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New research commissioned by Friends of the Earth Ireland and Beyond Fossil Fuels reveals that the rapid expansion of data centres in Ireland is silently inflating household electricity bills, creating what the authors call a "hidden data‑centre tax". Datacentre Power Surge Consumes 22% of Ireland’s Electricity According to the Central Statistics Office, data centres used 22% of the nation’s electricity last year – more than the combined consumption of all urban homes. By contrast, the United States and the United Kingdom each see data‑centre demand at roughly 6% of total electricity use. €715 million Drain and €360 Household Cost Spike (2015‑2023) €715 million has been extracted from the Irish economy as a net cost of data‑centre electricity demand. Average household bills rose by a cumulative €360 between 2015 and 2023. Modelling by Seán Fearon, post‑doctoral researcher at the Autonomous University of Barcelona, links the rise to increased hours where gas sets the system price. Ripple Effects on Irish Economy and European Energy Prices Jill McArdle of Beyond Fossil Fuels warns that Ireland’s experience is a warning sign for Europe: unchecked data‑centre growth can amplify energy‑price volatility, especially when combined with fossil‑gas dependence. Industry groups counter that data centres inject capital – €18 billion in recent years – and pay substantial corporate taxes, funding public infrastructure. Future Cost Trajectory: €295‑€644 per Household (2025‑2034) Fearon projects that, depending on growth rates, the average Irish household could incur an additional €295‑€644 in electricity costs over the 2025‑2034 decade, amounting to a national total between €633 million and €1.43 billion. Policy Outlook: Calls for EU Safeguards and Renewable Offsets Stakeholders urge the European Commission to tighten safeguards, ensuring new data centres are matched with renewable‑energy capacity. Without such measures, the sector could lock Europe into a “toxic mix” of high‑demand tech and volatile fossil‑gas pricing.

The Lead: A Minimalist Challenge to the Smartphone EraAdvocates of ultra‑basic mobile phones are urging a cultural shift away from the always‑on, data‑hungry smartphones that dominate today’s market. They claim that a return to simple, disconnected devices can improve mental health, protect privacy and reduce electronic waste.The Rise of the Dumbphone MovementIn recent years, niche online forums, social‑media groups and small manufacturers have begun promoting “dumbphones” – devices that offer calls, texts and limited internet access without the app ecosystems that drive modern smartphones. The movement frames these phones as a form of digital minimalism, positioning them as an antidote to screen addiction and data‑tracking practices.Market Signals: Sales and DemographicsIndustry observers note a modest but steady uptick in feature‑phone shipments, especially in Europe and North America where consumers cite privacy concerns and a desire for reduced distraction. Younger users, particularly those in the 18‑30 age bracket, are experimenting with these devices as a statement against the constant connectivity of mainstream smartphones.Why Consumers Are Reconsidering SmartphonesPrivacy: Feature phones lack the extensive sensors and background data collection of smartphones, limiting exposure to tracking.Health: Reduced screen time is linked to lower rates of eye strain, sleep disruption and anxiety.Environment: Simpler hardware extends device lifespan and generates less e‑waste, aligning with growing sustainability goals.Cost: Basic phones are significantly cheaper to purchase and maintain, appealing to budget‑conscious shoppers.What the Future Holds for Minimalist MobileIf the trend continues, manufacturers may introduce hybrid models that blend essential communication features with limited smart capabilities, creating a new product category. Telecom operators could also adapt by offering tailored plans that reward low‑data usage. However, widespread adoption will depend on whether the movement can overcome the network effects and app ecosystems that keep smartphones entrenched.

