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Campaigners and industry bodies are urging the UK government to resist calls for another relaxation of the zero‑emission vehicle (ZEV) mandate after an analysis showed that the 2024 rule changes could add 17 million tonnes of CO₂ to the atmosphere by 2030. Campaigners Warn Against Further Weakening of the UK ZEV Mandate The original ZEV mandate, introduced in 2023, required manufacturers to raise electric‑car sales to 80% by 2030. Labour’s 2024 revisions added “flexibilities” allowing higher sales of plug‑in hybrid electric vehicles (PHEVs), which combine a small battery with a petrol engine. Projected 17 Million Tonnes Extra CO₂ Emissions by 2030 Industry analysis shows an additional 59 billion miles driven by petrol and diesel cars and vans compared with forecasts made before the ZEV changes. This mileage increase translates to roughly 17 million tonnes of direct CO₂ emissions – comparable to the annual output of a small country such as Croatia. Sales of PHEVs rose 48% this year, reflecting manufacturers’ response to the new flexibilities. The Department for Transport (DfT) attributes most of the extra mileage to the mandate changes, noting that fewer PHEV owners use the electric mode. Consequences for the Charging Industry and Energy Transition Fewer fully electric vehicles on the road threatens the business case for charge‑point investors. Vicky Read, chief executive of ChargeUK, warned that billions of pounds of infrastructure spending are predicated on the original ZEV forecasts, and another rollback could “pull the rug from beneath the charging sector.” Colin Walker of the Energy and Climate Intelligence Unit cautioned that further weakening could push consumers toward PHEVs that cost “hundreds, even thousands, of pounds a year more to own and run than an electric car.” Outlook: Potential Policy Paths and Emissions Trajectory The government has pledged a review of the ZEV mandate by early 2027. If the flexibilities are fully exploited, the headline target of 33% electric sales this year could fall to as low as 7%, according to think‑tank New AutoMotive. Stakeholders such as Mike Hawes (Society of Motor Manufacturers and Traders) argue for a “review of the transition” to align ambition with market realities, while the government reiterates its commitment to ban new non‑zero‑emission car and van sales by 2035 and is investing over £7.5bn in EV market growth and infrastructure.

The Rise of Middle-earth: Tolkien's Triumph Over Literary ClassicsIn a remarkable shift from established literary canon, JRR Tolkien's The Lord of the Rings has topped The Guardian's readers' poll of the 100 greatest novels published in English, displacing George Eliot's Middlemarch from its previous position. The trilogy, which didn't even feature when authors, critics and academics made their selection, has resonated deeply with readers across the globe, from Uruguay to the Isle of Skye, Albuquerque to Sydney.The Enduring Appeal of Epic FantasyThe Lord of the Rings' victory speaks to its unique ability to connect with readers on a fundamental level. As one Alabama voter noted, the novel contains "profound meaning about the importance of life, sacrifice, the natural world, corruption of power, the evils of war, generosity of spirit." Its influence extends across generations and cultures, with readers from various backgrounds citing its immersive world-building, complex themes, and emotional resonance as reasons for its enduring popularity.The novel's journey to the top is particularly noteworthy given its unconventional publication history. Originally conceived as a single work but published as a trilogy after negotiations between Tolkien and his publisher, the series has transcended its format to become a cultural touchstone. Readers have been drawn to its blend of ancient mythological elements with modern storytelling techniques, creating what one voter described as a world that "still persists in my memory."Notable Shifts in Literary RankingsReaders exercised their power to significantly reshape the literary landscape compared to the previous critics' list. Joseph Heller's Catch-22, which "just squeaked into the first list," has now jumped to the eighth position, ranked higher than established classics like Ulysses, Anna Karenina, and The Great Gatsby. Similarly, David Foster Wallace's Infinite Jest, absent from the original list, now sits in 31st position, sharing its ranking with The Master and Margarita, The Poisonwood Bible, and The Remains of the Day.The list also reveals interesting patterns in reader preferences compared to critics. While Victorian literature maintains a strong presence, with Middlemarch's "consistent showing" and other works by Eliot, Dickens, and Hardy, readers have elevated contemporary works that critics may have overlooked. The enduring popularity of Jane Austen, readers' most nominated writer overall, demonstrates the continued relevance of classic literature in modern reading culture.The Absence of Literary Giants and Changing TastesStaggeringly, the list shows no recognition for work by several male titans of recent American literature—no Bellow, no Roth, no Updike, no DeLillo. This absence highlights the "waxing and waning of reputation" and the "speed with which literary fashion forms and reforms." Similarly, some English novelists who were once central to cultural life—no Iris Murdoch, or CP Snow, or Angus Wilson—failed to make the cut.The list also reveals a notable absence of lighter, humorous works. While Terry Pratchett and Douglas Adams secured places with their respective series, other comedic authors like PG Wodehouse, Nancy Mitford, and Jerome K Jerome were overlooked. This raises questions about how "best" often equates to "serious" or "weighty" literature in critical assessments, despite the inherent value of humor in storytelling.The Future of Literary Canons and Reader InfluenceThis readers' poll demonstrates the power of audience participation in shaping cultural narratives. Unlike previous lists compiled by critics and academics, this one reflects the genuine preferences of a diverse readership, leading to a more eclectic and contemporary selection of works. The inclusion of newer entries like John Kennedy Toole's A Confederacy of Dunces—published posthumously and now sharing the 32nd position—suggests that readers are more willing to embrace overlooked or rediscovered literary gems.As literary tastes continue to evolve, we can expect similar shifts in how we value and rank literature. The enduring popularity of works like The Lord of the Rings, which combines epic storytelling with universal themes, suggests that readers continue to seek narratives that transcend time and place. While established classics will always have their place, the growing influence of reader preferences may lead to a more diverse and inclusive literary canon in the future.

