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The European Parliament's decision to block the extension of a law that permits big tech firms to scan for child sexual exploitation on their platforms has created a legal gap that child safety experts say will lead to crimes going undetected. The law, which was a temporary measure allowing companies to use automated detection technologies to scan messages for harms, including child sexual abuse material (CSAM), grooming, and sextortion, expired on April 3.Google, Meta, Snap, and Microsoft have expressed disappointment over the EU's decision, stating that they will continue to voluntarily scan their platforms for CSAM. In a joint statement posted on a Google blog, the companies said, 'We are disappointed by this irresponsible failure to reach an agreement to maintain established efforts to protect children online.'Child protection advocates had warned that allowing the legislation to lapse would probably trigger a steep fall in reports of child sexual abuse. They point to a similar legal gap that occurred in 2021, when reports of such material from EU-based accounts to the National Center for Missing and Exploited Children (NCMEC) fell by 58% over a period of 18 weeks.The EU's decision to prohibit scanning will have ripple effects in other regions around the world, child safety experts said. Many internet crimes are cross-border, with perpetrators sending illegal images to people or targeting children in other countries. 'The offender can be anywhere in the world, but they could have unfettered access to minors in Europe now that there's legal uncertainty around those safeguards and protections to identify when a child is being groomed,' said John Shehan, vice-president at NCMEC.In 2025, NCMEC received 21.3m reports that included more than 61.8m images, videos, and other files suspected of being related to child abuse, from around the world. About 90% of these reports are related to countries outside the US.

Peru is on the cusp of electing its 10th president in as many years, with a record-breaking field of 35 candidates competing for the top spot. The election, set to take place on April 12, comes as the country grapples with persistent political instability and growing concerns about crime and corruption.The presidential race has been marked by a fragmented electorate, with voters divided among dozens of candidates. Keiko Fujimori, daughter of former right-wing leader Alberto Fujimori, has emerged as a frontrunner, but her approval ratings remain relatively low at around 15 percent.The election also features a bicameral legislature, which was reinstated after a decades-long hiatus. Voters will select candidates to form a Senate for the first time since 1992.Crime and corruption are top-of-mind issues for voters, with 68 percent of Peruvians ranking insecurity as a top concern, followed by corruption at 67 percent. The country's political crisis has also contributed to the uncertainty surrounding the election.The leading candidates include Keiko Fujimori, Carlos Alvarez, Rafael Lopez Aliaga, and Roberto Sanchez Palomino. If no single candidate captures more than 50 percent of the vote, a second round of voting will be held on June 7.

Mourners gathered in central Gaza to pay their respects to Mohammed Wishah, an Al Jazeera journalist killed in an Israeli drone strike. The funeral procession began at Al-Aqsa Martyrs Hospital in Deir el-Balah, where mourners paid their final respects before carrying Wishah's body to the Bureij refugee camp.Funeral prayers were held at the Grand Mosque, followed by a burial in line with his wishes. During the ceremony, mourners placed Wishah's body at the spot where he had once stood to deliver live reports for Al Jazeera Mubasher, often covering Israeli attacks and the plight of the Palestinian people in the besieged Gaza Strip.At a news conference held during the funeral, Ismail al-Thawabta, the director of Gaza's Government Media Office, stated that Wishah's killing was part of a wider pattern of targeting journalists. He reported that 262 journalists have been killed in Gaza since the start of the war in October 2023, warning that the targeting of reporters aims to silence witnesses and obscure the truth.Family members described the final hours before Wishah's death, with one of his sons telling Al Jazeera Arabic that they had shared a meal just hours before he left for a reporting assignment. Israeli forces have killed 12 Al Jazeera journalists and media workers in Gaza since the war began. Al Jazeera Media Network described the killing as a 'heinous crime' and held Israeli forces fully responsible, stating that it fits into a broader pattern of systematic attacks on its journalists.

Al Jazeera issued a forceful statement denouncing the recent Israeli operation that resulted in the death of a journalist, labeling the act a "heinous crime" and a direct assault on press freedom.The media outlet called for an immediate and transparent investigation, urging both Israeli authorities and international bodies to hold those responsible accountable. It emphasized that attacks on journalists undermine the public’s right to information, especially in volatile regions.In its condemnation, Al Jazeera highlighted the growing dangers faced by reporters covering conflicts, noting that such incidents exacerbate tensions and erode trust between media organizations and state actors.The statement concluded with a plea for the protection of journalists worldwide, urging the international community to reaffirm its commitment to safeguarding those who document the truth in war zones.

Israeli forces have carried out a devastating bombardment across Lebanon, killing at least 254 people and wounding 1,165 others in air strikes that targeted areas in Beirut, the Bekaa Valley, Mount Lebanon, Sidon, and several villages in southern Lebanon.The Israeli military said that the attack was its largest coordinated assault on Lebanon since it started a new military operation in the country on March 2, “targeting more than 100 Hezbollah command centres and military sites”.The attacks have sparked widespread international condemnation, with leaders from around the world calling for an end to the violence. Lebanon’s Parliament Speaker Nabih Berri called the attacks a “full-fledged war crime,” while Hezbollah said it had a “right” to respond to the attacks.International Reactions:• Iran: The Iranian Revolutionary Guard Corps (IRGC) warned that it will respond to the attacks on Lebanon if Israel does not stop the assault.• US: President Donald Trump said Lebanon was not part of the ceasefire deal with Iran due to Hezbollah.• Qatar: The foreign ministry condemned the “brutal series” of Israeli attacks on Lebanon, calling them a “dangerous escalation and a flagrant violation of the sovereignty of the sister Lebanese Republic.”• Egypt: The Ministry of Foreign Affairs called Israel’s attacks on Lebanon had a “premeditated intent” to undermine regional and international efforts to reduce escalation.• UN: The United Nations strongly condemned the strikes by Israel across Lebanon that resulted in significant civilian casualties.

