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The Regulatory Response to Deadly Online ContentA nihilistic internet suicide forum implicated in over 160 UK deaths has been fined £950,000 by the online regulator in its latest attempt to shut it down. Ofcom said the US-based website remains accessible in the UK despite over a year of warnings. Online safety campaigners have accused the regulator of taking an "interminable" amount of time to act.The Samaritans, mental health campaigners and the Molly Rose Foundation, have repeatedly raised concerns about the site – which promoted a particular poison – which has remained accessible despite it being cited in multiple coroners' reports regarding the deaths of UK citizens.Molly Rose was set up in the memory of Molly Russell, a 14-year-old who took her own life after descending into a vortex of negative online content, including about suicide. Its chief executive, Andy Burrows, welcomed the fine and a separate move that could block UK internet access to the site, but said it was "appalling that it has been left to bereaved families and campaign groups to press Ofcom into action".Legal Action Under the Online Safety ActOfcom has been trying to get the site to obey British laws criminalising intentionally encouraging or assisting suicide since last spring. It had some success with the site being blocked last July and then a mirror site being taken down in November. But it is now taking action because the site can be "used by people in the UK, including without a VPN, and presents a material risk of significant harm".The fine is being levied under the Online Safety Act which also allows Ofcom to seek a court for an order requiring internet service providers to block UK access to the site. It is preparing an application to have its connections effectively cut "if our concerns are not fully addressed and there continues to be an ongoing breach".It accused the provider of "serious and deliberate contraventions" and said the fine reflected the "the risk of fatal harm to people in the UK posed by the content present on the service".Human Cost and Family AdvocacyOn Wednesday, the forum was unavailable but its operator posted a page that said it was advocating for "the right to access lawful information without government overreach" and quoted Mark Twain: "Censorship is telling a man he can't have a steak just because a baby can't chew it."The Molly Rose Foundation and Together with Families and Survivors to Prevent Online Suicide Harms said coroners had warned the UK government 65 times about risks of further deaths from the forum "and a substance it promotes, glorifies and instructs for use as a suicide method". Adele Zeynap Walton, the sister of Aimee Walton who took her life after accessing suicide forums, said the wait for action had been agonising."While we've waited further lives have been lost and we've had to fight every step," she said, speaking on behalf of Families and Survivors to Prevent Online Suicide Harms. "We feel let down by the process and Ofcom's slow response to this threat to life."Regulatory Challenges and Future ActionsBurrows said: "Molly Rose Foundation submitted detailed evidence which showed scores of vulnerable young people remained at risk while Ofcom's investigation dragged on … There are real questions about why it has taken so long for the regulator to act against a forum linked to at least 164 UK deaths."Ofcom said it has "engaged extensively" with the forum provider and that last summer the forum geoblocked mirror sites in the UK and later removed information on a landing page promoting ways to circumvent the block."We share the urgency about the extreme harms that sites such as this can cause, and understand the anger felt towards them by those who have been so personally affected," a spokesperson said. "It is vital that we ensure our enforcement action is thorough, and this can take time, as is the case for any enforcement agency."Preventive Measures and Support Resources"Lucas was 16. Vlad 17. Aimee 21. Grace, Hannah and Tom 22. Immy 25. Adam 28 and Claire 41," the campaign groups said in a report last year. "They were drawn into a dark world that was allowed to exist online and continues to exist through the use of a VPN. We believe our loved ones suffered coercion, grooming, instruction on how to end their lives. Most accessed a poison that was allowed to cross borders or was readily available domestically."Suzanne Cater, director of enforcement at Ofcom, said the forum had "caused unimaginable pain and suffering … and no punishment can undo that harm"."The provider of this forum knows it's used to share illegal content encouraging and assisting suicide on their site," she said. "While they've responded to our enforcement action by making some changes to the accessibility of their service in the UK, this is not good enough and the changes they've made were not consistently applied or effective to reduce the risk of harm. Given the ongoing risk of harm, we are using all powers available to us to protect the public."