The Week's Entertainment LandscapeThis week offers a diverse range of cultural experiences for both home and out-of-home entertainment. From blockbuster movies and live music performances to art exhibitions and streaming content, there's something for every taste and preference.Cinema HighlightsTheaters are featuring several notable releases this week. Nicholas Galitzine stars in Masters of the Universe, bringing the 1980s Mattel hero to life with Jared Leto as the evil Skeletor. Erupcja offers a lo-fi hipster film experience directed by Pete Ohs, while the original team behind Scary Movie returns with a new parody. Robin Campillo completes his friend Laurent Cantet's final film Enzo, a coming-of-age story.Live Music PerformancesFKA twigs brings her brain-melting art-pop spectacular to The O2 in London, featuring material from her recent albums. Gottwood festival celebrates its 15th year with electronic music performances. Norwegian bassist Arild Andersen joins Rob Luft and Daniel Sommer for a European jazz tour. Garsington Opera presents Monteverdi's Il Ritorno d'Ulisse, directed by John Caird.Art ExhibitionsTate Modern hosts a major retrospective of Argentinian artist Julio Le Parc, showcasing his immersive installations and light sculptures from the 1950s to 2020s. Nottingham Contemporary presents Chico da Silva, exploring the Brazilian artist's psychedelic world of mythical creatures.Stage ProductionsThe week offers diverse theatrical experiences, including Garsington Opera's Monteverdi production and various performances across the UK.Streaming ContentHome entertainment options include new releases across various streaming platforms, catering to diverse tastes and preferences.Gaming ReleasesNew gaming options become available this week, offering entertainment for gaming enthusiasts across various platforms.Music AlbumsNew album releases provide fresh listening experiences for music fans across multiple genres.Intellectual EntertainmentFor those seeking brain food, the week offers various options including documentaries, podcasts, and educational content that stimulate the mind.

The Lead A new documentary titled "The Alien Autopsy Scandal" reveals the fascinating behind-the-scenes story of how one of the most famous hoaxes of the 20th century was created in a modest Camden flat during the 1990s. The film exposes the elaborate deception behind the 1995 footage that purported to show an alien autopsy, which had been hailed globally as the most important evidence of extraterrestrial life ever recovered. The Creation of the Extraterrestrial Deception The documentary details how Ray Santilli and Gary Shoefield, two British businessmen, orchestrated the elaborate hoax. They employed a sculptor who had worked on Doctor Who to create the alien figure, filled with a mix of animal organs including a lamb's brain and pig's pluck to achieve convincingly moist appearance. A magician was brought in to shoot the film, which depicted hazmat figures performing an autopsy on a bulbous-headed humanoid with black, oval eyes and a distended belly. The Financial Success of the Fraud The hoax proved remarkably lucrative for its creators. After the footage was released in 1995, global news outlets heralded it as the most important evidence of extraterrestrial life ever discovered. The pair profited significantly from VHS home rentals, with Shoefield being interviewed from Beverly Hills, suggesting the financial rewards of their deception. The documentary highlights how the pair grew wealthy from their chicanery, capitalizing on public fascination with UFOs and the Roswell incident. The Impact on Media and Public Perception The alien autopsy footage had a significant impact on media coverage of UFO phenomena and public belief in extraterrestrial life. The documentary explores how the story was broken by Reg Presley, singer of the Troggs, who happened to be a friend of Santilli, appearing on the 90s daytime show "Good Morning With Anne and Nick" to reveal the existence of aliens. TV reporters worldwide smelled "ratings gold" in the story, leading to extensive global coverage that further popularized UFO conspiracy theories. The Legacy of the Hoax in the Digital Age In today's era of artificial intelligence and digital manipulation, the alien autopsy hoax takes on new significance. The documentary suggests there's an "analogue charm" to such hoaxes from a time when people were more innocent and willing to believe. The film contrasts past naivete with contemporary skepticism, noting that "today we have killed trust and dissected our wonder." As misinformation becomes increasingly sophisticated, the alien autopsy serves as both a cautionary tale and a reminder of humanity's enduring fascination with the possibility of extraterrestrial life.

