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The Enduring Magic of Baseball Baseball's relationship with superstitions and curses stretches back to its earliest days, with the infamous Curse of the Billy Goat being just one example. When Chicago bar owner William Sianis was denied entry to the 1945 World Series with his pet goat Murphy, he allegedly cursed the team, which then went 71 years without winning another championship. This story, along with countless other rituals and beliefs, forms the foundation of baseball's unique relationship with the magical and supernatural. A New Book Explores Baseball's Mystical Side Author, journalist, and New York Mets fan Addy Baird has chronicled baseball's rich tradition of superstitions in her new book, "The Magical Game: The Spirit and History of Baseball's Superstitions, Rituals, and Curses." Baird became fascinated with baseball's magical elements while cheering for the Mets, finding herself becoming increasingly superstitious as the team had successful stretches. "I changed the way I acted, things I did, wore, watched, said, ate," she admits, trying to influence the team's performance through her own rituals. Legendary Superstitions and Rituals The book documents numerous baseball superstitions throughout history. Turn-of-the-century managers like Connie Mack and John McGraw relied on human mascots to bring their teams good luck. Wade Boggs famously ate chicken before every game during his career in the 1980s and 1990s. More recently, a Seattle Mariners fan believes that holding a pair of slippers somehow negatively affected his team's performance, while a Tampa Bay Rays fan plays Middle Earth music during difficult innings despite having no interest in Lord of the Rings. Even in softball, superstitions persist—this week it was revealed that a top college player eats ladybugs in the dugout for good luck. The Psychology Behind Baseball's Magic When asked what makes baseball particularly prone to magical thinking, Baird identifies several factors: the presence of luck, the game's unique structure, and its repetitive nature. "Basically, when a sport has fewer instances of scoring, luck is a bigger factor," she explains. Baseball's structure is also distinctive as "one of the only games we play, and the only major North American sport, where the defense has the ball," creating an uncertain environment. The repetitive nature of the game—with batters facing dozens of pitches over a 162-game season—further compounds the uncertainty, creating what Baird calls "a perfect environment for magic to thrive." Baseball's Mythological Foundations Baird connects baseball's structure to ancient mythological patterns, noting that MLB's official historian John Thorn observed that "the form of the game itself mirrors that of the Odyssey." The nine innings represent the hero's journey: starting at home, facing potential failure, and embarking on a journey with the goal of returning home. "The story of this myth is embedded in the game itself. Magic is in its very structure," Baird concludes. This connection helps explain why baseball has developed such rich traditions and superstitions throughout its history. Evolution of Baseball's Magic The book also examines how recent changes to baseball, including sabermetrics and new rules like the pitch clock, might affect the game's magical elements. Initially, Baird believed these changes were killing baseball's magic, but her research revealed a long tradition of people claiming "baseball is dying" since the 1860s. She now believes "the game should evolve, an unchanging thing is a dead thing." Interestingly, she finds that sabermetrics actually "help us to see what makes [baseball] unique, what makes it special, what makes players exceptionally good... Those numbers reveal to us the magic." Baseball's Appeal Beyond the Field Through her research, Baird not only completed a manuscript but also discovered a new career path. In addition to her journalism work, she has become a practicing astrologer. "It was one of my really interesting side quests," she says. "I do readings for people, reading charts." Whether you're a baseball enthusiast or someone interested in magic and ritual, "The Magical Game" offers something for everyone. As Baird explains, "it's a book for people who love baseball, also for those who do not care about baseball at all" and "for the people who love magic, looking at it through a lens they may never have considered before."

Washington unveiled a new package of sanctions on Miguel Diaz‑Canel and close relatives, as well as the Cuban Ministry of the Revolutionary Armed Forces and the Committees for the Defense of the Revolution. The measures, posted on the U.S. Treasury website on June 5, 2026, are part of a broader strategy to increase pressure on the communist‑led island, which is already suffering from severe energy blackouts and food shortages. Sanctions Unveiled: Targeting Cuba’s Leadership and Military Apparatus The Treasury’s action names the president’s wife, stepson, and relatives of former leader Raúl Castro—including his son and grandson—as designated individuals. It also places the Ministry of the Revolutionary Armed Forces, the Cuban military, and the Committees for the Defense of the Revolution (CDR) on the sanctions list, effectively freezing any U.S. assets and prohibiting American entities from conducting transactions with them. Quantifying the Economic Strain: Blackouts, Fuel Shortages, and Aid Dependence Diesel shortages have forced generators to run on limited fuel since January, producing power outages of up to 22 hours per day. Water and food supplies are critically low, prompting reliance on humanitarian shipments from Mexico and China. The U.S. naval energy blockade, intensified alongside the sanctions, has exacerbated the island’s energy crisis. Geopolitical Ripple Effects: U.S.–Cuba Relations and Regional Tensions President Donald Trump framed the sanctions as part of a broader campaign against left‑wing governments in the Americas, linking the Cuba pressure to his ongoing focus on Iran. Cuban officials, including Foreign Minister Bruno Rodríguez, denounced the measures as “vile” U.S. interventionism, promising heightened unity and resolve. The escalation risks further destabilizing an already fragile bilateral relationship and could influence neighboring countries’ diplomatic calculations. Looking Ahead: Potential Scenarios for Cuba and U.S. Policy Analysts warn that continued energy blockades and financial isolation could push Cuba toward a humanitarian collapse, prompting either increased international aid or a forced policy shift in Havana. Conversely, the U.S. may leverage the sanctions to extract concessions on human‑rights issues or to pressure Cuba into renegotiating the decades‑old trade embargo. The next few months will likely determine whether the island can sustain its current crisis or whether Washington will consider additional diplomatic or military options.

