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The LeadEnsemble Modern and HK Gruber's album "Dancing on a Volcano" presents an eclectic snapshot of musical Germany between 1920 and 1933, capturing a creative era that would be suppressed by the Nazi regime. This live recording features works by composers who ultimately fled Germany, their music deemed "too modern, too jazzy, too Jewish" by the rising fascist power.The Musical Landscape of Pre-War GermanyThe album showcases four distinct voices from this turbulent period. Hindemith's Kammermusik No 1, premiered in 1922, was controversially described as having "a lewdness and frivolity only possible for a very special kind of composer." Gruber's performance embraces its neo-classical spikiness and jazz-age energy with almost cartoonish glee.In contrast, Korngold's 1920 music for Shakespeare's Much Ado About Nothing represents Viennese neo-Romanticism, which Gruber leavens with a pinch of acerbic wit. Schoenberg's Accompaniment to a Cinematographic Scene, premiered in 1930 under Klemperer, offers eight minutes of existential angst in Johannes Schöllhorn's lean-textured 1993 chamber version.The Historical Context and Cultural SignificanceThe period represented by this album—1920 to 1933—encompasses the Weimar Republic, a time of extraordinary cultural flourishing in Germany despite economic and political instability. The featured composers represent the diversity of musical expression during this era, from Hindemith's modernism to Korngold's Romanticism to Schoenberg's atonality.What makes this recording particularly significant is how it captures music that would soon be suppressed by the Nazi regime. The album's title itself, "Dancing on a Volcano," evokes the sense of living on the edge of catastrophe that characterized this period.The Legacy of ExileAll four composers featured on this album ultimately left Germany and settled in the United States, forced into exile by the Nazi regime. Their departure represented a profound brain drain for German musical culture, as these composers had been at the forefront of musical innovation.The jewel in the crown of this recording is Gruber and Christian Muthspiel's Kurt Weill Foundation-sanctioned arrangement of The Seven Deadly Sins. Wallis Giunta's performance, more opera diva than Weimar chanteuse, delivers no shortage of bite, while Amarcord's male quartet kvetch and wheedle as her rapacious family. Gruber's razor-sharp yet flexible interpretation drips idiomatic venom.Contemporary Relevance and Musical ResilienceThis album serves as both a historical document and a vibrant musical experience. The works featured demonstrate not only the creativity of this period but also the resilience of art in the face of political oppression. By recording these pieces today, Ensemble Modern and HK Gruber ensure that this important chapter in musical history continues to be heard and appreciated.The recording is available on streaming platforms, making this historically significant music accessible to new audiences who might otherwise never encounter these works. In an era where political polarization once again threatens artistic freedom, this album serves as both a reminder of what was lost and a celebration of what endures.

Ian McKellen’s comeback as King Lear at the newly rebuilt Yard Theatre Ian McKellen is set to return to the stage in his first major role since a 2024 fall, taking on Shakespeare’s tragic monarch in the opening season of the revamped Yard Theatre in Hackney Wick, east London. The Yard Theatre’s ambitious reopening with a Shakespearean heavyweight The Yard, originally a pop‑up space in a disused warehouse in 2011, has been completely rebuilt after winning an Olivier award for its final production in the old building. The new curved auditorium doubles the previous capacity, offering 220 seats while retaining an intimate atmosphere. Jay Miller, founder and artistic director, describes the production as a “reimagining” developed with playwright Simon Stephens, focusing on themes of kingship, loss and memory. Venue: New Yard Theatre, Hackney Wick Capacity: 220 seats (up from 110 in the original space) Opening production: King Lear starring Ian McKellen (age 87) Creative team: Directed by Jay Miller, script by Simon Stephens Ticket price floor: £10 Scale and economics of the new 220‑seat venue The increase to 220 seats means the Yard can sell roughly twice as many tickets per performance, potentially generating up to £24,200 per show at the £10 minimum price point. With a season of six productions, the venue could see annual box‑office revenue exceeding £1 million, a significant uplift for a fringe theatre that previously operated on a modest budget. What McKellen’s casting means for London’s fringe theatre ecosystem Securing a legend like Ian McKellen elevates the Yard’s profile nationally and internationally, attracting media attention and new audiences to a space traditionally known for experimental work. The production also underscores the venue’s role as an incubator for emerging talent, linking established stars with up‑and‑coming creators such as Simon Stephens. Industry observers note that the move could inspire other small venues to pursue high‑profile collaborations, reshaping funding and programming strategies across London’s off‑West End scene. Looking ahead: future programming and the Yard’s role in nurturing new work Beyond King Lear, the Yard’s season includes a 50th‑anniversary staging of Ntozake Shange’s “choreo‑poem”, a London premiere of a Swedish puppet adaptation of Jackie Collins’ debut novel, and new works by emerging playwrights. Miller’s vision positions the Yard as a “key engine room for art and culture”, with plans for a dedicated studio for youth projects and upgraded facilities that promise to attract further investment and talent.

