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The Lead Deep within the Natural History Museum, the skeleton of a 23ft plesiosaur serves as a chilling reminder of the terrifying power that once inhabited the prehistoric seas. This immense marine reptile, capable of snatching prey before its body could create a disturbance, is a centerpiece of the museum's latest immersive display. Unveiling the Jurassic Oceans Exhibition The exhibition 'Jurassic Oceans: Monsters of the Deep' brings to life the marine ecosystems that existed while dinosaurs roamed the land. Featuring fossils, casts, and 3D-printed sculptures, the display highlights creatures such as ammonites, colossal squid tentacles, and ancient crocodile-like reptiles that dominated the deep blue. Scientific Context & Metrics The exhibition provides a detailed look at the environmental conditions of the Jurassic era. Marc Jones, the science lead, explains that while the sun was slightly dimmer, the planet was much warmer due to high CO2 levels. This resulted in higher sea levels and the absence of permanent ice caps. Key metrics include: 23ft length of the plesiosaur on display. 2% reduction in solar power during the Jurassic era. 2,000 gigatons of CO2 added to the atmosphere in recent history. Evolutionary Adaptations & Ecosystem Shifts The display illustrates how ancient marine life evolved to survive in a stagnant, warm ocean. Ichthyosaurs, for instance, possessed the largest eyes of any vertebrate, indicating a highly developed sense of vision for hunting. The exhibition also notes a shift in predator hierarchies: sharks were once middle predators but were later hunted by marine reptiles. Furthermore, the concept of convergent evolution is demonstrated by the similarity between the body shapes of ichthyosaurs and modern bottlenose dolphins. Modern Parallels & Future Outlook The most striking insight from the exhibition is the link between prehistoric and modern oceans. Just as squid relatives thrived in the warm, stagnant waters of the Jurassic, modern squids are currently experiencing record numbers, particularly off England's south coast. This suggests that as modern oceans continue to warm, the dominance of marine ecosystems may shift once again, favoring cephalopods and other adaptable species.

The Lead Sophie Green's photography exhibition, 'Tangerine Dreams: Rituals of Belonging in Contemporary British Life', showcases her vibrant and colorful captures of the British seaside, highlighting the joy and sense of community that comes with it. Sophie Green's Seaside Inspiration Green's love for the seaside stems from her childhood experiences visiting her grandfather in Pembrokeshire. She finds the seaside to be a space that unlocks the connection to nature, inspiring freedom and fun. The seaside environment, with its bright colors and playful atmosphere, is a perfect setting for her photography. The Data Analysis Green's project began during the Covid lockdown, when she started photographing people at the seaside. She has since returned to the project every summer, capturing the essence of the British seaside and its people. Her work highlights the diversity and richness of British society, showcasing subcultures and communities that are often overlooked. The Impact Analysis Green's photography has a significant impact on how we perceive the British seaside and its culture. Her work challenges the mainstream social narrative, presenting a more nuanced and multifaceted view of British society. By capturing the vibrant colors and joy of the seaside, Green's photography encourages us to appreciate the beauty in everyday life. The Prediction As Green's exhibition continues to showcase her work, it is likely that her photography will inspire a new generation of artists and photographers to explore the British seaside and its culture. Her work will continue to challenge our perceptions and encourage us to appreciate the beauty in everyday life.