Lead: A Raw, Rugged Country‑Rock Debut from Jazz Saxophonist Zoh AmbaVeteran free‑jazz saxophonist Zoh Amba steps out of the improvisational realm with ‘Eyes Full’, a country‑rock record that feels both bruised and beautiful. The album opens with the track “OCD”, where a twinkling guitar riff gives way to a chaotic, blustering strum that mirrors the lyrical theme of a boy “diagnosed with ‘dreamin’ all the time’”.From Free Jazz to Country Rock: The Musical PivotAmba’s hometown of Kingsport, Tennessee informs the record’s lyrical landscape, with cryptic postcards recalling childhood memories. While Amba is best known for saxophone virtuosity, the new material showcases a vocal approach as daring as their instrumental work—pushing past breaking points, cracking, whinnying, and squeaking to convey raw emotion.Tracks like “Southern Soil” echo the intensity of indie folk acts such as Bright Eyes and Big Thief, while “Weed Eating” balances feral humour with despair, and “Blueberry Thorn” offers a dusty fiddle that feels as piercing as literal thorns.Why “Eyes Full” Reshapes the Indie Country LandscapeThe album’s blend of gritty guitar work and tender lyricism challenges the conventional boundaries of indie country, suggesting that genre‑fluidity can thrive when an artist brings the same fearless improvisation from jazz to a new sonic field. By marrying experimental aggression with heartfelt storytelling, Amba creates a template for future cross‑genre explorations.Looking Ahead: What This Shift Means for Amba’s Future and the GenreIf “Eyes Full” resonates with listeners, it could open doors for Amba to oscillate between jazz and country‑rock, perhaps even spawning collaborations that further blur genre lines. For the broader indie‑country scene, the record signals that authenticity rooted in personal history can coexist with avant‑garde experimentation, encouraging other artists to take similar bold detours.

The Launch of The Guardian's Breakdown NewsletterThe Guardian has introduced its new Breakdown newsletter, representing a strategic move in the rapidly evolving digital media landscape. This new initiative aims to provide readers with curated, in-depth analysis and breaking news in a digestible format that caters to modern reading habits.Revolutionizing News DeliveryThe Breakdown newsletter leverages The Guardian's renowned journalistic expertise while adapting to contemporary digital consumption patterns. By focusing on concise yet comprehensive reporting, the publication aims to bridge the gap between traditional long-form journalism and the demand for quick, accessible information in today's fast-paced media environment.Industry Impact and Reader EngagementThis development signals a broader trend in the media industry toward specialized newsletter formats that foster deeper reader relationships. The Guardian's entry into this space with the Breakdown newsletter demonstrates how established media organizations are innovating to maintain relevance and audience engagement in an increasingly competitive digital ecosystem.The Future of Newsletters in MediaAs digital platforms continue to reshape how audiences consume information, newsletters have emerged as a powerful tool for media organizations to deliver direct, unfiltered content to their readers. The Guardian's Breakdown newsletter is positioned to become a key player in this growing segment, potentially setting new standards for quality digital journalism in newsletter format.