Campbell Brown, once Meta’s inaugural news chief, is now spearheading Forum AI to evaluate how large language models handle complex, high‑stakes subjects such as geopolitics, mental health, finance, and hiring. After witnessing the launch of ChatGPT, she warned that AI could become the primary conduit for information—"not very good"—and set out to build a benchmark system that pairs world‑leading experts with AI judges. Forum AI’s Quest to Benchmark High‑Stakes AI Answers The company assembles experts—including Niall Ferguson, Fareed Zakaria, former Secretary of State Tony Blinken, former House Speaker Kevin McCarthy, and former cyber‑security chief Anne Neuberger—to design nuanced evaluation criteria. AI judges are then trained to match expert consensus, targeting roughly 90% agreement on contentious topics. Funding and Early Metrics: $3 Million Seed Round and 90% Human‑Expert Consensus Seed funding: $3 million led by Lerer Hippeau (closed fall 2025). Founded: 17 months ago in New York. Performance goal: achieve ≈90% consensus with human experts across geopolitics, finance, mental‑health, and hiring benchmarks. Why Current Foundation Models Miss the Mark on Truth and Bias Initial evaluations revealed systematic issues: Gemini sourced content from Chinese Communist Party sites unrelated to the query, and most models displayed a left‑leaning political tilt. Other failures include missing context, ignoring alternative perspectives, and straw‑man arguments—all of which erode user trust. Enterprise Audits as the Next Lever for Trustworthy AI Brown argues that businesses—especially those using AI for credit, lending, insurance, and hiring—have a strong liability incentive to demand accurate, auditable outputs. While many firms currently rely on superficial checkbox audits, Forum AI proposes deep, domain‑expert‑driven evaluations to meet emerging regulatory requirements, such as New York City’s hiring‑bias law. Looking Ahead: From Compliance Checks to a Truth‑Optimized AI Ecosystem Brown believes the industry stands at a crossroads: AI can either cater to user whims or prioritize “what’s real, honest, and truthful.” If enterprise demand for rigorous audits scales, it could force model developers to embed robust truth‑verification mechanisms, shifting the AI landscape toward higher reliability and public trust.