The Hidden Cost Excluding PhD Parents from Childcare SupportThe education secretary, Bridget Phillipson, has asked the Competition and Markets Authority to examine hidden childcare charges. At the same time, the Department for Education’s own eligibility criteria for the 30 hours of funded childcare leave a large group of doctoral researchers without support.Eligibility Rules That Bar PhD Stipend EarnersPhD students on a typical UK Research and Innovation‑funded course earn roughly £20,000 a year. Because their stipend does not meet the narrow definition of “income” used to qualify for the scheme, they are denied the benefit that most working families receive.Eligibility hinges on a technical income definition set by the Conservatives.The Department for Education suggested qualifying by adding 16 hours of part‑time work per week.£8,000 Gap and Income ThresholdsThe author estimates that a PhD‑parent family misses out on about £8,000 of childcare support over the eligible period. This shortfall represents a substantial portion of a household earning £20,000 annually.Funded childcare is intended for families with children under five, offering up to 30 hours per week.PhD stipends fall below the income threshold, despite the parents’ “working family” status.Consequences for Academic Talent and Family ChoicesWithout the support, many doctoral candidates face a dilemma between continuing their research and leaving the programme to seek paid employment. The loss of potential scientists and clinicians could weaken the UK’s research pipeline.Reduced diversity in higher‑education research staff.Potential brain‑drain as talented individuals seek more supportive environments abroad.Possible Policy Revisions Under a Labour AdministrationThe author argues that a future Labour government should broaden the definition of qualifying income and remove the “nerd tax”. A review by the CMA could pave the way for more inclusive criteria, aligning the scheme with its stated goal of supporting working families.Re‑evaluate income definitions to include stipend‑based earnings.Consider flexible work‑hour requirements that recognise doctoral research commitments.

The Need for Air Conditioning in the UK British homeowners are rapidly acquiring air conditioners as the climate crisis superheats our summers. An estimated 4m homes have an air conditioner, double the figure from three years ago. Can Air Conditioning Be Green? Because air-conditioning units use more energy than other cooling devices, this results in more carbon emissions. Using a portable unit for an average of eight hours a day during the summer would result in about 4.87kg of CO2 emissions, roughly equivalent to driving 18 miles. Options for Greener Air Conditioning One approach could be running it only when there is a high level of renewable energy on the grid – for example during the sunniest part of the day. You may choose to pre-cool rooms before the evening peak in electricity demand. Or you could power the air conditioner with a home battery that charges up during renewable energy surpluses, helping you make the most of renewables without owning them yourself. Types of Air Conditioning It’s important to note that not all air conditioners are alike. Portable versions were relatively inefficient. If you invest in built-in air conditioning, make sure you get the right size unit for the room you’ll be cooling. A wall-mounted unit powerful enough (12,000 BTU) to cool the average British bedroom costs about £750, plus £1,150 for installation. Alternative Cooling Methods Air conditioners work using the same principle as heat pumps – they move heat from one place to another with the help of a refrigerant fluid. But the devices generally referred to as “air-to-air heat pumps” are reversible and can provide heating as well as cooling. Homeowners who switched from oil or gas heating to an electric-powered air-to-air heat pump, and used it for winter heating and summer cooling, were decarbonising their homes.

The Water Outage Crisis in Kent "Spitting, fuming, angry and powerless" is how Pat Prestage describes her emotions after a water outage that has affected thousands of homes in Kent during the heatwave. The Extent of the Outages On Wednesday, 8,000 South East Water customers in Whitstable lost water, with 14,000 more in Tankerton, Ashford, and its surrounding areas facing an intermittent supply or low pressure. South East Water's incident manager, Matthew Dean, said on Thursday that 22,000 people had had water supply problems. The Company's Response The company blamed increased demand in the hot weather and asked people to use water only for essential purposes. Customer Frustration Prestage, 67, lives with a disability that makes her more vulnerable to events like this. At 6.30pm on Wednesday, Prestage's water supply in Whitstable went off. Her husband, Martin, tried to ring for an emergency delivery but could not get through to South East Water's emergency line. On Thursday morning, he spent more than an hour queueing for water at a bottle station. The Impact on Residents The Prestages are angry at the company's response, particularly its co-option of what the couple describe as the "blitz spirit" in asking customers with water to ease up on their usage to help those without.