The Director's Supernatural EncountersMulti-Oscar-winning director Guillermo del Toro has revealed his lifelong fascination with the supernatural, from childhood ghost sightings to a UFO encounter at age 14. The filmmaker, currently in the UK to receive a BFI fellowship, shared his belief that these experiences 'cause a crack' in our perception, allowing 'the mystery of the universe' to rush toward us.From Family Hauntings to Hammer HorrorDel Toro's supernatural journey began at age 11 when he first sensed a spectral presence at his family home in Guadalajara, Mexico – which he believes was his late uncle keeping a promise. This experience inspired Santi, the sighing ghost-boy in his 2001 film The Devil's Backbone. The director has since encountered numerous paranormal phenomena, including surround-sound ghostly disturbances in a New Zealand hotel while scouting locations for The Hobbit.'There are certain magical lands for me,' del Toro explains, 'and the land of ghosts is England.' He is currently looking to purchase a haunted house in the UK to house his extensive collection of silicone figures and memorabilia.The Influence of British CinemaThe BFI fellowship holds special significance for del Toro, who cites British cinema as a major influence on his work. He particularly reveres the 'reveries of Powell and Pressburger or Ken Russell' and the entire Hammer horror legacy, including Terence Fisher's Frankenstein films which partly informed his own 2025 adaptation of Mary Shelley's novel.'The 1974 Hammer film Frankenstein and the Monster from Hell had the worst makeup but the most delicate Creature,' del Toro notes. 'As the movie progressed, the Creature became more of an innocent and the Baron more of a pure villain.' This approach shaped his interpretation featuring Jacob Elordi as the Creature.A Legacy of Monsters and Misunderstood BeingsDel Toro has always portrayed monsters as complex beings capable of tenderness alongside violence, reflecting his belief that 'precisely like us.' This philosophy has resonated with fellow artists, including Taylor Swift, who has cited his films as inspiration. After becoming a fan of The Shape of Water, Swift explored his back catalogue during the pandemic, declaring herself 'dazzled' by The Devil's Backbone and Pan's Labyrinth.The influence is mutual, with Swift later invoking Del Toro-esque imagery in her hit single Anti-hero, picturing herself as 'a monster on the hill … slowly lurching toward your favourite city.' This artistic connection demonstrates how del Toro's vision has permeated popular culture beyond cinema.The Future of Fantastic CinemaAs a BFI fellow – joining the ranks of Martin Scorsese, David Lean, Akira Kurosawa, and Orson Welles – del Toro continues to champion the potential of horror and fantasy genres. His teenage years saw him running a film society in Guadalajara, sourcing controversial works like Powell's 1960 serial-killer classic Peeping Tom from the BFI itself.With his upcoming projects and continued exploration of the supernatural, del Toro remains committed to expanding our understanding of the unknown, both on screen and in his personal life. As he puts it, these experiences 'dislocate your sense of self,' revealing the mysteries that exist just beyond our everyday reality.

McLaren's Miami ResurgenceLando Norris delivered a masterclass at the Miami Grand Prix, securing a commanding victory in the sprint race that saw his McLaren team lock out the top two positions. The result marked a significant shift in the early-season narrative, as Norris and teammate Oscar Piastri executed a flawless strategy to finish 1-2, denying Mercedes a win for the first time this season.Championship Standings ShiftDespite the penalty, rookie Kimi Antonelli maintains a narrow lead over George Russell by seven points in the world championship. Norris, the defending champion, claimed his first win of the year, extending his streak of sprint victories in Miami. The 19-lap dash was a staid affair, but Norris's calm control out front opened a two-second gap to Piastri by lap six.Mercedes' Update Drought ExposedMcLaren's Upgrade Success: The British team brought major upgrades and exceeded expectations, outperforming both Mercedes and Ferrari.Mercedes' Struggle: The Silver Arrows arrived without substantial developments and could only manage fourth and sixth place.Ferrari's Pace: Charles Leclerc secured third, suggesting the Scuderia has also made significant strides since the mid-season break.McLaren's Title Aspirations RebornThe result represents a remarkable turnaround for McLaren, who were off the pace in the opening races. With their form now clearly ahead of schedule, the team is right back in the title fight. If they can replicate this pace in qualifying and the main race, both Norris and Piastri must be considered serious contenders for the championship trophy.