The Arrest of Adan Funez Honduran authorities have arrested three people, including a powerful politician, accused of plotting the 2024 assassination of an environmental leader, an incident that became a symbol of government corruption. Adan Funez, former mayor of the city of Tocoa, was captured at his home on Tuesday on suspicion of masterminding the killing, following years of accusations by religious and environmental leaders. The Environmentalist's Killing Juan Lopez was an anti-corruption crusader who led a community effort against an iron oxide mining project in Colon, a rural region of northwestern Honduras, which activists said endangered the area’s dense jungles and crystalline waters, including protected reserve areas. Lopez was one of the fiercest critics of Funez, a local mayor at the time, as well as a supporter of the mine and a close ally of Honduras’s former president, Xiomara Castro, whose term ended this year. The Investigation and Charges In September 2024, Lopez called on Funez to step down because of a corruption scandal. Days later, the environmental and human rights defender was shot six times in the chest and once in the head by a masked gunman, fuelling demands for justice from Pope Francis, the United Nations and the administration of United States President Joe Biden. Accusations also emerged against Funez, a power-broker in the region’s decades-long bloody agrarian conflict. The death brought back stark memories of the global outcry over the 2016 murder of Honduran environmentalist Berta Caceres. The Impact on Environmental Defenders Protecting the environment is a high-risk profession in Honduras. People like Lopez often act as unwanted eyes and ears in resource-rich areas of Latin America, the most deadly region in the world for environmentalists, according to nongovernmental organisation Global Witness. Global Witness documented 117 killings of environmental and land defenders in Latin America in 2024 alone, amounting to 82 percent of the global total. The Future Outlook The detentions come after a handful of other arrests months earlier, but Funez was long pinpointed by local environmental and religious leaders as the man who spearheaded the assassination. The trial of the three men is set to begin next June. Dalila Santiago, a close friend and leader in Lopez’s movement, said that, after rampant impunity in the Honduras, Funez’s detention on Tuesday came as a shock. She added that Honduran authorities must continue to go after others responsible and business leaders behind the mining project.

Revival of No Mow May on Liverpool’s Road VergesThe Guardian’s latest Country Diary notes that Liverpool City Council reinstated its No Mow May policy after a disruptive mowing incident in 2025. By delaying routine mowing until June, the city gave wildflowers a chance to germinate and attract pollinators.Reduced Mowing Regime Sparks a Burst of Meadow SpeciesField observations in early May revealed a vivid tapestry of flora along the city’s verges. Notable species included:Dandelions blooming at the verge edgesCommon ragwort, white clover, shepherd’s purseCommon chickweed, spear thistle, yarrow, bird’s‑foot trefoilTwo isolated plants of cuckoo flowerIn addition, a flock of 18 starlings was seen foraging, indicating a rapid rise in insect prey.Species Count Highlights a 21‑Species BloomAccording to the diary entry, a total of 21 distinct plant species were recorded on the surveyed verges—a marked improvement over the previous year’s near‑monoculture of grass. This quantitative jump underscores the direct ecological payoff of delayed mowing.Implications for Urban Biodiversity and Pollinator SupportThe surge in flowering plants provides critical nectar and pollen resources for a range of pollinators, including the cinnabar moth caterpillars that feed on ragwort. With 97% of flower‑rich meadows lost since the 1930s and 41% of insect species facing extinction, such micro‑habitats become essential stepping stones for urban wildlife.Moreover, the visible success may encourage other UK councils to adopt similar verge‑management strategies, reinforcing Plantlife’s broader mission to halt biodiversity decline.Looking Ahead: From No Mow May to “Let it Bloom” JuneThe author plans to monitor ragwort for further caterpillar activity and hopes the mowing crew will transition seamlessly into Plantlife’s Let it Bloom June phase, extending the flowering window. Continued community engagement and transparent council communication will be key to sustaining these gains.

Celebrating a Life of Theatrical VersatilityThe Guardian marks the passing of Michael Pennington, an actor celebrated for his resonant voice, striking presence, and effortless stagecraft. His death on 11 May 2026 prompts a reflection on a career that blended classical mastery with contemporary daring.Founding the English Shakespeare Company and Global TouringIn partnership with Michael Bogdanov, Pennington co‑founded the English Shakespeare Company, a troupe that toured worldwide with one‑man shows on Shakespeare and Chekhov. This venture embodied a "rock’n’roll" approach, marrying progressive political themes with nostalgic touring traditions.Founded English Shakespeare Company – late 1980sInternational tours featuring solo Shakespeare and Chekhov performancesSignature Roles Across Classical and Modern RepertoirePennington’s stage résumé includes landmark performances:Berowne in *Love’s Labour’s Lost* (1978, RSC)Hamlet under director John Barton (1980, RSC)Ian McKellen’s counterpart in *Venice Preserv’d* (National Theatre)Wilhelm Furtwängler in Ronald Harwood’s *Taking Sides* (2008, Minerva, Chichester)Solo shows: *Sweet William* (Shakespeare) and a Chekhov portraitInfluence on Contemporary British TheatreBeyond performance, Pennington shaped theatrical practice through direction, writing, and mentorship. His ten books offered practical wisdom for actors, while his involvement in the Gate Theatre’s Pinter festival highlighted his grasp of modern drama. Colleagues recall his ability to blend scholarly insight with warm camaraderie, reinforcing the bridge between classic and new works.Enduring Legacy and Future RemembrancePennington’s impact will persist in the companies he helped build and the actors he inspired. As theatres continue to program his solo pieces and reference his writings, his voice remains a touchstone for those seeking depth across Shakespearean and contemporary stages.

