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Immediate Shutdown of LIRR Highlights Labor Standoff The nation’s largest commuter rail system ceased operations early Saturday after five unions representing about half of the workforce walked off the job. The strike, legally permitted at 12:01 am on Saturday, marks the first LIRR walkout since a two‑day strike in 1994. Half the Workforce Walks Out, Halting Service Negotiations between the unions and the Metropolitan Transportation Authority (MTA) have stalled for months over wages and health‑care premiums. Kevin Sexton, national vice‑president of the Brotherhood of Locomotive Engineers and Trainmen, said no new talks are scheduled, while MTA chair Janno Lieber claimed the agency had already met the unions’ pay demands. Five unions representing roughly 50% of LIRR staff walked off. Service suspension began early Saturday morning. Last strike of this magnitude occurred in 1994. Ridership Numbers and Potential Fare Hike The LIRR carries about 250,000 commuters each weekday. A prolonged shutdown could force riders onto congested roads, worsening traffic across Long Island. Unions argue that wage increases are needed to keep up with inflation, but the MTA warns that meeting those demands could double the planned 4% fare increase to 8% for the next year, according to rider advocate Gerard Bringmann. Broader Consequences for Commuters, Sports Fans, and State Politics Beyond daily commuters, the strike threatens attendance at major sporting events, including the Yankees‑Mets baseball game and the Knicks’ playoff run, both of which rely on dedicated LIRR stations. Governor Kathy Hochul urged Long Islanders to work from home, highlighting the political stakes as she seeks re‑election later this year. Labor expert William Dwyer noted that Long Island is a critical voting bloc, and any fare hike could hurt Hochul’s prospects. Near‑Term Outlook and Possible Resolutions If the shutdown extends beyond the weekend, pressure will mount on both sides to reach a deal. The MTA has pledged limited shuttle buses to subway stations, but these are insufficient for the full commuter load. Analysts expect intensified negotiations, with potential concessions on wage scales or a temporary fare freeze to avert a longer‑term disruption.

The Lead: Foreign Faces as a Marketing ShortcutIn China, a growing gig economy hires foreigners as white monkeys – paid actors who pose as customers, experts or executives to make domestic products appear globally endorsed. The practice, thriving on platforms like WeChat, operates in a legal grey zone, offering quick cash to expatriates while feeding a deep‑seated consumer preference for foreign‑linked brands. The Rise of ‘White Monkey’ Gigs in China’s Service SectorFirst documented in 2009 when Piers was seated at a village wedding to attract diners, the phenomenon now includes:Restaurant seat‑warmers and go‑go dancersForeign models for advertising campaignsFake CEOs and scientists at trade exposEnglish‑language teachers marketed as native speakersRecruiters post daily on WeChat, specifying ethnicity (“white American”, “Hispanic”, “black women”) to match product narratives, a practice that would breach China’s equality laws if posted publicly. Earnings and Pricing Disparities Across NationalitiesCompensation varies widely:Short‑term expo roles: 100‑200 yuan (£10‑£20) per dayChef‑look‑alike gigs: 2,000 yuan (£200) for a single eventFake CEO assignments: high‑end hotel stays and “very well” pay, often exceeding typical gig ratesNational origin influences rates: Western Europeans command premium fees, while Eastern Europeans such as Russians, Ukrainians and Belarusians are paid closer to local wages, sometimes two‑to‑three times less than their German counterparts. How Perceived Foreignness Shapes Chinese Consumer TrustThe practice taps into the cultural concept of mianzi (“face”), where foreign association signals quality and reliability. Historical scandals – notably the 2008 melamine milk crisis – eroded trust in domestic brands, prompting marketers to weaponise the “foreign look” as a shortcut to credibility. This bias fuels a market where even low‑skill foreigners can command higher prices simply by appearing non‑Chinese. Future of the White Monkey Market Amid Regulation and Geopolitical ShiftsRecent crackdowns on illegal employment for foreign students, with fines up to 20,000 yuan (£2,000) and detention, signal tighter enforcement. Simultaneously, an influx of Eastern European migrants is saturating the supply of potential white monkeys, pressuring wages downwards. As Chinese firms seek authentic international partnerships and digital verification tools improve, the reliance on superficial foreign façades may wane, but short‑term demand for quick credibility boosts is likely to persist in niche sectors.