The Tobacco Industry's Strategic Pivot to the Grocery AisleA comprehensive new investigation published in the American Journal of Public Health (AJPH) has exposed how titans of the tobacco industry seamlessly transitioned their controversial business practices into the food sector. After acquiring major food brands in the late 20th century, companies like RJ Reynolds and Philip Morris utilized the exact same playbook used to sell cigarettes to engineer and market ultra-processed foods (UPFs). This strategic crossover fundamentally altered the global food landscape, prioritizing consumer addiction over nutritional value.Engineering Addiction: From Nicotine to Hedonic FoodsAccording to Tera Fazzino, a psychology professor and addiction researcher at the University of Kansas, an analysis of over 100 previously secret industry documents proved that tobacco executives replicated their international tobacco strategies to build their food businesses. The primary focus was on optimizing product formulations to create a rapid, fleeting sense of reward.Maximizing Hedonic Impact: Formulations of carbohydrates and fats were optimized for rapid delivery to the brain's reward centers.Portion Manipulation: The introduction of king-sized food items directly mirrored the strategy behind king-sized cigarettes.Illusion of Health: The development of light and reduced-fat UPFs was borrowed directly from the tobacco industry's creation of light cigarettes, designed specifically to retain health-conscious customers who might otherwise quit.Targeting Children: Following Philip Morris's acquisition of Kraft in 1988, the company launched Lunchables. Laura Schmidt, a health policy professor at UC San Francisco, noted that product designers used psychological research to target children's underlying drives for independence, autonomy, and play.The Cognitive and Cardiovascular Toll of UPFsThe health ramifications of applying addiction-driven frameworks to everyday foods are now becoming undeniably clear. During the AJPH press briefing, Cindy Leung, a public health nutrition professor at Harvard, highlighted the severe cognitive risks associated with high UPF consumption. Because clinical trials on long-term nutrition are often impractical, experts rely on robust observational studies that are considered biologically plausible.The data reveals that individuals with diets high in UPFs face:A 58% higher risk of developing dementia.A 46% higher risk of developing mild cognitive impairment.An overall 47% higher risk of experiencing either of these cognitive decline outcomes.Furthermore, UPFs are heavily linked to a rise in cardiovascular diseases and certain cancers, drawing a grim parallel to the historical public health battles fought against the tobacco industry.Political Movements and Flawed Agricultural SubsidiesThe growing outrage over UPFs has fueled political movements like Make America Healthy Again (Maha). While experts like nutritionist Marion Nestle applaud the movement for shifting the blame away from a lack of personal willpower and onto the food industry, they warn that current policy directions are actively exacerbating the crisis.Instead of redirecting government corn subsidies toward whole fruits and vegetables, current policies continue to prop up the production of high fructose corn syrup, a cornerstone ingredient in UPFs. Additionally, efforts by the Trump administration to reduce enrollments in the Supplemental Nutrition Assistance Program (Snap) threaten to limit public access to affordable whole foods, pushing lower-income populations further toward cheap, ultra-processed alternatives.The Looming Regulatory Reckoning for Food ManufacturersAs the scientific evidence linking UPFs to severe health crises mounts, the food industry is facing a landscape increasingly reminiscent of the 1990s tobacco lawsuits. With Philip Morris having rebranded as Altria, and Kraft merging with Heinz to form Kraft-Heinz, these corporate giants may soon face intense regulatory scrutiny. As public awareness shifts from personal diet choices to systemic industry manipulation, we can expect a surge in legislative demands for transparent formulation practices, stricter marketing limits on child-targeted foods, and a fundamental overhaul of agricultural subsidies.

Lead: A Personal Quest Through Three Hundred Years of Family HistoryThe diary entry follows a farmer‑author as she delves into the Binks lineage, linking 300 years of migration, fell‑pony haulage and coaching‑inn visits to the landscape she now tends. Her research reveals how a deep‑rooted sense of place can emerge from the smallest family records.Tracing the Binks Lineage Across the North of EnglandShe focuses on three key ancestors:George Binks (1862‑1934), a fell‑pony haulier from Great Asby.Mark Binks (born 1726), potentially a guest at the Low Borrowdale coaching inn built in 1742.Christian Binks, born in Middleton‑in‑Teesdale, died in Crosby Ravensworth in 1698.Her research stretches back to 1553 in Yorkshire, mapping a cumulative migration of roughly 33 miles over ten generations.Numbers That Sketch a Rural Narrative300 years of continuous family presence.10 generations traced.33 miles total movement between ancestral homes.Key dates: 1742 (coaching inn construction), 1785 (birth of a George Binks), 1862‑1934 (lifespan of the later George Binks).Why This Genealogical Journey Matters for Rural EnglandThe story illustrates how personal heritage intertwines with regional history, reinforcing a collective rural identity. It also underscores the fragility of surnames—after marrying in 1993, the author’s surname changed, ending the Binks line after 440 years. Her contemplation of adopting “Binks” as a middle name reflects a broader desire to preserve disappearing local lineages.Looking Ahead: The Future of Place‑Based StorytellingAs digital archives expand, more rural families may trace similar deep roots, revitalising community ties. The author’s ongoing project suggests a resurgence of personal naming traditions and a renewed emphasis on storytelling that anchors modern farming life to centuries‑old narratives.

The Power of Television in Understanding Dementia A longtime fan of Jilly Cooper's works, the author was drawn to the TV adaptation of Rivals, enjoying its lighthearted moments and memorable characters. However, one scene stood out to them - a character named Charles Fairburn reuniting with his partner and sharing the joy of his mother recognizing him despite her dementia. A Personal Connection to Dementia The author's mother was diagnosed with Alzheimer's disease in January 2025, and they struggled to cope with the changes in her behavior and cognitive function. They recall filling out assessment forms for the memory clinic, noting changes in her daily habits and interactions. The author admits to feeling overwhelmed, snappy, and enraged during this period, finding solace only in watching TV. A Moment of Connection The scene from Rivals resonated deeply with the author, who realized that their happiness is closely tied to their mother's wellbeing. They began to seek moments of connection with their mother, whether it's discussing daily life, sharing laughter, or simply being together. These interactions bring the author joy, relaxation, and a sense of normalcy. The Impact of Dementia on Relationships The author's experience highlights the challenges of caring for a loved one with dementia. They note that their mother's orientation to people she has always known is still intact, but she struggles to recognize new individuals, including carers she sees daily. The author emphasizes the importance of finding ways to connect with loved ones with dementia, even in the face of cognitive decline. A Call to Share Experiences The article concludes with a call to action, inviting readers to share their own experiences of how popular culture has prompted them to make significant life changes. The Guardian provides a form for readers to submit their stories, which can be anonymous if desired.