Norris’s Sprint Pole Marks a Shift in the Early‑Season LandscapeLando Norris put McLaren on pole for Saturday’s sprint qualifying at the Miami Grand Prix, breaking Mercedes’ unbeaten run in the opening races.Upgrade Arms Race Fuels Qualifying Battle in MiamiAfter a five‑week pause caused by the cancellation of the Bahrain and Saudi Arabian rounds, teams returned with extensive upgrades and the first appearance of the season’s new technical regulations. Mercedes arrived with no major package, while Ferrari and McLaren introduced substantial aerodynamic and power‑unit tweaks aimed at closing the performance gap.Time Gaps, Grid Positions and Championship Points SnapshotLando Norris – pole, 0.00sKimi Antonelli – 0.20s behind, secondOscar Piastri – thirdGeorge Russell – sixthCharles Leclerc – fourthMax Verstappen – fifthLewis Hamilton – seventhCurrent Drivers’ Championship: Kimi Antonelli leads by nine points over teammate George Russell. Mercedes remains unbeaten in race wins but has not secured a pole this weekend.Potential Upset to Mercedes Dominance and Title ImplicationsThe McLaren pole suggests that the upgrade race could erode Mercedes’ early advantage, especially if Ferrari’s developments translate into race‑pace performance. A stronger showing from Red Bull in Florida could also revive Max Verstappen’s title challenge, which currently sits ninth in the standings.Weather, New Rules and Sprint Format Set the Stage for an Unpredictable SundayLocal forecasts predict an 85% chance of heavy thunderstorms on Sunday. FIA protocol mandates a race‑stop if lightning strikes within an eight‑mile radius, and officials may move the start time forward. Should rain arrive, it will be the first wet‑weather test for the newly‑regulated cars, adding another variable to the championship battle.

The Hollywood Pop Star Paradox For anyone with even the slightest interest in Hollywood, it is not entirely surprising that Anne Hathaway recently appeared on Popcast, the New York Times critics' podcast that has become a premier destination for music promotion. After all, the actor – whose last appearance in a musical bagged her an Academy Award – is a major part of one of the best recent movies to show pop stardom on screen. The Challenge of Creating Fictional Pop Icons The Idea of You successfully conveyed the idea that Hayes Campbell (Nicholas Galitzine) was the breakout star of a crushable 2010s boyband with a feral fanbase called August Moon. And by "successfully conveyed", I mean the film remixed a string of One Direction-esque iconography – the jaunty rock-lite choruses, fizzy cheerfulness and class clown antics – into actual music videos and convincingly banal bops. The bar is low; many, many films have created bespoke pop stars and/or music for alternate cultural histories, but vanishingly few transcend pastiche. When High Ambition Meets Disappointment I found myself missing the catchy yet entirely forgettable output of August Moon while watching the much more highbrow-aiming Mother Mary, which similarly tries very hard to conjure the magic of a generational pop icon by remixing the recognizable. Diva signatures abound – Mother Mary struts like Taylor Swift, stuns in goddess repose a la Beyoncé and bears the ornate hand tattoos of Ariana Grande. She shares with Lady Gaga an imperial remove, haute styling and maternal forbearance (as well as some biography – Lowery seems more than a little inspired by Gaga's mid-career falling out with Laurieann Gibson, the creative director