Triple‑Album Release Sparks Mixed ReactionsCanadian rap superstar Drake launched three full‑length projects on the same day, a strategy that has drawn sharp criticism for its sheer volume and perceived lack of focus.Drake Unveils Three Simultaneous Albums: Iceman, Maid of Honour, HabibtiThe three records—Iceman, Maid of Honour and Habibti—were promoted through high‑profile stunts and a video projection on Toronto’s CN Tower. While die‑hard fans celebrated the “munificence,” most listeners found the rollout overwhelming.Numbers Behind the Release: 43 Tracks, Over 2.5 Hours, Chart PerformanceTotal tracks: 43Running time: more than two and a half hoursIceman produced standout tracks such as “Ran to Atlanta” and “National Treasures.”Previous album Some Sexy Songs 4 U entered the US charts at No 1 and sold 1 million copies.Drake claims his deal with Universal netted him $360 million, a figure he references in the lyrics of “Make Them Pay.”Industry and Fanbase Reaction to the Bloated Triple DropCritics note that the albums suffer from filler, inconsistent guest contributions (e.g., a bored‑out 21 Savage on “B’s on the Table”), and over‑reliance on Auto‑Tune. The diversity between the dance‑floor focus of Maid of Honour and the R&B; lean of Habibti fails to produce memorable hooks, leading many to compare the effort to a “ChatGPT‑generated” Drake album.Legal context adds pressure: Drake is embroiled in lawsuits over alleged gambling‑stream fraud and a protracted dispute with Universal, which he frames as “slavery” in his lyrics.What the Future Holds for Drake’s Career and Label RelationsIf the triple‑album strategy erodes his broader audience, Drake may need to recalibrate his release cadence and focus on quality over quantity. The outcome could influence how other major artists negotiate label contracts and consider multi‑album drops in an era of streaming‑driven consumption.

The Lead: Scotland's World Cup AnthemThe lyrics came to Stuart Murdoch in the hazy aftermath of Scotland's dramatic qualification for the World Cup. The Belle and Sebastian frontman had watched his side's playoff victory over Denmark through his fingers before deciding to write his own anthem to a team he has followed for more than 50 years. "Most people recognised instantly the next day that they'd witnessed the most important Scottish game ever," says Murdoch. "That was our magic moment."The Anthem Creation: It Only Takes One Lion"It Only Takes One Lion" starts by hinting at the travails of the team ("You gave us hope, you gave us despair"), turns into a bombastic four-on-the-floor singalong with self-deprecating lyrics ("This is Scotland, where everybody knows you start with nothing"), and nods to the Tartan Army ("you can join an army that's for peace"). The song's danceable beat was inspired by the team's current anthem, Baccara's 1977 hit, Yes Sir, I Can Boogie, which has been blasted out at Hampden Park after recent Scotland victories. "I like the thought that they just might play It Only Takes One Lion after a game, that's what I fantasise about," Murdoch says.Historical Significance: Scotland's Football JourneyFootball has been a life pursuit for Murdoch, who is an Ayr United fan, and Belle and Sebastian have broached the topic of football before, notably in the tale of Sunday league woes, Another Sunny Day. It is fair to say Scotland and Murdoch have got a bit of previous with the World Cup. The singer's earliest memories of the team at the tournament are of the 1974 edition where Scotland – despite not losing a game and only conceding one goal – were knocked out in the first round. There was more heartbreak in 1978 when a formidable Scotland team featuring Joe Jordan, Graeme Souness and Kenny Dalglish came back early from Argentina – despite a legendary Archie Gemmill goal.Cultural Impact: Music Meets Football PassionThe song, which the band debuted as part of an encore at an April gig at the Royal Albert Hall and is out on 2 June, coincides with Scotland preparing to play in their first World Cup tournament since 1998. Scotland will face Brazil and Morocco in the group stage, with Haiti the final team making up a tough draw. But Murdoch remains optimistic about the team avoiding any unnecessary drama. He concedes It Only Takes One Lion is a not-too-subtle dig at the auld enemy and England's anthem, Three Lions, Baddiel and Skinner's track, which celebrates its 30th birthday this summer. "It was done in a nice way," says Murdoch, who says he will support England if Scotland get knocked out early.Future Outlook: World Cup Dreams and Musical LegacyThe band's US tour finishes on the same night Scotland play Haiti in their first game, but Murdoch may try to watch a later group game, despite the eye-watering prices Fifa is charging for tickets. "We're going to play it by ear," he says. "I'm hoping the song does well and we'll get invited to a game." As Scotland prepares to make their return to the World Cup stage, "It Only Takes One Lion" stands as both a tribute to decades of football passion and a potential new soundtrack for Scottish sporting history.