The Origins of 'Mogging' Until recently, if someone had said "mog" to me, I probably would have assumed they were talking about the children's book cat created by the late great Judith Kerr. If asked about "mogging" or being "mogged," I would have been completely baffled. But for many members of gen Z and gen Alpha (or anyone who is just a bit too online), the slang term, which means to outdo or outshine others, is everywhere. From Manosphere to Mainstream Mogging's origins are in the manosphere, where it began as a verb derived from the acronym "Amog" (alpha male of the group). In misogynistic forums in the 2010s, to "mog" came to mean to outdo someone in terms of sexual desirability. Mogging has been adopted by "looksmaxxing" influencers such as Braden Peters, known online as Clavicular, who encourage men to try to alter their looks – sometimes in extreme ways – to increase their "sexual market value". Such an influencer might talk of "frame mogging" another person in a photo or video – a variation on mogging that specifically refers to being more muscular. The Evolution of Competitive Language Even now, as the term has begun to be used much more widely, and in a tongue-in-cheek way, it is still typically associated with looks (a friend of mine, for example, was described by her boyfriend's younger siblings as "mogging him" in a photo). But increasingly, mogging can mean besting others at basically anything. The gold medal Olympic figure skater Alysa Liu said in an interview last year that her main competition strategy was "to mog", while a 23-year-old colleague of mine tells me that she and her friends joke about "walk-mogging" when they overtake people on the street. Linguistic Analysis of Modern Slang Tony Thorne, director of the slang and new language archive at King's College London, says a lot of new slang terms "have come recently from the same kind of male-based internet culture", referencing the words "simp" (someone who is excessively attentive), "soy boy" (a derogatory term for a man who is not stereotypically masculine) and "sigma" (someone cool and successful). Not to mention "maxxing," now such an established part of the lexicon that it was tweeted by the US Department of Defense earlier this year. The Cultural Impact of Competitive Slang Thorne thinks it is significant that "mogging" in particular has become fashionable at this time. "What it implies – hyper-competitive, hyper-individualist, aggressive selfishness" has become "mainstream behaviour", he says. Which is why Will Adolphy, a psychotherapist who was himself once an ardent follower of manosphere influencers, has concerns about the word. "Part of me can see how it's a kind of handy, even entertaining word," he says. But the idea of mogging "reinforces this sense that there are certain people that will dominate others based off their physical appearance and status", he says. Psychological Concerns About Competitive Language Dr Emily Sehmer, an NHS child and adolescent psychiatrist, worries too about the "constant sense of competition" that concepts such as mogging help to foster, especially for teenagers, who are developing their socio-emotional skills and typically "have a desire to fit in and to get peer approval". Apart from anything else, she adds, wanting to mog someone is "kind of mean, isn't it?" The Ironical Reappropriation of 'Mogging' "I think people are right to be concerned," about the rise in usage of slang that originates from a toxic subculture, Thorne says – and notes that some of his fellow linguists feel uncomfortable about researching it. But, he adds, "mogging" has moved well beyond its origins, and many people who use it now "tend to understand it and laugh at it, and they use it themselves, but ironically". Certainly, plenty of mogging content on social media now has an irreverence to it: such as the trend of posing for the photo on a rollercoaster in order to "mog" the screaming riders next to you. Making what started as an aggressive concept into something very silly pokes fun at the ridiculousness of the manosphere, my younger colleague explains. She shows me a picture of herself on a recent holiday, standing next to a statue of Napoleon, that she sent to a group chat of her friends. The caption? "I mogged Napoleon!"