behind her first two albums.) The Elusive Quality of Authentic Stardom It's certainly not for lack of trying, nor caring. By all accounts, the pop elements of Mother Mary, meant to color a character whose relationship to fandom serves as an overarching metaphor, were made with great reverence for an artform often easily dismissed as, well, easy. On the Popcast, Hathaway waxes poetic about studying pop music like an academic, and Mother Mary certainly appears erudite – speaking nonsense, sure, but well-versed in the precise choreography, deific grace and outsized persona of an archetypical pop star. But the effect is not, as FKA twigs put it in the same interview, "total feeling" despite imperfect approximation. The Real Thing vs. Fictional Creation It helps to bank on the real thing. Though Bradley Cooper's A Star Is Born was ultimately about a fading male rock star, it is Lady Gaga's meta-transformation, from high camp into stripped-down singer-songwriter with glinting ambition, that powered the anthemic Shallow into a crossover hit. The imagination of an alternate, artistically compromised Brat Summer in Charli xcx's satirical mockumentary The Moment was ultimately listless, but the film at least had some of her volatile star power to burn. That prospect of verisimilitude to the real, established thing propels our evergreen fascination with the much more successful genre of musical biopics, from Michael to Rocketman, Bohemian Rhapsody to Springsteen: Deliver Me from Nowhere. When Pop Stardom Works as Backdrop A handful of recent movies have fared better when using pop stardom as a backdrop to the action, rather than thematic engine. The horror films Trap and Smile 2, released in 2024, both staked arena shows for youth-skewing female stars as the focal point for genre conventions, built out with music videos, Drew Barrymore crossover appearances celeb cameos and original music befitting a mid-tier musician. The recessive output of Skye Riley (Naomi Scott) or Lady Raven (Saleka Shyamalan, daughter of director M Night) works, in that it appears as generic to some (say, Josh Hartnett's girl dad / serial killer) as it is indispensable to young fans. The Most Compelling Pop Star Portrayals Each of these carve some vague path through the vast morass of modern celebrity; far fewer have the nerve to actually commit to a corner. Alex Russell's criminally underseen Lurker, released last year, strategically deploys atmospheric, entrancing music, with just enough snippets of video, to pad a portrait of toxic adjacency, in which an obsessive fan wheedles his way into a singer's entourage that got too comfortable laundering trust and envy. But it's Vox Lux, Brady Corbet's 2018 precursor to The Brutalist, that remains the most divisive and compelling pop star movie in recent memory for its pitch-black view of pop music as fundamentally empty, stardom a Faustian bargain. The Future of Pop Stardom on Screen Vox Lux, at least, expressed some irreducible confidence nowhere to be found in Mother Mary's diva-off. For all its posturing, and for Hathaway and Michaela Coel's sincere commitment to chewing scenery, the film is surprisingly weightless – untethered from the real humiliations, the grueling labor, the compromised artistry that makes pop stardom such a potent subject in the first place. Hollywood may continue to try its hand at creating pop stars, but until it understands that the magic cannot simply be manufactured, these portrayals will remain echoes rather than icons.