The Giant Pickle Parade Kicks Off the UK's First Jewish Culture MonthLondoners spotted a towering green pickle strolling past the Tate Modern, Southbank Centre and other iconic sites, delivering a simple message: the nation’s inaugural Jewish Culture Month has begun.150+ Events Across Museums, Libraries and Community HubsStarting on 16 May, the festival curated by the Board of Deputies of British Jews will feature more than 150 programmes covering food, music, comedy, architecture, fashion, film and literature.V&A MuseumNational Portrait GalleryJW3 (London’s Jewish community centre)British LibraryNational Holocaust MuseumScale of the Festival: Over 150 Programs and Nationwide ReachThe sheer volume of events underscores a coordinated effort to make Jewish culture visible across the UK, from London to Nottinghamshire. Highlights include a traditional Friday night dinner hosted by east‑London pickling firm Shedletsky, a punk‑themed exhibition at JW3, and walking tours by the Association of Jewish Refugees exploring historic Jewish sites outside the capital.Why the Celebration Matters Amid Rising AntisemitismLiat Rosenthal, director of culture, education and communities at the Board, explained that the month emerged from conversations with artists who felt Jewish life had become defined by hostility since the 7 October 2023 attacks in Israel. The initiative aims to replace “oy” with “joy”, inviting people of all backgrounds to learn, eat and engage.By foregrounding contributions in science, technology, psychotherapy, medicine and politics, organisers hope to shift public perception from victimhood to pride.Looking Ahead: Building Long‑Term Visibility for British JewryBeyond the month, the Board plans to leverage the momentum for sustained cultural programming and education. Success will be measured by increased attendance at Jewish‑focused events, broader media coverage and, ultimately, a measurable decline in antisemitic incidents reported during the festival period.

The Transformative Night in Blackpool Bronzed, with winged tips and doused in Le Male, I clamped the baby pink GHDs to my hair until they sizzled and singed it. Emerging from a cloud of cheap hairspray, I was ready for the dancefloor. I was 18 and had grown up in Blackpool, a place synonymous with hedonism and fun. I came out in high school at the age of 14 and from 16 I studied performing arts at a local college. Underage, I was smuggled into clubs and in my spare time I watched shows in our many beautiful theatres. The bright lights of the illuminations, the showgirls, the feathers, sequins and rhinestones were intoxicating. Blackpool really was – and still is – extraordinary. When the bar closed, a new adventure would begin. One night, as the sun was coming up (and as was I), a drag queen took me back to her place. I didn't know the significance of what I was about to experience, but I was to receive an education no university course could ever match. The drag queen was a Liza Minnelli tribute act. She knew every beat of every Liza film, every concert, every move of choreography. She performed as Liza in all the bars around town. Now I was ordained by being welcomed into her home. This moment could be the plot of a movie with Blackpool as a beautiful backdrop to my coming out/coming-of-age fantasy The Muppet Show That Changed Everything Was I ready to be indoctrinated? Very. She led me to the living room for a VHS screening of what I was told was one of Liza's finest performances. I was expecting Cabaret, the winner of eight Academy Awards, but not on this occasion. She sat me on the sofa and played Episode 414 of The Muppet Show from 1979, with special guest the one and only Liza Minnelli. The premise works so beautifully for exactly the same reason that The Muppet Christmas Carol is so beloved. In that film, Michael Caine gives the performance of his life in a movie almost entirely populated by felt characters, and in her guest episode Liza matches him in commitment. Take the musical number Copacabana she performs: the curtain goes up and Liza is smoking. She is the narrator, the storyteller, in a Funny Face-esque black polo neck that gives a real sense of gravitas to those Barry Manilow lyrics. Moments later, she is Lola, dancing with human-sized muppets. Or in another scene Liza holds Kermit while they sing A Quiet Thing together. Their connection is pure and tender, a thing of simplicity and gentleness. A Career Born from Inspiration As I reflect on this story nearly 20 years later, I am now 10 years sober and while life might well be a cabaret, the decadence of my early youth is firmly in the past. But I think back to this moment, which could be the plot of a movie with Blackpool as a beautiful cinematic backdrop to my coming out/coming-of-age Technicolor fantasy. I didn't know at the time, but this incident set me on the path to my current profession. Four years later, in 2011, I started making cabaret performances in south London at the famed Royal Vauxhall Tavern at nights such as Duckie, where my turns were packed full of wigs and jockstraps, fake blood and mascot costumes. In 2015, I joined the international circuit when I became part of big touring pieces of variety and circus spectacle, showing off in the US, Australia, New Zealand and London's glittering West End. I once performed a 107-hour durational piece in drag at Glastonbury and at the Adelaide fringe, as a teenage girl who wouldn't leave her bedroom. A Lifelong Dedication to Liza's Legacy Ever since that fateful night back in Blackpool in the 2000s, Liza has been a hero of mine. I saw her live in concert at the Royal Festival Hall in London in 2013. I have a Liza tattoo on my right thigh. Back in 2019, I did an eight-hour performance in an old deconsecrated church in Brighton, dressed as Liza Minnelli, performing her album Results in full, emulating through endurance art Liza's beautiful commitment to performance. Pet Shop Boys, who produced Liza's Results album, even heard about what I was up to and said my performance sounded great. The Enduring Impact of a Single Performance And if you ever see one of my shows, please understand that the technical foundation of my performances isn't drama school training or Stanislavski; it's Liza on The Muppets. Truth be told, I don't know where the drag queen in the story is now. I hope she's OK, but if I did see her I'd say: "Thank you for changing my life." Harry Clayton-Wright's show Mr Blackpool is at the Grand theatre, Blackpool, 20 May.

