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The BBC Philharmonic, under the baton of John Storgårds, has released an album featuring Dmitri Shostakovich's Symphonies No 2 and 5. This pairing brings together one of the composer's most familiar works with one of his lesser-known pieces.The Symphony No 2, commissioned as propaganda for the 10th anniversary of the October Revolution, is an early experiment by the 21-year-old Shostakovich. It begins with eerie, foggy strings that slide up and down in an intangible, almost pitchless way, more akin to a sound effect than music. As it builds, the symphony becomes a perpetual motion melee, culminating in a celebratory chorus singing 'October, the Commune and Lenin'.In contrast, the Symphony No 5, written a decade later, showcases a more mature composer. Storgårds' interpretation doesn't quite capture the depth of darkness in the first movement, but his warmth in the harmonies brings the music to life. The third movement has a compelling stillness, while the finale expertly increases tension through small tempo changes.This album review highlights the stark contrast between Shostakovich's early experimentation and his later mastery. The performance by the BBC Philharmonic and John Storgårds is effective, making this album a valuable addition to any classical music collection.

Andris Nelsons' tenure with the Boston Symphony may have been cut short, but his work with the Gewandhaus Orchestra is a testament to his exceptional skill. This collection of Mendelssohn's symphonies and oratorios, recorded live between 2021 and 2024, highlights Nelsons' ability to bring out the best in the orchestra. The tempi are brisk but never rushed, and it's the phrasing that truly brings these performances to life. The Italian Symphony's opening movement is ultra-lithe, and the Scottish Symphony's scherzo features intricate woodwind work. Nelsons elevates the often-overlooked First Symphony to stand alongside its more colorful counterparts. The set includes two oratorios, Elias (Elijah) and Paulus (St Paul), sung in German. Elias boasts a distinguished lineup, including Golda Schultz and Wiebke Lehmkuhl, with Andrè Schuen delivering a standout performance in the title role. Nelsons' interpretation of Paulus is particularly noteworthy, bringing out the drama in this lesser-known work. This collection is a must-listen for classical music enthusiasts, offering a unique insight into Mendelssohn's works and Nelsons' exceptional conducting style. Stream it now on Apple Music or Spotify.

Renowned violinist Anne-Sophie Mutter continues her dedication to contemporary music with a bold new series on Alpha Classics titled 'East Meets West'. This album brings together four works specifically written for her, reflecting the diverse heritages of the composers.The album opens with Aftab Darvishi's 'Likoo', a six-minute solo piece that evokes a folk poetry genre from Iran. Originally composed before recent global conflicts, it now resonates with poignant significance. Next is Unsuk Chin's 'Gran Cadenza', a nine-minute duo with Mutter and Chinese-American violinist Nancy Zhou, characterized by a high-wire performance.The textures expand as Mutter is joined by Ye-Eun Choi, Muriel Razavi, and Pablo Ferrández for Jörg Widmann's 'String Quartet No 6'. Titled 'Studie über Beethoven', this piece reinterprets Beethoven's music with coruscating and often uproarious effects. The album concludes with Thomas Adès' 'Air', subtitled 'Homage to Sibelius', performed with the London Symphony Orchestra conducted by Adès himself.Stream the album on Apple Music or Spotify.

Classical music has long struggled to find relevance and impact in modern times, but a surprising solution may have been found in the form of a blue heeler puppy. Bluey, the Australian cartoon for children of all ages, has become a global phenomenon with over 45 billion minutes watched in the US alone and over 1 billion streams of its albums and soundtracks. The show's music, composed by Joff Bush, is a key factor in its success. Bush's soundtrack is remarkably diverse, incorporating a wide range of genres, including classical music. He seamlessly weaves in classical pieces from renowned composers like Bach, Beethoven, Mozart, and Holst, making them an integral part of the show's narrative. One notable example is the use of Mozart's Rondo alla Turca in the show's first episode, Magic Xylophone. This introduction to classical music is not done in a forced or condescending way; instead, Bush uses these pieces to enhance the emotional impact of each scene. For instance, Holst's Jupiter from The Planets is used in the Sleepytime episode to create a cosmic journey for Bingo. The new Bluey album, Up Here, continues this trend, featuring a three-and-a-half-minute orchestral tone-poem on the Bluey theme tune. This piece serves as a Young Person's Guide to the Orchestra for 2026, introducing listeners to various musical sections and instruments. The album also includes quotes and transformations of famous classical pieces, such as Mozart's Eine Kleine Nachtmusik and Vivaldi's Spring from The Four Seasons. Bush's approach to incorporating classical music into Bluey is refreshing and effective. Unlike previous cartoons that used classical music to parody or mock its elitist pretensions, Bluey presents these pieces in a joyful and organic way. This approach has the potential to introduce classical music to billions of listeners worldwide, making it a significant development in the classical music landscape.

Madeleine Dring, born in 1923, was a composer with an unconventional career that spanned theatre, pantomime, and cabaret. Despite her untimely death at 53, her music has been rediscovered, and her seriousness as a composer is now evident.The album Through the Centuries: Songs of Madeleine Dring, performed by Kitty Whately and Julius Drake, features a wide-ranging survey of Dring's work, drawing on poets from Shakespeare to her contemporaries. Dring's ability to find distinctive new melodies for old classics, such as It Was a Lover and His Lass, is showcased, along with her knack for word-setting.Whately's warm, supple mezzo-soprano brings these fervent outpourings to life, while Drake's piano accompaniment provides the perfect balance of support and independence. The album offers a variety of moods, from the passionate Love Is a Sickness and Echoes to the tongue-in-cheek Encouragements to a Lover and The Cuckoo.The encore, Dring's arrangement of Cole Porter's In the Still of the Night, is a delightful addition, showcasing her skill in reinterpreting popular songs. This album puts paid to any idea that Dring was not a serious composer, instead highlighting her unique voice and contribution to classical music.