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A New York jury has ruled against Ticketmaster and Live Nation, finding that the concert giant and its subsidiary had a harmful monopoly over big concert venues. The verdict is a significant loss for the companies, which were sued by dozens of states in the US over claims of anticompetitive practices.The jury deliberated for four days before reaching its decision, which could cost Live Nation and Ticketmaster hundreds of millions of dollars. The companies were found to have overcharged consumers in 22 states by $1.72 per ticket. The verdict also opens the door for potential penalties and sanctions, including court orders to divest some entities, such as venues.The civil case, initially led by the US federal government, accused Live Nation of using its reach to smother competition by blocking venues from using multiple ticket sellers. The company's lawyers argued that it is not a monopoly, saying that artists, sports teams, and venues decide prices and ticketing practices.Live Nation Entertainment owns, operates, controls booking for, or has an equity interest in hundreds of venues. Its subsidiary Ticketmaster is widely considered to be the world's largest ticket-seller for live events, controlling 86 percent of the market for concerts and 73 percent of the overall market when sporting events are included.The verdict marks a significant victory for fans and some artists who have long complained about Ticketmaster's high fees and limited competition. The company has faced criticism from artists such as Pearl Jam, which battled the business in the 1990s and filed an antimonopoly complaint with the US Department of Justice.

Uzbek grandmaster Javokhir Sindarov has emerged victorious in the chess Candidates Tournament, drawing with Dutchman Anish Giri to set up a highly anticipated World Championship match against India's Gukesh Dommaraju.The 20-year-old Sindarov dominated the event in Cyprus, winning six of his 13 games and losing none. This impressive performance earned him 9.5 points, two clear of second-placed Giri on 7.5.Sindarov's victory marks a significant milestone in his career, and he expressed his relief and happiness after the tournament. 'It was the hardest week in my life. I even slept really bad the last few days. I am very happy to finish this tournament with a win,' he said.The World Championship match against Gukesh, who won the title in 2024 by defeating China's Ding Liren, is expected to be a challenging encounter. Sindarov acknowledged Gukesh's experience but expressed confidence in his own abilities, stating, 'Gukesh has an experience of playing at this level. But I have a very good team. I have a lot to work on, and I will work a lot for this and take my chances.'While Sindarov's breakthrough and the rise of a younger generation may spark speculation about a potential comeback by Magnus Carlsen, the Norwegian has stated that he has no intention of returning to the classical World Championship cycle.A precise date and venue for the World Championship match have yet to be announced.

In a landmark decision, a Manhattan federal jury determined that Live Nation and its Ticketmaster subsidiary wield a monopolistic grip on major concert venues across the United States. The four‑day deliberation ended Wednesday with a finding that the ticket‑selling platform had overcharged buyers by $1.72 per ticket, a figure that will now be used by a judge to calculate total damages. The case, originally spearheaded by the federal government and later joined by dozens of states, accused Live Nation of leveraging its extensive venue network to stifle competition. Plaintiffs argued that the company barred venues from using alternative ticket sellers and retaliated against those that attempted to do so. Attorney Jeffrey Kessler, representing the states, called Live Nation a “monopolistic bully” that inflates prices for concertgoers. He cited the company’s control of 86% of the concert‑ticket market and 73% of the combined concert‑and‑sports market, underscoring the breadth of its influence. Live Nation, which reported over $22 billion in annual revenue, rejected the monopoly label, insisting that pricing decisions rest with artists, sports teams, and venue owners. Company counsel argued that the firm’s size reflects “excellence and effort,” not antitrust violations. The jury’s finding arrives amid a broader regulatory push. In 2024, the Federal Trade Commission required Ticketmaster to disclose ticket fees up front, prompting the company to eliminate a post‑checkout processing charge. However, a recent Guardian investigation revealed that Ticketmaster introduced alternative fees to offset lost revenue, raising questions about compliance with FTC rules. Earlier, the Department of Justice settled with Live Nation under the Trump administration, creating a $280 million settlement fund for participating states. The agreement also imposed caps on service fees at select amphitheaters and opened the door—though not the obligation—for venues to work with Ticketmaster rivals such as SeatGeek and AXS. More than 30 states declined the settlement and pursued the trial, arguing that the federal government’s concessions were insufficient. During the proceedings, Live Nation CEO Michael Rapino testified, including about the 2022 Taylor Swift ticket fiasco, which he attributed to a cyber‑attack. Internal communications from Live Nation executive Benjamin Baker surfaced, in which he described certain pricing practices as “outrageous” and disparaged customers as “so stupid,” later apologizing for the “very immature and unacceptable” remarks. Live Nation has announced its intention to appeal the verdict, stating confidence that the ultimate outcome will align with the original DOJ settlement framework. The case continues to spotlight the tension between dominant market players and antitrust enforcement in the live‑entertainment industry.