The Announcement and Its Immediate ContextPresident Donald Trump posted on Truth Social that a joint U.S. and Nigerian operation had killed Abu‑Bilal al‑Minuki, described as ISIL’s global second‑in‑command. The statement, released on May 16, 2026, frames the strike as a decisive blow against the “most active terrorist in the world.”Joint US‑Nigeria Operation Targets ISIL’s Global DeputyThe mission, described as “meticulously planned and very complex,” combined American special‑operations assets with Nigerian armed forces. While operational details remain classified, the collaboration follows months of heightened U.S. engagement in the Sahel, including troop deployments and intelligence sharing.Sanctions, Funding, and the Financial Footprint of al‑MinukiAl‑Minuki has been on the U.S. sanctions list since 2023, restricting his ability to move money internationally. The State Department previously identified him as a senior leader in ISIL’s General Directorate of Provinces, a unit that channels “operational guidance and funding around the world.” Removing him may disrupt cash flows that sustain affiliate networks in Africa.Strategic Ripple Effects for ISIL’s Sahel NetworkAnalysts note that the Sahel remains ISIL’s most fertile recruiting ground. The loss of a high‑level coordinator could hamper command‑and‑control links between the core organization and regional cells, potentially reducing the frequency of cross‑border attacks. However, the group’s decentralized structure may allow other lieutenants to fill the gap.What the Killing Means for Future US‑Africa Counter‑TerrorismThe strike underscores a deepening U.S. security partnership with Nigeria, which has hosted hundreds of American advisors since early 2026. Expect continued joint training, intelligence exchanges, and targeted operations aimed at dismantling remaining ISIL leadership in the region.

The Eurovision Song Contest Grand Final 2026The 70th year of the Eurovision Song Contest will see 20 acts perform at the Wiener Stadthalle arena in Vienna. Spain, Iceland, Ireland, the Netherlands, and Slovenia are not participating due to Israel's participation. Graham Norton provides commentary, and the UK's entry is electro act Look Mum No Computer with the song Eins, Zwei, Drei.Britain's Got TalentThe fourth semi-final takes place tonight on ITV1, featuring acts like Mizuki the aerialist, Mega Unity dance squad, and 17-year-old harpist Niamh.World's Most Secret HotelsChannel 4 showcases unique getaways, including a sea-view hotel in Hamburg made from a freight crane, a wagon retreat in Utah, and a land-bound submarine-cum-hotel in the Scottish Highlands.Royal Peacemaker: Sophie, Duchess of EdinburghChannel 5 profiles Sophie, Duchess of Edinburgh, highlighting her rise in the House of Windsor and her ability to navigate royal challenges.Monsieur SpadeU&Drama; airs a crime drama starring Clive Owen as detective Sam Spade, investigating a murder in 1963 France.Saturday Night Live UKSky One's variety show concludes with a celebratory episode, featuring Ncuti Gatwa and music from Holly Humberstone.Film ChoicesDisney+ offers 'The Testament of Ann Lee,' a historical biopic and folk musical about the founder of the Shakers Christian sect. BBC Four airs 'The Teachers' Lounge,' a German drama exploring issues in a school.Live SportTonight's live sports include the Scottish Premiership Football match between Celtic and Hearts on Sky Sports Main Event, and the FA Cup Final between Chelsea and Man City on BBC One.