The Comeback Story: Coleman's French RenaissanceThere are few Bordeaux Bègles players better qualified to explain how it feels to be at the center of European rugby's newest force quite like Adam Coleman. Three years ago, their paths collided in almost perfect timing, with Bordeaux mid-table and Coleman unceremoniously dropped into rugby purgatory after London Irish's collapse. His move to France has proven to be an inspired decision for both parties, with Coleman playing a pivotal role in UBB's rise to the top of club rugby, culminating in their Champions Cup triumph over Northampton last year.From Career Crisis to Champions Cup GloryColeman's career looked to be over when London Irish went out of business in the summer of 2023 before his move to France with Bordeaux. As a dual-international with both the Wallabies and Tonga, as well as experiencing rugby in almost all corners of the sport's geographical footprint, Coleman is used to the unconventional. Being one of the few non-French speakers in the Bordeaux squad hardly feels too challenging for the 34-year-old, who has taken this challenge in stride to give his career fresh impetus.The Financial and Professional Impact of Overseas RugbyWhen London Irish went down, Coleman genuinely didn't know what would happen next for his career. "But to come here, to meet the people and live in Bordeaux: it's an incredible place," he says. "You get this incredible lifestyle and the opportunity to play with so many great French internationals. There's all the benefits of playing overseas." This move represents more than just a career extension—it showcases how financial instability in one league can lead to unexpected opportunities in another, with clubs like Bordeaux benefiting from experienced international players seeking new challenges.Transforming French Rugby's European AmbitionsThis is no end-of-career French sojourn. There is history aplenty to be made in Bordeaux, with the reigning champions now just two wins away from joining the elite list of clubs who have gone back-to-back in European rugby's premiere competition. Coleman's arrival at Bordeaux in 2023 coincided with Yannick Bru joining as head coach, and while a maiden Top 14 title remains elusive, UBB's success in European rugby suggests more silverware is not too far away. "I can't comment on the last coach because I wasn't here but maybe it was a fresh start that UBB needed," Coleman explains. "It's really showed in the way we're playing and the professionalism of the team and really taking that step forward from where we were when I joined."Path to Back-to-Back Glory: Bath as the First HurdleBath are the first obstacle in Bordeaux's way this Sunday as they seek to defend their Champions Cup title. It promises to be an intriguing affair of contrasting styles. "They like to control the game, put a lot of structure into the game and we like to play a brand of more elusive rugby," Coleman says. "It'll be a good game of rugby." With players like Finn Russell in Bath's ranks and Louis Bielle-Biarrey in Bordeaux's—who Coleman describes as a "once in a generation player"—the quality on display will be exceptional. Coleman turns 35 later this year but there is no sign of him slowing down, with the French lifestyle and the journey Bordeaux are on having clearly gotten under his skin.

The Enduring Appeal of Highlander The sheer barking madness of this fantasy time-travel adventure from co-writer Gregory Widen and director Russell Mulcahy, now on re-release for its 40th anniversary, can best be described as Terry Gilliam meets James Cameron. The chiselled features of its Franco-American star Christopher Lambert – a kind of VHS Marlon Brando – are a minor source of diversion on their own and his Scottish accent has to be heard to be disbelieved. And Celia Imrie’s small role as the sexy but duplicitous 16th-century Scottish villager seals the deal on Highlander’s cult status. A Wacky Story of Immortals Forty years on, this depends more than ever on appreciating its trace of deadpan black comedy. Highlander’s wacky story concerns Connor MacLeod, smoulderingly played by Lambert, a fiery young warrior in the Scottish Highlands in the 1530s, who appears to have been killed during a war with the opposing Fraser clan. But he comes back to life, leading the excitable community to think he’s possessed by the devil. Driven out of the village, his only ally is his great love Heather (Beatie Edney), but the couple are astonished to encounter what appears to be an effetely dressed Spanish nobleman, played by Sean Connery, who incidentally displays in this film some very useful horsemanship. A Legacy of Action and Adventure But Connor has no choice but to accept his destiny, living on through the centuries. He fights a duel in 18th-century Europe, and during the second world war saves a child from the Nazis, who grows up to be Rachel (Sheila Gish), his secretary in an antiques business he runs in present-day New York under the name of Russell Nash. Every 40 or 50 years, he has to keep changing his identity using misappropriated death and birth certificates, meaning that Highlander can be added to the long list of movies and books who have borrowed Frederick Forsyth’s fake ID scam from The Day of the Jackal. A Cult Classic Reborn But NYPD officer Brenda (Roxanne Hart) has figured out that something is off about Mr Nash, who is preparing for a grand showdown with an evil immortal called the Kurgan, played by Clancy Brown; like Connor he is a great swordsman, and immortals can only be killed by being beheaded. The film’s galloping silliness never lets up, though it is perhaps an acquired taste: those who can’t indulge it may find themselves reminded of Quentin Tarantino’s belief that the 1980s were one of cinema’s worst decades. But those who can indulge it will find it uniquely quirky, funny and eccentrically ambitious. Release and Re-release Highlander is in UK cinemas from 4 May and on UHD and Blu-ray from 29 June.

