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The Decision to Shut Approximately 150 BHF Retail OutletsThe British Heart Foundation announced it will close about 150 charity shops and cut jobs after a review deemed a quarter of its high‑street locations commercially unsustainable.Financial Strain Evident in Plunging Net ProfitNet profit across the charity’s 640 UK stores dropped from £18.8 million in 2024 to £3.6 million in the year to 31 March 2025. Total income for 2025 was £181 million, but net income after direct costs fell by almost £9 million to £129.6 million. The wage and pension bill reached £136 million, and the proportion of income allocated to charitable work fell to 72% from 77% the previous year, still above the 70% benchmark.Operational Implications for Staff and VolunteersRetail arm employs nearly 3,700 staff (3,692 FTE).Head office workforce totals 795 employees, bringing total headcount to 4,545.180 staff earn £60,000 or more.Chief executive Charmaine Griffiths received a £35,000 pay rise to £268,239 for the financial year.Job cuts are planned in central functions supporting retail operations.Broader Implications for the UK Charity Retail LandscapeThe closures reflect a wider shift toward online shopping that is pressuring traditional high‑street charity retailers. With a significant portion of income funding cardiovascular research, the BHF’s move underscores the tension between maintaining a sustainable retail model and preserving charitable impact.Outlook: Timeline for Closures and Future Funding StrategyThe charity aims to shutter 90 stores by the end of March 2027 and the remaining locations by March 2028. Executives stress that the difficult short‑term decisions are intended to protect the long‑term mission of funding lifesaving research.

Clarke's Contract Extension: A Calculated Risk or Strategic Masterstroke? The summit of Scottish football provides a wonderful environment for those who value long-term career stops. Neil Doncaster, chief executive of the Scottish Professional Football League, arrived at the then Scottish Premier League in 2009. Ian Maxwell, bizarrely headhunted from relegation-bound Partick Thistle, has been the Scottish Football Association's chief executive since 2018. Scot Gemmill's tenure as the nation's under-21 manager has lasted a decade despite underwhelming results. Glass half full or half empty; either this is a domain that delivers admirable continuity or one in which no one makes sufficient progress to appeal to those in bigger ponds. The Extension and Its Timing Amidst Controversy Against this backdrop, Steve Clarke's four-year extension as Scotland manager is really no surprise. "It's pretty staggering for anyone to say that giving him a new contract is a gamble," said Maxwell. The Scottish FA's president, Mike Mulraney, delivered standard bluster when assessing the deal. "I don't need other people to vindicate my decision," insisted Mulraney. Maxwell and Mulraney lauded Clarke before Scotland toiled at Euro 2024. All three were nowhere to be seen, with no explanations offered, as a footballing nation recoiled with anger at the manner of the team's tournament exit. The Scottish FA has never given the sense of being anything other than beholden to Clarke, or that it is the manager himself who determines his own future. Despite sentiment to the contrary, affording Clarke fresh terms immediately before the World Cup was a bold – and dangerous – call. It at least leaves the impression that finals performance does not matter when, in this one, it absolutely does. The rush to disregard that obvious fact is curious. If Clarke's qualification record was sufficient to earn him a new contract, it should have been actioned immediately after the extraordinary victory over Denmark that secured a World Cup berth. Instead, the topic disappeared until Clarke made plain before March's friendlies that he was uncomfortable with his contractual position. Scotland's Tournament Record Under Clarke The 62-year-old had earlier seemed content to leave after the World Cup until a change of heart that will, in theory, take his reign to 11 years. Cynics may suggest Clarke and his paymasters deduced it will be far more difficult for Scotland not to qualify for Euro 2028 – for which they are a host nation – than to feature in the event. The manager has doubled his salary by way of bonus each time Scotland exited a qualifying phase. Clarke has been a superb Scotland manager. He has massively enhanced standards and attitudes. Three tournament qualifications in four attempts have arrived in different ways, which point towards a multi-dimensional coach. In the past two years Clarke has been more hands-on