The Lead: Pakistan's Dominant Start to ODI SeriesPakistan secured a comprehensive victory over Australia in the first of three one-day internationals, with debutant spinner Arafat Minhas delivering a stunning five-wicket haul and then contributing with the bat to seal the win. The 21-year-old left-arm spinner's performance, combined with solid batting from Babar Azam and Muhammad Ghazi Ghori, helped Pakistan chase down Australia's target with ease in Rawalpindi.The Event Details: Minhas' Match-Winning PerformanceMinhas, making his ODI debut, put Australia in a spin with his tricky left-arm variation, plundering five wickets for just 32 runs. The young spinner cleaned out the Australia top order, trapping Josh Inglis for 13 and Marnus Labuschagne for a duck. His magical delivery that hit the top of Cameron Green's off-stump, spinning away from the right-hander, was particularly impressive. Minhas capped his brilliant performance by hitting 18 runs, including a towering six to seal the five-wicket victory with 45 balls remaining.The Data Analysis: Key Match StatisticsAustralia struggled to post a respectable total of 200, with Matt Renshaw top-scoring with 61 and Matt Short contributing 55 from the opening partnership. The visitors were hampered by the absence of first-choice bowlers Pat Cummins, Josh Hazlewood, and Mitchell Starc, as well as Adam Zampa who was ruled out late due to neck spasms. Pakistan's chase was built on a solid 134-run partnership between Babar Azam (69) and Muhammad Ghazi Ghori (65), with the home side reaching the target with 45 balls to spare.The Impact Analysis: Shifting Momentum in the SeriesThis victory represents a significant boost for Pakistan's confidence, especially after their recent performances. The performance of young debutants like Minhas and Oliver Peake (Australia's youngest-ever specialist ODI batter at 19) highlights the changing landscape of international cricket. For Australia, the loss exposes vulnerabilities in their batting lineup, particularly against spin bowling, and raises questions about their strategy without their premier fast bowlers. The result puts Pakistan in a strong position to win the three-match series.The Prediction: What Happens Next in the SeriesWith momentum firmly in their favor, Pakistan will be confident heading into the remaining two matches in Lahore. Australia will need to regroup quickly and find solutions to counter Pakistan's spin attack, especially with the same conditions likely to prevail. The series continues with matches on Tuesday and Thursday, and if Pakistan maintains this level of performance, they are well-positioned to secure a series victory. The absence of key Australian players could prove decisive in the remaining games.

Colin Matthews: A Life of Influence on UK Classical Music It's hard to think of a single figure who has been so influential on contemporary UK classical music for so long as Colin Matthews, who turned 80 earlier this year. This release from the Nash Ensemble, conducted by Jessica Cottis, showcases his works for voice and chamber group. The Kaleidoscopic Sound World of Seascapes What's striking throughout these four song cycles is the kaleidoscopic sound world he creates with such forensic precision, whether he has seven players to work with or 17. The songs teem with detail; some would almost work without the singer. And yet the vocal line remains the focus. Exploring the Album's Tracks The Island (2007), setting three poems by Rilke, was written for Claire Booth's cool-water soprano; she's also the soloist in Seascapes (2020) and A Land of Rain (2017), and sounds as vibrant as ever, even if occasionally the words get lost in the supple musical lines she is sculpting. In 2018's As Time Returns, it's the baritone Marcus Farnsworth who sings Ivan Blatný's poetry, with honeyed tone and disarming clarity. A Land of Rain: A Study in Interpretation The largest-scale work is A Land of Rain: 10 songs setting words by the poet Nicholas Moore, taken from the 31 different translations he made of a single Baudelaire poem (entries to a newspaper competition, submitted under 31 variously silly pseudonyms). Matthews's music, moving chameleon-like through different styles, brings them alive as a study in how words can be reinterpreted from a myriad of angles. The last song sets the French original – and as the musical strands finally coalesce, in almost Mahlerian style, it's as if all the other songs were a daydream. Listening to Seascapes Listen on Apple Music (above) or Spotify