The Takeover Deal Evoke, the owner of William Hill and the 888 online casino brand, has agreed a £243m takeover by the Greek casino and lottery operator Bally's Intralot. The Background of the Deal Evoke has been locked in talks with the Athens-listed Bally's Intralot, which has extensive international operations including in the US, for the past two months. The deal comes four years after Evoke, previously known as 888 Holdings, paid £2.2bn to buy William Hill's network of 1,400 high street bookmakers. The Impact of UK Gaming Tax Changes The companies said the government's announcement in November of a significant increase in remote gaming duty, from 21% to 40%, triggered a “material shift in the UK operating environment” that will “create meaningful dislocation across the competitive landscape”. Evoke's shares have fallen by 90% since the William Hill acquisition. Market Reaction and Future Outlook Shares in London-listed Evoke soared by more than 12.5% in early trading as investors welcomed the takeover deal. Evoke has net debt of about £1.8bn and a market value of just over £180m. The Evoke chief executive, Per Widerström, has previously said that the changes in gambling tax would cost the business up to £135m a year. Mark Summerfield, the chair of Evoke, said the deal represented “the most attractive and deliverable outcome for Evoke shareholders”. The Future of Evoke and Bally's Intralot Soo Kim, the chair of Bally's, said that Intralot was confident the deal would “deliver substantial benefits for both Intralot and Evoke shareholders”. Intralot provides technology for 12 state lotteries in the US and has operations in Europe, South America, north Africa, south-east Asia, Australia and New Zealand.

The Lead American pianist Simone Dinnerstein presents two works by Philip Glass, performing alongside her own string ensemble Baroklyn. The album, titled 'Hourglass', offers a refreshing interpretation of Glass's minimalist compositions. The Event Details The album features Suite from The Hours, arranged by Michael Riesman, which splices Glass's score for Stephen Daldry's film into an almost symphonic three-movement work. The other work, Tirol Concerto from 2000, is the first concerto Glass wrote for piano. The central elegy of the concerto is particularly noteworthy, showcasing Dinnerstein's insightful approach. The Data Analysis No specific data was provided in the article. The Impact Analysis Dinnerstein's approach to Glass's compositions allows for a more organic and breathing interpretation, diverging from the typical mechanical rendering of minimalist music. This fresh perspective makes the album a compelling listen for fans of classical music. The Prediction Given the positive reception of this album, it is likely that Simone Dinnerstein and Baroklyn will continue to explore and interpret the works of Philip Glass and other classical composers, potentially leading to more innovative and soothing musical experiences.

The Comeback That Never MaterializedJust over a year ago, Lizzo appeared on Saturday Night Live, announcing a new album called Love in Real Life in grandstanding style. Wielding an electric guitar, clad in a Trump-baiting T-shirt that read Tariffied, she performed its title track and two other new songs, Still Bad and Don't Make Me Love U. As with her appearance earlier the same week on a late night talkshow – during which she ran into the audience to high-five fans who were yelling "we love you Lizzo!" – it looked very much like a defiant comeback, fit to drag her out of the controversy that erupted at the end of her hugely successful 2023 world tour. Three former backing dancers and a costume designer filed lawsuits against the singer alleging harassment and discrimination: damaging claims given how Lizzo's songs have preached a message of inclusivity, body positivity and self-confidence. Some of the allegations were dismissed by a judge but others are ongoing; Lizzo has refused to settle out of court, saying: "I'm fighting the case because I know that it's not true."The Album That Never WasBut the Love in Real Life single, a pivot towards rock that owed a little to Tom Petty's American Girls – or the Strokes' American Girls-indebted Last Nite if you prefer – failed to make the charts, a far cry from the period between 2018 and 2022 when Lizzo's singles seemed to go multi-platinum as a matter of course. The same fate befell Still Bad, a track much more in the vein of her big hits, prompting a rethink. The album was pulled, Lizzo apparently taking control of her own destiny – "I need to do shit my way". A mixtape that returned her more-or-less to where she started, before pop stardom came calling – punchy hip-hop, albeit tricked out with guest appearances from Doja Cat and SZA – appeared in its place: My Face Hurts from Smiling received mixed reviews and underwhelming streaming figures.A Career at a CrossroadsAll of which means that Bitch, her fifth album proper, lands at a deeply peculiar juncture in Lizzo's career. Given that the public apparently don't want her going rock, nor rapping in the style of her 2013 debut Lizzobangers, nor indeed making the kind of music they were buying in their millions three years ago, the question of what they actually do want has presumably hung heavy over its making.Musical Identity CrisisLizzo hasn't come up with a definitive answer. Bitch tries a bit of everything, from pastiching Tame Impala on Happy 2 Be to making clipped new-wave rock decorated with Cure-like guitars on She Stole My Man; Sexy Ladies is a girls-night-out-soundtracking reiteration of the old body positivity message. This scatter-gun approach makes Bitch a disjointed listen.The Subdued ToneMoreover, there's something oddly subdued about its tone, whether it's dabbling in 80s retro – Don't Make Me Love U brings to mind the arena-rousing keyboard hook from Tina Turner's The Best, but renders it into a distant, affectless backing vocal – or delving into jazzy R&B; on Too Nice. The vibraphone-heavy beat on the latter is fantastic, rich in small-hours atmosphere, but the actual song feels nondescript: it only really comes to life in its dying moments, when Lizzo stops singing and starts playing a flute solo. The title track interpolates the chorus from Meredith Brooks' 1997 pop-grunge hit of the same name, but somehow flattens it in the process. Crooned over smooth, G-funky R&B;, it feels stripped of its fiery power, less of a snarl and more of a shrug.Equivocal LyricsThe lyrics often seem similarly equivocal. You don't want for apparent references to Lizzo's recent woes – "I hope it makes you happy to hurt somebody else", "the thing about depression, you think your life is over", "you'd still be working at the mall if it wasn't for me" – but they ultimately feel neither pugilistic nor racked, just confused and sore: "I have feelings too," she sings on piano ballad A Toast.Highlights Amidst the StruggleNot everything here is underwhelming: Whose Hair Is This is a great southern soul pastiche, home to an impressively raw vocal and a snappy plot twist at the end of the lyrics; That Grrrl employs an old-school Chicago house bassline to energising effect. But what's definitely lacking is an unequivocal pop smash, the kind of thing that Lizzo once seemed to be able to write to order.A Changing Cultural LandscapePerhaps that's inevitable. One of the reasons Lizzo hit so big in the first place was that she made pop music that perfectly captured a zeitgeist, and that zeitgeist has moved on: the era of body positivity has been displaced by the era of Ozempic and Mounjaro; the kind of post-pandemic, post-Trump optimism embodied on 2022's About Damn Time now sounds like a transmission from a distant lost age. We're living in a different world now, and Bitch suggests Lizzo has yet to work out how to respond to it: "I'm doing my best," she sings on A Toast, which feels like the most telling lyric of all.