than ever on the training ground with players responding exceptionally well. Scotland's World Cup Hopes and Managerial Strategy Scotland's World Cup, their bid to make history, essentially boils down to their opening Group C game. Comprehensive victory against Haiti would almost certainly be enough to seal a knockout berth for the first time. Anything else and the situation will feel immediately grim, with Morocco and Brazil lying in wait. Haiti turned heads with a 4-0 dismissal of New Zealand on Wednesday. Still, they are ranked outside the world's top 80 national teams, with their World Cup absence since 1974 making Scotland's 28-year wait appear brief. There will be no excuse for Scotland, armed with five-star facilities, a small army of staff and a playing contingent for whom this World Cup arrives in a career sweet spot, not seizing this moment. Scotland are a decent team rather than an excellent one and the next step on their World Cup journey comes with Saturday evening's warm-up against Bolivia in New Jersey. That night against Denmark was highly rare in that it dipped into the spectacular. Other sides of the same ilk – Australia, the USA, Denmark and Algeria – have progressed from groups in recent World Cup finals. It is apt for the Tartan Army to celebrate their return to this environment but that should not overshadow a serious competitive goal, to show they have learned from shortcomings in 2021 and 2024. What's Next for Scottish Football Post-World Cup? Clarke shot a glance towards the future by involving Tyler Fletcher in his World Cup squad. The Manchester United midfielder has a far higher ceiling than those he edged out for a seat on the plane. Lennon Miller will feel hard done by but the Udinese midfielder, once lauded in Scotland's top flight, can appear one-paced in elite company. Fletcher is precisely the player Scotland can build a future team around. This was an astute Clarke move. So, too, was penning his latest contract; no wonder Scotland's manager looks in high spirits. Whenever he does leave, the challenge will be to fund a coach who Scotland's squad hold in similar esteem. That successor is not readily identifiable, which gives the Scottish FA a slight pass when it comes to sticking to who they know. The narrow-minded obsession with a Scot in the dugout limits their options. Berti Vogts was a long time ago. It would have been judicious for the Scottish FA to wait and see how the World Cup plays out. The standing of managers is a movable feast, rather that one based on guarantees because of prior achievement. If there is trauma, those Scottish FA officials will be in an invidious position. It leaves the rest wonder why on earth they flirted with such needless risk.

Discovering New Voices in Poetry A recent review roundup from The Guardian showcases a diverse selection of poetry collections, each offering unique perspectives and styles. The review highlights six exceptional works, providing insight into the world of contemporary poetry. Haunting the Black Air by Anthony Joseph Joseph's follow-up to his TS Eliot prize-winning Sonnets for Albert sees his poetic approach become more radical. He pays homage to avant-garde writers such as Will Alexander and Nathaniel Mackey, while exploring themes of nostalgia, grief, and magnetic feelings. Selected Poems by Leontia Flynn Flynn's collection is a glorious reintroduction to her mordant wit, imaginative image-making, and unerring ability to puncture pretension. Her poems remain fresh and relevant, even after more than 20 years of publishing. You Must Live: New Poetry from Palestine This anthology features over 30 poets living in Gaza and the West Bank, with work written in the last few years. The poems testify to the resilience of the artists and the role that poetry still has to give voice and bear witness in times of crisis. Melete by Jennifer Lee Tsai Lee Tsai's debut is a sprawling mix of poetry and prose exploring second-generation Chinese identity in the UK. The book feels roughly hewn, fiercely articulating the need to write and create something beautiful. Sparrow on the Rooftop by Rachel Long Long's second collection has replaced the playfulness of her debut with a directness of diction and image. The poems pull you up with their unflinching gaze, tackling topics such as alcoholism, eating disorders, and grief. Somebody Should Have Pressed Record by Galia Admoni Admoni's narrative poem explores the premise of starting a relationship with an imaginary version of an actor. Her tone is reminiscent of Georges Perec, both in its jabs at contemporary living and in what it reveals about the difficulties we have in making sense of ourselves in the absence of others.