The Unifying Power of Football Arsenal's title win has left an indelible mark on its fans, evoking emotions that range from joy to a deep sense of community. For many supporters, the club is more than just a team – it's a part of their lives, a backdrop to cherished moments, and a source of connection with others. The Emotional Connection to the Club The author's personal experience of watching Arsenal win the title after 17 years is a testament to the enduring power of football. The emotional highs and lows that come with being a fan are a unique experience that can't be replicated by other activities or interests. The Data Analysis: A Sea of Red Up to a million people took to the streets of north London to celebrate Arsenal's title win. The parade and celebrations brought people together, creating a sense of community and connection. The Impact Analysis: More Than Just a Game Football has the power to inspire strong emotions and create a sense of belonging among fans. For Arsenal supporters, the club is a part of their identity, a source of pride, and a connection to their community. The Prediction: A Lasting Legacy As Arsenal continues to grow and evolve, one thing is certain – the bond between the club and its fans will endure. The memories of this title win will be cherished for generations to come, and the sense of community it has created will only continue to grow.

The Philosophy of ConfrontationFor the author, feeling good is not about escapism, but about confrontation: staring at what one truly cares about and embracing it. This perspective defines the enduring appeal of Billy Elliot, a film that resonates deeply as a coming-of-age story about striving to become the person you want to be, regardless of circumstances.The 1984 Miners' Strike and Billy's JourneySet in County Durham during the 1984 miners' strike, the film follows Billy Elliot, an 11-year-old boy who discovers a passion for ballet while his community is torn apart by political and social upheaval. Initially a reluctant boxer, Billy is drawn to dance classes held in the boxing gym. With the support of his dance teacher, Sandra (played by Julie Walters), and his brother Tony, Billy auditions for the prestigious Royal Ballet School in London, defying the expectations of his working-class environment.Breaking Class and Gender NormsThe film serves as a powerful commentary on the courage required to break free from societal convention. The author highlights that the story is not merely about queerness, but about the broader struggle of expressing one's true self against class expectations. Drawing from their own background in South Wales, the author reflects on how artistic inclinations were often viewed as a form of non-conformity or 'queerness' in their community. The narrative validates the experience of those who have faced ridicule for their choices, emphasizing that support from family, even when hesitant, ultimately outweighs criticism.A Lasting Legacy of ValidationUltimately, *Billy Elliot* offers a profound sense of optimism and belonging. The author describes the film as a source of comfort during times of life change, providing a 'hug' from the world. It serves as a reminder that one is loved and allowed to live life on their own terms, ensuring the film remains a vital source of inspiration for future generations.

The LeadWhen Keir Starmer won a landslide Labour majority promising to pursue five governing "missions", the high-profile leftwing economist Mariana Mazzucato was credited as an inspiration. Two years on, her bracing new book helps shed light on why Labour in power has struggled to project the sense of direction that "mission-led government", as Mazzucato calls it, requires.A New Framework for Economic PolicySynthesising and extending her earlier work, here she proposes "a new economics of collective action around the common good". From this perspective, the economy is not a concatenation of rapacious independent forces, to be contained and offset by public policy, but a project – or rather a series of projects – with direction and purpose.The Five Principles of Common Good EconomicsThe "compass" in the title is really a set of five principles, all of which Mazzucato says such an economy should have: purpose and "directionality"; co-creation by citizens; collective learning; reward sharing; and accountability. Each of these principles is set out in detail. Co-creation implies grassroots participation in designing and redesigning government programmes, for example – because, "when people help define a problem and develop and implement solutions, they see them as theirs rather than something imposed on them".Reward Sharing and PredistributionReward sharing means ensuring the creators or rightful owners of economic value stand to benefit: from Indigenous people whose homes lie near raw material deposits, to social media users whose data fuels Big Tech's profits. That implies radical tax reform – including greater use of wealth taxes – and the robust use of conditions in public contracts, to make sure workers and taxpayers get their fair share: an approach she calls "predistribution".Critique of Labour's Economic ApproachAccording to Mazzucato's definition, Labour's attempt at mission-led government badly missed the mark. Its first and overriding goal – "kickstart economic growth" – cannot be a "mission" at all, because it lacks the necessary purpose. What, in other words, is that economic growth meant to be for? While her scope in this ambitious book is global, the analysis also dismantles Starmer's claim to be pursuing national "missions", by setting out just how radical – and radically different – that would look in practice.Practical Examples and Global Applications"The seeds of transformation are everywhere," she says, citing inspiring projects that range from delivering healthy and sustainable school meals in Sweden to the EU's mission to support cities to become climate-neutral, to the international Nagoya Protocol on sharing the benefits of genetic resources and traditional knowledge. Echoes of Mazzucato's mindset are detectable in some Labour policies – from using the threat of legislation to cajole pension funds to invest more in UK assets, to writing conditions on youth training into clean energy contracts.The Future of Economic DirectionEconomies work best, she believes, when they pursue grand collective goals – developing and distributing a vaccine for a pandemic; or confronting the climate emergency (or, though she doesn't lean on the example here, tooling up for a new and more frightening geopolitical era). We should ask, she says, "not which market failure do we want to be fixed, but what direction do we want the economy to sail in".