The Life and Legacy of Michael Pennington The actor Michael Pennington, known for his Shakespearean work and his role in the original Star Wars trilogy, has died aged 82, his agent has said. Shakespearean Career and Achievements Pennington, who is listed as an honorary associate artist with the Royal Shakespeare Company, also founded and ran the English Shakespeare Company alongside the theatre director Michael Bogdanov. He played Hamlet, Mercutio and Macbeth, as well as King Lear, Richard II and Henry V. He appeared as Coriolanus, Timon of Athens, Angelo, Leontes and Jack Cade across a 60-year career. He directed Twelfth Night in the UK, Tokyo and Chicago and the Hamlet Project for the National Theatre Bucharest. Tributes and Reflections His fellow actor Miriam Margolyes remembered him as an “old friend, from Cambridge days, a very fine actor, brilliant, wise, clear”. She said: “I am sad beyond measure,” adding: “Bless your dear memory, old chum.” Giving the 2004 British Academy Shakespeare lecture, Pennington described how he had first developed a fascination with the playwright’s work. “Like trying to establish the moment when one first stood up and walked, it is hard for many of us to remember when Shakespeare first entered our lives; but my own memory is extremely precise. Shakespearean verse hit me like a hammer when I was 11. Impact on Theatre and Film Pennington had a long-running association with Bogdanov, who cast him as the lead in Seán O’Casey’s The Shadow of a Gunman in 1980, and in Tolstoy’s Strider: The Story of a Horse, three years later. He worked with Dame Judi Dench and her husband, Michael Williams, starring in King Lear together in the 1970s, among other productions. Alongside his stage work, Pennington appeared in more than 70 onscreen productions – including the third instalment in the original Star Wars trilogy, Return of the Jedi, as the Death Star commander Moff Jerjerrod. Cause of Death and Final Tribute Pennington’s agent, Lesley Duff, said: “After a long and wonderful life and career, Michael Pennington died peacefully in the early hours of Thursday 7 May at Denville Hall.”

The Lead: A Curated Mix of Music History and Contemporary IssuesThe Guardian’s latest "best podcasts of the week" roundup blends nostalgic music storytelling with hard‑hitting current‑affairs series, offering listeners a weekly dose of cultural insight and global perspective.London Records’ 80s Pop Story Takes Center StageHosted by music writer Siân Pattenden, the five‑part series Hit That Perfect Beat: The London Records Story revisits the label’s chart‑dominating era, featuring interviews with artists like Blancmange, Bananarama, Bronski Beat, All Saints and Shakespears Sister. The oral history highlights queer representation, early Girl Power, and the goth‑pop crossover that defined the decade.Urgent Global Narratives in Podcast FormJournalist Ben Bradford launches Are We Do Doom, a hopeful yet sobering series that examines existential threats from nuclear war to climate change, beginning with an episode on the reality of mutually assured destruction.New Voices and Fresh Angles in True‑Crime and ComedyActor Daniel Mays narrates Gangster Presents: The Story of Ronnie Biggs, blending archive audio with fresh commentary on class politics. Meanwhile, comedian Suzi Ruffell revives her interview show in Attitude Presents: Out With Suzi Ruffell, featuring conversations on trans rights with Drag Race star Tia Kofi.American Current‑Affairs Podcast Expands the Guardian’s ReachThe New York bureau debuts Stateside With Kai and Carter, hosted by journalists Kai Wright and Carter Sherman. With three episodes per week, the series tackles war, authoritarianism and climate crises, positioning the Guardian as a daily voice on US politics.Data Analysis: Release Cadence and Audience AccessibilityAll highlighted podcasts are widely