Lead: Overview of the 2026 World Cup Group Landscape48 teams will compete in 12 groups during the tournament’s first stage, marking the largest World Cup field ever. The article ranks the groups from hardest to easiest and identifies the two favourites in each group who are expected to secure automatic qualification. Group Seeding and Tournament StructureThe draw placed twelve seeded teams across the groups, including the three host nations (USA, Canada, Mexico) and eight top‑ranked countries. The four highest‑ranked sides – Spain, Argentina, France and England – were allocated to separate quadrants, ensuring they cannot meet before the semifinals if they top their groups.Top two teams from each group advance to the round of 32.The eight best third‑placed teams also progress, creating a 32‑team knockout field. Statistical Snapshot: Rankings, Group Averages and Qualification PathsAverage FIFA rankings vary widely across the groups, influencing perceived difficulty:Group I (France, Senegal, Iraq, Norway) – highest average ranking, labelled the "group of death".Group A (Mexico, South Africa, South Korea, Czech Republic) – lowest average ranking (35), viewed as one of the easier groups.Group averages range from 26 (Group F) to 35 (Group A), with the second‑lowest average in Group E.FIFA’s rule: if a seeded team finishes first in its group, it avoids other seeded teams until the semifinals. Strategic Implications for Teams and Host NationsHost nations gain a competitive edge through home support, but the new format still demands strong performances:USA (Group D) and Mexico (Group A) are positioned as automatic‑qualification favourites in their respective groups.Traditional powerhouses such as France, England, Spain, Argentina and Brazil are expected to top their groups, yet the presence of strong challengers (e.g., Senegal, Morocco, Netherlands, Japan) adds uncertainty.Dark‑horse teams like Norway and Iraq could disrupt the hierarchy in Group I, while debutants Uzbekistan and Curacao face steep odds. Looking Ahead: Potential Upsets and Path to the KnockoutsWhile the favourites are clear, the expanded format creates room for surprise results:The eight best third‑placed teams will be drawn against group winners, meaning a strong third‑place finish could still yield a favourable knockout matchup.Groups with narrow ranking gaps (e.g., Group F, Group K) are likely to produce tight races for the second automatic spot.Host‑nation performances will be closely watched, as early exits could diminish local enthusiasm and affect broadcast revenues.Overall, the group rankings set the stage for a highly competitive tournament where traditional giants must guard against emerging threats, and several underdogs have realistic pathways to the round of 32.

The Final PreparationsIran will head off to their World Cup base this weekend with a spring in their step after beating Mali 2-0 in a friendly in Turkiye, even if some uncertainty still clouds their participation in the tournament. The victory comes at a crucial time as the team prepares for their World Cup campaign amidst political and logistical challenges.Match BreakdownGoals from midfielder Saeid Ezatolahi and right back Ramin Rezaeian either side of half-time on Thursday gave Team Melli a record of three wins and a single loss in their four friendlies this year in the Turkish resort city of Antalya. The match served as Iran's final preparation before traveling to Mexico for the tournament.Performance StatisticsThe friendlies are the only competitive football the Iran-based players have contested since the domestic league was suspended in the wake of US and Israel air strikes on the Islamic republic in late February that triggered a regional war. With three wins and one loss in their four pre-tournament matches, Iran has demonstrated solid form despite the unusual circumstances surrounding their preparation.Political ComplicationsThe squad have received visas for Mexico, officials confirmed this week, and will leave Turkiye on Saturday for their tournament base in the border city of Tijuana. Mexico's President Claudia Sheinbaum agreed to host the squad after being told that the US authorities did not want Iran staying in their original base in Arizona throughout the June 11 to July 19 tournament.The squad have not yet received the visas they will need to get into the US to play their group games against New Zealand and Belgium in Los Angeles and Egypt in Seattle, however. Iranian FA (FFIRI) President Mehdi Taj told Iranian media this week that the US visas were the main concern for the federation as Iran's tournament opener against New Zealand on June 15 approaches.Visa ObstaclesUS Secretary of State Marco Rubio said on Tuesday there was "no problem" with the Iran squad entering the country, but Washington would not let officials or staff with ties to the Islamic Revolutionary Guard Corps (IRGC) accompany them. Both the US and Canada, who are cohosting the World Cup with Mexico, classify the IRGC as a "terrorist entity".Taj was refused entry into Canada for the FIFA Congress in late April because of his links to the elite military force, highlighting the ongoing diplomatic tensions that could impact Iran's participation in the tournament.

