliver what reviewers describe as a 'punchy, passionate and weirdly uplifting documentary' that offers a much-needed smackdown to the US president. The film explores how Trump's political style is inspired by WWE wrestling, providing a fascinating look at the intersection of entertainment and politics.Film Spotlight: The ChristophersSteven Soderbergh's 'The Christophers' leads this week's film recommendations, featuring Ian McKellen as an irascible painter and Michaela Coel as his assistant. The London-set movie is described as 'terrifically exhilarating and funny, as bracing as a large vodka and tonic before lunch: fast, literate and funny.' The plot revolves around potentially valuable lost paintings of the artist's former lover.Emerging Talent: ObsessionWriter-director Curry Barker follows up his $800 YouTube hit 'Milk & Serial' with 'Obsession,' an effective and gory cautionary tale that reviewers call 'satisfyingly slick proof that Barker knows just what to do when levelling up to a different platform.' The film demonstrates promising talent in the horror/thriller genre.

Superfans Grapple with Eurovision’s Growing Political BurdenThe 2026 edition of the Eurovision Song Contest, staged in Vienna, has become a source of collective sadness for longtime fans. While the show traditionally unites Europe through music, recent geopolitical tensions have turned it into a flashpoint for protest and debate.Boycotts and Withdrawals Signal a Crisis in ViennaFive broadcasters—Spain, Ireland, Slovenia, Iceland and the Netherlands—have pulled out, citing the mishandling of the Israel controversy by the European Broadcasting Union (EBU). Their absence underscores a broader crisis of confidence in the contest’s governance.Withdrawals announced weeks before the live show.EBU’s response described as “disastrously mismanaged.”Fans report a shift from celebration to shared sadness.Financial and Voting Mechanics Amplify Israel’s InfluenceInvestigations reveal that the Israeli government has funded a voting push costing at least $1 million over the past three contests. The campaign employed high‑visibility ads—such as Times Square billboards—and direct messaging encouraging supporters to cast the maximum 20 votes per person. In 2025, Israel topped the public vote, accounting for a record share of points despite modest jury scores.How Politicisation Threatens Eurovision’s Cultural AppealThe contest’s original charm lay in its apolitical celebration of music across borders. The current environment, however, risks turning Eurovision into a proxy battleground for national soft power. With global voting still open and multiple votes per person allowed, a coordinated political effort can disproportionately sway results, eroding trust among viewers and broadcasters alike.Future Outlook: Reform or Decline for Europe’s Song Contest?Analysts warn that without substantive changes—such as limiting the number of votes per individual and tightening eligibility criteria—the contest may see further boycotts and a dwindling audience. The EBU faces a pivotal decision: implement voting reforms to restore credibility or risk a gradual decline of Europe’s flagship cultural export.

Lead: A Dark Dive into Digital IntimacyThe new Apple TV+ series Maximum Pleasure Guaranteed thrusts viewers into the unsettling world of a divorced mother who hires an online sex worker as a virtual therapist, spiralling into a web of scams, murder and digital paranoia.Apple TV+ Unveils a Twisted Crime‑DramaThe eight‑part thriller follows Paula (played by Tatiana Maslany) as she navigates custody battles, virtual sex work with Trevor, and a violent intrusion that ignites a personal investigation. Supporting performances from Murray Bartlett (as a menacing antagonist) and Dolly de Leon (a sardonic detective) add depth to the gritty narrative.Numbers & Release DetailsPremiere date: Wednesday, 16 May 2026Platform: Apple TV+Episode count: 8 (announced)Impact on the Streaming Thriller LandscapeThe series signals Apple’s willingness to invest in darker, adult‑oriented dramas that push the boundaries of digital‑era storytelling. By mixing explicit sexual economics with high‑stakes crime, the show differentiates itself from the platform’s more family‑friendly fare, potentially attracting a niche audience seeking edgier content.Looking Ahead: What This Means for Apple TV+ and Dark SeriesIf the show garners strong subscriber engagement, Apple may green‑light further seasons or similar projects that explore the underbelly of online intimacy. Critics note the title’s over‑promise, but the strong performances could cement the series as a cult favorite, influencing future streaming strategies around risky, genre‑blending narratives.