The Bridge Between Art and ScienceWhy do we find things beautiful? More precisely, why do some paintings of coloured dots in rippling patterns inspire in me something like revelation? The idea that beauty is the feeling you get when encountering truth is unfashionable in the arts, but lingers in the sciences. The physicist Paul Dirac once proposed that it is more important that a formula is beautiful than that it can be proven: when a perfectly beautiful theory produces results that cannot be real, he argued, then we should not discard the theory but reconsider what is real.Since the 1970s, Terry Winters has been rebuilding that bridge between art and science. Taking inspiration from disciplines including botany – his early paintings, particularly, evoke sprouting pods and tangled roots – engineering, computer modelling and cybernetics, his paintings might be understood as diagrammatic approximations of the patterns that govern everything from the division of cells to the constellation of stars. If every era has to renew its standards of beauty to reflect new understandings of how the world is constructed, then Winters comes as close to providing that model as any living painter.Mathematical Patterns in Visual ArtThese eight new works take their titles from the language of geometry and mathematics: Area, Array, Field, Locus, Point, Scope, Sequence and Set. Each is composed of overlapping patterns that pull each other out of shape according to invisible laws of attraction and repulsion. Field is indicative: on a sooty pink ground, a dense grid of dusty blue cells bends inwards like a trampoline beneath a bowling ball, while an intersecting arrangement of larger circles swells outwards. The disorienting effect of this push-pull is exaggerated by an optical illusion, created by ragged phosphorescent orange haloes around the blue circles, that makes them appear to be craters sunk into the crust of paint. You have to walk up to the surface to be reassured that it is flat.Point shows a teeming landscape of cells bulging outwards at the centre, as if a scum of frogspawn had been skimmed off a pond and placed under a paperweight microscope. In Sequence, a storm of pink interference skims through a yellow circle split like a brain into hemispheres, while a nebulous weather system sweeps in from the right. In Scope, vaguely symbolic arrangements of freshwater blue and desert orange nodules move across the familiar circle-within-a-square geometry of Leonardo's Vitruvian Man. Where that famous demonstration of sacred geometries exudes stillness and calm, the systems that run through Winters' worlds are wild and strange. Here, as much importance is given to the subjective factors of perception and consciousness as the objective principles of logic and proportion.Optical Illusions and Sensory ExperienceAll of this should not distract from the pure sensory pleasure afforded by these pictures. In Locus, another optical illusion seems to lift the red edge of the painting off the canvas like a clumsy wooden frame, squeezing the pockmarked sphere at its centre so that it balloons outwards, threatening to burst. The same cadmium red, so sandy that the pigment seems barely to have been suspended in oil, turns carmine pockets into rock formations that climb off the surface of Set. These sleights of hand evoke the more secular movement of op art, in which patterns are manipulated to exploit the idiosyncrasies of human perception rather than to uncover deeper truths. Which begs the question: is this all just a conjuring trick?Rediscovering the Renaissance ApproachThere is something magical about these works. Even though Winters is generally credited with having extended the lineage of modernist American painting into the present, his practice is in this sense pre-modern. In its rejection of the idea that art should be separated from science, it resembles the Renaissance attitude according to which painting is no less a tool for understanding the world than mathematics, and magic is just the name for things we don't yet understand. His commitment to synthesising diverse spheres of knowledge, his alchemist's commitment to materials, and his sheer technical ability certainly mark him out in a scene recently overwhelmed by chancers and charlatans, bandwagoners and snake-oil salesmen. That his work is enjoying a revival might be taken as an encouraging sign.Beauty as a Path to TruthDirac, incidentally, was proved right. He formulated a theory that was so beautiful it couldn't possibly be wrong, even though it implied the existence of phenomena that everyone agreed must be impossible. He stood by it, and a few years later, someone else discovered anti-matter. Winters' paintings likewise offer a flash of those secret patterns that underpin the physical world, and which science has yet to illuminate. Which is to say, they're beautiful.Exhibition DetailsTerry Winters: Along the River is at Modern Art, London, until 11 July

US Military Action Targets Iranian Radar InstallationsThe U.S. Central Command confirmed that precision strikes were carried out against two Iranian radar sites located on Goruk and Qeshm Island. The operation was described as a response to ongoing threats to regional stability and a pre‑emptive measure to limit Iran’s surveillance reach over the Strait of Hormuz.Details of the Goruk and Qeshm Island StrikesLocation: Goruk Island (south of the Persian Gulf) and Qeshm Island (strategic outpost in the Strait of Hormuz).Targets: Long‑range early‑warning radars and associated command‑and‑control nodes.Method: Unmanned aerial systems equipped with loitering munitions, launched from U.S. naval assets in the region.Timing: Coordinated attacks executed on 2026-06-06 at approximately 04:30 UTC.Quantifying the Operational ImpactU.S. officials estimate that the strikes disabled two of Iran’s most capable radar arrays, reducing detection range by up to 30% in the Gulf corridor.Pre‑strike intelligence suggested each site supported four surface‑to‑air missile batteries; post‑strike assessments indicate at least 50% of those batteries are now blind to aerial threats.No U.S. casualties were reported, and Iranian forces reported no immediate retaliatory strikes.Regional and Diplomatic RamificationsThe operation intensifies the already fragile U.S.–Iran relationship, raising concerns among Gulf Cooperation Council (GCC) members about potential escalation. Tehran has condemned the attacks as “aggressive violations of sovereignty,” while allied nations such as Saudi Arabia and the United Arab Emirates have expressed cautious support for U.S. actions aimed at curbing Iran’s military reach.International bodies, including the United Nations, are expected to call for de‑escalation, but the lack of a clear diplomatic channel between Washington and Tehran limits immediate conflict resolution.What the Next Moves Might Look LikeAnalysts anticipate a two‑fold trajectory: (1) the United States may conduct additional precision strikes on remaining Iranian air‑defence nodes to further erode command‑and‑control capabilities; (2) Iran could respond with asymmetric tactics, such as missile launches from proxy groups in Iraq or Lebanon, targeting shipping lanes in the Gulf.Stakeholders are advised to monitor naval traffic through the Strait of Hormuz closely, as any disruption could have immediate repercussions for global oil markets.