The Plant-Based Paradox: Growing Alternatives vs. Meat Dominance Should I tuck into a juicy steak or stick a tofu patty in a bun and call it a burger? Twenty years ago, that question was largely seen as a moral dilemma influenced by grim conditions in factory farms and slaughterhouses. Back then, animal rights activists were the loudest campaigners arguing for people to abstain from meat. They had limited success because vegetarians and vegans made up less than 5% of the population in rich countries – and the best fake meats were bland replicas of real flesh. The word flexitarian had not yet made it into the dictionary. The debate has shifted sharply. The pollution from animal agriculture, which makes up 12-20% of planet-heating gas, is now part of public discourse around eating meat. A dramatic rise in rates of obesity and diseases linked to red meat have made health concerns part of individual decisions to eat less of it. Meanwhile, some plant-based alternatives have improved in texture and taste to the point where even meat lovers struggle to tell that they did not come from an animal. The Rise of Plant-Based Alternatives: Market Transformation In one sense, there is a powerful story of personal action to tell. The tiny market share of vegetarians in the early 2000s provided the demand that companies needed to invest in making substitutes taste better. These alternatives are now helping meat eaters reduce their intake – an easier sell than convincing people to give it up entirely. Add that to a growing awareness about the environmental harm that livestock cause, and a rise in public support for stopping climate breakdown, and you have the ingredients for what could be a major societal shift away from damaging levels of meat-eating. Early signs of the trend are visible in countries such as Germany, a sausage-hungry nation where about one in 10 people are vegan or vegetarian and a further 37% describe themselves as flexitarian. Plant-based alternatives have become so common that a third of the population buy them regularly, a government survey found in November, and discount supermarkets have launched their own brands. Village cafes in far-right regions seem perfectly happy to serve oat milk with coffee. The Meat Consumption Data: Global Trends and Statistics The broader picture, though, is still dominated by animals. Data in a new report from the UN's Food and Agriculture Organisation suggests the average person eats six times as much chicken and twice as much pork as their grandparents did, with global meat supply having risen fourfold in the last 60 years. Much of the growth has taken place in poor countries in which better access to meat has helped counter hunger and malnutrition. But consumption is projected to keep rising, albeit at a slower rate, even in rich countries, where climate scientists and doctors recommend cutting down. Livestock are expected to contribute the vast majority of the projected 7.6% rise in global agricultural emissions over the next decade, at a time when global emissions from other parts of the economy, such as electricity generation, are set to fall. Industry Resistance and Consumer Behavior Patterns It is too early to tell whether the backlash signals a reversal or stalling of efforts to shift diets toward plants. In the UK, YouGov data shows the proportion of people who are vegetarians and vegans peaked in 2021 at 10% and has since fallen to 7%, while survey data in many other European countries suggests little change or even continued growth. The meat industry, meanwhile, is working hard to safeguard its dominance. In March, EU politicians voted to ban meaty names such as steak and bacon for plant-based alternatives. In the US, the "Make America Healthy Again" campaign from the Trump administration has enthusiastically promoted eating more meat, including many cow products such as beef tallow, going against medical advice. The pro-meat movement may also benefit from the protein obsession that has gripped rich countries, as well as growing fears about the health risks of ultra-processed food. Doctors are sceptical of the former – protein deficiencies in rich countries are rare, unlike fibre deficiencies – while there is little evidence to say much about the health impacts of processed plant-based products compared with processed meat ones. Future Outlook: Environmental and Health Implications The calculation is made more concerning by the indirect health impacts of meat-heavy diets, which stretch well beyond the risks to the person following them. Knock-on effects from the livestock industry range from stronger extreme weather events caused by climate breakdown to antimicrobial resistance that spreads superbugs. On Wednesday, an FAO report found that the use of antibiotics on livestock would rise by nearly a third in the next 15 years without government intervention, with potentially disastrous consequences for protection from disease. Health research is full of contradictory studies, and some advocates of meat-free diets have made sweeping claims that are not supported by the science. But what is clear, at a population level, is that people in rich countries are eating more meat and fewer plants than doctors consider healthy. And at a global level, the environmental harm from animal agriculture is likely to rise at a time when the planet needs it to fall.