Lancashire County Cricket Club has become the unwitting poster child for the ECB’s experimental injury‑replacement system introduced for the 2026 County Championship. With multiple denied subs and a pay‑wall looming over Old Trafford’s live stream, the club’s recent defeats highlight growing pains in the new rule. The New Injury‑Replacement Trial Hits Lancashire The ECB now permits teams to replace a player mid‑match for injury, illness or “significant life events”, subject to referee approval and medical documentation. There is no cap on the number of changes and the replacement must be “like for like”. Lancashire’s attempts to bring in Tom Bailey for Ajeet Singh Dale, and later George Bell for Arav Shetty, were rejected because referees judged the substitutes not sufficiently comparable. Numbers So Far: 16 Replacements in 29 Matches 16 injury/illness replacements recorded across the first 29 fixtures. +1 for concussion, bringing the total to 17 changes. England’s eight‑day stand‑down rule contrasts with Australia’s twelve‑day rule. Compared with Australia’s seven changes in 31 games, England’s rate is more than double. Why the Rules Are Disrupting County Strategies Referees are now making subjective judgments about experience, age and past performance, effectively second‑guessing selectors. Lancashire’s loss to Durham, where they could not field a frontline spinner, illustrates how the “like‑for like” clause can strip a side of balance, forcing seamers to bowl off‑breaks and weakening the attack on deteriorating pitches. Coaches such as Russell Domingo have joked about exploiting loopholes, underscoring concerns that the system could be gamed. What’s Next for Substitutes in English Cricket? The ECB has stressed the trial is “very much a trial” and mid‑season tweaks are possible. Expected outcomes include clearer definitions of “like for like”, possible caps on the number of changes, and alignment with international standards. If the experiment proves disruptive, the board may revert to stricter limits before considering similar rules for Test cricket.

Elon Musk Takes the Stand in OpenAI Governance DisputeElon Musk appeared before Judge Yvonne Gonzalez Rogers on Wednesday, offering a detailed account of his grievances against Sam Altman and the other OpenAI co‑founders. The core of his argument is that they "stole a charity" by converting the nonprofit into a for‑profit lab that now dominates the organization.Testimony Reveals Musk’s Claims About OpenAI’s Non‑Profit OriginsMusk recounted his early involvement in 2015‑2016, describing how he trusted the founders to build AI for humanity. He said he later grew suspicious, alleging the team "looted the nonprofit" after launching a for‑profit arm. During cross‑examination, OpenAI counsel William Savitt highlighted Musk’s own support for a for‑profit transition as early as 2016, noting Musk even explored a structure where he would hold majority equity.Financial Discrepancies and Funding Figures Unveiled$100 million – Musk’s tweet claiming he invested this amount in OpenAI, contrasted with the $38 million actually transferred.$100 million – Musk’s assertion that his reputation and network compensated for the funding gap.2017 – Musk explored creating a for‑profit arm with majority control, a plan that later collapsed.2020 – Musk stopped regular donations but continued paying for OpenAI’s office space.Implications for AI Safety and Corporate ControlThe lawsuit hinges on the premise that OpenAI’s shift to a traditional corporation threatens societal safety by diluting its nonprofit‑focused safeguards. While the judge halted immediate questioning on the Tumbler Ridge shooting linked to ChatGPT, she signaled that broader safety debates—especially concerning xAI and OpenAI—remain on the docket.What’s Next: Upcoming Testimony and Potential Industry FalloutMusk is scheduled to return Thursday for further adversarial questioning, joined by his family office manager Jared Birchall, AI safety expert Stuart Russell, and OpenAI president Greg Brockman. The outcome could reshape investor profit caps, influence future AI governance frameworks, and affect how major players like Microsoft and Tesla navigate profit‑driven AI development.