Madonna has confirmed the arrival of her 15th studio album, "Confessions II," positioned as a direct follow‑up to the 2005 disco‑infused masterpiece Confessions on a Dance Floor. The new record is scheduled to drop on 3 July 2026 and reunites the pop icon with British producer Stuart Price, who helmed the original. In a candid statement, Madonna framed the project as a manifesto for dance: "We must dance, celebrate, and pray with our bodies… the dance floor is a ritualistic space where we connect with our wounds and fragility." She emphasized that rave culture is an art form that reshapes perception through sound, light, and vibration. The artist also quoted lyrics from a forthcoming track, One Step Away, underscoring the theme: "People think that dance music is superficial, but they’ve got it all wrong. The dancefloor is not just a place, it’s a threshold—a ritualistic space where movement replaces language." Accompanying the announcement, Madonna posted a YouTube teaser featuring a deep‑house groove layered with a spoken soliloquy: “Thanks for coming… on the dancefloor I feel so free.” The video, embedded below, offers the first audible glimpse of the album’s direction. Critics anticipate that Confessions II will revive the nightclub‑centric sound that powered hits such as Vogue, Music and the Abba‑sampled lead single Hung Up. Those tracks cemented Madonna’s return to global mega‑pop status after the lukewarm reception of 2003’s American Life. Since the original Confessions, Madonna has explored a variety of styles—pop, R&B, hip‑hop on Hard Candy, MDNA, and Rebel Heart, then the eclectic, Portuguese‑fado‑infused Madame X. She has also revisited her back catalogue with releases like Veronica Electronica (remixes from the Ray of Light era) and the EP Bedtime Stories: The Untold Chapter, which unearthed demos from 1994. Stuart Price, known for projects such as Les Rythmes Digitales, Zoot Woman and Thin White Duke, previously helped shape Confessions on a Dance Floor into a chart‑topping phenomenon—"Hung Up" reached No. 1 in 41 countries, and its follow‑up single "Sorry" topped the UK charts. Madonna’s recent collaborations include the track Popular with The Weeknd and Playboi Carti for the TV series The Idol, as well as a partnership with Christine and the Queens, signaling her continued relevance across genres. After surviving a severe bacterial infection in 2023 that required a medically induced coma, she launched the expansive Celebration tour, culminating in a historic concert for 1.6 million fans in Rio de Janeiro. The upcoming album therefore arrives at a moment when Madonna’s live presence and cultural influence are at a peak.