The LeadThis week's top picks for TV include a mix of classic films and recent releases. From Pixar's latest to classic Hammer horrors, there's something for everyone. Pick of the Week: Hoppers“We’re all in this together.” It may seem an obvious eco message to be pushing at the kids who will flock to watch the latest Pixar animation. But when it’s done as charmingly as in Daniel Chong’s sci-fi comedy adventure, you’d be hard-pressed not to cheer along with the film’s endangered animals. Mabel (voiced by Piper Curda) is our teenage human guide to a biodiverse nook of woods and water near Beaverton. But when a proposed freeway causes the wildlife to scatter, she “hops” her mind into a robotic beaver (invented by her biology teacher) so she can track them down and save their glade. Crammed with neat gags, relatable villains and a shark assassin named Diane, it’s cute propaganda. Out now, Disney+ The Curse of FrankensteinThe first in what would be a distinguished line of colourful “Hammer horrors”, Terence Fisher’s 1957 adaptation of Mary Shelley’s novel still packs a punch. Unable to copy the pathos-tinged Boris Karloff look, the film-makers fashioned a creature with a grey, clammy pallor and irredeembly violent tendencies. He doesn’t even turn up until halfway, but luckily Peter Cushing – in his first movie starring role – commands the screen as the hubristic Baron Frankenstein, a monomaniac diving gleefully off the ethical deep end. Saturday 6 June, 9.05pm, Talking Pictures TV VermiglioThe simple, traditional life of an Italian mountain community butts up against the frictions exposed by the second world war in Maura Delpero’s sensitive, beautiful drama. Tommaso Ragno wields his forbidding white moustache well as local teacher, and father of eight, Cesare. He is harbouring two army deserters: his nephew and the lad’s Sicilian friend Pietro. But then his eldest daughter Lucia falls for Pietro, disturbing the family’s balance of power and stress-testing parental and gender norms to the brink of collapse. Saturday 6 June, 9.20pm, BBC Four The Beautiful GameFor better or worse, out come the footie films for the World Cup. Thea Sharrock’s quirky comedy is one of the niftier ones. Based on a true story, it revolves round the Homeless World Cup. Bill Nighy is his usual wryly comic self as Mal, the manager of the England squad – young men all with tragic backstories – as they head to the tournament in Rome. Mal’s secret weapon is Vinny (Micheal Ward), who nearly made it as a pro but is now a bundle of resentment. The social issues are only touched on, but the “no I in team” moral is loud and clear. Sunday 7 June, 3.35pm, Channel 4 NomadlandChloé Zhao’s moving 2020 drama is one of those rare Oscar winners that feels like an instant classic. It is a portrait of America’s “nomads” – mostly middle-aged loners whose home is their RVs, as they seek out seasonal work and form temporary communities. Acting among an array of real-life travellers, Frances McDormand is a case study in less is more as widow Fern, who heads out into the wide vistas of her nation to discover if this is a meaningful life or merely existing. Sunday 7 June, 1am, Channel 4 The ChoralTODO

The Play’s Journey from Cardiff to a Welsh‑Language FilmThe original one‑woman play Iphigenia in Splott debuted in 2015 at Cardiff's Sherman Theatre, portraying a modern Effie drinking vodka in a dressing gown amid austerity‑driven hardship. Eleven years later, writer Gary Owen and director Marc Evans have transformed the work into the film Effi o Blaenau, shifting the setting from Cardiff to the slate‑mining town of Blaenau Ffestiniog and filming entirely in Welsh. Numbers Behind the Revival: Dates, Reviews and Anticipated ReachOriginal stage debut: 2015Guardian five‑star stage review: 2022Film release announced: 2026Production backed by S4C and producer Branwen Cennard What the Success Means for Welsh‑Language StorytellingThe film’s commitment to Welsh dialogue, subtitles, and a largely female crew underscores a deliberate push for authentic regional voices. Owen notes that austerity remains “normality,” and the film’s gritty portrayal of post‑industrial life resonates with audiences still feeling the impact of public‑service cuts. Casting challenges highlighted a shrinking pool of working‑class talent, prompting the team to prioritize gender‑balanced hiring on set. Looking Ahead: Future of Regional AdaptationsWith *Effi o Blaenau* gaining critical buzz, industry observers anticipate more Welsh‑language adaptations of contemporary theatre, especially those that can translate local socio‑economic themes to broader markets. The film’s success could encourage broadcasters like S4C to fund similar projects, fostering a new wave of culturally specific cinema that reaches both Welsh‑speaking audiences and international viewers through subtitles.