The Lead: A Provocative Debut Rozie Kelly's frank and feisty debut novel, Kingfisher, has been shortlisted for this year's Women's Prize for Fiction and begins with a case of lust at first sight. The unnamed narrator, a 35-year-old writer, becomes infatuated with a famous poet 17 years his senior, setting the stage for a complex exploration of desire, power dynamics, and unconventional relationships. The Novel's Premise: An Unconventional Attraction The novel introduces us to a "beautiful" 35-year-old writer in a complicated but loving relationship with the equally beautiful but somewhat boring Michael. The object of his sudden attraction is a renowned poet running a popular course at the same university. Despite barely knowing her, he experiences an intense desire "to be inside her," expressing surprise at his own reaction: "A woman! What was the world coming to?" The narrator's infatuation is initially fueled by the poet's success, wealth, and fame, though he also admits to wanting to subjugate her, "to push her down, to render her imperious intelligence stupid with the weight of my body." Thematic Exploration: Love, Lust, and Power Kelly shrewdly explores the different forms love and lust can take, complicated by shifting power dynamics. The relationship begins when the poet and narrator meet to discuss his (nonexistent) poetry collection, leading to an unexpected night together. As their relationship develops, particularly after the poet receives a terminal cancer diagnosis, they settle into the rhythms of a loving relationship. The narrative also explores the narrator's complicated relationship with his racist and homophobic mother, Hetty, confined to a care home, and his deteriorating relationship with Michael, who eventually leaves him for a younger partner. Narrative Structure: Stylistic Uncertainties Despite a confident start and intriguing premise, Kingfisher suffers from narrative inconsistencies. Interesting characters are established then forgotten, and narrative threads are never fully developed. The novel struggles with tonal shifts, moving from "bracing language and violent desires" to "bedside solicitude and quiet domesticity." A late-stage shift into gothic fantasy further destabilizes the narrative, with the ending dangerously approaching "it was all a dream" territory. Throughout, the narrator questions the nature of their relationship: "Who's using who here, do we think?" The answer, as presented in the novel, is that both characters are using each other, as "writers on the make; everyone is potential copy." Critical Assessment: Verve Without Fire Kingfisher possesses considerable verve and energy, demonstrating Kelly's willingness to take risks and embrace absurdity. The novel "crackles and sparks," but ultimately "never quite catches fire." While the book successfully challenges conventional narratives about love and desire, particularly through its exploration of non-traditional relationships and power dynamics, it fails to maintain its initial momentum. The narrative uncertainty and inconsistent tone prevent what could have been a groundbreaking exploration of contemporary relationships from achieving its full potential.

The Eggshell Innovation That Captured a Prestigious Design AwardIn a remarkable fusion of sustainability and design, Melbourne furniture designer Joanne Odisho has transformed thousands of discarded eggshells from local cafes into award-winning lighting fixtures. Her Mod-u lamps, featuring a distinctive Jenga-like configuration of re-arrangeable blocks, recently secured the coveted Australian Furniture Design award—one of the country's richest design competitions—showcasing the potential of food waste as a valuable design material.The Revolutionary Process Behind Eggshell FurnitureOdisho's innovative process begins with collecting discarded eggshells from Melbourne cafes, which she then sterilizes, dries, and pulverizes using a Nutribullet. The resulting fine powder is combined with a biopolymer to create a substance with the consistency of wet sand. This mixture is poured into molds and left to dry naturally for approximately one week, forming a durable, rock-like material that maintains the natural palette of eggshells without requiring any dyes.Remarkably, the setting agent—a household product that Odisho keeps proprietary to prevent copying—is completely biodegradable, and the entire process can be completed in a home kitchen without firing or specialized equipment. The resulting material is not only cheap and durable but also fully compostable, addressing both environmental concerns and design functionality.The Award Recognition and Commercial PotentialStylecraft, a Melbourne-based furniture company established in 1953, has overseen the biannual Furniture Design award since 2015. This year's theme, 'living well, living small,' challenged designers to create pieces that enhance comfort, functionality, and wellbeing within compact spaces. Odisho's entry stood out among over 500 submissions, impressing jury member Tony Russell with its innovative use of eggshells and versatile design that could function as table lamps, floor lamps, or feature pieces.The $20,000 prize not only recognizes Odisho's achievement but also provides the opportunity to collaborate with Stylecraft on commercial production and market distribution. This represents a significant milestone for sustainable design, potentially bringing eggshell-based furniture to mainstream markets.The Impact on Sustainable Design PracticesOdisho's breakthrough comes at a critical time when designers and manufacturers are increasingly seeking alternatives to petroleum-based materials and addressing the environmental impact of waste. Her success demonstrates that everyday food waste materials can be transformed into high-value design products without compromising on aesthetics or functionality.The recognition of her work by one of Australia's most prestigious design awards signals a shift in the industry's values, moving beyond mere aesthetics to embrace sustainability and circular economy principles. This win may inspire more designers to explore unconventional materials and challenge traditional manufacturing processes.The Future of Eggshell Design and BeyondLooking ahead, Odisho plans to continue her collaboration with Stylecraft, though she hasn't yet determined her next project direction. While she may develop variations of her award-winning lamps, she has expressed strong interest in exploring soft furnishings, potentially creating modular sofas using the same eggshell composite technology.As the design community increasingly prioritizes sustainability, Odisho's innovative approach could pave the way for new applications of food waste in furniture and product design. Her success story may encourage more designers to view waste not as a disposal problem but as an untapped resource with untapped potential.