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Prime Minister Keir Starmer told Downing Street staff that Britain’s long‑term national interest now hinges on a more ambitious partnership with the European Union, a stance shaped by the escalating war in the Middle East and the broader volatility of global politics.He announced that the foreign secretary will convene an international meeting later this week to discuss ways to re‑open the Strait of Hormuz and ensure safe navigation once hostilities subside. Following that summit, Starmer said military planners will be brought together to assess how Britain can contribute to securing the vital waterway.Emphasising a strategic pivot, Starmer said the UK’s future is increasingly tied to Europe, especially ahead of an upcoming EU summit that will go beyond merely reviewing last year’s “reset” commitments. He warned that Brexit inflicted deep damage on the British economy and that the opportunities to improve security and alleviate the cost‑of‑living crisis are “too big to ignore”.At the summit, the government aims to secure closer economic and defence cooperation, a partnership built on shared values and mutual security interests. Starmer added that strengthening ties with the EU could also enhance the UK’s relationship with the United States, despite recent criticism from President Donald Trump.When pressed about Trump’s remarks about possibly withdrawing the US from NATO, Starmer replied that he will act according to the British national interest, regardless of external “noise”. He also clarified that, while Labour’s manifesto does not call for re‑joining the EU single market, the government is open to negotiating deeper single‑market links if they serve Britain’s economic goals.The speech drew sharp rebuke from Reform UK, whose deputy leader Richard Tice dismissed the idea of tighter EU ties as “ludicrous” and warned of the bloc’s past reliance on Russian gas. In contrast, Liberal Democrat Europe spokesperson Al Pinkerton hailed the remarks as an “overdue moment of honesty” about Brexit’s costs and urged the UK to scrap “red‑line” policies and consider a customs union as an economic imperative.Green Party MP Siân Berry welcomed the shift, saying Starmer is finally recognising the need to look to European partners for long‑term security rather than relying solely on the United States.

The US men's national team concluded their international window with a disappointing 2-0 loss to Portugal at Mercedes-Benz Stadium. The match marked their eighth consecutive defeat against European opponents, with a dismal goal difference of 22-6. Coach Mauricio Pochettino made several changes to the lineup from the previous match against Belgium, but the team's performance failed to improve. Despite a strong start, the US side eventually succumbed to goals from Francisco Trincão and João Félix. Christian Pulisic, a key player for the US, struggled with form and frustration throughout the match. He missed several scoring opportunities, including a low, poorly-struck effort in the sixth minute and a volleyed attempt from the edge of the six-yard box. His frustrations boiled over in the 41st minute, earning him a warning from the referee, and he was eventually subbed off at halftime. The loss to Portugal, ranked sixth in FIFA's world rankings, raises concerns for the US team as they prepare for the World Cup on home soil in two months. The team's inability to score against a top European side highlights their ongoing struggles with clinical finishing. The match also exposed vulnerabilities in the US team's defense, particularly in the midfield area. The absence of Tyler Adams, a vital defensive midfielder, was keenly felt as Portugal exploited the space and created scoring opportunities. Despite the disappointing result, Pochettino will likely use this match as a learning experience for his team. The US side will need to regroup and refocus as they prepare for the World Cup, where they will face stiff competition from top teams around the world.

James McAvoy, a renowned British actor, has spoken out about the challenges of being typecast due to his Scottish accent. In an interview, McAvoy discussed his directorial debut, 'California Schemin', a film based on the true story of two Scottish men who posed as Los Angeles rappers.McAvoy emphasized the importance of authenticity in storytelling, particularly when it comes to regional accents and cultural representation. He shared his own experiences of being reduced to a "noise" due to his accent, highlighting the need for more nuanced portrayals of Scottish characters in film.The film, which stars Séamus McLean Ross and Samuel Bottomley as the two Scottish protagonists, explores themes of friendship, circumstance, and the limits of authenticity. McAvoy expressed his desire to make films that showcase working-class Scottish stories, saying, "I don’t think we make enough to satisfy the cultural needs of the 6 million people that live in this country."McAvoy also touched on the issue of limited opportunities for Scottish actors, citing the lack of greenlit projects and the dominance of a few established stars. He praised Screen Scotland for its efforts to boost the country's film industry, which aims to be worth £1 billion within five years.'California Schemin'' is set to release in UK and Irish cinemas on April 10, offering a fresh perspective on Scottish storytelling and the complexities of cultural identity.