The Dance Challenge: A Weekend Immersion As I wait for my first Cuban salsa class to begin, I have the distinct feeling that I am poorly prepared. I'm wearing heavy jeans, a bulky woollen sweater and boots. I have never done a dance class in my life – or any kind of exercise class. I don't know anything about salsa, Cuban or otherwise. Standing alone, I notice that everyone has come with at least one friend, and begin to suspect that it takes two to Cuban salsa. This year, Rising festival – Melbourne's winter arts offering – has consolidated its longstanding dance focus into a mini-festival: the inaugural Australian Dance Biennale, showcasing Australian and international work. There's also a series of dance classes, romantically titled The Land of 1000 Dances, held in the romantically decrepit Flinders Street Ballroom. Running daily until 7 June, with classes costing $29 a pop, the diverse schedule includes Afro-fusion, ballroom, voguing, waltz and K-pop for teens and tweens. From Salsa to Shuffle: A Dancer's Journey As an audience member, I am an avid appreciator of dance; as a participant, I can most kindly be described as "curious" but uncoordinated. What if I went to a bunch of dance classes and then wrote about it? Precisely 24 hours before my first class, the misgivings begin – doing my first dance class while dressed for the show I'm seeing directly afterwards sounds like a bad idea. At the ballroom, I am briefly reassured: the crowd is a diverse mix of ages, genders and bodies, and hardly anyone is wearing dance-appropriate clothing. But the class itself is a blur – sometimes literally – as I try to learn and enact the cucaracha, the guapo and other basic Cuban salsa moves; attempt to locate the beat, my hips, any sense of coordination at all. Every time I feel as though I'm starting to get the hang of something, the instructor adds a new step. Then he corrals us into pairs – and a series of new moves, yelling "change partners!" every three minutes. Going solo, it turns out, is fine: everyone is friendly; many seem as unsure as I am. Some are nailing it but there's a sense of camaraderie: we're all in this together. That said, we're all a bit too sweaty to be holding each other. The Social Dynamics of Dance Classes I move from absolute befuddlement, through occasional moments of triumph, to a sense of quiet despair. A move that involves a 360-degree rotation to an eight-count almost breaks my spirit and I consider quitting. To my surprise, this awakens a latent fighting spirit: screw the rules, I'm doing it my way. I experience brief elation. Then we change partners and I find myself in a cursed duet involving four left feet. The elation shrivels. The class ends and I run to the theatre feeling like a dank, demoralised biohazard. I spend the next hour watching a show by the Irish choreographer Oona Doherty featuring a mix of professional, student and untrained dancers – and I mentally salute them all, with a newfound appreciation for the dark art of dance. Finding Joy in Movement I approach my next class, Melbourne shuffle, with a sense of dread. Not only do I now know how bad I am but I have agreed to be photographed. And I made the choice without knowing anything about the Melbourne shuffle, mistakenly assuming it was somewhere in the ballpark of the city's other great cultural tradition. This feeling I am experiencing, I discover, is known as "endorphins". The physical exertion, the mental focus required, the social connection – it all combines to create a chemical cocktail that makes the experience worthwhile despite the occasional humiliation. By the end of my dance weekend, I haven't become a dancer, but I've gained a profound respect for those who are. The Australian Dance Biennale and The Land of 1000 Dances offer not just entertainment, but an invitation to participate, to challenge oneself, and to discover new dimensions of movement and expression.