The Datacenter Dilemma Kevin O'Leary, a flamboyant venture capitalist and co-host of Shark Tank, is at the center of a climate controversy in Utah. He is a key backer of a plan to build one of the world's largest datacenters in a parched corner of the state. The Scale of the Project The proposed datacenter, known as Stratos, will span 40,000 acres of rural Utah and is expected to double the entire energy use of the state. The project has sparked fierce backlash from local residents, who are concerned about rising power bills and water demand on the shrinking Great Salt Lake. The Water Usage Conundrum The datacenter's massive water usage is a major concern, with estimates suggesting it will require 73 billion gallons of water to cool the computers by 2028. This has raised questions about the sustainability of datacenters, particularly in areas with limited water resources. The Impact on Local Communities The grassroots revolt against datacenters is gaining momentum, with many communities expressing concerns about the environmental impact. The controversy has also sparked a bipartisan response, with some politicians calling for the projects to be downsized or reevaluated. The Future of Datacenters As the demand for datacenters continues to grow, driven by the expansion of the artificial intelligence industry, the question remains: what cost to our environment are we willing to tolerate? The debate over datacenters highlights the need for a more sustainable approach to resource management and energy production.

The Encounter with the 'Queen of Trees' I breathe in the bluebells as a blackcap sings. At the crescendo, a flash of yellow breaks up the blue – a brimstone butterfly flies up to my face, then moves back, approaches, then draws back, repeating the fluttered action until I follow. A Moment of Connection in the Forest Together, we weave through fresh-scented firs before my companion flits away and I realise that I have come further into the forest than intended. My feet start to throb and the wind, as the sky grows overcast, brings a chill. I see the leaves of a vaulted canopy stir overhead and feel the softest carpet of fallen catkins underfoot. Although the threat of rain urges me forwards, a tree, an imposing common beech, makes me stay. The Majesty of the Common Beech Looking up through the domed crown, I think of the beech’s moniker as the queen of British trees. The long-living, high‑growing beech can grow over 40 metres tall and – with age, perhaps spanning multiple centuries – provide habitats for deadwood specialists like wood‑boring insects and hole‑nesting birds. This tree’s girth speaks of a long life that I find myself imagining; how many winds have run through the leaves, how many birds have been held in the branches, how many foot‑sore humans have found relief sinking into fallen catkins? A Shared Moment with a Tawny Owlet Thinking myself alone, it takes a confused moment to disentangle my eyes from another’s, to realise that – deep in the tree’s crevice – a tawny owlet is watching me. My eyes take small circuits around the white patches of the bird’s face: first the beak, then over the left eye, the right, then back again. I blink. It blinks. I blink. It blinks. We are reaching some kind of accord. A Peaceful Goodbye I move back a little and wait. Every now and then, its eyes meet mine. It blinks. I blink. It would be easy to fall asleep, as no doubt it was before my approach. But I know that I cannot stay. As I edge away, I mutter thanks to the brimstone for taking me on a different route, for leading me to this sheltering beech and the secrets that it keeps.