The Comeback That Never MaterializedJust over a year ago, Lizzo appeared on Saturday Night Live, announcing a new album called Love in Real Life in grandstanding style. Wielding an electric guitar, clad in a Trump-baiting T-shirt that read Tariffied, she performed its title track and two other new songs, Still Bad and Don't Make Me Love U. As with her appearance earlier the same week on a late night talkshow – during which she ran into the audience to high-five fans who were yelling "we love you Lizzo!" – it looked very much like a defiant comeback, fit to drag her out of the controversy that erupted at the end of her hugely successful 2023 world tour. Three former backing dancers and a costume designer filed lawsuits against the singer alleging harassment and discrimination: damaging claims given how Lizzo's songs have preached a message of inclusivity, body positivity and self-confidence. Some of the allegations were dismissed by a judge but others are ongoing; Lizzo has refused to settle out of court, saying: "I'm fighting the case because I know that it's not true."The Album That Never WasBut the Love in Real Life single, a pivot towards rock that owed a little to Tom Petty's American Girls – or the Strokes' American Girls-indebted Last Nite if you prefer – failed to make the charts, a far cry from the period between 2018 and 2022 when Lizzo's singles seemed to go multi-platinum as a matter of course. The same fate befell Still Bad, a track much more in the vein of her big hits, prompting a rethink. The album was pulled, Lizzo apparently taking control of her own destiny – "I need to do shit my way". A mixtape that returned her more-or-less to where she started, before pop stardom came calling – punchy hip-hop, albeit tricked out with guest appearances from Doja Cat and SZA – appeared in its place: My Face Hurts from Smiling received mixed reviews and underwhelming streaming figures.A Career at a CrossroadsAll of which means that Bitch, her fifth album proper, lands at a deeply peculiar juncture in Lizzo's career. Given that the public apparently don't want her going rock, nor rapping in the style of her 2013 debut Lizzobangers, nor indeed making the kind of music they were buying in their millions three years ago, the question of what they actually do want has presumably hung heavy over its making.Musical Identity CrisisLizzo hasn't come up with a definitive answer. Bitch tries a bit of everything, from pastiching Tame Impala on Happy 2 Be to making clipped new-wave rock decorated with Cure-like guitars on She Stole My Man; Sexy Ladies is a girls-night-out-soundtracking reiteration of the old body positivity message. This scatter-gun approach makes Bitch a disjointed listen.The Subdued ToneMoreover, there's something oddly subdued about its tone, whether it's dabbling in 80s retro – Don't Make Me Love U brings to mind the arena-rousing keyboard hook from Tina Turner's The Best, but renders it into a distant, affectless backing vocal – or delving into jazzy R&B; on Too Nice. The vibraphone-heavy beat on the latter is fantastic, rich in small-hours atmosphere, but the actual song feels nondescript: it only really comes to life in its dying moments, when Lizzo stops singing and starts playing a flute solo. The title track interpolates the chorus from Meredith Brooks' 1997 pop-grunge hit of the same name, but somehow flattens it in the process. Crooned over smooth, G-funky R&B;, it feels stripped of its fiery power, less of a snarl and more of a shrug.Equivocal LyricsThe lyrics often seem similarly equivocal. You don't want for apparent references to Lizzo's recent woes – "I hope it makes you happy to hurt somebody else", "the thing about depression, you think your life is over", "you'd still be working at the mall if it wasn't for me" – but they ultimately feel neither pugilistic nor racked, just confused and sore: "I have feelings too," she sings on piano ballad A Toast.Highlights Amidst the StruggleNot everything here is underwhelming: Whose Hair Is This is a great southern soul pastiche, home to an impressively raw vocal and a snappy plot twist at the end of the lyrics; That Grrrl employs an old-school Chicago house bassline to energising effect. But what's definitely lacking is an unequivocal pop smash, the kind of thing that Lizzo once seemed to be able to write to order.A Changing Cultural LandscapePerhaps that's inevitable. One of the reasons Lizzo hit so big in the first place was that she made pop music that perfectly captured a zeitgeist, and that zeitgeist has moved on: the era of body positivity has been displaced by the era of Ozempic and Mounjaro; the kind of post-pandemic, post-Trump optimism embodied on 2022's About Damn Time now sounds like a transmission from a distant lost age. We're living in a different world now, and Bitch suggests Lizzo has yet to work out how to respond to it: "I'm doing my best," she sings on A Toast, which feels like the most telling lyric of all.