The Final Showdown It all comes down to this, again. France have been runners-up to England in the Women's Six Nations for the past six years, edging ever closer: last year's decider was settled by a single point. But can François Ratier's team not only end England's dominance in this competition but also halt their 37-game winning run on Sunday? If they show up from minute one to 80, France can do it. England's Challenge with a Depleted Squad England will be favourites to lift their eighth straight Six Nations trophy but have been contending with a lot this tournament. Retirements, pregnancy and injury mean the team are without a wealth of talent including Zoe Stratford – the usual captain – Abbie Ward and Alex Matthews. They have continued to win with a depleted squad but their depth will be given its biggest test yet against an in-form France team. Statistical Analysis: France's Dominant Form The statistics never lie and France's so far this competition, particularly in defence, have been commanding. The side are topping the charts for most carries, offloads and defenders beaten. They also have the fewest missed tackles, the most dominant contacts and an 88.4% tackle success rate, the best in the competition. England's Offensive Strengths England lead in fewer areas but have scored the most points this tournament and have the top try scorer in Marlie Packer, who will start on the bench with Sadia Kabeya back from injury. The fly-half Zoe Harrison's supreme kicking has also been a huge asset to the team, with 23 of 24 kicks successful. They know their attack is the highlight of their game at the moment and, when asked if working on defence will be critical against France, the England head coach, John Mitchell, said: "It will be, but we'll just score more." Defensive Concerns for England Against Italy, England conceded the most points they ever have in the Six Nations against a team that was not France. The former England captain Packer believes the side need to be more reactionary: "I think we need to be a bit better at see, do. We are thinking. As soon as you think, the other team has a foot on top of you. France's Key Players England will need to plug their defensive holes because France have stars who will snipe at any opportunity given to them. Anaïs Grando has scored four tries in four games and has proved to be a great resource in defence too, a particular highlight coming against Ireland where her covering tackle held up Fiona Tuite over the line. The scrum-half Pauline Bourdon Sansus has also been an integral cog in the French setup for years and her form has not let up this year either. Strategic Battle: France's Game Plan France have been chasing England's tails since they last beat them in 2018 and the Red Roses know they have a target on their backs. While their captain, Meg Jones, said the dominant winning run isn't something that is discussed between the squad, Mitchell has urged teams to "come and get us". The Road Ahead "We love being the standard bearers of consistency," Mitchell said. "Somebody is going to get us, we understand that reality and we shouldn't be disgraced if somebody does get us. We don't want to give that up easily, anyone can pick on our weaknesses but we will look to fix them. That doesn't mean we are in decline, we are actually developing and evolving. Maybe we are evolving a lot quicker than a lot of people realise. We get another chance to test that on the weekend, that is what we embrace and thrive in."

Spurs clinch Western Conference Finals berthSan Antonio Spurs delivered a dominant 139‑109 victory over the Minnesota Timberwolves in Game 6, securing a 3‑2 series lead and a spot in the Western Conference Finals against the top‑seeded Oklahoma City Thunder.Pistons force Game 7 against CavaliersIn the East, the Detroit Pistons survived a must‑win situation, beating the Cleveland Cavaliers 115‑94 to extend the series to a decisive Game 7 on Detroit’s home floor.Statistical highlights from the semifinalsSpurs shot 56% from the field and led by Stephon Castle with 32 points and 11 rebounds.Victor Wembanyama added 21 points and 19 rebounds for San Antonio.Timberwolves were limited to 109 points despite Anthony Edwards leading early scoring.Pistons recorded a 21‑point win, highlighted by Cade Cunningham’s 21 points (five 3‑pointers) and Jalen Duren’s 11 rebounds, three blocks.Cavaliers top scorer was James Harden with 23 points; Donovan Mitchell was held to 18.Impact on the NBA postseason landscapeThe Spurs’ return to the conference finals – their first since 2017 – signals a resurgence driven by Wembanyama’s growth and a balanced roster. Their 4‑1 regular‑season record against the Thunder suggests a competitive series, though Oklahoma City remains the favorite.Detroit’s resilience keeps the Eastern bracket wide open. By forcing a Game 7, the Pistons have demonstrated depth and defensive tenacity, positioning themselves as a dark‑horse contender if they can capitalize on home‑court advantage.Looking ahead: what to expect in the final roundAll eyes will turn to the Western final where the Spurs must navigate a Thunder team that boasts the league’s best record and a potent offense. Expect the Spurs to lean on Wembanyama’s interior dominance and Castle’s scoring versatility.In the East, Game 7 will likely be a low‑scoring, defense‑driven battle. The Pistons’ ability to execute their system and contain Cleveland’s backcourt will determine whether they can upset the higher‑seeded Cavaliers and advance to the NBA Finals.