The Road to Glory: Spain's 2026 World Cup Ambitions Spain is one of the big favorites in North America this summer, and the squad that Luis de la Fuente has picked has only reinforced that. He has a well-balanced and competitive group that believes in the sort of football that has already yielded great success. The European champions are dreaming of stitching a second star above their crest. The Key Players Much of the media focus has inevitably fallen on Barcelona's Lamine Yamal, whose imagination, creativity, and personality has transformed the Spain frontline into a real force. His partner in crime, Nico Williams, has hit form in the final weeks of the season at Athletic Bilbao. The two wingers were a revelation at Euro 2024, injecting freshness into a team that still dominates the ball. Group Stage Fixtures 15 June v Cape Verde, Atlanta (noon local, 5pm BST, 16 June 2am AEST) 21 June v Saudi Arabia, Atlanta (noon local, 5pm BST, 22 June 2am AEST) 26 June v Uruguay, Guadalajara (6pm local, 27 June 1am BST, 27 June 10am AEST) The Coach: Luis de la Fuente Luis de la Fuente has turned Spain into a fiercely competitive and united team. His style of play combines the traditional possession-based game of recent decades with a greater directness and tactical flexibility. The former under-21 coach is known for his communication and man-management skills, creating a healthy and competitive environment within the group. Star Player: Lamine Yamal Lamine Yamal will be the centre of attention at his first World Cup. The teenager will celebrate his 19th birthday on 13 July, the day before the semi-finals get under way, and yet his immense talent means he will carry the hopes of a nation on his shoulders. Cheeky and creative, the winger plays like he's just having a kickabout with his mates but has become a natural leader within the national team already. Unsung Hero: Eric García Eric García rarely makes the headlines. The former Manchester City player has quietly gone about his business at Barcelona, becoming a key figure for Hansi Flick thanks to his intelligence, positioning, and composure when bringing the ball out from the back. The 25-year-old has grown in maturity and is an organiser, often dictating play from centre-back or even midfield.

The LeadMina the Hollower transports players back to the golden age of handheld gaming, utilizing a distinctive two-colour pixel art style reminiscent of the Game Boy Color era. However, beneath its nostalgic veneer lies a modern, challenging action-adventure experience that redefines the 'retro' genre.The Signature Burrow-Jump MechanicThe core of the gameplay loop revolves around Mina's signature 'burrow-jump' ability. This mechanic allows players to tunnel underground and spring upward, serving as both a navigational tool and an offensive strategy. The tactile feedback of the button springing back against the thumb creates a satisfying, elastic sensation that is central to the game's feel.Market Positioning and Pricing StrategyPricing: The game is priced at £17.75/$19.99.Duration: Offers approximately 20 hours of gameplay.Value: Positioned as a premium indie title offering significant value through its blend of exploration, combat, and puzzle-solving mechanics.Redefining Difficulty in Retro-Arcade GamesThe game draws heavy inspiration from titles like Dark Souls and Hollow Knight, implementing a permadeath mechanic where players risk losing collected upgrade currency upon death. This 'tough love' approach creates a high-stakes environment where even familiar routes become tense, forcing players to master the mechanics rather than relying on muscle memory alone.The Future of Retro-Inspired Indie TitlesMina the Hollower signals a continued trend where indie developers are using retro aesthetics to tell modern, complex stories. As the market becomes saturated with remasters, titles that innovate within a retro framework—like this one—will likely continue to thrive, proving that vintage magic remains a potent tool for engaging modern audiences.