The Current Standings There are seven players tied for the lead, and another 42 within three shots of them. The day before Moving Day is going to feature a lot of jostling for position. Here's what the top of the leaderboard looked like at the end of the first day: -3: Potgieter, Jaeger, Lee, Hisatsune, Kaymer, Scheffler, Smalley -2: Brown, Theegala, Greyserman, Schauffele, Conners, Reed, Lowry Weather Conditions at Aronimink It shouldn't be too different to the first day. A little bit warmer, but with the wind expected to occasionally pick up again. It's blowing pretty briskly right now. There's not much chance of rain, and the course didn't get a soaking tonight, so it'll be a little bit firmer and the ball should scuttle further. Which, given so many of the fairways at Aronimink tilt towards penal rough, may not necessarily be a good thing. But it's a great day for golf! Michael Block's Remarkable Run Block party. It's happening again. He's happening again. Michael Block, the club pro who lit up the 2023 tournament with three rounds of 70 and a 71 that included an ace with Rory McIlroy in attendance, is doing it again. A round of 70 yesterday, and now a 20-foot putt for birdie at the par-three 5th. He's -1 overall and already beginning to dream of making the cut. It'd be an early birthday present: he's 50 next month. Good luck finding a single punter at Aronimink who won't be cheering him on. Today's Tee Times Starting on the 1st: 1145 Michael Block, Rasmus Højgaard, Dustin Johnson 1156 Mark Geddes, Steven Fisk, David Lipsky 1207 Sungjae Im, Austin Hurt, Casey Jarvis 1218 Andrew Putnam, Michael Kartrude, Matt Wallace 1229 Martin Kaymer, Elvis Smylie, Davis Riley 1240 Jason Dufner, Haotong Li, Jimmy Walker 1251 Nick Taylor, Rasmus Neergaard-Petersen, Jordan Smith 1302 Emiliano Grillo, Patrick Reed, Pierceson Coody 1313 Brian Campbell, Adam Schenk, Christiaan Bezuidenhout 1324 Marco Penge, Sepp Straka, Patrick Rodgers 1335 Aaron Rai, Travis Smyth, Sami Valimaki 1346 Sam Stevens, Jayden Schaper, Garrett Sapp 1357 Timothy Wiseman, Matti Schmid, Austin Smotherman 1715 Aldrich Potgieter, David Puig, Denny McCarthy 1726 William Mouw, Chris Gabriele, Taylor Pendrith 1737 Tom Hoge, Bryce Fisher, Joaquin Niemann 1748 Keith Mitchell, Billy Horschel, Ian Holt 1759 Gary Woodland, Jason Day, Sam Burns 1810 Wyndham Clark, Cameron Smith, Brian Harman 1821 Patrick Cantlay, Min Woo Lee, Sahith Theegala 1832 Si Woo Kim, Derek Berg, Joe Highsmith 1843 Bryson DeChambeau, Ludvig Aberg, Rickie Fowler 1854 Xander Schauffele, Brooks Koepka, Tyrrell Hatton 1905 Rory McIlroy, Jordan Spieth, Jon Rahm 1916 Daniel Hillier, Ryan Vermeer, Max McGreevy 1927 Paul McClure, Mikael Lindberg, Angel Ayora Starting on the 10th: 1150 Andrew Novak, John Parry, Jordan Gumberg 1201 Ben Polland, Kurt Kitayama, Nico Echavarria 1212 Akshay Bhatia, Ricky Castillo, Michael Thorbjornsen 1223 Luke Donald, Jesse Droemer, Stewart Cink 1234 Hideki Matsuyama, J.J. Spaun, Max Homa 1245 Ben Kern, J.T. Poston, Russell Henley 1256 Adam Scott, Corey Conners, Daniel Berger 1307 Viktor Hovland, Collin Morikawa, Shane Lowry 1318 Chris Gotterup, Robert MacIntyre, Tommy Fleetwood 1329 Cameron Young, Keegan Bradley, Justin Thomas 1340 Scottie Scheffler, Matt Fitzpatrick, Justin Rose 1351 Zach Haynes, Alex Smalley, Chandler Blanchet 1402 Bernd Wiesberger, Sudarshan Yellamaraju, Andy Sullivan 1710 Braden Shattuck, Alex Fitzpatrick, Ben Griffin 1721 Francisco Bide, Harry Hall, Ryan Gerard 1732 Johnny Keefer, Rico Hoey, Nicolai Højgaard 1743 Shaun Micheel, Michael Brennan, Garrick Higgo 1754 YE Yang, Jhonattan Vegas, Matt McCarty 1805 Lucas Glover, Tom McKibbin, Stephan Jaeger 1816 Daniel Brown, Adrien Saddier, Harris English 1827 Jacob Bridgeman, Bud Cauley, Alex Noren 1838 Chris Kirk, Max Greyserman, Kristoffer Reitan 1849 Maverick McNealy, Thomas Detry, Padraig Harrington 1900 Ryan Lenahan, Ryan Fox, Kazuki Higa 1911 Jared Jones, Michael Kim, Ryo Hisatsune 1922 Tyler Collet, Kota Kaneko, Brandt Snedeker