Mint, the new drama from Charlotte Regan, is a bold reimagining of the classic love story, Romeo and Juliet. This electrifying drama tells the tale of impossible love between two people from bitter crime rival families.The series stars Emma Laird as Shannon, the daughter of a Scottish crime family, and Benjamin Coyle-Larner, also known as Loyle Carner, as Arran, the prodigal son of a different crime family. Their eyes meet across a down-at-heel train station, and they are incompatible and irresistible to one another.Charlotte Regan drew inspiration from her own experiences and those of her cast and crew. The drama features a unique visual style, with sparse dialogue and a focus on visual storytelling. The show's use of Super 8 fragments and VHS-style footage adds to its distinctive aesthetic.The cast, including Laura Fraser and Lindsay Duncan, deliver powerful performances that bring depth and nuance to the story. Emma Laird praises Regan for keeping her acne in the show, saying it's a huge part of her character's authenticity.Mint is available on BBC iPlayer from Monday, April 20th, with the series airing on BBC One from 9 pm that night.

George Clooney has publicly denounced Donald Trump's threat to Iran that 'a whole civilization will die tonight', labeling it a war crime. Speaking to 3,000 high school students in Cuneo, Italy, Clooney emphasized that making such threats crosses a line of decency.'Some say Donald Trump is fine,' the 64-year-old actor stated. 'But if anyone says he wants to end a civilization, that's a war crime. You can still support the conservative point of view but there must be a line of decency, and we must not cross it.'The White House responded through communications director Steven Cheung, who retorted: 'The only person committing war crimes is George Clooney for his awful movies and terrible acting ability.'Clooney, a longtime Democratic supporter and donor, has been vocal about his political views for decades. He has previously criticized Trump, who has responded with personal attacks against Clooney.In a statement, Clooney referenced the Genocide Convention and the Rome Statute, defining a war crime as 'when there is intent to physically destroy a nation.' He challenged the administration to defend their stance.The ongoing feud between Clooney and Trump has been marked by public criticisms and counter-attacks. Despite their political differences, Clooney mentioned once being on good terms with Trump before his presidency.

The latest Cannes lineup reveals a clear pivot from the usual Hollywood glamour toward a roster dominated by celebrated world‑cinema auteurs such as Pedro Almodóvar, Cristian Mungiu and Asghar Farhadi. While last year’s festival was anchored by a Mission: Impossible spectacle starring Tom Cruise, this edition offers a more eclectic mix, including debut features from Andy Garcia (who also stars in his crime drama Diamond) and John Travolta, who directs the aviation‑themed Propeller One‑Way Night Coach based on his own novel.Under the stewardship of director Thierry Frémaux, Cannes continues to bar films that are exclusive to streaming platforms, a stance that has been vindicated by recent Oscar successes for festival selections. The festival also entered the AI debate: Steven Soderbergh’s documentary John Lennon: The Last Interview employs artificial intelligence to reconstruct visual elements of the legendary interview, sparking both fascination and unease among attendees.Gender representation remains skewed, with a noticeable predominance of male directors in the competition slate, although the final list is still pending. Notably absent are any British filmmakers, despite the inclusion of Polish auteur Paweł Pawlikowski, whose biopic of Thomas Mann, Fatherland, could be loosely claimed as a UK entry given his long residence there.Geopolitical undercurrents are hard to ignore. Russian director Andrey Zvyagintsev returns with Minotaur, a film about a beleaguered Russian businessman. Zvyagintsev, once favored by Vladimir Putin, now lives in exile in France, adding a layer of political intrigue to his work amid the ongoing war in Ukraine.The competition also features a strong historical thread: László Nemes’s Moulin revisits occupied France, Emmanuel Marre’s Notre Salut explores Vichy‑era France, and Lukas Dhont’s Coward follows a Belgian soldier’s harrowing experience in World‑I trenches.Among the more provocative entries, Nicolas Winding Refn’s Her Private Hell promises shock value in the out‑of‑competition slot, while the Un Certain Regard section showcases Jane Schoenbrun’s queer slasher Teenage Sex and Death at Camp Miasma, likely to become a festival highlight.

Dan Levy, creator of the hit sitcom 'Schitt's Creek', ventures into cringe comedy with 'Big Mistakes', a Netflix series that, while entertaining, struggles to find its footing. Levy stars as Nicky, a pastor hiding his relationship from his family and congregation, alongside Taylor Ortega as his rebellious sister Morgan. The show's strength lies in its cast, particularly Levy and Ortega, who deliver charming and hilarious performances. Laurie Metcalf also shines as their emotionally unstable mother. However, the plot often falters, relying on implausible developments and generic portrayals of organized crime. The dynamic between Levy's character and Ortega's is a highlight, showcasing Levy's expertise in crafting bickering, boundary-pushing on-screen families, reminiscent of 'Schitt's Creek'. The familial drama and cringe comedy elements are more engaging than the show's attempt at an organized crime storyline. Despite its shortcomings, 'Big Mistakes' is not a major failure but rather a passable effort. Levy's talent for creating relatable, flawed characters and humorous situations makes the show enjoyable, even if it doesn't quite reach the heights of his previous work.