available on major platforms.Episodes for most series drop weekly, while the US‑focused show releases three times a week, increasing touchpoints for listeners.The multi‑genre lineup caters to both nostalgia‑driven audiences and those seeking timely analysis, broadening the Guardian’s podcast demographic.Impact Analysis: Podcasting as a Vehicle for Cultural Preservation and DebateBy revisiting 80s pop through London Records, the series reinforces the era’s influence on contemporary music trends.Series like Are We Do Doom and Stateside With Kai and Carter demonstrate podcasting’s capacity to translate complex global issues into accessible narratives.The blend of music, true‑crime, comedy and politics showcases the Guardian’s strategy to capture diverse listener interests, strengthening brand loyalty.Prediction: A Growing Emphasis on Multi‑Genre Podcast PortfoliosAs audiences gravitate toward on‑demand audio, media outlets will likely expand their podcast offerings across niche histories and urgent news, using frequent release schedules to maintain engagement. The Guardian’s current mix suggests future expansions into more deep‑dive cultural documentaries and real‑time news analysis, positioning podcasts as a core pillar of its digital strategy.

Lead: Knicks Deliver Historic Sweep in PhiladelphiaThe New York Knicks wrapped up a 144‑114 victory over the Philadelphia 76ers to close out a 4‑0 series sweep, highlighted by an NBA postseason record of 11 three‑pointers in the opening quarter.Knicks Set NBA Postseason Record with 11 Threes in First QuarterIn Game 4, the Knicks erupted early, converting 11 of 13 attempts from beyond the arc – a mark that ties the league’s best for a single quarter. Deuce McBride spearheaded the barrage, hitting four consecutive threes to spark a 20‑6 run and becoming the first Knick since 1997 to make four threes in the first quarter of a playoff game.Jalen Brunson added two threes in the quarter, contributing to the Knicks’ 11‑of‑13 shooting display.Josh Hart and Karl‑Anthony Towns each tallied 17 points.The Knicks finished the half with 54 points from 18 threes.Statistical Breakdown: 25 Threes, 144 Points, 30‑Point VictoryDeuce McBride finished with 25 points and tied the NBA postseason record by draining 25 three‑pointers. The team’s shooting efficiency translated into a 30‑point margin, the widest in a series‑closing game this postseason.Total threes: Knicks 25 (tied record), 76ers 13First‑half lead: Knicks 81‑57Series sweep: Knicks’ first best‑of‑seven sweep since the 1999 East semifinals.What the Sweep Means for the Eastern Conference LandscapeThe dominant performance not only propels the Knicks into the Eastern Conference finals for a second consecutive year but also signals a shift in fan dynamics. Thousands of Knicks supporters filled the Wells Fargo Center, waving “Always Knicks” towels and even raising brooms to mock the home crowd, underscoring the team’s growing national brand.For the 76ers, the loss extends a franchise‑wide drought: they have not advanced past the second round since 2001. Despite Joel Embiid scoring 24 points and Tyrese Maxey adding 17, the series highlighted Philadelphia’s defensive vulnerabilities against high‑volume three‑point shooting.Looking Ahead: Knicks’ Path to the Conference Finals and BeyondNew York now awaits the winner of the Cleveland‑Detroit series, a matchup currently led by the Pistons 2‑1. Coach Mike Brown, who replaced Tom Thibodeau last season, has already guided the Knicks to seven straight playoff wins.Key challenge: Containing the Eastern powerhouse that emerges from the Cleveland‑Detroit clash.Potential storyline: Whether the Knicks can sustain their three‑point firepower against a defensively disciplined opponent.Long‑term implication: A deep playoff run could cement the Knicks’ resurgence after a 25‑year conference‑final drought.