The Leeds Song Festival, a top-tier celebration of the vocal arts, continues to push the envelope with its innovative performances. Director Joseph Middleton's determination to think outside the box while honoring the festival's roots in traditional recitals is evident in two vastly different concerts.The first, 'Haiku', premiered last year in Minnesota and features eight poems taken from a collection of haiku written by Japanese Americans interned during World War II. Baritone Roderick Williams and pianist Iain Burnside brought these distilled musical morsels to life, exploring themes of exile, detention, and deportation.Williams, a master storyteller, breathed life into the songs with his warm vocal embrace and expressive physicality, bringing pain and pathos, wit and wisdom to a kaleidoscopic array of songs. Burnside was his equal, providing a generous and supportive piano accompaniment.The program included highlights such as Gerald Finzi's setting of Thomas Hardy, 'Waiting Both', and Joan Trimble's 'My Grief on the Sea', a delicate Irish love song. The evening ended with Maria Grever's rumba-inflected 'What a Diff'rence a Day Made', a perfect laid-back note.The second concert, 'Dunwich', a festival commission, stretched the idea of a traditional recital to the limit. This haunting soundscape combined field recordings made at the site of Dunwich's last remaining gravestone with Martin Iddon's shape-shifting writing for piano. The piece featured slyly sinister accounts of local ghost stories, delivered by speaker Gillian Jane Lees, and eerie black-and-white videos by Adam York Gregory.

A Parisian software engineer, Ari Hodara, has won a €1m Picasso painting in a charity raffle. The painting, 'Head of a Woman', was created by Pablo Picasso in 1941 and is part of the artist's collection.Hodara purchased a €100 ticket for the '1 Picasso for €100' lottery, which aimed to raise funds for Alzheimer's research. He was informed of his win via a video call from Christie's auction house in Paris and initially questioned whether it was a hoax.The raffle, organized by French television producer Péri Cochin, sold 120,000 tickets, generating €12m in revenue. Of this amount, €1m will be donated to the Opera Gallery, which owned the painting.The painting, 'Head of a Woman', is a portrait of Picasso's longtime muse and partner, Dora Maar. It was painted in the same studio where Picasso created his 1937 masterpiece, Guernica.This is the third iteration of the Picasso raffle, which has raised over €10m for cultural and humanitarian causes in previous years.

The Al-Aqsa Mosque compound in Jerusalem reopened on April 9, allowing over 100,000 Muslim worshippers to perform Friday prayers for the first time since the conflict began on February 28. However, the celebrations were marred by an overwhelming Israeli security presence and police violently detaining Palestinian Christian scouts during processions.Israeli National Security Minister Itamar Ben-Gvir stormed the Al-Aqsa compound under police protection on April 7 and 12, performing Jewish religious rituals and declaring himself the 'master of the house.' This move was condemned by Jordan's Foreign Ministry as a violation of the site's status quo.In the Gaza Strip, Israeli air strikes and artillery fire continued despite the Iran ceasefire. On April 8, Israeli forces killed Al Jazeera journalist Mohammed Wishah in a drone strike, bringing the total number of Palestinian media workers killed since October 2023 to at least 262.The Gaza Ministry of Health reported that 754 Palestinians have been killed and over 2,100 injured since the October ceasefire, with a cumulative official death toll of 72,333 since October 7, 2023. The humanitarian crisis deepens with long bread lines and insufficient aid, while the Nasser Medical Complex faces fuel shortages and rationed electricity.Diplomatic efforts continue, with Hamas discussing the implementation of the ceasefire's second phase with the Board of Peace envoy in Cairo. However, settler violence and Israeli military actions persist, with 34 new settlements approved across the West Bank, bringing the total to 102 under the current government.