Washington state has taken a historic step towards a more progressive tax system by passing a 9.9% income tax on millionaires. The tax, which will take effect in 2028, targets the state's ultra-wealthy residents and aims to address the state's regressive tax system.The tax was championed by activists and lawmakers, including Noel Frame, who has been pushing for a wealth tax for over 15 years. Frame's efforts were previously met with resistance from the tech industry, particularly Microsoft and Amazon, which are headquartered in the state.The new tax is seen as a significant departure from the state's previous stance on taxation. Washington state has long been known for its lack of an income tax, instead relying on sales, business, and property taxes. However, this system has been criticized for being regressive, with the state's poorest residents paying a larger share of their income in taxes.The millionaire tax is expected to bring in much-needed revenue for public services, including public schooling and healthcare. The state's budget gap has been growing, and lawmakers have been struggling to find ways to balance the books.The tax is also seen as part of a national movement towards more progressive taxation. Several other states, including California, Colorado, Michigan, and New York, are considering wealth taxes. The movement is driven in part by growing public awareness of the wealth gap and the need for more equitable taxation.Despite the potential for the tax to drive away wealthy individuals and businesses, research suggests that taxation is not a major factor in decisions to move to a different state. Instead, factors such as work opportunities, family, and lifestyle choices play a much larger role.The tax is expected to face legal challenges and potential opposition from opponents who argue that it will harm the state's economy. However, supporters of the tax argue that it is a necessary step towards creating a more equitable tax system and providing more revenue for public services.

England's World Cup preparations took a hit with a dismal 1-0 defeat to Japan, with Harry Kane's absence from the squad being keenly felt. Coach Thomas Tuchel experimented with various formations and players in Kane's absence, but the team struggled to create scoring opportunities.Tuchel deployed a fluid front four consisting of Phil Foden, Cole Palmer, Morgan Rogers, and Anthony Gordon against Japan, but the system failed to yield the desired results. The lack of creativity and goal-scoring threat without Kane was evident, raising concerns about England's reliance on their captain for goals this summer.“Why would Argentina not rely on Messi or Portugal on Ronaldo?” Tuchel said, highlighting the importance of key players to top teams and nations. He emphasized that Bayern Munich and no other team in the world have the same threat without Kane, underscoring his influence on the team.Tuchel, who was also without several key players including Jude Bellingham, Declan Rice, John Stones, Reece James, and Bukayo Saka, tried different approaches in recent matches. Despite the challenges, he expressed confidence that England can win games without Kane, but acknowledged that having him makes it “easier to win matches.”The coach reiterated that he is not looking for a second Harry Kane, as there is no replacing the influential striker. Tuchel stated that Kane's absence disrupts not only the team's on-field performance but also the squad's dynamics, given his role as captain and a key personality.Tuchel's comments suggest that England's World Cup prospects are heavily dependent on Kane's form and availability. The team's performance in their final camp before the World Cup has given Tuchel “more clarity” over his 26-man squad selection, but the absence of Kane and other key players has raised concerns about their readiness for the tournament.

Penguin Random House has taken legal action against OpenAI, claiming that its ChatGPT chatbot infringed on the copyright of a popular German children's book series, Coconut the Little Dragon, by generating text and images virtually indistinguishable from the original work.The lawsuit, filed with a Munich court against OpenAI's Ireland-based European subsidiary, asserts that ChatGPT's responses to prompts were 'clear evidence' that the large-language model had unlawfully 'memorised' the work of Ingo Siegner, the author and illustrator of the Coconut series.Penguin Random House argues that ChatGPT's ability to generate a story, cover, and blurb for a children's book featuring Coconut the Dragon on Mars demonstrates that OpenAI's technology has unlawfully stored and reproduced Siegner's work.This lawsuit could set a precedent for other publishers in the industry, as it challenges the use of AI models that can mimic and reproduce copyrighted material. Carina Mathern, a Penguin Random House publisher, emphasized that the company is committed to protecting intellectual property while remaining open to the opportunities offered by AI.In response, an OpenAI spokesperson stated that the company is reviewing the allegations and respects creators and content owners, while also engaging in productive conversations with many publishers worldwide.This legal action follows a previous ruling by a Munich court in November 2025, which found that ChatGPT had violated German copyright laws by using hits from top-selling musicians to train its language models.

Within its opening weekend on Netflix, Peaky Blinders: The Immortal Man attracted over 25 million streams, outpacing all other titles that week despite already enjoying a UK cinema run and a high‑profile red‑carpet premiere at Birmingham’s Symphony Hall.Banijay Entertainment, a co‑producer of the film, capitalised on the buzz by launching an official Peaky Blinders merchandise store, underscoring how streaming services are now flipping the classic content pipeline—moving from streaming to the big screen rather than the reverse.Beyond promotional stunts, these theatrical forays are becoming a strategic revenue stream and franchise‑building tool. Shows such as Stranger Things, KPop Demon Hunters and The Mandalorian are being repackaged for cinemas, offering fans a premium, event‑style experience that streaming alone cannot replicate."Cinema still creates anticipation, hype and a sense of scarcity that streaming platforms struggle to match," explains Ben Woods, analyst at MIDiA Research. Historically, Netflix limited theatrical releases to qualify films like The Irishman for awards, but the current focus is on monetising proven intellectual property across both mediums.The success of Peaky Blinders—a series with a built‑in audience—demonstrates the model’s viability. Lead actor Cillian Murphy, who also produced the film, described the release as "one for the fans," signalling the intent to reward loyal viewers.Netflix’s own experiment with KPop Demon Hunters proved lucrative: limited theatrical screenings across two weekends generated more than $24 million (£18 million) at the box office and helped the animated musical secure two Academy Awards for Best Animated Feature and Best Original Song.Co‑CEO Ted Sarandos highlighted that the film’s triumph stemmed from its initial Netflix debut, which fed the theatrical audience via the platform’s recommendation engine. While a sequel is slated to follow the same streaming‑first rollout, the Peaky Blinders movie’s cinema‑first launch shows that release strategies remain flexible.Industry observers note that gaps in the traditional release calendar give streaming services opportunities to fill weekends with original content, a tactic Netflix is actively exploiting.Major studios are also blurring the line between streaming and cinema. Disney, for example, transformed its hit Disney+ series The Mandalorian into a feature film, reflecting a broader push to bring Star Wars stories back to theatres.Adapting episodic narratives for the big screen presents creative challenges. As Ben Woods asks, should a film cater primarily to dedicated fans familiar with the series, or aim for a stand‑alone appeal that attracts a wider audience?Fan reaction to The Immortal Man has been mixed on the Peaky Blinders subreddit, with some critics questioning the decision to condense a season‑long arc into a single film. Nonetheless, the movie enjoys a strong critical consensus, holding roughly a 90 % fresh rating on Rotten Tomatoes.Looking ahead, Netflix announced on 20 March that two new post‑war seasons of Peaky Blinders are in development, raising the question of how soon the next installment might receive a cinematic spin‑off.

Syrian President Ahmed al-Sharaa has embarked on a significant diplomatic visit to Germany, where he met with President Frank-Walter Steinmeier and Chancellor Friedrich Merz to discuss the reconstruction of his war-torn country and the potential return of refugees. During his visit, al-Sharaa highlighted investment opportunities in Syria's energy, transport, and tourism sectors, portraying his homeland as a diverse nation with a wealth of skilled people. He expressed his desire to see some of the Syrians who fled to Germany return to help with reconstruction efforts, particularly those who have acquired German expertise and education. German leaders have expressed their support for Syria's reconstruction. German Foreign Minister Johann Wadephul pledged to support reconstruction efforts, stating that the Syrians deserve a chance to rebuild their country. Chancellor Merz, who has been keen to limit irregular immigration, also suggested that many Syrians would return home voluntarily, citing the end of the war. The visit comes as Germany has resumed deportations to Syria, although only a handful of cases have been processed so far. About one million Syrians fled to Germany in recent years, many arriving in 2015-2016. However, protests have been registered in Berlin against plans to send refugees back to Syria, under the slogan 'No deportation deals with human rights abusers.' Al-Sharaa's visit was initially planned for January but was postponed due to ongoing fighting in Syria. His trip marks a significant step in Syria's efforts to rebuild and reintegrate with the international community, with Germany playing a crucial role in supporting these efforts.

Photographer Alexander Meininger was inspired to create Playrise after seeing the destruction caused by the Ukraine war. He realized that children in disaster zones needed play equipment to help them cope with their situations. Meininger teamed up with UK architect firm OMMX and engineers Webb Yates to develop a prototype of modular play equipment. The Playrise prototype consists of iroko hardwood beams and planks fixed with metal bolts, which can be customized with add-ons like ropes, monkey bars, and basketball hoops. This system allows for easy reconfiguration to meet the needs of different locations and users. Research has shown that play is vital for child development, fostering motor skills, cooperation, teamwork, and social skills like sharing and communication. However, with close to 50 million children living in forced displacement globally, access to such opportunities is limited. The first Playrise set is set to be deployed to the Aysaita refugee camp in Ethiopia, where some children have lived their entire lives in the desert encampment. The equipment is designed to be easily assembled by the children themselves, providing them with hands-on experience with building and construction. Meininger's goal with Playrise is to scale the project and ensure that the play sets are available when needed by NGOs and young people. He emphasizes the importance of not imposing a Western perspective on what children should do but rather understanding that all children want to thrive and play, regardless of their circumstances.