While travelling back from Aintree, a spotty Wi‑Fi connection caused the live stream of The Masters to freeze, prompting a moment of reflection: after witnessing the Grand National, a Champions League showdown between Real Madrid and Bayern Munich, and the Premier League’s decisive fixtures, could any other month rival April’s sporting intensity? April consistently delivers a perfect storm of marquee events. Augusta National showcases world‑class golf, club football reaches a crescendo of tension, and the historic Grand National provides its own brand of drama. Meanwhile, the cobbled classic Paris‑Roubaix, the opening of the County Championship cricket season, the World Snooker Championship, and the iconic London Marathon all add layers to the month’s appeal. Some may argue for July, citing the Wimbledon‑US Open double‑header and the Tour de France, or point to quadrennial spectacles such as the World Cup and the Olympics. Yet those events are infrequent; April offers high‑octane action every year. The Masters alone epitomised April’s unpredictability. Rory McIlroy entered the final round with a six‑shot lead, only to slip back before rallying with four birdies in seven holes to clinch a historic repeat. Justin Rose surged with four birdies to seize a two‑shot advantage, then dramatically faltered with a bogey, a mis‑played chip and a five‑stroke hole that erased his lead. These swings underscore the razor‑thin margins that define Augusta’s final day – a single mis‑step on the 17th or 18th could rewrite the leaderboard. Club football’s April drama is equally compelling. The Champions League quarter‑final first leg between Real Madrid and Bayern Munich produced a staggering 40 shots, 16 on target, turning a seemingly routine tie into a nail‑biter. Similar fireworks unfolded in past Aprils, from Aston Villa’s epic battle with Paris Saint‑Germain to Inter’s 7‑6 semi‑final thriller against Barcelona, and the 2024 knockout drama that saw Manchester City survive penalties against Real Madrid while PSG outscored Barcelona 6‑4. In the Premier League, April often decides the title race. The 2024 season saw Arsenal toppled 2‑0 by Aston Villa, a loss that ultimately left them two points behind Manchester City. Earlier years featured similar turning points, such as City’s 2‑2 stalemate with Liverpool in 2022 that effectively secured their championship. The Grand National added its own chapter, with I Am Maximus clawing back from ten lengths behind to claim a second victory. Safety reforms have reduced fatalities – the 2024 race recorded seven fallers and seven unseated riders but, crucially, no deaths. On the roads, Wout van Aert edged out Tadej Pogacar in a heart‑stopping sprint finish at Paris‑Roubaix**, after five grueling hours of cobbles, punctures and relentless attacks. Van Aert’s emotional tears highlighted the race’s brutal beauty. All these narratives converge to make April a uniquely packed month of sport, offering a blend of historic tradition, high‑stakes competition, and unforgettable moments that keep fans glued to their screens.

Javokhir Sindarov, the 20‑year‑old Uzbek grandmaster, sealed his place as the challenger for Gukesh Dommaraju’s world chess title after winning the Candidates tournament in Cyprus with a game to spare. Playing Black against Dutch veteran Anish Giri, Sindarov drew a calm 58‑move game that lifted him to 9½ points out of a possible 14, leaving the world No. 9 two points behind with one round remaining. "After the queen exchange I felt no pressure at all; the game was comfortable for me," Sindarov said, reflecting the composure that defined his wire‑to‑wire triumph. The Candidates, a double‑round‑robin featuring eight of the world’s best, saw Sindarov dominate with six wins and seven draws, an unbeaten run rarely achieved on such a cut‑throat stage. He will finish the event with a dead‑rubber white game against China’s Wei Yi. His victory not only earns him a shot at the world title—likely in November—but also a winner’s share of €70,000 from the €700,000 prize fund, plus an extra €5,000 for each half‑point scored. The result highlights a broader shift in elite chess. Former top‑seed Americans Fabiano Caruana and Hikaru Nakamura failed to mount serious challenges, underscoring the rise of a younger generation. Gukesh, who became the youngest world champion in history two years ago by defeating Ding Liren, will defend his title against another teenager. This will be the second consecutive world‑championship match featuring two Asian players under 21, a historic first in the 138‑year legacy of the event. While Gukesh’s recent form has dipped—he finished joint‑last at the Prague International Chess Festival—he remains a formidable opponent. Sindarov praised his challenger, noting Gukesh’s "strong skills" and "excellent team," and wished him luck. Having risen to a career‑best world ranking of No. 11 after winning the 2025 FIDE World Cup, Sindarov’s rapid ascent contrasts with Gukesh’s recent struggles, which the Indian prodigy attributes to a deliberate reduction in tournament intensity to regain form. When asked if the prospect of playing for the sport’s most coveted title had sunk in, Sindarov replied, "A year ago I would never have believed it, but I have improved dramatically and I am eager to keep getting better." The exact date and venue for the best‑of‑14‑games world championship match remain to be announced.